Welcome to the Category Archive for Reviews
- Review: 'The Holdovers' is a Throwback in All the Best Ways
- Ridley Scott's 'Napoleon' Is a Total Mess But an Absolute Blast
- Review: 'The Hunger Games: The Ballad of Songbirds & Snakes' Is The Best Film In The Franchise
- Review: 'Saltburn' Is An Acidic Class Satire Of Righteous Queer Fury
- David Fincher's 'The Killer' Is An Unblinking Sociopathic Master-Class Of Fun
- 'Dream Scenario' Is Nightmare Fuel
- Review: 'Fingernails' is a Romantic Tale with No Love and No Logic
- Netflix's 'All the Light We Cannot See' Is Trite, Clumsy, and Occasionally Aggravating
- Review: 'Priscilla' Puts 'Elvis' On Blast
- Review: 'Suitable Flesh' Is Here To Penetrate Yours With Lovecraftian Lunacy
- Review: 'Killers of the Flower Moon' Is Top Tier Scorsese, Again
- Review: Bradley Cooper's Vapid 'Maestro' Is an Empty, Craven Affront
- Review: Natalie Portman and Julianne Moore Unravel True Crime With 'May December'
- Review: Dirty Beautiful Josh O'Connor Digs Up The Past In 'La Chimera'
- The 'Ahsoka' Finale Chose 'Pew Pew Pew' Over Its Best Characters
- Review: Emma Stone Is The Lightning That Animates 'Poor Things'
- Review: 'All Of Us Strangers' Is An Astonishment
- Episode 7 Recap: 'Ahsoka' Refuses to Move Past Fan Service
- Spoilers: 'Expend4bles' Is Miser4ble
- Episode 6 Recap: 'Ahsoka' Finally Hit Its Weird, Surprisingly Metal Stride
- 'Hell of a Summer' Review: Finn Wolfhard and Billy Bryk Made a Boring Slasher Comedy
- The Endlessly Magnetic Colman Domingo Elevates the By-The-Numbers Biopic 'Rustin'
- 'Viva Varda!' Does Justice to a Filmmaking Legend's Life in One Hour
- Netflix's 'El Conde' Is a Magnificently Black-Hearted Little Wonder of a Thing
- 'Boy Kills World' Is a Throat Punch Weirdo Action Darling
- With 'A Haunting in Venice' Kenneth Branagh Finally Gets His Hercules Poirot Right
- 'Ahsoka' Heard You Like Nostalgia and Fog, Butt Tons of Fog
- 'The Contestant' Reveals The Horrifying Birth of Modern Reality TV
- Review: Nyad, Starring Annette Bening, is Just Another Biopic
- 'Dumb Money' Is the Loud Music Finance Bullshit You Want it to Be
- Review: 'Humanist Vampire Seeking Consenting Suicidal Person' Is As Delightful As Its Title
- In 'The End We Start From,' Jodie Comer Takes on Motherhood
- Anna Kendrick's Directorial Debut 'Woman of the Hour' Explores Misogyny Amid a Killer's Spree
- Review: 'Smugglers' is a Slick and Satisfying '70s Korean Crime Movie
- Richard Linklater's 'Hit Man' Is the Best Possible Use of Glen Powell's No-Face
- Review: 'Next Goal Wins' is Too Much Taika, Not Enough Heart
- Colman Domingo Dominates in Striking 'Sing Sing'
- 'Orlando, My Political Biography' is Part Memoir, Part Literary Adaptation, Part Revolution
- Elliot Page Reminds Audiences of His Talent in the Earnest if Muddled 'Close To You'
- 'Nickelback: Hate to Love' is a Musical Doc About Rock's Punching Bag
- Review: 'They Shot the Piano Player,' Starring Jeff Goldblum, Review
- With 'The Boy and the Heron,' Hayao Miyazaki Makes Another Masterpiece
- In 'Evil Does Not Exist', Ryusuke Hamaguchi Offers a Quiet Exploration of Man Vs Nature
- Recap: 'Ahsoka' Finally Unleashed Ray Stevenson in a Meatier Episode 4
- Recap: 'Ahsoka' Episode 3 Is Empty 'Star Wars' Calories
- Review: 'Bottoms' Is Tops!
- Episode 1 Recap: 'Ahsoka' Knows What 'Star Wars' Fans Want: Dramatic Pauses
- 'The Eight Mountains' Is Manufactured for Maximum Middle-Aged Man Tears
- Review: 'Blue Beetle' Starring Xolo Maridueña and Susan Sarandon
- Lizzy Caplan's 'Cobweb' May Be the Best Halloween Movie of the Year
- Review: 'TMNT: Mutant Mayhem' Is Silly, Safe, and Still a Good Time
- Review: 'Meg 2: The Trench' Is Meggier, Messier
- Review: The Heat Generated In Ira Sachs' 'Passages' Will Scorch Your Soul
- Review: Nicolas Cage Burns It Down, Again, In 'Sympathy For the Devil'
- Review: Stunning, Sterile 'Oppenheimer' is Christopher Nolan at His Best and Worst
- Netflix's 'They Cloned Tyrone' Learned the Right Lessons From 'Get Out'
- Review: 'Barbie' Becomes Death, Destroyer of Worlds
- Review: Christian Petzold's Emotional Apocalypse Will Set Your Summer 'Afire'
- 'Mission Impossible: Dead Reckoning Part One': The Franchise Isn't Perfect Anymore
- Sarah Snook's 'Run Rabbit Run' Moves at a Tortoise's Pace
- 'Indiana Jones and the Dial of Destiny' Rewinds the Clock For One More Grand Adventure
- Review: 'No Hard Feelings' Is Here for a Good Time, Not a Long Time
- Review: 'Asteroid City' Is One of Wes Anderson's Very Best Movies
- Review: Scary Good 'The Blackening' Serves Up Hilariously Sharp Wit in Spades
- Laura Galán Snatches The Scream Queen Crown Via 'One Night With Adela"
- Ari Aster's 'Beau is Afraid' Is Truly Madly Deeply Not for Everybody, Thank God
- Review: 'Clueless' Goes To Hell In 'Perpetrator'
- Review: 'The Boogeyman' is Honestly, Whatever
- Review: Mo Ryan's 'Burn It Down' Takes on a Culture of Abuse in Hollywood
- Review: 'The Little Mermaid' Offers a Glimpse of a Bleak Movie Future
- Nicole Holofcener Tackles a Writer's Worst Nightmare in 'You Hurt My Feelings'
- Review: 'Anna Nicole Smith: You Don't Know Me' Rehashes History to Malign its Subject
- 'Chevalier' Review: Trailblazing Virtuoso Takes Center Stage in an Underwhelming Biopic
- Review: With 'Baby J,' John Mulaney Returns To Discuss Almost Everything You Want Him To
- Review: Is 'Guy Ritchie's The Covenant' Based on a True Story?
- Stream It Or Nah: The Harrowing 'The Good Mothers' on Hulu/Disney+
- 'The Mandalorian' Season 3 Finale Ending Explained
- Stream It or Nah: 'Florida Man,' Starring Edgar Ramirez
- Review: 'Renfield' Is Too Busy Worrying We're All Stupid to Be Any Good
- Review: Netflix's 'Unstable' Cannot Commit to the Bit
- The Season 3 Plot Arrived Way Too Late on 'The Mandalorian'
- Review: It's Weird that Toni Collette's 'Mafia Mamma' Got Made in 2023
- Review: 'Paint' is Exhausting
- Jack Black Can't Save an Anticlimactic 'The Mandalorian'
- 'The Super Mario Bros. Movie' Is Fine
- Review: Steven Yeun And Ali Wong Give Us A 'Beef' Well Done
- 'Please Baby Please' is the Film Andrea Riseborough Should Have Been Oscar-Nominated For
- A Moff Gideon Mystery Caps a Surprisingly Fun 'The Mandalorian'
- 'A Good Person' Review: Florence Pugh Shines in Yet Another Lousy Film
- Ahmed Best Slaps in a Refreshingly Pulpy 'The Mandalorian'
- Review: 'Marlowe' is One of the Biggest Disappointments of 2023 So Far
- The New 'Children Of The Corn' Is an A-maize-ing Garbage Fire
- Season 3, Episode 3 'The Convert': 'The Mandalorian' Tried To Be 'Andor'
- Review: Ghostface Takes Manhattan In Uneven But Fun 'Scream VI'
- Bo-Katan Rises on a Much Better 'The Mandalorian' Episode
- Review: 'Champions' Sure Is A Sports Movie Starring Woody Harrelson
- Alright, 'The Mandalorian' Season 3, What Are We Doing Here?
- 'Cocaine Bear' Review: This Is a Bear. This Is a Bear on Drugs.
- Review: The Mustache Unmakes The Man In The Unsettlingly Sparse 'The Integrity Of Joseph Chambers'
- Review: Carter Smith's 'Swallowed' Digs Deep Into The Dark Nooks Of Queer-Horror
- 'Magic Mike's Last Dance' Refuses to Drop Its Damn Pants
- Is the Found-Footage Horror 'The Outwaters' a Good and Proper Brain-Break?
- Review: Jonathan Majors Is A Muscle-Bound Powerhouse In 'Magazine Dreams'
- Review 'Knock at the Cabin' Is Good but Must Reckon with its Source
- Netflix's 'Pamela: A Love Story' Allows Anderson a Chance to Tell Her Story
- Review: 'Skinamarink' Is Gonna Scare You Right Back To The Dark Ages
- 'Shotgun Wedding' Review: JLo Wasn't Going to Let Sandra Bullock Have All the Fun
- Review: 'Rotting In The Sun' Is Breathlessly Funny and Mean-Spirited
- Review: 'That '90s Show' Needs Time to Develop
- Review: Alexander Skarsgård And Mia Goth Are Unnaturally Born Killers In 'Infinity Pool'
- Review: Toxic Masculinity For Tweens Too 'Close' For Comfort
- 'Searching' Sequel 'Missing' Finds Our Moment Amid Tech Mayhem
- Schlocky Gerard Butler Action Flick 'Plane' Is the January-est Movie Ever Made
- Review: 'Hunters' Season 2 Makes Too Big a Matzo Ball
- Shoot Her Down, But She Won't Fall. 'M3GAN' Is Titanium
- Jessica Chastain and Michael Shannon are an Intoxicating Force in 'George & Tammy'
- Adam Driver And Greta Gerwig Face Down The Apocalypse In Noah Baumbach's Incomparable 'White Noise'
- Review: 'The Big 4' Is The Other Must-See Netflix Movie This Month
- Review: Ashes, Ashes, The Tower of 'Babylon' Falls Down
- 'Glass Onion' (The Knives Out Sequel) Is Rian Johnson's Whodunit Reaction to Our Hellish Reality
- Review: 'Vardy v. Rooney' Brings the Joys of Wagatha Christie to a Semi-Prestige Drama
- Netflix's 'Bardo' is Bloody Exhausting
- 'Emancipation' Review: I Want Reparations For Slogging Through This
- 'Matt Rogers: Have You Heard of Christmas?' Is the Moment
- Review: Just Let Me Look At Olivia Colman, 'Empire of Light'!
- 'The Whale' Is the Most Miserable Entry in Darren Aronofsky's Self-Martyrdom Canon
- 'Christmas Bloody Christmas' Is Not as Cool as It Wants You To Think It Is
- Review: Lars von Trier Returns to Hospital With the Long-Awaited 'Kingdom Exodus'
- Review: Tilda Swinton in Joanna Hogg's Perfect Ghost Story 'The Eternal Daughter'
- Review: Mythic WTF Weirdness Abounds In The Surreal Freak-Out 'A Wounded Fawn'
- Netflix's 'Wednesday' Fails to Represent What It Means to be an Addams
- The 'Andor' Season Finale Is a Beautiful Triumph
- 'The Wonder' Cements Florence Pugh as One of the Best Actresses in her Age Range
- Shudder's 'Blood Relatives' Is a Meditation on Vampirism and Judaism
- Review: Spielberg Wrestles Spielberg in 'The Fabelmans'
- Review: 'Devotion' One, 'Top Gun' Nothing
- 'She Said' Is a Righteous Recap and a Bad Movie
- Review: 'Disenchanted' Isn't as Magical as its Predecessor
- Episode 11 Recap: Someone Got 'Star Wars' All Over My 'Andor'
- Jeremy Pope and Gabrielle Union Wow In Elegance Britton's 'The Inspection'
- 'Stutz': Jonah Hill Made a Movie About His Therapist and It's Pretty Interesting
- The Super-Sweet 'My Father's Dragon' Brings Cartoon Saloon to Netflix
- Episode 10 Recap: 'Andor' Delivered a Jailbreak and One Helluva Shoe Drop
- 'Don't Worry Darling' Review: Do Worry, Darling, This Is Trash
- Episode 9 Recap: 'Andor' Woke Up This Morning and Got Himself a Gollum
- Daniel Radcliffe Elevates the Absurdity in 'Weird: The Al Yankovic Story'
- 'Andor' Gets Crushed Beneath the Empire's Boot in Episode 8
- Review: Cate Blanchett Is Maestra Of Us All In The Career-Defining 'Tár'
- Martin McDonagh's Bleak Comedy 'The Banshees of Inisherin,' Starring Colin Farrell and Brendan Gleeson
- Review: Eddie Redmayne Kills in 'The Good Nurse,' a Solid Thriller with Thin Ambitions
- Review: 'Avenue 5' Returns for Season 2 and Does Not Disappoint
- 'Andor' Recap, Episode 7, 'Announcement': The Empire Ruined Andor's Sex-cation
- Review: Shudder's 'V/H/S/99' Tackles the Real Horrors of Y2K
- The Hype Around 'Andor' Episode 6 Is Real
- 'Halloween Ends' Review: We are Finally Free From this Treachery
- Review: Park Chan-wook Returns with the Gripping Thriller 'Decision to Leave'
- Review: 'Derry Girls' Delivers a Cracker Final Season
- 'Amsterdam' Review: David O. Russell Needs to Be Stopped
- Netflix's Halloween Family Movie 'The Curse of Bridge Hollow' Is a Full-Size Candy Bar
- Timothee Chalamet and Taylor Russell Find Love In a Hopeless Place In 'Bones And All'
- Review: Hulu's Momo-Inspired 'Grimcutty' Is a Failure
- Review: 'Beast' Is A Tenacious Blast of Old-School Savagery
- 'Andor' Reveals an Empire Whose Systems Are Worse Than the Emperor
- [Spoilers] 'Smile' Is a Ruthless Indictment of Mental Health Stigmas and Not For the Faint of Heart
- Review: 'Bros' Is A Good Top In Search Of A Decent Bottom
- The Empire In 'Andor' Is On The Ball And Ruthless As Hell
- Christ, the Characters in 'Andor' Slap
- Review: The Charming 'Catherine Called Birdy' Brings Adolescent Angst and Jokes to Medieval England
- Review: 'The Greatest Beer Run Ever' on Apple TV+ Is Bad
- Boy, That Andor Sure Is a Rogue One (Episode 1 Recap)
- Review: Crowd-Pleasing 'The Woman King' Revitalizes the Old-School Historical Epic
- Review: 'Carmen' is a Messy Reinterpretation of the Iconic Opera
- Review: 'Dalíland' Brings an Iconic Artist to Life but Fails to Live Up to His Vision
- Review: 'Goodnight Mommy' (2022) Starring Naomi Watts on Prime Video
- Review: Mia Goth Sparkles and Slashes in 'Pearl'
- Review: Henry Selick and Jordan Peele Are a Striking Creative Pair in 'Wendell and Wild'
- Review: 'All the Beauty and the Bloodshed' Tells the Story of a Remarkable Life and a Battle Against the Opioid Crisis
- Review: 'Sick' is an Otherwise Worthy 'Scream' Successor Coated in Infectious COVID Droplets
- Sarah Polley's Stunning 'Women Talking' Tackles Female Trauma and Quiet Power
- Review: 'Samaritan' is the Next Phase of Superhero Churn
- George Miller's 'Three Thousand Years Of Longing' Is a Weird Little Miracle
- Review: 'Glorious' Is the Trolley Problem by Way of 'Futurama'
- 'Orphan: First Kill' is so Much Better Than it Has Any Business Being
- The Family Superhero Flick 'Secret Headquarters' Is Surprisingly Old-Fashioned Sweet Fun
- Review: 'Fire of Love' Shows Volcano Geeks in Love to a Fiery Backdrop
- Review: 'Bullet Train' Spoils Dumb Fun with White Nonsense
- Review: Gen Z Takes A Beating From The Whodunit Hands of A24's 'Bodies Bodies Bodies'
- Review: 'Hypochondriac' Is More of the Same but Different
- Review: 'Relax, I'm From the Future,' is 'Terminator' by Way of Zany Youth
- Review: 'Not Okay' Takes on the Narcissism of an Internet Influencer Scammer
- 'Don't Make Me Go' Review: Can John Cho Carry This Beautiful Movie Through Its Horrible Twist?
- Review: 'Persuasion' Is Awful and It's Also Everything That's Wrong with Netflix
- Review: 'Dreaming Walls' Reveals the History and Ongoing Gentrification of the Chelsea Hotel
- Review: Alice Krige's Incandescent Face Lights Up The Folk Horror Woods With 'She Will'
- Review: Lesley Manville Sparkles As A Cinderella Senior In 'Mrs. Harris Goes To Paris'
- Obi-Wan Finale Is Satisfying (From a Certain Point of View)
- Review: 'Elvis' is What a Baz Luhrmann Biopic of Presley Was Always Going to Be
- 'The Black Phone' Is a Spooky, Scary Horror Movie with a Capital 'H'
- Review: 'Flux Gourmet' Turns an Extended Fart Joke into an Empathetic Treatise on Loneliness
- Review: 'PEN15' Star Anna Konkle Puts The Boom In Baby Boom With The Dark Comedy 'The Drop'
- Review: Irish Horror Gains Another Unsettling Classic with 'You Are Not My Mother'
- In 'Cha Cha Real Smooth,' the Actor/Writer/Director Can't Stop Obsessing Over Himself
- 'Obi-Wan' Just Made Darth Vader a Glorified School Shooter
- Review: Penelope Cruz And Antonio Banderas Devour The Art-House In The Frantically Funny 'Official Competition'
- Review: How Hungry We Are For Horror, And Here's 'Family Dinner' To Fill Us Up
- Review: 'Interceptor' is a Casually Unhinged, Braindead Load of Occasionally Amusing Nonsense
- Review: 'Jurassic World: Dominion' Is Like a Raptor Claw Across the Belly
- Your Boy Obi-Wan Is Feeling Like His Old Self Again
- On 'The Boys' Season 3, Starlight Is in Hell
- What I Learned Cataloging 'Late Night' with Seth Meyers' 'Corrections'
- Review: Golf Underdog Biopic 'The Phantom of the Open' is a Classic British Comedy, For Better or Worse
- Review: 'Crimes of the Future' Is a Science Fiction Opus for the Sickos
- Review: 'Fire Island''s Big Heart And Speedos Bulge With Rom-Com Magic
- Review: Maika Monroe And Karl Glusman Make For Gorgeous Things To Watch In 'Watcher'
- 'Morbius' Review: The Bitey Villain Steals The Spidey Villain Movie
- Is 'Obi-Wan Kenobi' Saving Its Money for the Back Half?
- Review: Terence Davies' 'Benediction' Brings Us The Life, Loves, And Losses Of The Gay Poet Siegfried Sassoon
- 'Top Gun: Maverick' Is an Intense, Fast-Paced, Heady Bit of Craziness
- Review: 'The Bob's Burgers Movie' is a Feature Length Episode in the Best Possible Way
- 'Obi-Wan Kenobi,' You Were the Chosen One!
- Review: Not All 'Men' But Definitely This Guy [With Spoilers]
- Review: Samara Weaving and Eugenio Derbez Give Us A Surprise Winner With 'The Valet'
- Review: 'Downton Abbey' Might Have Found 'A New Era' But It's Blessedly Just More Of The Same Ol' Frothy Business
- Review: 'Hatching' Is A Finnish Fairy Tale Of Most Fowl Play
- Review: Emmy Rossum Takes on Ambition, Billboards, and the Celebrity Machine in 'Angelyne'
- Review: 'Firestarter' Is Stuck Rubbing Two Sticks Together
- Review: Christina Ricci's 'Monstrous' Needs More 'Get Away from Her, You B*tch' Energy
- Cry Valhalla: 'The Northman' Is Here To Whisper-Scream Us Tales Of Gore
- Review: 'Fantastic Beasts: The Secrets of Dumbledore' Struggles To Justify Its Existence
- Netflix's Latest Horror 'Choose or Die' Is 'The Oregon Trail' For Sadists
- Review: Is 'Ambulance' Good or Do We Just Miss the Bayhem?
- Review: 'Jimmy Savile: A British Horror Story' Examines Britain's Most Notorious Abuser
- Review: With 'Cow,' Andrea Arnold Offers an Unflinching Look into the Daily Lives of Animals Born for Food
- Review: 'Aline', the Celine Dion Sort-Of Biopic, is Both Deeply Conventional and Wildly Bananas
- Sandra Bullock & Channing Tatum Coast Their Myriad Movie-Star Charms Across 'The Lost City'
- Review: 'Big Mouth' Meets 'The Office' in 'Human Resources,' a Hilarious but Uneven Spin-Off
- Review: The Somewhat Trashy 'Deep Water' Lets Ben Affleck and Ana de Armas Be Hot as Hell
- Review: A Terrific Sandra Oh Elevates 'Umma' To Almost 'Elevated Horror'
- Review: Ti West's 'X' Marks The Spot, Sweet And Sticky And Red, Oh So Red
- Review: 'Turning Red' Will Make You Want to Listen to Pop and Let Down Your Fur
- Review: 'The Adam Project' Is All Sound And Atoms, Signifying Nothing
- Review: HBO Max's 'Our Flag Means Death' Inspired By A Real Gentleman Pirate
- 'After Yang' is a Complex Story of Humanity in a Simple Tale of a Busted Bot
- Review: Franz Rogowski Puts The Great In The Gay Prison Drama 'Great Freedom'
- Review: Sebastian Stan and Daisy Edgar-Jones Put The 'Meat' In 'Meet Cute' With The Horror Rom-Com 'Fresh'
- Review: Escape the Worst Timeline For a Few Hours with the Fluffy Delights of 'Marry Me'
- Netflix's 'Wu Assassins' Follow-Up 'Fistful of Vengeance' Is Hot Nonsense
- Review: Peter Dinklage is Excellent but the Music of 'Cyrano' Has Issues
- Review: Werewolf Chiller 'The Cursed' Trades Its Soul For Fool's Gold
- Don't Screw with the Original? More Like, Don't Mess with 'Texas Chainsaw Massacre'
- Channing Tatum's a Good Boy With His Just-Shaggy-Enough Star Vehicle 'Dog'
- Review: 'Death on the Nile' Sees Poirot Return for a Murder Mystery with Diminishing Returns
- The Y.A. Adaptation 'The Sky Is Everywhere' Is A Lot Of Flower, Not Enough Power
- Thank God 'The Book of Boba Fett' Is Closed
- Review: Netflix's 'All Of Us Are Dead' Doesn't Need A Second Season, But It Deserves One Anyway
- Review: Paul Thomas Anderson's Messy And Chaotic 'Licorice Pizza' Is The Stuff Of Life Itself
- Roland Emmerich's 'Moonfall' Is Soft-Cheese Gibberish Stew
- 'Book of Boba Fett' Has Very Little Boba Fett, Lots of Grogu
- Review: 'Nightmare Alley' Sees Guillermo del Toro Dive into a World of Relentless Sleaze
- Review: 'Pam & Tommy' Is the Whiskey-Breath Body Glitter-Covered Crime Drama That Sets the Record Straight
- Review: 'Small Engine Repair' is Sort of Mind-Boggling in Its Suggestion for How to Counter Revenge Porn
- Review: Finnish Oscar Submission 'Compartment No 6' Takes Us On A Trip We Won't Soon Forget
- Review: 'You Won't Be Alone' Is A Fine Folk-Horror 'Orlando' Made For Poetry Majors And Gore-Hounds Alike
- 'The Mandalorian' Just Ate Whatever Lunch Boba Fett Had Left
- Review: Pop The Champagne! Bill Nighy's Giving The Performance Of His Life in 'Living'
- Review: 'Memoria' is a Languid Genre-Bending Drama that Invites the Audience to Embrace the Unknown
- Review: 'Brian and Charles' Is A Lo-Fi Franken-Comedy Bursting With Goofball Charm
- 'Book of Boba Fett' Says Unionize and Fixes Its Story
- Review: Asghar Farhadi's Got Another Devastating Fable Of Human Failings For Us With His Latest Greatness, 'A Hero'
- With 'Brazen,' Netflix Uses the TV Movie Cookie Cutter to Make its Own Batch of Vanilla Snacks
- 'The Lost Daughter' Review: Hang It In The Louvre
- 'Book of Boba Fett' Threw Best Part of the Show in the Trash
- Review: I Have Now Stared into the Void, and it's Called 'The 355'
- Review: I Scream, You Scream, We All Scream For Fresh 'Scream'
- Review: The Ol' Blind-Girl-in-Jeopardy Genre Gets New Juice With The Atmospheric & Terrific 'See For Me'
- In Theory, 'Book of Boba Fett' Fleshes out Its Protagonist
- Review: 'Parallel Mothers' is Mid-Tier Pedro Almodóvar, Still Better Than Most Other Things
- Do We Need Boba Fett's Book After We Just Had a Mandalorian?
- Review: Simon Rex Kicks Us Deep In The Crotch of Texas With Sean Baker's Fearless And Funny 'Red Rocket'
- Review: 'Being the Ricardos' is Another Reminder that Aaron Sorkin Just Can't Help Himself
- Review: Joel Coen's 'The Tragedy of Macbeth' is an Impeccably Stylish Act of Mimicry
- 'Resident Evil: Welcome to Raccoon City' is a Great Zombie Movie Drenched in Videogame Gasoline
- Review: 'Flee' Paints a Moving Portrait of a Refugee's Search for Home and Belonging
- 'Spider-Man: No Way Home' Review: Fan Service With Soul
- Review: Paolo Sorrentino Scores An Almighty Goal With 'The Hand Of God'
- Review: Steven Spielberg's "West Side Story" Gives Me Something To Sing About
- Review: Jane Campion Probes at the Limits of Hate and Love in 'The Power of the Dog'
- Review: Oscar Isaac Holds Together Paul Schrader's Unwieldy 'The Card Counter'
- Review: The Inconsistent 'House of Gucci' Feels Mostly Ephemeral
- Review: Kristen Stewart Is a Compelling Diana in the Fantastical Ghost Story 'Spencer'
- Review: 'Wolf' Starring George MacKay And Lily-Rose Depp
- Review: A Real Scottish Lady Reviews 'A Castle for Christmas'
- What Happened to Birgit Meier? Netflix's 'Dig Deeper' Investigates the Missing Persons Case That Baffled Germany
- Review: Does 'Venom: Let There Be Carnage' Connect To Marvel?
- Review: 'King Richard' Serves Up a Fresh Take on the Sports Biopic
- Review: Every Moment Matters In Lin-Manuel Miranda's Triumphant "Tick, Tick... Boom!"
- Review: 'Last Night in Soho' Is Immersive, Muddled, and Stumbles Over Itself
- Review: The Graceful 'Mothering Sunday' Gives Romance to the Ghosts
- Review: Season Two of Netflix's 'Tiger King' is Dull, Sleazy, and Bereft of Integrity
- Now on Netflix: Yeon Sang-ho's Bleak Horror K-Drama, 'Hellbound'
- 'Ghostbusters: Afterlife' Review: Careless Sugar Slop
- Review: Kenneth Branagh's Autobiographical "Belfast" Is His Best Movie in Years
- Review: Rebecca Hall's 'Passing' Passes But Not With Flying Colors
- Review: Brazilian Drama '7 Prisoners' Reveals the Inescapable Hell of Poverty
- Review: 'Son of Monarchs' Crafts a Poetic Blend of Science and Art, Occasionally Forgets Story
- Review: 'The Harder They Fall' Is a Blistering Tale of Revenge Featuring an All-Star Cast
- What Happened to Marta del Castillo? Netflix True Crime Series 'Where is Marta' Tackles the Case
- Review: 'Finch' Is Yet Another Movie That Lets Down America's Dad
- Review: Benedict Cumberbatch is Back as Another Quirky Historical Figure in 'The Electrical Life of Louis Wain'
- Review: The Jokes Are Still There but Season Five of 'Big Mouth' Feels Like a Step Down
- Review: 'The Souvenir Part II' is a Sharply Realized Portrait of an Artist as a Young Woman
- Review: 'Army of Thieves' Flails Despite the Efforts of Matthias Schweighöfer and Nathalie Emmanuel
- Review: In 'Found,' Three Adoptees Search for Their Birth Parents But Find Something Better
- Review: Netflix's 'Night Teeth' Is A Vampire Vehicle That Lacks Bite
- Review: 'Dune' Is a Spectacular Complement to the Novel But Can't Stand On Its Own
- Who is Yoo Young-chul? Netflix's True Crime Series 'The Raincoat Killer: Chasing a Predator in Korea' Explained
- Review: 'Broadcast Signal Intrusion' Starring Harry Shum Jr.
- Review: 'Halloween Kills' Insists It's Something New While Obsessing Over Everything Old
- Review: 'The Last Duel' Is a Shockingly Empathetic Story of Male Ego and Violence, and It's Ridley Scott's Best Film in Years
- Review: Bruce Willis and Chad Michael Murray's 'Survive the Game' Is a Train Wreck
- Review: 'What Happened, Brittany Murphy?' Is a Ghoulish Example of Modern True Crime Exploitation At Its Absolute Worst
- Review: The Extremely Inconsistent Time Travel Rules in 'Needle in a Timestack' Are Only One Irritant of Many
- Review: 'The Rescue' Faithfully Recounts the Thai Cave Disaster But Only Tells Half the Story
- The True Crime Upon Which the Movie 'Queenpins' Is Based
- What Are the Burari Deaths? Netflix's True Crime Series 'House of Secrets' Explained
- Review: A24's Alleged Horror 'Lamb' Spins a Dull Fable of Delusion [Ending Spoilers]
- Review: The Always-Welcome Barbara Hershey Helps Geriatric Horror 'The Manor' Feel Like a '70s TV Movie Flashback
- Review: The Magnificent 'Jacinta' and the Remarkable Prescience of Jessica Earnshaw
- Review: 'There's Someone Inside Your House' Asks if Being Canceled is a Fate Worse Than Death
- Review: Aubrey Plaza and Michael Caine Are a Promising Pairing Who Elevate the Deeply Predictable 'Best Sellers'
- Spoilers: What Happens in the End Credit Scene in 'Venom: Let There Be Carnage'
- Review: 'The Many Saints of Newark' Reminds What a Good Show 'The Sopranos' Was
- Review: The Human Factor Elevates 'Black as Night' Above Its Vampire Tropes
- Review: 'No Time to Die' Ends Daniel Craig's Bond Era with a Bang that Hits Like a Whimper
- Review: Melissa McCarthy's 'The Starling' is Very Bad
- Review: Netflix Brings the Musical 'Diana' from Stage to Screen But Adds Nothing New
- Review: Jake Gyllenhaal is on Fire, Again, in 'The Guilty'
- Review: Netflix's Newest Haunted House Tale 'No One Gets Out Alive' Effectively Layers in the Story of an Undocumented Woman
- Review: 'I'm Your Man': A Cynical Modern Woman Navigates Romance with a Robot as Hot as Dan Stevens
- Review: 'Dear Evan Hansen' Suffers Not Just from Ben Platt, But From Its Repulsive Story
- Review: 'The Eyes of Tammy Faye' Is a Great Jessica Chastain Showcase But Fails to Go Beyond the Surface
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