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'Batwoman' Stepped Up its Game and is Finally a Good Show


Ken Loach’s ‘Sorry We Missed You’ And the Failures of The Gig Economy and Healthcare Industry


'I Am Not Okay With This' And The Normal Female Lead


Review: Garrett Hedlund and Forest Whitaker Mean Well in ‘Burden,’ But the Film Offers Limited Comfort for Our Reality


'SNL' Highlights: Mulaney Completes His Musical Trilogy, Plus Jake Gyllenhaal, Chris Redd and a Lot of Coronavirus Jokes


Review: Saint Frances’ is a Laser-Sharp Analysis of Femininity, Motherhood, and Love's Complexities


Spoilers: What You Need to Know to Understand the Ending to HBO's 'Beforeigners'


Review: In 'The Invisible Man,' Leigh Whannell & Elisabeth Moss Attack the Patriarchy and Affirm Rich White Tech Bros as the Enemy


Urban Legends, Folk Tales, Demons, and What El Cuco is Doing on 'The Outsider'


'The Call Of The Wild' Review: Just Because You Can Doesn't Mean You Should


Review: 'Brahms: The Boy II' Is Dumb And Not Scary, But Maybe That's Good Enough


Review: HBO's Insanely Watchable 'Beforeigners' Combines 'The Leftovers' with 'Travelers'


'A Shaun the Sheep Movie: Farmageddon' is the Very Adorable, Very Cute Movie You Need Right Now


Review: One of the Best Drug War Movies You'll See is the Action-Heavy, Emotionally Immersive Iranian Crime Drama 'Just 6.5'


Review: Trust Me, Reality Is Way Better Than 'Fantasy Island'


Review: The Megawatt Charisma of Issa Rae and Lakeith Stanfield Can't Quite Invigorate the Thinly Sketched 'The Photograph'


Review: Romantic Dramedy ‘Olympic Dreams’ Alternates Between the Contrasting Loneliness and Connection in Athlete Village


'Birds of Prey' Review: Harley Quinn Gets By With A Little Help From Her... Friends?


Stream It Or Nah: Netflix's 'October Faction' Is 'The Snowman' Of Comic Book Adaptations


Review: HBO's 'McMillions' Proves that True Crime Can Also Be a Blast


Stream It Or Nah: Netflix's Harlan Coben Mystery, 'The Stranger'


J.J. Watt Is Exactly What You'd Expect as the Host of the Super Bowl 'SNL'


Review: 'Gretel & Hansel' Is A Whole-Ass Mood (And That's About It)


'The Biggest Loser' Is Still a Horror Show of Misery Porn


Review: Blake Lively Wigs Out In 'The Rhythm Section'


All the Hidden Jokes In 'The Good Place' Finale


Review: Julia Garner is Exceptional in the Crushingly Bleak, Exceptionally Timely Harvey Weinstein-Inspired 'The Assistant'


'Picard' Review: The Star Trek We Need Right Now


Review: Guy Ritchie Goes Full Reactionary in the 'The Gentlemen,' a Boring Slog of Racist Caricatures Masquerading as Style


Highlights: The Best Actor of His Generation May Also Be One of His Gen's Best 'SNL' Hosts


'Color Out Of Space' Review: For Once, Nic Cage Is The Least Weird Thing On Screen


Review: 'Outmatched' Is a Dumb Show About Smart People For a Dumb Audience


What Does 'Patty' Mean For The Series Finale Of 'The Good Place'? (Also, Hidden Jokes and Such)


Review: '9-1-1: Lone Star' Is A Beautiful, Terrible, Boring Disaster


'Dolittle' Review: More Like A Lotta Doo


Review: With Michael Bay's Exit, 'Bad Boys For Life' Achieves Visual Crispness and Unexpected Emotional Maturity


Review: Netflix's 'Killer Inside: The Mind of Aaron Hernandez' Hints At The Dangers Of Toxic Masculinity


Review: 'The New Pope' Proves There's Still Plenty Of Life After 'The Young Pope'


Review: HBO’s ‘The Outsider’ is Moodily Atmospheric and Tightly Plotted, with a Righteously Good Ensemble Selling the Spooky Stuff


'Underwater' Review: Next Time I Hope Cthulhu Wins


Review: Hopelessly Uninspired 'Like A Boss' Unlikely to Entertain


Review: The Sixth and Final Season of 'Schitt's Creek' Maintains its Delightful Kookiness for a Bittersweet Goodbye


Review: What If The Grudge Is The Worst Part Of 'The Grudge'?


Review: The Safdie Brothers and Adam Sandler Paint New York City as an Anxiety-Inducing Fever Dream in A24's ‘Uncut Gems’


'You' Season 2 Constructs A Nail-Biting Hall Of Mirrors


'The Witcher' Is Good as Hell and You Should Watch It


The First Season of ‘His Dark Materials’ Ended with a Betrayal and a Bridge to Another World. What to Expect in Season Two?


Review: ‘Just Mercy’ is Recognizably Formulaic But Utterly Serious in its Earnestness, Sensitivity, and Sense of Moral Outrage


Review: ‘1917’ Shares A Familiar Story Made Fantastic in the Telling


Review: Greta Gerwig's 'Little Women' Is Smartly Re-Imagined And Absolutely Glorious


Review, with Spoilers: Netflix Really Gave Michael Bay $150 Million to Make the Wholly Grotesque and Orientalist '6 Underground,' Huh?


Review: ‘Hala’ is Precious and Poignant, a Coming-of-Age Story That Considers the Humanity of Making Mistakes


Review: Clint Eastwood Makes Sure to Absolve the Police and the FBI in ‘Richard Jewell,’ But Heavens No, Not Journalists!


The Ending of 'Mr. Robot' Explained


When Just-Fine Feels Like A Failure: Just Another 'Star Wars: The Rise Of Skywalker' Review


'Bombshell' Review: The Arc of the Moral Universe is Long, but It Bends Towards Justice, My Ass


'The Morning Show' on Apple+ Is a Riveting Drama About MeToo Complicity


'Black Christmas' Review: In A Man's World, The Call Is Always Coming From Inside The House


Review: ‘Jumanji: The Next Level’ is Dumb as a Post But at Least It Tries


Review: Sam and Aaron Taylor-Johnson's 'A Million Little Pieces' is Effectively Faithful, But the Discredited Memoir Needed More


Review: The Aggressively Provocative Horror 'In Fabric' Includes One of the Most Disturbing Scenes I've Ever Seen


In ‘The Daemon Cages,’ ‘His Dark Materials’ Reveals the Gobblers in Bolvangar and Makes Real the Horror of Intercision


Damon Lindelof's 'Watchmen' Has Been An Elaborate Chicken and Egg Joke the Whole Goddamn Time


Review: 'Marriage Story' Scarlett Johansson and Adam Driver Explore Heartbreak And Healing


Review: ‘The Aeronauts’ Reunites Eddie Redmayne and Felicity Jones for One Disappointingly Boring Foray into CGI Clouds


Who Is Lady Trieu's Father on 'Watchmen'? Or How I Learned to Accuse Superheroes of Not Wearing a Condom


Review: Unnecessary Attempts at Objectivity Nearly Undermine the Gorgeous Imagery and Narrative Urgency of ‘Queen & Slim’


In the Plot-Heavy ‘The Lost Boy,’ ‘His Dark Materials’ Introduces Us to Witches, Will Parry, and the Evil Intentions of the Gobblers


Damon Lindelof's 'Watchmen' Is the Perfect Show for the Twitter/Reddit Era


Review: Scorsese's 'The Irishman' is a Blast from the Past and a Glimpse of the Future


Showtime's 'Back to Life' Is 'Rectify' Peppered with Dark Humor of 'Fleabag'


Without Disturbing the Content, Damon Lindelof and Cord Jefferson Brilliantly Transform the Character Upon Which Alan Moore's 'Watchmen' Was Predicated


'21 Bridges' Review: What the Hell Happened to Taylor Kitsch?


'Dollface' Review: Seriously, Do Women Actually All Go To The Bathroom Together? Is This A Thing?


Review: 'The End of the F***ing World' Season 2 Is a Real Bummer


'A Beautiful Day in the Neighborhood' Is So Much More Than A Mr. Rogers Movie


Review: ‘The Report' Is an Enraging, Sobering Reminder of the Shameful Failures of American Policy and Patriotism


On ‘His Dark Materials,’ Lyra is Taken in by the Gyptians, Reads the Golden Compass, and Learns About Her Parents in ‘The Spies’


Review, with Spoilers: Netflix’s ‘Earthquake Bird’ is Aggressively Slow-Moving, But Its Spookiness Will Linger


Review: Get Ready for Every Older Relative You Have to Praise ‘Midway’ This Thanksgiving. Prepare Yourself Any Way You Can!


Review: Ian McKellen and Helen Mirren Act Their Asses Off in the Sneaky, Slightly Anticlimactic ‘The Good Liar’


Review: 'Charlie's Angels' May Be A Mess But Heaven Help Me, I'm Ready For The Sequel Now


Review: James Mangold's 'Ford v Ferrari' is a Highly Satisfying Dad Movie


The Mandalorian Could Get It but He'd Have to Keep His Helmet On


Review: 'Frozen 2' Delivers A Superhero Story And Much, Much (Too Much?) More


By Introducing Other Worlds, 'His Dark Materials' Pushes Forward Reveals from the Books Too Quickly in 'The Idea of North'


'The World According to Jeff Goldblum' Is Precariously Close to Too Much Jeff Goldblum


Review: 'Playing with Fire' Lacks Any Spark of Life


Review: 'Doctor Sleep' Combines King And Kubrick For An Impossible Sequel That Really Shines


Review: 'Last Christmas' Offers Romance, Holiday Cheer, And Plenty Of WTF


'The Morning Show' on Apple TV+ Is Getting a Bad Rap


Review: Netflix’s ‘The King’ Is Gorgeous and Tedious, Overshadowed by the Shakespeare Plays on Which it Is Based


Review: SundanceTV's Gaslighting Drama 'The Cry' Will Mess You Up


Recap: 'His Dark Materials' Devotes its Series Premiere to a Whirling, Confusing Introduction to 'Lyra's Oxford'


Review: Put Aside Goofy Hitler and ‘Jojo Rabbit’ is a Surprisingly, Sometimes Disappointingly Conventional Holocaust Film


Review: 'Harriet' Delivers Important Commentary in an Unfortunately Conventional Package


'Terminator: Dark Fate' Review: Praising With Faint Damns


Review: 'Jenny Slate: Stage Fright' Offers Ghost Stories, Sex Talk, And A Perfectly Loony Climax


Review: Antonio Banderas is Riveting in Pedro Almodóvar’s Pensive, Nostalgic, and Contemplative ‘Pain and Glory’


Review: Jennifer Kent’s ‘The Nightingale’ is a Thoroughly Brutal Film That Challenges Our Understanding of a Rape Revenge Story


Review: Bong Joon Ho's Cannes Winner ‘Parasite’ is a Fantastically Dark, Horrendously Bleak Portrait of Classist Indoctrination


Review: 'Monos' and 'Tigers Are Not Afraid' are Two of the Year's Best, Putting Surreal Spins on Childhood Trauma and Violence


Review: Documentary 'Saudi Women's Driving School' Goes Hard on Girl Power Moments, But Its Attempt at Objectivity Feels Artificial


‘The Laundromat’ is a Rare Misstep for Steven Soderbergh, a Film With Meta Experiments More Condescending Than Empowering


Review: ‘Lucy in the Sky’ Wastes Natalie Portman in a Film That Fails to Grasp That Not Every Story About Women is One of Empowerment


Review: ‘The Addams Family’ Looks Hideous and is Narratively Repetitive, But Reinforces the Idea That Normalcy is Overrated


Spoilers: ‘In the Shadow of the Moon’ is Inconsistently Fascinating, Often Muddled, and Totally Ignorant of Why Time Travel Rules


TIFF 2019: The Contrasting Frustrations and Joys of Being a Young Woman of Color are on Display in the Bristling ‘Rocks’


Review: Jillian Bell is Deeply Likable in ‘Brittany Runs a Marathon,’ a Comedy That Honestly Tackles Anxieties About Wellness and Weight


Review: A24’s ‘Low Tide’ Assembles Pieces of ‘80s Cult Classics to Build an Enjoyably Tense Slow Burner About Class and Crime


TIFF 2019: The Cast of Irish Crime Drama ‘Calm With Horses’ Elevates Familiar Themes About Masculinity, Violence, and Poverty


Review: Brad Pitt Reminds Us Why He’s a Goddamn Star in the Gorgeous, Contemplative, and Masculinity-Puncturing ‘Ad Astra’


TIFF 2019: The Ceaseless Violence of the Syrian Civil War and the Resilience of Those Who Remain is Captured in ‘The Cave’


Review: ‘The Goldfinch’ Isn’t a Travesty, But It is a Mess, a Movie Trying So Hard to Be Prestigious That It Fails to be Anything at All


TIFF 2019: As a Rebellious Therapist, Golshifteh Farahani Doesn’t Have Enough to Do in the Well-Meaning But Conflicted ‘Arab Blues’


TIFF 2019: Rubaiyat Hossain’s ‘Made in Bangladesh’ is a Rallying Cry for Women’s and Workers’ Rights Amid a Backdrop of Exploitation


TIFF 2019: Anthony Mackie Grounds ‘Synchronic,’ a Sci-Fi Film That Doesn’t Let Its Time-Travel Premise Go as Wild as It Could


TIFF 2019: Charlie Hunnam Brings Dirtbag Energy to ‘Jungleland,’ Which Puts an Engrossingly Gritty Twist on the Boxing Movie


TIFF 2019: The Central Romance of ‘Dirt Music’ Relies on Too Many Coincidences, But the Movie Sure is a Beautiful Tourism Ad for Australia


TIFF 2019: Iranian Domestic Life, With Its Layers of Perseverance and Tragedy, is the Focus of the Devastating ‘Love Child’ and ‘Son-Mother’


TIFF 2019: Drake Doremus Centers a Female Perspective With ‘Endings, Beginnings,’ But the Result is a Narrow View of Womanhood


Review: Keira Knightley is Fantastic in ‘Official Secrets,’ an Otherwise Surprisingly Dull Whistleblower Drama about the Iraq War


Stream It or Nah: There is Barely Anything Unique About ‘Falling Inn Love,’ But Sometimes You Gotta Watch Pretty People Play With Puns


Stream It or Nah: ‘Otherhood’ Relies on Resentful Child Shaming to Communicate a Tiring Portrait of Meddling Mothers as Martyrs


Review: ‘After the Wedding’ Succeeds Thanks to Turns From Julianne Moore and Michelle Williams, Who Spar About Wealth and Morality


Review: A Stellar Ensemble, Killer Outfits, and an Array of Fleetwood Mac Tracks Can’t Add Heat to the Disappointing ‘The Kitchen’


Stream It or Nah: ‘The Red Sea Diving Resort’ Features an Extremely Hot Chris Evans and a Narrative Utterly Lacking Self-Awareness


Review: Grounded by Its Strong Ensemble, ‘Them That Follow’ Depicts the Claustrophobia of a Tight-Knit Religious Community


Review: ‘Once Upon a Time … in Hollywood’ is a Glitzy, Melancholy, and Self-Aware Gaze Backward From Quentin Tarantino


Review: Ari Aster’s ‘Hereditary’ Follow-up ‘Midsommar’ is a Ponderously Paced But Spooky and Riotously Colored Acid Trip


Review, With Spoilers: Paul Thomas Anderson and Thom Yorke’s Short Netflix Film ‘Anima’ is a Transfixing Kaleidoscope of Anxiety and Love


Review: The Women of the Horror-Comedy ‘Madam Yankelova’s Fine Literature Club’ Treat Men as Disposable, and Can You Blame Them?


Review: The Meta 'Toy Story 4' is Emotionally Wrenching, Boasts a Delightful Keanu Reeves, and Should Really Be the End


Review, With Spoilers: ‘Anna’ is Definitely a Luc Besson Movie, as Artificially Feminist and Superficially Conceived as You Would Expect


Review, With Spoilers: ‘Murder Mystery’ Could Be an Interesting Meta Experiment, But Alas, It’s Just a Lazy Adam Sandler Movie


Review: Mindy Kaling's 'Late Night' Takes Aim at the Boring Sameness of White Patriarchy and Amusingly Shakes Up Comedy Homogeny


Review, With Spoilers: What If I Wanted Everyone to Die at the End of ‘Ma’ Except for Juliette Lewis? That is a Normal Reaction, Right?


Review: Netflix's Rom-Com ‘Always Be My Maybe’ Relies a Bit Too Much on Genre Tropes, But Ali Wong and Randall Park are Fantastic


Review: The Alternatingly Comforting and Galvanizing 'Deadwood the Movie' is a Triumph, a Flawless Legacy for Creator David Milch


Review: Amy Poehler, Maya Rudolph, and the Women of Netflix's ‘Wine Country’ Are Having a Blast That Doesn’t Translate to Viewers


Review: Mena Massoud is Perfect, But Count on Disney to Make 'Aladdin' More Orientalist Than the Animated Classic Already Was


Olivia Wilde’s ‘Booksmart’ is Bold, Hilarious & Deeply Empathetic


Review: ‘A Dog’s Journey’ is Loaded With Negligent Parenting and Bad Medical Diagnoses, and Oh Yeah, There Are Dogs, Too


Spoilers: So, That Punching Down at Journalism Joke in ‘Long Shot’ Was Totally Unnecessary, Actually


Review: Go Into the Pleasantly Misandrist ‘The Hustle’ With No Knowledge of ‘Dirty Rotten Scoundrels’ and You’ll Have More Fun


Review: A24 Wrongly Buried the Bizarre, Entrancing Fever Dream That is ‘Under the Silver Lake,’ an Exercise in Narcissistic Paranoia


Review, With Spoilers: Claire Denis’s Space Horror ‘High Life’ is an Unsettling Attempt to Understand Human Life and Its Purpose


Review: Netflix’s Rom Com ‘Someone Great’ is Extremely of This Time, a Sugar Rush That Adds a Millennial Gloss to Genre Tropes


Review: Beyoncé’s ‘Homecoming’ is Peak Self-Mythologization, an Astonishing Accomplishment That Centers the Personal as Political


Review: Easter and Passover Was the Right Time for the Somewhat Feminist ‘Mary Magdalene,' If There Ever Were a Right Time, I Guess


Review: Centering a Family of Complex Black Women, ‘Fast Color’ Considers Matrilineal Strength as an Insuppressible Superpower


Review: 'The Mustang' is Affecting and Uneven, an Exploration of the Dualities of Freedom and Incarceration, Forgiveness and Resentment


Review: Western Horror ‘The Wind’ Uses Isolation to Spin a Spooky Tale About Hysteria, Patriarchy, and Religious Fervor


Spoilers: 'Little' is Mostly Great, So Why Include a Punching-Down Moment Involving a Child and Their Gender Identity?


Review: 'The Best of Enemies' is This Year's 'Green Book' -- And Yes, That is Very Much a Bad Thing


Review: Brie Larson's 'Unicorn Store' Is Less Twee and Insufferable Than You Might Think


Review: Julianne Moore is Excellent in the Resonant ‘Gloria Bell,’ Exploring Womanhood as an Everyday Transformative Process


Review: After 'Never Goin' Back,' Camila Morrone Plays Another Grown-Too-Fast Woman in the Family Drama ‘Mickey and the Bear’


Indie Darling ‘Transit’ Uses the Absurd to Heighten the Terror of Fascism, the Monotony of Living, and the Slipperiness of Identity


Review: The Hottie-Heavy (Uh, Not Ben Affleck) ‘Triple Frontier’ Excels When Eviscerating American Imperialism and Jingoistic Greed


Review: Dev Patel is Grown in the Neo-Noir ‘The Wedding Guest,’ Which Adds Diversity to the Genre's Trigger Men and Femme Fatales


Review: ‘Leaving Neverland’ Lays Out the Links Between Abuse and Seduction, Forcing Us to Again Consider Why We Worship Celebrity


Review: ‘Greta’ is Silly and Scary and Satisfying and Suddenly I’m Using Alliteration and I’m Not Sure Why? But Seriously! It’s Enjoyable!


Review: ‘Isn’t It Romantic’ Succeeds Where ‘I Feel Pretty’ Failed, Mixing Parody and Self-Awareness Into a Joyful and Affirming Film


Thoughts on 'Berlin, I Love You' -- Maybe If Your Movie Franchise Has to Resort to a Weird Incest Storyline to Fill Time, You Should End It?


The Highs and Lows of ‘The LEGO Movie 2: The Second Act,' and Yes, Worst Chris is on This List


Review: Steven Soderbergh’s ‘High Flying Bird’ is a Sharply Written Call for Incendiary Action Against the Wealthy Who Try to Own Us


Review: Taraji P. Henson Elevates 'What Men Want,' Which Gets Some Stuff About Female Frustration in a Patriarchal Society Quite Right


Review: There's No Mads Mikkelsen Nudity in the Survival Drama ‘Arctic,’ But the Movie's Power is His Steely Performance


Review, With Spoilers: Netflix’s Needlessly Boring ‘Polar’ Gives Us Many Shots of Nearly Nude Mads Mikkelsen, But At What Cost?


Review: Noomi Rapace is a Badass in Netflix’s ‘Close,’ But the Movie’s Low-Key Racism Counteracts Its ‘Yay, Strong Women!’ Message


Review: ‘On the Basis of Sex’ is a Well-Made Biopic That Paints Ruth Bader Ginsburg as More of a Superhero Than a Person


Review, With Spoilers: Keanu Reeves's Bargain Bin Sci-Fi ‘Replicas’ Could Have Been Good-Bad, But It’s Just Regular Bad


Review: ‘Welcome to Marwen’ Cares More About Using Fancy CGI to Tell a Story Than, You Know, Actually Telling a Story


Review: 'Second Act' Compliments Milo Ventimiglia's Butt 3 Times, and Jennifer Lopez's Cleavage Looks Amazing. That's the Movie!


Review: Don't Skip 'Bird Box' Just Because You Saw 'A Quiet Place' -- Netflix's Thriller is Spookier Than You Would Expect


Review, With Spoilers: Clint Eastwood's 'The Mule' is Expectedly Racist and Sexist, But Also It's Just Incredibly Boring?


Review: Saoirse Ronan is Understandably Pissed Off in ‘Mary Queen of Scots,’ a Movie That Reminds Us the Patriarchy Has Always Sucked


Review: Brady Corbet’s ‘Vox Lux’ Has a Shocking Opening, a Crowd-Pleasing Ending, and an Off-Kilter Natalie Portman Performance


Review: ‘Green Book’ is Your Grandparents’ Holiday Movie Pick, a Well-Intentioned But Flatly Executed Story About the Evils of Racism


Review: Documentary 'Free Solo' Deserves a Best Cinematography Nod From the Academy for Its Terrifying, Life-Affirming Visuals


Review: Rami Malek is a Magnetic Freddie Mercury, But ‘Bohemian Rhapsody’ Can’t Make Up Its Mind About His Identity or His Legacy


Review: 'Suspiria' is Bleak, Grotesque, Overly Complicated, and Unforgettable, a Depiction of Women's Anger Turned to Rot


'Mid90s' Uses a Super-Uncomfortable Sex Scene to Make Its Young Protagonist Cool, Because Of Course It Does


Review: In His Final Role, Robert Redford is Perfect in the Thoughtful, Reflective ‘The Old Man and the Gun,' But Ugh, Casey Affleck


Review: Documentary ‘MATANGI / MAYA / M.I.A.’ Makes a Case for Our Own Self-Reflection—What Do We Owe the ‘Paper Planes’ Star?


Legends Judi Dench, Maggie Smith, Eileen Atkins, and Joan Plowright in ‘Tea With the Dames’ Are the Balm You Need Right Now


Review: ‘First Man’ is Precise, Patriotic, Immersive, Gorgeous, and Flawed. Can People Stop Complaining About the Flag Now?


Villainous Riz Ahmed is the Best Part of 'Venom,' and I'm Not Saying That Just Because I Love Riz Ahmed, I Swear!


Review: Keira Knightley’s ‘Colette’ is a Period Piece, But Yeah, a Woman Battling a Controlling Husband for Her Art Feels Timely AF


Review: Emma Thompson is Quietly Devastating in ‘The Children Act,’ an Ian McEwan Film That is Only Kind of Emotionally Manipulative


Review, With Hella Spoilers: 'Life Itself' is This Year's 'Book of Henry,' Another Misguided Attempt at Enraging Melodrama


Review: ‘Where Hands Touch’ is Def Problematic, With Ideas Worth Exploring That Didn’t Need a Nazi Romance to Be Resonant


Review: NatGeo Documentary 'Science Fair' Will Take You on a Journey of Hope and Disgust at Our Country's Education System


Review: There's No Sydney Bristow in 'Peppermint,' Just Jennifer Garner Pushing a Conservative Agenda


Review: Even for the Realm of YA Sci-Fi, the Boy-Befriends-a-Gun Storyline of 'Kin' is Pretty Messed Up


Review: 'Skate Kitchen' is Evocative and Entrancing, a Story of Female Skateboarders Carving Their Own Space Despite the Bullshit of Men


Review: Charlie Hunnam and Rami Malek are Just Fine in ‘Papillon,’ a Remake That is Also Fine. Fine! It’s All Fine.


Review: Glenn Close is Female Resentment Personified in ‘The Wife,’ a Drama About Individual Ambition and Marriage's Compromises


Are We Still Doing Big Dick Energy? Because Mark Wahlberg's 'Mile 22' is the Opposite of BDE


Review: Female Stoner Comedy 'Never Goin' Back' is Raunchy and Ridiculous, a Portrait of Girls Behaving Badly and Not Giving a F*ck


Review: 'Crazy Rich Asians' is Glorious, Funny, and Sexy, Successfully Fusing Cultural Specificity and Crowd-Pleasing Romance


Review: Adults are the Enemy in the Poignant, Devastating, and Deeply Personal 'The Miseducation of Cameron Post'


Status Update: 2018 Movies Directed by Women, What You Should Have Already Watched, and What You Should Watch Next


Do Stories About Female Friendship Need Conflict? An Investigation, Inspired by a Lackluster Response to ‘The Spy Who Dumped Me’


Review: Female-Directed 'Night Comes On' is One of the Year's Best, a Story of Revenge, Resilience, and Sisterhood


Spoilers: Netflix’s ‘Extinction’ is Irritatingly Unoriginal, So Much So That Even 95 Minutes Feels Like a Slog


'Mamma Mia! Here We Go Again' Never Pretends to Be Anything But What It Is, Which is Goofy, Campy, and Irresistible


Review: Dwayne Johnson is in Peak Dad Mode in 'Skyscraper,' a Movie Possibly Underwritten by the Duct-Tape Lobby


With ‘Sorry to Bother You,’ Filmmaker and Musician Boots Riley Explores the Inherently American Nature of Capitalism and Dissent


Review: Jessica Chastain's 'Woman Walks Ahead' is Well-Meaning But Bland, Another White Savior Among Natives Story


Review: The Zellner Brothers, Mia Wasikowska, and Robert Pattinson Team Up for the Delightfully Weird and Feminist As Hell 'Damsel'


Review: ‘Sicario: Day of the Soldado’ is Two Hours of Nothing, Unless Superficial Cynicism is Something


Review: With ‘Leave No Trace,’ Filmmaker Debra Granik Revisits Themes of Female Power Years After Her Flawless ‘Winter’s Bone’


Review: ‘Won’t You Be My Neighbor?’ is a Healing Reminder That Kindness and Goodness Still Exist in Our Nightmarish World


Some Grumpy Questions About 'Jurassic World: Fallen Kingdom,' A Movie That Is Not Good


Review: ‘Incredibles 2’ Hits All the Right Notes, With Feminist Themes, Crazy Visuals, and, Yeah, a Little Bit of Exceptionalism


Review: Great Chemistry From Saoirse Ronan and Billy Howle Can't Stop Ian McEwan's 'On Chesil Beach' From Being Misery Porn


Family Film 'Show Dogs' Pushes a Plot About Accepting Unwanted Sexual Touching, and Yeah, Parents Are Calling Them Out on That Shit


Review: Ramin Bahrani’s ‘Fahrenheit 451’ is a Timely and Well-Acted Nightmare Version of Our Reality that Doesn’t Seem Too Far Off


Review: The Chekhov Adaptation ‘The Seagull’ is Mad Depressing, But Is One of the Finest-Acted Films of the Year


Diablo Cody and Jason Reitman Apply Their Familiar Formula to the Motherhood-as-Pain Film 'Tully,' Starring Charlize Theron


Review: Alia Shawkat Rightly Won the Tribeca Film Festival Best Actress Award for Her Work in the Lesbian Romance 'Duck Butter'


Amid the Latest Western Genre Resurgence, ‘Lean on Pete’ and ‘The Rider’ Challenge Cowboy Masculinity in the American West


The Hypocrisy of Amy Schumer's 'I Feel Pretty' Is Exhausting, and We Don't Even Get a Makeover Montage!


'Blockers' Review: Yes, the John Cena Butt-Chugging Movie Is Terrific


All the Things I Would Rather Watch Taraji P. Henson Do Than Be in 'Tyler Perry's Acrimony'


SXSW & Netflix Review: '6 Balloons' -- If You Don't Know This Story Already, You Should


Armando Iannucci's 'Death of Stalin' Is F Star Star Brilliant


Review: Dark Comedy ‘Gringo’ Uses Its Mexican Location as a Prop and Wastes a Stacked Cast for a Boring Greed-is-Bad Narrative


‘The Hurricane Heist’ is the ‘Mad Max: Fury Road’ of Alliterative, Weather-Themed Heist Movies


Review: Olivia Cooke and Anya Taylor-Joy Play Deadly Besties In 'Thoroughbreds'


‘Nostalgia’ Casts Onetime Don Draper Jon Hamm to Again Get All Existential About Stuff, But the Film Muses for Too Long


Review: ‘The Party’ is a Smartly Brief, Well-Acted Entry into the Dinner-Parties-from-Hell Film Genre


With the End of the ‘Maze Runner’ Trilogy, We Also Conclude the Teen Dystopia Film Boom—Finally!


Review: 'Den of Thieves' Is A Smoldering Pyre of Misogyny and Cheap Stereotypes


'The Commuter' Review: GIVE ME BACK MY 105 MINUTES!


Review: Now We Know Why the Screen Gems Buried Taraji P. Henson's 'Proud Mary'


Review: 'Paddington 2' Is Perfection


Review: Steven Spielberg’s ‘The Post’ Is Something Something


Review: 'Blame' is a Smart Look at High School Obsession and Rivalry


'Molly's Game' Review: The Assassination of Molly Bloom By the Smugly Coward Aaron Sorkin


We Watched Netflix's Infamous 'A Christmas Prince'


'The Bearded Lady and the Trapeze Artist' Is the Most Joyous, Crowd-Pleasing Movie of 2017


Goddamn It, Matt Damon (A 'Downsizing' Review)


Review: David Ayer Does His Typically Heavy-Handed, Testosterone-Fueled Thing With the Impressively Ludicrous ‘Bright’


'The Shape Of Water' Is A Fairy Tale Made For Misfits


Review: 'Pitch Perfect 3' Is Hot Aca-Garbage (Mostly)


Review: ‘Jumanji: Welcome to the Jungle’ Continues to Work the Johnson-Hart Odd-Couple Vibe in a Reboot That’s Doing Too Damn Much


'Ferdinand' Review: There Are More Cost-Effective Ways to Buy Your Kids' Affections


What the Critics are Saying about the Ed Helms/Owen Wilson Film, 'Father Figures'


Review: 'All The Money In The World' Got Rid of Kevin Spacey, Still Sucks


Review: Christian Bale is a ‘Good Man’ in ‘Hostiles,’ a Film Disinterested in Analyzing Its Own Shortcomings


'Crooked House' Is A Straight-Forward Take On An Agatha Christie Classic


'Brawl in Cell Block 99' Will Make You Say 'Ho-lee Crap, Vince Vaughn!'


Review: 'Voyeur' Is The Netflix Doc That Will Have You Screaming AT Your Television


We Watched That Christmas Movie Where A Woman Falls For A Hot Hipster Ghost


Sean Baker's 'The Florida Project' Explores the Paucity of the American Dream in the Shadow of Disney World


Review: Denzel Is Very Disappointed in the Director of 'Roman J. Israel, Esq'


'The Disaster Artist' Review: Leave Your Negative Reviews in Your Pocket


Review Roundup: Woody Allen's Latest Is A Creepy Piece of Sh*t? We're Shocked!


36 Reasons 'While You Were Sleeping' Is the Best Romantic Comedy of All Time


Armie Hammer Makes Us Swoon In 'Call Me By Your Name'


Review: 'The Man Who Invented Christmas' Is A Radiant Holiday Delight


Review: 'Angelica' Feels Like 'Alias Grace' Meets 'The Babadook'


Review: Greta Gerwig’s Fantastic ‘Lady Bird’ Combines Early Aughts Nostalgia With Profound Emotional Honesty


Review: 'Darkest Hour' Is A War Movie That Feels Shockingly Safe


Review: 'Wonder' Is the Kindest Film of 2017


Review: Flawed 'Justice League' Is a Sign of Better Things To Come


'Bombshell: The Hedy Lamarr Story': The Perfect Feminist Tale For Our Times


Mel Gibson is the Most Garbage Part of the Already Garbage ‘Daddy’s Home 2’


Review: 'Mayhem' Is A Mean, Hot Mess Of A Movie


TIFF Review: 'Three Billboards Outside Ebbing, Missouri' Mixes Profane Dark Comedy with Honest Humanity


Review: 'Thelma' Offers A Sexy And Bittersweet Tale of Monsters And Lesbian Love


Review: The Brief But Wholly Satisfying Netflix Documentary 'Long Shot'


Review: 'Bad Mom's Christmas' Is a Lousy Sequel (and Sarandon Can Go F--k Herself)


For 'Thor Ragnarok,' We Salute You


Netflix Review: 'The Meyerowitz Stories' Review: Noah Baumbach Gives Adam Sandler Another Shot at Legitimacy


Review: 'Thank You For Your Service' Puts a Very Real Face to PTSD


'Jigsaw' Review: Let the Games Begin, I Guess ¯\_(ツ)_/¯


Review: George Clooney's Politics Does Not Play Well with the Coen Brothers' Script in 'Suburbicon'


I Figured Out the Perfect Way to Watch ‘Geostorm’


'The Killing of a Sacred Deer' Review: Yorgos Lanthimos’s Contemptuous, Vacuous Follow Up to 'The Lobster'


'Wonderstruck' Offers A Beautiful But Hollow Kiddie Adventure


'The Snowman': Please Go Watch It And Explain It To Me Because I Don't Get It


BHFF Review: Gay Romance Turned Horror Story, 'Rift' Rattles Us Raw


'Only the Brave' Review: Do NOT Go Into This Movie Blindly


Review: "The Foreigner" Is Not What You're Expecting, and That Is To Its Credit


NYFF Review: 'The Venerable W.' The Tale Of An Evil Buddhist Monk Shows Parallels To Trump


Review: 'Marshall' Is Fine, But Not Worthy of The Man It Depicts


Review: 'Professor Marston and the Wonder Women' And the Importance of a Diverse Review Staff


Review: 'Goodbye Christopher Robin' Turns Winnie The Pooh Into A Tragedy


'Happy Death Day' Is Stupid, But Not in the Fun Way


My 5-Year-Old Reviews 'My Little Pony: The Movie,' Kind Of


'Blade Runner 2049' Review: Emotionally Brilliant, Intellectually Shallow


'Gerald's Game' and the Differences Between Female and Male Protagonists In Film


Review: 'The Mountains Between Us' Is Terrible, But Idris Does Take Off His Shirt, So ...


'My Little Pony: The Movie' Review: We're Here For Emily Blunt As Angry Goth Pony


'Gerald's Game' Review: Fear in a Handful of Dust


Fantastic Fest Review: Do You Dare Enter 'Haunters: The Art Of The Scare'?


"Flatliners" Review: A Brain Dead Movie About Brain Death. How Meta!


'American Made' Review: Tom Cruise's Terrifically Enjoyable 'True' Story


Fantastic Fest Review: Takashi Miike's 'Blade Of The Immortal' Asks If You Can Have Too Much Samurai Slaying?


Fantastic Fest Review: Nic Cage Just Wants His Kids Dead In 'Mom And Dad'


'The Lego Ninjago Movie' Review (A TK/Wee-K Production)


'Stronger' Review: A Complicated Relationship Drama Starring Jake Gyllenhaal and Tatiana Maslany


'Friend Request': Mildly Interesting, Ultimately Pointless... Just Like Facebook.


Review: Mo' Battle, Mo' Sexes


Fantasia Review: 'Ocean's Eleven' Meets 'The Breakfast Club' In 'Bad Genius'


Review: 'Kingsman: The Golden Circle' Is Entertaining, But It's Not Very Good


Review: 'Victoria and Abdul' Aims For Charming, Hits Insulting


‘American Assassin’ Is As Dull as Ditch-Water


Review: Darren Aronofsky’s ‘mother!’ Is a Whole Heck of a Lot


TIFF Review: Margot Robbie Turns In Her Best Performance To Date in the Funny, Profane 'I, Tonya'


TIFF Review: Louis C.K. Courts Controversy with His Woody Allen Inspired ‘I Love You, Daddy'


The Charlie Sheen 9/11 Movie Is--You Guessed It--Exploitative Trash


TIFF Review: Matt Damon Gets Small in Alexander Payne's High-Concept 'Downsizing'


'The Wilde Wedding' Review: Putting Hair On Patrick Stewart Is The First Of Many Bad Choices


'It' Review: Hail to the King


Review: Reese Witherspoon Robs The Frat House In 'Home Again'


'Tulip Fever' is the 'Punk'd' of Costume Dramas


'The Layover' Review: Or The Movie That Made Me Pine For The Sweet Release Of Death


'Goon: Last of the Enforcers' Review: More Mature Does Not Always Mean Better


That Time MTV Made The Worst Horror Movie You've Never Seen


Review: Adam Wingard's 'Death Note' IS DOA


Review: 'Bushwick' Blows, Delivering Hipster Bullshit And Too Little Dave Bautista


'Red Christmas' Review: The Anti-Abortion Holiday Movie No One Asked For


Review: The Spirit of Renny Harlin (and the Abs of Ryan Reynolds) Live On in 'The Hitman's Bodyguard'


Review: Aubrey Plaza Turns To Stalking And Obsession In 'Ingrid Goes West'


‘Annabelle: Creation’ Is Formulaic Horror Done Right(ish)


'The Glass Castle': Finally, A Movie That Makes Your F*cked Up Family Look Good


Just FYI, There’s a New Movie Out from the Writer of ‘Hell or High Water’ and ‘Sicario,’ And You Don’t Need to See It


Review: Halle Berry's 'Kidnap' Is the Worst Movie of 2017


Review: 'The Dark Tower' Hasn't Forgotten The Face Of Its Father, But It Has Forgotten His Voice


Fantasia Review: South Korea's 'A Day' Is 'Groundhog Day' With A Hitchcock Twist


Review: 'The Night Watchmen' Delivers Vampire-Zombie Clowns, What More Could You Want?


Review: 'Fun Mom Dinner' Is Either A Scathing Parody, Or Just An Excruciatingly Mediocre Comedy


'Santoalla' Review: What Ever Happened To Martin Verfondern?


'Atomic Blonde' Proves Packing A Punch Isn't Always Pretty


These Critics Saw 'The Emoji Movie' So You Don't Have To So Pay Your Respects


Look, I Think We Can All Acknowledge That Society Is Crumbling: A Half-Coherent 'Emoji Movie' Review


Imagine 'Dunkirk' But Fun & Where Women Exist


Review: Jessica Williams Shines In 'The Incredible Jessica James'


Review: 'Girls Trip' Is a F**king Blast


'Dunkirk' Funkirk


Fantasia Review: 'Lowlife' Finds Shocking Humor In The Darkest Places


Review: Jenny Slate And Gillian Robespierre Reunite With 'Landline'


'Game of Death' Fantasia Review: All Fun And Games Until Your Friend's Head Explodes


Fantasia Fest Review: 'JoJo's Bizarre Adventure: Diamond Is Unbreakable'


'War for the Planet of the Apes' Review: An Intense, Engaging, Deeply Satisfying Conclusion to the Trilogy


Ranking The 5 Best Movies of 2017, So Far


'Spider-Man: Homecoming' Review: Finally, The Spider-Man We Deserve


Review: Casey Affleck Distracting And Destructive In 'A Ghost Story'


'Despicable Me 3' Review: Harmless, Wacky Fun


'Cars 3' Wisely Pretends 'Cars 2' Never Existed


Review: 'The House' Is a Very Bad Movie with a Very Good Cast


Review: 'The Reagan Show' Explores The First Made-For-TV Presidency


Review: Edgar Wright's 'Baby Driver' Is the Channing Tatum F*cking the Floor in 'Magic Mike' of Heist Movies


'Okja' Review: Netflix Delivers A Monster Movie Miracle With Escapism, Daring, And Tilda Swinton


'The Beguiled' Has Some Flipping Great Things to Say About Gender


Review: 'Transformers: The Last Knight' Is Garbage


Review: Kumail Nanjiani's Real Romance Revealed In 'The Big Sick'


'Rough Night’ Isn’t Everything We Could Have Hoped For, But That's OK


Review: Mandy Moore Faces Off Against Great White Sharks In '47 Meters Down'


Spoilers: Does the Dog Die in 'Megan Leavey'?


Review: 'The Mummy' Is A Mess, And It Didn't Have To Be


Review: 'It Comes At Night' Is A Dick Tease Of A Horror Movie


Oh Thank God, ‘Wonder Woman’ Is Good


Netflix's New Brad Pitt Movie, 'War Machine,' Could Use A Tune-Up


We Talked to Zac Efron About His New Movie 'Baywatch,' And It Got Really Weird


What in the Drunken Slurring Fuck is Johnny Depp Doing In 'Pirates of the Caribbean: Dead Men Tell No Tales'?


Cannes Capsule Reviews: 'BPM,' 'Happy End,' 'The Rider,' 'Nothingwood'


Cannes 2017 Review: Robert Pattinson's 'Good Time' Is Like Nicolas Winding Refn Having a Stab at a Coen Brothers Movie


Cannes 2017 Review: In 'Wonderstruck,' Todd Haynes Battles With His Material ... and Loses


'Alien: Covenant' Is Better than 'Prometheus,' Not As Good As 'Alien'


Review: You're Going To Want To See 'Everything Everything' Opening Weekend


'Bon Cop Bad Cop 2' Review: It's OK America, The Canadians Are Here


Review: Amber Tamblyn Draws Blood Superbly With 'Paint It Black'


‘The Wall’ Review: Not Very Bad, Not Very Good, Kinda Just There


Review: 'King Arthur: Legend of the Sword' is a Blast, Long Live Guy Ritchie


Review: 'Get Me Roger Stone' Might Be The Scariest Film Of The Trump Era


Review: 'Hounds Of Love' Brings A Strange Tale Of Love To A Torture Premise


Amy Schumer's 'Snatched' Is a Terrible Movie And You Should Not Watch It


Review: 'Sweet, Sweet Lonely Girl' is a Seductive Slice of Retro Horror


Review: '3 Generations' Delivers A Well-Intentioned But Deeply Flawed Trans Teen Drama


'Guardians of the Galaxy Vol. 2' - James Gunn Hits The Sweet Spot Again


Review: Parental Nightmares And Much Ham Make Up The Thriller 'The Dinner'


Review: 'The Divine Order' is a Crowd-Pleasing Feminist Delight


Netflix's 'Casting JonBenét' Is Crass Exploitation But May Be Brilliant


'How to Be a Latin Lover' Gets Less Good the More Sober You Get


Review: 'My Friend Dahmer' is a Chilling Look at a Serial Killer in the Making


Review: Tom Hanks' 'The Circle' Is So Profoundly Bad It's Almost Impressive


Movies That Stay With You: Patton Oswalt's Greasy, Disturbing 'Big Fan'


Review: Despite Having Much Cate Blanchett, 'Manifesto' Is An Insulting Trash Fire


Review: 'Aardvark' Stars Jenny Slate And Sheila Vand, Yet Is Not Awesome


Review: 'Bombshell' Finally Recognizes Hedy Lamarr's Genius


Review: 'Saturday Church' is a Musical Celebration of the Transgender Community


'Unforgettable' Review: Thank You Beyoncé Jesus For This Beautiful Trash


'Free Fire' Review: Less a Movie and More a Symphony of Bullets