Welcome to the Category Archive for Reviews
- 'All That's Left of You' Looks at A Family's Journey in the Palestinian-Israeli Conflict
- 'Sorry, Baby' Is A Profound Journey of Healing and Resilience
- Review: 'Omaha' Is A Heartbreaking Portrait of Love and Sacrifice Amid Poverty
- 'Heart Eyes' Is a Killer Box of Chocolates; You Never Know What You're Gonna Get
- Review: 'By Design' Is A Quirky Exploration of Objectification, Envy, and the Cost of Perfection
- Review: Alia Shawkat & Callum Turner Make the Sweet-Edged War Satire 'Atropia' Worth the Visit
- Review: A Double Dose of Dylan O'Brien In 'Twinless,' Tasty Cringe Farce For Sickos
- Review: Be The Best Celebrity Stalker You Can Be, By 'Lurker'
- Review: 'Companion' Is a Hate-Mail Valentine to Mediocre Tech Bro Losers
- Review: Save The Puppy Save The World With Albert Birney's Lo-Fi Fantastical 'OBEX'
- Review: Home Is Where The Surreal Vampire Puppet Horror Is In 'The Vourdalak'
- Review: Is Michelle Yeoh's 'Star Trek: Section 31' Worth Watching?
- Review: Get Ghosted By Steven Soderbergh's 'Presence'
- 'Unstoppable' Review: The Fearless Anthony Robles Deserves a Braver Film
- Review: Sebastian Stan Presses the New Flesh In the Fantastic 'A Different Man'
- Pick Yourself the Pink Punk Dystopia of 'La Pietà'
- 'Wolf Man' Review: Woof
- 'Don't Die' Review: How Bryan Johnson Became the Real-Life Elisabeth Sparkle
- 'The Last Showgirl' Is a Stunning Showcase for Pamela Anderson
- Gay Sex, Red Pills, and Video Games Are the Sweet Stuff of 'Eat the Night'
- Review: Mike Leigh And Marianne Jean-Baptiste Deliver Hard-Hitting 'Hard Truths'
- Barry Keoghan & Franz Rogowski Make Magic In Andrea Arnold's 'Bird'
- 'Wallace and Gromit' Are As Charming and Delightful As Ever In 'Vengeance Most Fowl'
- Gavin and Stacey, Britain's Most Beloved Comedy of the 2000s, Came to An End After 17 Years
- Nicole Kidman Discovers Lust in the Excellent and Surprising 'Babygirl'
- Review: 'The Brutalist' Proves Size Does Matter
- 'September 5' Is a Heart-Pounding Love Letter to Journalist
- Netflix's 'Carry-On' Fills This Year's Christmas Action Movie Void
- Review: 'Kraven The Hunter' Puts the Sony Spider-Man Universe out of Its Misery
- Review: It's a Shame 'Joker: Folie a Deux' is So Dull
- 'Maria' Brings the Soprano's Story to Life as a Greek Tragedy
- Tilda Swinton and Michael Shannon Sing Us A Song Of Armageddon in 'The End'
- Review: 'Speak No Evil' 2024 Is Toxic Masculinity 101
- 'Beetlejuice Beetlejuice' Is a Straight-Up Goofball Paradise
- Amy Adams Goes Feral in 'Nightbitch'
- 'Skeleton Crew' Is An Insult to Kids and 'Star Wars'
- Robert Eggers' 'Nosferatu' Is a Dark and Delicious Feast
- Review: 'Moana 2' Isn't Very Good But That Hardly Matters to Disney
- Review: In 'Small Things Like These,' Cillian Murphy Crafts a Compelling Portrait of a Good Man in Crisis
- Daniel Craig Gives Love a 'Queer' Name In Luca Guadagnino's New Classic
- There's No Way 'Wicked Part II' Will Be Better Than 'Wicked Part I'
- Those 'Bad Sisters' Find Themselves in Even Deeper Hot Water in Season Two
- Review: 'Twisters' Needs To Throw Some More Caution To Its Wind
- 'Heretic' Imagines the Horror of Being Stuck in Conversation with a Man Who Does His Own Research
- Review: In 'Conclave,' the Election of a Pope Mirrors Familiar Political Rot
- 'Venom: The Last Dance' Review: Sony Squandered A Sure Thing
- The First Episode of 'Uzumaki' Was Amazing: What Happened With the Rest?
- 'Anora': A Fairytale Only Sean Baker Could Tell
- 'Smile 2' is Even More Terrifying Than its Predecessor
- Anna Kendrick's Directorial Debut 'Woman of the Hour' Explores Misogyny Amid a Killer's Spree
- 'Lonely Planet' Review: Romance is Dead and Netflix Killed It
- Saoirse Ronan Fights Off The Bombs In Steve McQueen's WWII Drama 'Blitz'
- Review: Masturbating Zombies & Cate Blanchett Storm The G7 Summit In 'Rumours'
- Spoiling Joseph Gordon Levitt's Hilariously Bad Prime Video Film, 'Killer Heat'
- Review: The Haunting 'Nickel Boys' Turns Us All Into Ghosts
- 'The Great British Bake Show' Made a Mistake This Week
- All the Easter Eggs and Fan Theories From 'Agatha All Along,' 'Darkest Hour, Wake Thy Power'
- 'Terrifier 3' and Horror's Shift from Elevated to Extreme
- Cate Blanchett's Apple TV+ Series 'Disclaimer' is Beautifully Made
- 'Saturday Night' Is an Flattering Portrayal of the Talents of an Unflattering Cast
- Review: 'Anatomy of Lies' Reveals the Depths of Elisabeth Finch, a Very Nasty Scammer
- Review: 'V/H/S/Beyond' Takes Found Footage to Space and Back
- Netflix's Body-Swap Thriller 'It's What's Inside' Is One of the Best of the Year
- Prime Video's 'House of Spoils' is a Tasty Morsel
- Sarah Paulson Can't Act Her Way Out of 'Hold Your Breath'
- What Is the Current State of AMC's 'The Walking Dead: Universe'?
- 'Doctor Odyssey' Review: These Doctors Are Making Us Thirsty
- Cristin Milioti Steals the Show in the Mediocre, Shallow 'The Penguin'
- September's Audiobook of the Month, Danzy Senna's 'Colored Television'
- 'Babes' Captures the Messy Imperfections of Motherhood, Pregnancy, and Friendship With Hilarious Perfection
- Review: 'Lee' Follows a Woman Who Captured War's Worst Atrocities
- Review: 'Oddity' Is An Entire Cursed Object Shoppe's Worth Of Fright
- Review: Samara Weaving Kicks Unholy Ass In 'Azrael'
- Review: Sisters at Odds Come Together in Grief in Netflix's 'His Three Daugthers'
- Spoilers: What Is the Big Twist in Kathy Bates' 'Matlock' Reboot?
- 'Emilia Pérez' Is One of the Most Audacious Musicals of Our Time
- 'Challengers' Is Pleasure Incarnate: Sexy, Funny, Throbbing
- Death Becomes Demi Moore and Margaret Qualley in 'The Substance'
- Why Was Jon Lovett Eliminated from 'Survivor' 47? [Spoilers]
- Kaitlin Olson Goes Full 'Good Will Hunting' in ABC's Delightfully Formulaic 'High Potential'
- Hulu's 'How To Die Alone' Is a Portrait of a Working Woman Working On Herself
- Body Horror Meets Black Comedy in Cronenberg's Deeply Personal 'The Shrouds'
- Rebecca Hall's TV Series 'The Listeners' Offers a Languid but Unnerving Descent into Conspiracy
- Korean Slow Burn Drama 'By the Stream' is As Close to True Realism as Cinema Gets
- 'Really Happy Someday' Is a Different Kind of Transition Story
- 'M. Son of the Century' Depicts the Rise of Fascism Through Mussolini's Eyes
- Angelina Jolie's Earnest Drama 'Without Blood' is Respectable but Flat
- 'The Last of the Sea Women' Dives Head-First Into the Work of a Fierce but Dwindling Community
- Almodovar's Excellent 'The Room Next Door' Tackles Death, Friendship, and Love
- 'The Watchers' Review: Ishana Night Shyamalan Crafted a Clunker
- 'Vice is Broke' is Too Enamored With the Company's Legend to Tackle its Messy Truth
- 'Bonjour Tristesse' is a Visually Striking but Emotionally Inert Adaptation of a French Classic
- It Takes All 'Kinds of Kindness' In Yorgos Lanthimos' Latest Delicious Grotesquierie Of The Human Condition
- 'AfrAId' Review: Just How Scared of AI Does Blumhouse Want Us to Be?
- Review: 'Greedy People' Really Wants to be a Coen Brothers Film When it Grows Up
- Review: Sweet Sticky 'Strange Darling' Is Rom-Com For Psychopaths
- 'Evil' Is Over
- Spoilers: 'The Umbrella Academy' Pulled Off A Great Ending, Even If Nobody Likes It
- Review: 'Alien: Romulus' Falls Into A Black Hole Of Fan Service
- 'Consumed' Is Lost in Its Own Woods
- Review: 'Cuckoo' Is a Unique Head-Scratcher
- Review: 'Steppenwolf' Tells The 'John Wick' Movies To Eff Off
- Review: 'Self Driver' Drags Our Dystopian Gig Economy To Hell & Back
- It's Hard for 'Tarot' to Exist in a Post-'Cabin in the Woods' World
- I Declare it 'Trap' Summer
- Review: 'Bookworm' Is Family Film Done Right With A Never Better Elijah Wood
- 'A Quiet Place: Day One' Is One of the Year's Biggest Surprises
- Review: 'Haze' Is A Sexy Slow-Burn Psychological Trip With Teeth
- Natalie Portman's Apple TV+ Series Is a Lot but It's So Good
- Stream It Or Nah: Peacock's 'Those About to Die' Starring Anthony Hopkins
- 'The Acolyte' Finale: Crouching Jedi, Hidden Guy in a Cave
- Nicolas Cage Is Horrifying in all the Wrong Ways in Oz Perkins' Bewildering 'Longlegs'
- Rachel Bloom's 'Death, Let Me Do My Show!' Offers Post-Covid Catharsis and Laughs
- 'The Acolyte' Episode 7: So That's What Sol Did (Yikes)
- 'MaXXXine' Review: Satan Bless Ti West and Mia Goth
- 'The Acolyte' Episode 6: Motherforking Sith Balls
- 'Fancy Dance' Is One of the Most Important Films You Can Watch This Year
- Chris Evans' 'Defending Jacob' on Apple TV+ Is Bleak and Dreary Comfort TV
- 'The Acolyte' Episode 5: Revenge of the Grillz
- Do You Have a Neighbor From Hell? 'Restless' Is the Movie for You
- 'Under the Grey Sky' Is an Unsettling Look at the Silencing of Journalists
- Review: 'Inside Out 2' Is a Heartfelt Emotional Journey with only a Minor Case of Sequelitis
- Add 'Beacon' to the List of Examples of Why a Lighthouse Make a Great Horror Setting
- Review: Carrie Coon & Shea Whigham Make Neo-Noir Magic In 'Lake George'
- 'The Acolyte' Episode 4: To Kill a Wookiee, Nerd
- Review: A Black Family's Home Invasion Twists 'The Knife' Into Unbearable Tension
- Review: Michael Cera & Michael Angarano Road-Trip Their Frayed Friendship Out In The Lovely Little 'Sacramento'
- Andrew McCarthy's 'Brats' Review: What if You Held a Reckoning and No One Showed Up?
- 'The Devil's Bath' Looks at a Very Shocking, Unexplored Chapter of European History.
- 'The Acolyte' Episode 3: Lesbian Space Witches and Nuance, Anyone?
- Review: 'Griffin In Summer' Is Brutally Funny Theater Kid Coming-Of-Age Brilliance
- Review: 'The Weekend' Is 'Meet The Parents' In Hell
- Richard Linklater's 'Hit Man' Is the Best Possible Use of Glen Powell's No-Face
- Review: The Smashing 'Godzilla Minus One' Is Here To Make You ... Cry?
- In 'I Used to Be Funny,' Canada's Favorite Funny People Turn Trauma into Mystery
- Who Is the Sith Master in 'The Acolyte' Premiere? Some Theories
- Review: Viggo Mortensen Brings a Nod to Middle-Earth in 'The Dead Don't Hurt'
- Review: It's Pride Month Which Means You Have to Watch 'Backspot'
- 'Atlas' Review: Why Is Netflix's North Star a C-?
- The Oscar-Nominated 'Robot Dreams' Is A Magical, Melancholy Animated Masterpiece
- Review: The Slasher Is Reborn In The Terrifying 'In A Violent Nature'
- Can 'Furiosa' Live Up to the Perfection of 'Mad Max: Fury Road'?
- The 'Bridgerton' Side Plots Threaten to Outshine the Central Love Story
- Review: Amy Winehouse Biopic 'Back to Black' is Utterly Uninterested in Its Own Subject
- Review: 'I Saw the TV Glow' Is A Great And Terrible Fantasia
- Hopefully 'The Strangers' Trilogy is Better Than a Sum of Its Parts
- 'The Idea of You' Movie Changes the Book's Ending - For the Worse
- 'Kingdom of the Planet of the Apes' Waters Down Its Predecessors
- Hulu's 'The Contestant' Shows How Reality TV Scraped the Bottom of the Barrel Decades Ago
- 'The Fall Guy' Is This Year's 'Dungeons and Dragons'
- Jerry Seinfeld's 'Unfrosted' Is Underbaked and Unfunny
- In 'Evil Does Not Exist', Ryusuke Hamaguchi Offers a Quiet Exploration of Man Vs Nature
- Review: 'The Ministry of Ungentlemanly Warfare' Goes Bang with a Whimper
- 'Humane' Review: The Next Cronenberg Takes a Stab at the Family Dynasty
- Review: 'The Beast' Is a Sweeping Romance Film Unlike Any Other
- 'Abigail' Is a Violent, Dancing Delight
- Review: 'Under the Bridge' Is a Must-Watch True Crime Series That Gives the Victim a Voice
- Review: 'Sting' is a Charming Creature Feature and What I Wanted from 'Evil Dead Rise'
- Review: Alex Garland's 'Civil War' Is A Scary Minefield of Apolitical Provocations
- Review: 'The First Omen' Contains the Strength and Spirit of the Classic Horror Films
- There is No Way 'Sugar' Will Survive a Week-to-Week Rollout
- Review: 'The People's Joker' Is One of the Best and Most Subversive Comic Book Movies
- Review: Revenge Thriller 'Femme' Presents a New Kind of Femme Fatale
- Spoilers: Why Is Netflix's Korean Comedy 'Chicken Nugget' Getting Review-Bombed?
- How 'The Regime' and 'Palm Royale' Complicate Their Genres
- Review: Dirty Beautiful Josh O'Connor Digs Up The Past In 'La Chimera'
- How 'X-Men '97' Sidestepped Cyclops' Biggest Sin And Redeemed A Tragic Foe
- Is 'Palm Royale' the New 'Desperate Housewives'? Not Even Close
- Review: 'Immaculate' Is All About Unleashing Holy Hell on the Soul
- Review: 'Ghostbusters: Frozen Empire' Is a Cold Day In Hail
- Conor McGregor Nearly Ruins Jake Gyllenhaal's Otherwise Riotously Fun 'Road House' Remake
- The Problem with Peacock's 'Apples Never Fall' Is Its Infuriating Ending [Spoilers]
- David Dastmalchian's 'Late Night with the Devil' Takes the Late-Night Wars into the Horror Genre
- Review: 'Damsel' Needs Saving from the Soulless Netflix Formula
- In 'The Animal Kingdom,' Humans Turn Into What They Truly Are: Animals
- 'Quiet on Set' Tracks Dan Schneider's Unsettling Two-Decade Reign Over Nickelodeon
- 'Girls5Eva' Season 3 Is a Straight Shot of Pure Joy
- 'Black Box Diaries' Tracks Shiori Itō's Attempt to Bring Japan's Sexual Crime Laws Into the 21st Century
- Time-Crossed Love is Messy Business in 'Timestalkers'
- The 'Feud: Capote vs the Swans' Finale Is All Vibes, No Substance
- Weirdo Mia Wasikowska Is Back And Weirder Than Ever In The Wellness Satire 'Club Zero'
- 'The Program' Is a Powerful True Crime Reckoning for the 'Troubled Teen' Industry
- 'Imaginary' Almost Sucks
- 'The Gentlemen' Review: Ritchie's Latest Episodic Caper is a Blast for Fans of his Formula
- Review: Kristen Stewart's 'Love Lies Bleeding' Is Gonna Kick Your Ass And Make You Beg For More
- What the Hell Is Going On in Apple TV+'s 'Constellation'?
- 'Shōgun' is TV's Next Big Epic
- It's Not the Filmmakers' Fault that Bill Belichick Sucks in 'The Dynasty: New England Patriots'
- Adam Sandler Is a Sad, Sad Boy in Space In Netflix's 'Spaceman'
- 'Dune: Part Two' Is Why We Make Science Fiction Movies
- 'Code 8 Part II' Review: Firestorm and Arrow Take on the Cops
- Review: 'Drive-Away Dolls' Is Lesbian 'Raising Arizona' Lite
- Review: How the Hell Did 'One Love' Make Bob Marley So Boring?
- Review: 'Bottoms' Is Tops!
- Review: 'Lisa Frankenstein' Is Just a Cinderella Story That Shops at Hot Topic
- Review: 'Out of Darkness' Unleashes Prehistoric Hell
- Review: 'Veni Vidi Vici' Is A Sociopath's Paradise
- Review: Put 'Argylle' Out With The Kitty Litter
- Rivers Solomon, Miriam Toews, Octavia Butler: The Pajiba January 2024 Book Recommendations Superpost
- 'Echo' Is Almost a Course Correction for Marvel (Until It's Not)
- Review: 'Killers of the Flower Moon' Is Top Tier Scorsese, Again
- Review: Dan Levy's 'Good Grief' Is A Lotta Grief, Only Some Of It Good
- George Clooney Embraces Full Cornball With His Depression-Era Sports Flick 'The Boys In The Boat'
- Freaks, Weirdos, and New Icons: The Top 10 Horror Movies of 2023
- Review: Bradley Cooper's Vapid 'Maestro' Is an Empty, Craven Affront
- Cartoon Ramona Flowers From 'Scott Pilgrim Takes Off' Can Get It
- Review: 'The Zone of Interest' Is The Most Important Movie Of The Year
- Review: Julia Roberts Wants To 'Leave The World Behind' With Mixed Results
- Review: 'Eileen' is a Neo-Noir About a Very Different Kind of Difficult Woman
- Review: Natalie Portman and Julianne Moore Unravel True Crime With 'May December'
- Review: 'The Holdovers' is a Throwback in All the Best Ways
- Ridley Scott's 'Napoleon' Is a Total Mess But an Absolute Blast
- Review: 'The Hunger Games: The Ballad of Songbirds & Snakes' Is The Best Film In The Franchise
- Review: 'Saltburn' Is An Acidic Class Satire Of Righteous Queer Fury
- David Fincher's 'The Killer' Is An Unblinking Sociopathic Master-Class Of Fun
- 'Dream Scenario' Is Nightmare Fuel
- Review: 'Fingernails' is a Romantic Tale with No Love and No Logic
- Netflix's 'All the Light We Cannot See' Is Trite, Clumsy, and Occasionally Aggravating
- Review: 'Priscilla' Puts 'Elvis' On Blast
- Review: 'Suitable Flesh' Is Here To Penetrate Yours With Lovecraftian Lunacy
- The 'Ahsoka' Finale Chose 'Pew Pew Pew' Over Its Best Characters
- Review: Emma Stone Is The Lightning That Animates 'Poor Things'
- Review: 'All Of Us Strangers' Is An Astonishment
- Episode 7 Recap: 'Ahsoka' Refuses to Move Past Fan Service
- Spoilers: 'Expend4bles' Is Miser4ble
- Episode 6 Recap: 'Ahsoka' Finally Hit Its Weird, Surprisingly Metal Stride
- 'Hell of a Summer' Review: Finn Wolfhard and Billy Bryk Made a Boring Slasher Comedy
- The Endlessly Magnetic Colman Domingo Elevates the By-The-Numbers Biopic 'Rustin'
- 'Viva Varda!' Does Justice to a Filmmaking Legend's Life in One Hour
- Netflix's 'El Conde' Is a Magnificently Black-Hearted Little Wonder of a Thing
- 'Boy Kills World' Is a Throat Punch Weirdo Action Darling
- With 'A Haunting in Venice' Kenneth Branagh Finally Gets His Hercules Poirot Right
- 'Ahsoka' Heard You Like Nostalgia and Fog, Butt Tons of Fog
- 'The Contestant' Reveals The Horrifying Birth of Modern Reality TV
- Review: Nyad, Starring Annette Bening, is Just Another Biopic
- 'Dumb Money' Is the Loud Music Finance Bullshit You Want it to Be
- Review: 'Humanist Vampire Seeking Consenting Suicidal Person' Is As Delightful As Its Title
- In 'The End We Start From,' Jodie Comer Takes on Motherhood
- Review: 'Smugglers' is a Slick and Satisfying '70s Korean Crime Movie
- Review: 'Next Goal Wins' is Too Much Taika, Not Enough Heart
- Colman Domingo Dominates in Striking 'Sing Sing'
- 'Orlando, My Political Biography' is Part Memoir, Part Literary Adaptation, Part Revolution
- Elliot Page Reminds Audiences of His Talent in the Earnest if Muddled 'Close To You'
- 'Nickelback: Hate to Love' is a Musical Doc About Rock's Punching Bag
- Review: 'They Shot the Piano Player,' Starring Jeff Goldblum, Review
- With 'The Boy and the Heron,' Hayao Miyazaki Makes Another Masterpiece
- Recap: 'Ahsoka' Finally Unleashed Ray Stevenson in a Meatier Episode 4
- Recap: 'Ahsoka' Episode 3 Is Empty 'Star Wars' Calories
- Episode 1 Recap: 'Ahsoka' Knows What 'Star Wars' Fans Want: Dramatic Pauses
- 'The Eight Mountains' Is Manufactured for Maximum Middle-Aged Man Tears
- Review: 'Blue Beetle' Starring Xolo Maridueña and Susan Sarandon
- Lizzy Caplan's 'Cobweb' May Be the Best Halloween Movie of the Year
- Review: 'TMNT: Mutant Mayhem' Is Silly, Safe, and Still a Good Time
- Review: 'Meg 2: The Trench' Is Meggier, Messier
- Review: The Heat Generated In Ira Sachs' 'Passages' Will Scorch Your Soul
- Review: Nicolas Cage Burns It Down, Again, In 'Sympathy For the Devil'
- Review: Stunning, Sterile 'Oppenheimer' is Christopher Nolan at His Best and Worst
- Netflix's 'They Cloned Tyrone' Learned the Right Lessons From 'Get Out'
- Review: 'Barbie' Becomes Death, Destroyer of Worlds
- Review: Christian Petzold's Emotional Apocalypse Will Set Your Summer 'Afire'
- 'Mission Impossible: Dead Reckoning Part One': The Franchise Isn't Perfect Anymore
- Sarah Snook's 'Run Rabbit Run' Moves at a Tortoise's Pace
- 'Indiana Jones and the Dial of Destiny' Rewinds the Clock For One More Grand Adventure
- Review: 'No Hard Feelings' Is Here for a Good Time, Not a Long Time
- Review: 'Asteroid City' Is One of Wes Anderson's Very Best Movies
- Review: Scary Good 'The Blackening' Serves Up Hilariously Sharp Wit in Spades
- Laura Galán Snatches The Scream Queen Crown Via 'One Night With Adela"
- Ari Aster's 'Beau is Afraid' Is Truly Madly Deeply Not for Everybody, Thank God
- Review: 'Clueless' Goes To Hell In 'Perpetrator'
- Review: 'The Boogeyman' is Honestly, Whatever
- Review: Mo Ryan's 'Burn It Down' Takes on a Culture of Abuse in Hollywood
- Review: 'The Little Mermaid' Offers a Glimpse of a Bleak Movie Future
- Nicole Holofcener Tackles a Writer's Worst Nightmare in 'You Hurt My Feelings'
- Review: 'Anna Nicole Smith: You Don't Know Me' Rehashes History to Malign its Subject
- 'Chevalier' Review: Trailblazing Virtuoso Takes Center Stage in an Underwhelming Biopic
- Review: With 'Baby J,' John Mulaney Returns To Discuss Almost Everything You Want Him To
- Review: Is 'Guy Ritchie's The Covenant' Based on a True Story?
- Stream It Or Nah: The Harrowing 'The Good Mothers' on Hulu/Disney+
- 'The Mandalorian' Season 3 Finale Ending Explained
- Stream It or Nah: 'Florida Man,' Starring Edgar Ramirez
- Review: 'Renfield' Is Too Busy Worrying We're All Stupid to Be Any Good
- Review: Netflix's 'Unstable' Cannot Commit to the Bit
- The Season 3 Plot Arrived Way Too Late on 'The Mandalorian'
- Review: It's Weird that Toni Collette's 'Mafia Mamma' Got Made in 2023
- Review: 'Paint' is Exhausting
- Jack Black Can't Save an Anticlimactic 'The Mandalorian'
- 'The Super Mario Bros. Movie' Is Fine
- Review: Steven Yeun And Ali Wong Give Us A 'Beef' Well Done
- 'Please Baby Please' is the Film Andrea Riseborough Should Have Been Oscar-Nominated For
- A Moff Gideon Mystery Caps a Surprisingly Fun 'The Mandalorian'
- 'A Good Person' Review: Florence Pugh Shines in Yet Another Lousy Film
- Ahmed Best Slaps in a Refreshingly Pulpy 'The Mandalorian'
- Review: 'Marlowe' is One of the Biggest Disappointments of 2023 So Far
- The New 'Children Of The Corn' Is an A-maize-ing Garbage Fire
- Season 3, Episode 3 'The Convert': 'The Mandalorian' Tried To Be 'Andor'
- Review: Ghostface Takes Manhattan In Uneven But Fun 'Scream VI'
- Bo-Katan Rises on a Much Better 'The Mandalorian' Episode
- Review: 'Champions' Sure Is A Sports Movie Starring Woody Harrelson
- Alright, 'The Mandalorian' Season 3, What Are We Doing Here?
- 'Cocaine Bear' Review: This Is a Bear. This Is a Bear on Drugs.
- Review: The Mustache Unmakes The Man In The Unsettlingly Sparse 'The Integrity Of Joseph Chambers'
- Review: Carter Smith's 'Swallowed' Digs Deep Into The Dark Nooks Of Queer-Horror
- 'Magic Mike's Last Dance' Refuses to Drop Its Damn Pants
- Is the Found-Footage Horror 'The Outwaters' a Good and Proper Brain-Break?
- Review: Jonathan Majors Is A Muscle-Bound Powerhouse In 'Magazine Dreams'
- Review 'Knock at the Cabin' Is Good but Must Reckon with its Source
- Netflix's 'Pamela: A Love Story' Allows Anderson a Chance to Tell Her Story
- Review: 'Skinamarink' Is Gonna Scare You Right Back To The Dark Ages
- 'Shotgun Wedding' Review: JLo Wasn't Going to Let Sandra Bullock Have All the Fun
- Review: 'Rotting In The Sun' Is Breathlessly Funny and Mean-Spirited
- Review: 'That '90s Show' Needs Time to Develop
- Review: Alexander Skarsgård And Mia Goth Are Unnaturally Born Killers In 'Infinity Pool'
- Review: Toxic Masculinity For Tweens Too 'Close' For Comfort
- 'Searching' Sequel 'Missing' Finds Our Moment Amid Tech Mayhem
- Schlocky Gerard Butler Action Flick 'Plane' Is the January-est Movie Ever Made
- Review: 'Hunters' Season 2 Makes Too Big a Matzo Ball
- Shoot Her Down, But She Won't Fall. 'M3GAN' Is Titanium
- Jessica Chastain and Michael Shannon are an Intoxicating Force in 'George & Tammy'
- Adam Driver And Greta Gerwig Face Down The Apocalypse In Noah Baumbach's Incomparable 'White Noise'
- Review: 'The Big 4' Is The Other Must-See Netflix Movie This Month
- Review: Ashes, Ashes, The Tower of 'Babylon' Falls Down
- 'Glass Onion' (The Knives Out Sequel) Is Rian Johnson's Whodunit Reaction to Our Hellish Reality
- Review: 'Vardy v. Rooney' Brings the Joys of Wagatha Christie to a Semi-Prestige Drama
- Netflix's 'Bardo' is Bloody Exhausting
- 'Emancipation' Review: I Want Reparations For Slogging Through This
- 'Matt Rogers: Have You Heard of Christmas?' Is the Moment
- Review: Just Let Me Look At Olivia Colman, 'Empire of Light'!
- 'The Whale' Is the Most Miserable Entry in Darren Aronofsky's Self-Martyrdom Canon
- 'Christmas Bloody Christmas' Is Not as Cool as It Wants You To Think It Is
- Review: Lars von Trier Returns to Hospital With the Long-Awaited 'Kingdom Exodus'
- Review: Tilda Swinton in Joanna Hogg's Perfect Ghost Story 'The Eternal Daughter'
- Review: Mythic WTF Weirdness Abounds In The Surreal Freak-Out 'A Wounded Fawn'
- Netflix's 'Wednesday' Fails to Represent What It Means to be an Addams
- The 'Andor' Season Finale Is a Beautiful Triumph
- 'The Wonder' Cements Florence Pugh as One of the Best Actresses in her Age Range
- Shudder's 'Blood Relatives' Is a Meditation on Vampirism and Judaism
- Review: Spielberg Wrestles Spielberg in 'The Fabelmans'
- Review: 'Devotion' One, 'Top Gun' Nothing
- 'She Said' Is a Righteous Recap and a Bad Movie
- Review: 'Disenchanted' Isn't as Magical as its Predecessor
- Episode 11 Recap: Someone Got 'Star Wars' All Over My 'Andor'
- Jeremy Pope and Gabrielle Union Wow In Elegance Britton's 'The Inspection'
- 'Stutz': Jonah Hill Made a Movie About His Therapist and It's Pretty Interesting
- The Super-Sweet 'My Father's Dragon' Brings Cartoon Saloon to Netflix
- Episode 10 Recap: 'Andor' Delivered a Jailbreak and One Helluva Shoe Drop
- 'Don't Worry Darling' Review: Do Worry, Darling, This Is Trash
- Episode 9 Recap: 'Andor' Woke Up This Morning and Got Himself a Gollum
- Daniel Radcliffe Elevates the Absurdity in 'Weird: The Al Yankovic Story'
- 'Andor' Gets Crushed Beneath the Empire's Boot in Episode 8
- Review: Cate Blanchett Is Maestra Of Us All In The Career-Defining 'Tár'
- Martin McDonagh's Bleak Comedy 'The Banshees of Inisherin,' Starring Colin Farrell and Brendan Gleeson
- Review: Eddie Redmayne Kills in 'The Good Nurse,' a Solid Thriller with Thin Ambitions
- Review: 'Avenue 5' Returns for Season 2 and Does Not Disappoint
- 'Andor' Recap, Episode 7, 'Announcement': The Empire Ruined Andor's Sex-cation
- Review: Shudder's 'V/H/S/99' Tackles the Real Horrors of Y2K
- The Hype Around 'Andor' Episode 6 Is Real
- 'Halloween Ends' Review: We are Finally Free From this Treachery
- Review: Park Chan-wook Returns with the Gripping Thriller 'Decision to Leave'
- Review: 'Derry Girls' Delivers a Cracker Final Season
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- Christ, the Characters in 'Andor' Slap
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- Review: Gen Z Takes A Beating From The Whodunit Hands of A24's 'Bodies Bodies Bodies'
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- 'Don't Make Me Go' Review: Can John Cho Carry This Beautiful Movie Through Its Horrible Twist?
- Review: 'Persuasion' Is Awful and It's Also Everything That's Wrong with Netflix
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- Review: Alice Krige's Incandescent Face Lights Up The Folk Horror Woods With 'She Will'
- Review: Lesley Manville Sparkles As A Cinderella Senior In 'Mrs. Harris Goes To Paris'
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- Review: 'Elvis' is What a Baz Luhrmann Biopic of Presley Was Always Going to Be
- 'The Black Phone' Is a Spooky, Scary Horror Movie with a Capital 'H'
- Review: 'Flux Gourmet' Turns an Extended Fart Joke into an Empathetic Treatise on Loneliness
- Review: 'PEN15' Star Anna Konkle Puts The Boom In Baby Boom With The Dark Comedy 'The Drop'
- Review: Irish Horror Gains Another Unsettling Classic with 'You Are Not My Mother'
- In 'Cha Cha Real Smooth,' the Actor/Writer/Director Can't Stop Obsessing Over Himself
- 'Obi-Wan' Just Made Darth Vader a Glorified School Shooter
- Review: Penelope Cruz And Antonio Banderas Devour The Art-House In The Frantically Funny 'Official Competition'
- Review: How Hungry We Are For Horror, And Here's 'Family Dinner' To Fill Us Up
- Review: 'Interceptor' is a Casually Unhinged, Braindead Load of Occasionally Amusing Nonsense
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- On 'The Boys' Season 3, Starlight Is in Hell
- What I Learned Cataloging 'Late Night' with Seth Meyers' 'Corrections'
- Review: Golf Underdog Biopic 'The Phantom of the Open' is a Classic British Comedy, For Better or Worse
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- Review: Terence Davies' 'Benediction' Brings Us The Life, Loves, And Losses Of The Gay Poet Siegfried Sassoon
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- Review: Not All 'Men' But Definitely This Guy [With Spoilers]
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- Review: 'You Won't Be Alone' Is A Fine Folk-Horror 'Orlando' Made For Poetry Majors And Gore-Hounds Alike
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- With 'Brazen,' Netflix Uses the TV Movie Cookie Cutter to Make its Own Batch of Vanilla Snacks
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