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film / tv / politics / web / celeb


Welcome to the Author Archive for Ciara Wardlow










Spoiler Review: Horrifically Bleak but Hardly Horrifying ‘The Lodge’ Not Worth the Trip


Review: “The Turning” Reboots Iconic Horror Tale as Tepid Garbage


Review: Hopelessly Uninspired 'Like A Boss' Unlikely to Entertain


Review: ‘1917’ Shares A Familiar Story Made Fantastic in the Telling


Review: ‘Jumanji: The Next Level’ is Dumb as a Post But at Least It Tries


'Take Shelter' Tackles Fear with Fearless Eloquence


Taika Waititi Taught Old Tropes New Tricks in the 2010s' Most Hilariously Heartfelt Adventure


Review: Scorsese's 'The Irishman' is a Blast from the Past and a Glimpse of the Future


Review: 'Playing with Fire' Lacks Any Spark of Life


Review: 'Harriet' Delivers Important Commentary in an Unfortunately Conventional Package


5 Historic Oddities Hidden in the Disney+ Lineup


Why Are Y'all Stumping ‘Joker’ When ‘The Invisible Man’ Was Here All Along?


NYFF Review: 'Varda by Agnès' is a Heartfelt Farewell from a Cinematic Icon


NYFF Review: 'The Whistlers' Brings Entertainment, Leaves no Lasting Impression


NYFF Review: The Refreshingly Sharp-Witted, Sci-Fi Adjacent Neo-Western, 'Bacurau'


'Mindhunter' Season 2 Hurts Your Feelings in All the Best Ways


Season 3 of 'GLOW' is a Fun Ride Stuck in Stasis


How 'Derry Girls' Laughs in the Face of Toxic Masculinity


Requiem for the Irish Skeletons in Martin Scorsese’s Cinematic Closet


Pajiba Love


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Evangeline Lilly Will Not Be Going Into Quarantine Now, Thanks




Reviews


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Review: ‘Burning Cane’ and ‘The Body Remembers When the World Broke Open’ Are Ava DuVernay’s Hidden Gems on Netflix


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Review: ‘The Banker’ is a Solidly Old-Fashioned Adaptation of the Remarkable True Story of America’s First Black Bankers


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Review: Dee Rees’s Joan Didion Adaptation ‘The Last Thing He Wanted’ Very Nearly Works, But Its Narrative Shortcomings Crater It




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