By Dustin Rowles | TV | December 17, 2025
If you took Big Little Lies, Little Fires Everywhere, and The Slap, tossed them into a blender, watered the whole thing down, and dropped in a Benadryl for that gently sedated vibe, you would end up with something like Little Disasters, Paramount+’s latest meditation on rich people unraveling when confronted with an actual problem faced by actual people. The British series, from creator Ruth Fowler and adapted from the Sarah Vaughan novel of the same name, stars Diane Kruger, presumably because Nicole Kidman was unavailable or because this particular character does not sleep with a much younger man.
To be fair, it is a solid ensemble of familiar British faces (Jo Joyner, Ben Bailey Smith, Shelley Conn, Emily Taaffe, JJ Feild, Stephen Campbell Moore, Patrick Baladi). Unfortunately, it is also a series that feels like it has been done better roughly two dozen times already, including The Slap. Yes, the American one. At least that was entertaining.
Little Disasters opens with stay-at-home mom Jess (Kruger) bringing her infant daughter to the emergency room with a mysterious head injury. Jess is evasive and misleading when questioned by the attending nurse, which eventually prompts a call to social services. Complicating matters is the fact that the nurse, Liz (Joyner), is also one of Jess’s closest friends, leaving her torn between loyalty and professional obligation.
As the investigation escalates, it sends shockwaves through the entire friend group, a cluster of wealthy London couples who bonded years earlier in a prenatal class. Everyone is stunned that Jess, an obsessively attentive mother, might have harmed her child, while also quietly noting her anti-vax views. Liz, meanwhile, is a great nurse and a devoted mom who also drinks too much. Suspicion briefly shifts to Jess’s husband Nick (JJ Feild), though not from Charlotte (Shelley Conn), who has been in love with Nick since university and uses the chaos as an opportunity to wedge herself into the marriage.
There is also Mel, who moves in with Jess to satisfy social services’ supervision requirements, while dealing with her own volatile marriage to Rob (Stephen Campbell Moore), a controlling, angry mess of a man who has been spiraling since losing his job. Because this group is aggressively incestuous, Jess’s lawyer Andrew (Patrick Baladi) is married to Charlotte, the same Charlotte currently trying to sleep with Jess’s husband.
The central mystery is how the baby sustained injuries severe enough to lead to Jess’s arrest, a question answered before the case ever reaches trial. Nearly everyone assumes Jess is lying, including Nick, even as he tries to shield her. The series fills time with flashbacks to various moments of dysfunction among the couples, along with dream sequences in which Jess imagines herself as the monster everyone believes her to be.
If you watched the first episode and came here wondering, “Does this get better?” I am here to tell you no. It does not. So let’s just spoil the whole thing and put everyone out of their misery.
Jess did not hurt her baby, though she does shoulder some blame. Overwhelmed by two screaming older kids, a crying infant, and dinner prep, she made a decision she could not bring herself to admit to anyone. Despite her crunchy, RFK-adjacent skepticism of medicine, she left the kids alone for a few minutes to run to the pharmacy for paracetamol. When she returned, the baby was injured, and her youngest son was hysterical.
What actually happened, as the boy finally confesses in the finale, is this: while Jess was gone, Rob stopped by to ask Nick for money. Finding the parents absent and the baby crying, Rob decided to change her diaper. He got distracted, the baby rolled off the changing table, and her skull fractured.
Rob put the baby back in the playpen and told the boy it was his fault, threatening that if he ever told anyone, his mother would go to prison and never see him again. The child stayed silent until he finally broke after six long episodes of this. Rob was arrested. Jess was exonerated. Charlotte apologized for trying to steal Nick. Liz stopped drinking. Mel left her abusive husband. Everyone lived happily ever after, except for what I assume was as much therapy as their wealth and the British medical system afforded them. The End.