FilmStruck, And The Access It Provided To Many Classic Films, Shut Down By Warner Bros.
So…let’s run down the list of how absolutely delightful this past week has been.
There’s the Florida man who decided to take a break from harassing women on Twitter (which was completely ignored by The Powers That Be over at Twitter because of course it was) to send pipe bombs to many of the people who have spoken out against Donald Trump, including Barack Obama, Hillary Clinton, Cory Booker, Maxine Waters, and even Robert De Niro.
There was the murder of two people at a Kroger grocery store in Jeffersontown, Kentucky by a White man who had originally attempted to enter a Black church and begin his shooting spree there, and when that wasn’t possible, he began his bloodbath at Kroger and when another White man who was in Kroger confronted him and tried to convince him to stop, the shooter actually said, “Whites don’t kill other Whites.”
As of this writing, there is an active shooter in a Pittsburgh synagogue where four people have already been reportedly killed.
There was Megyn Kelly who really felt the need to Jane Lane-shrug on national television about the existence and history of Blackface, and also about the fact that Blackface has been and continues to be used by White people for their Halloween costumes, which led to her losing her morning show and possibly walking away from it all with a $69 million payout.
And then there’s Paramount Pictures announcing that they’re planning to remake Clueless and thinking that it’s anything resembling a good idea.
And if all of that wasn’t enough to make the year 2018 feel like it’s been lasting for an entire decade, there was one more piece of bad news dropped into the laps of many a person who loves and appreciates films: FilmStruck, the two-year-old streaming service with a catalog largely comprised of classic films, was being shut down by WarnerMedia as part of the recent merger between AT&T and Time Warner, and would cease all operations by November 29th.
View this post on Instagram
We have some sad news to share: earlier this morning, Turner and Warner Bros. Digital Networks announced plans to shut down FilmStruck, the streaming service that has been our happy home for the last two years. Like many of you, we are disappointed by this decision. When we launched the Criterion Channel in 2016, we had two goals: to ensure that our entire streaming library remained available, and to address our audience in our own voice. We’re proud of the work we’ve done, bringing curated programming and the full range of supplemental features to the streaming space, championing a diverse array of filmmakers from beyond our collection and creating original content that invites you into exciting conversations about cinema culture. All this is very new, and we’ll be sure to keep you updated as we learn more details. But rest assured that we are still committed to restoring and preserving the best of world cinema and bringing it to you in any medium we can. In the weeks ahead, we’ll keep you informed about the great programming you can watch on the Channel before it shuts down on November 29, and we’ll be trying to find ways we can bring our library and original content back to the digital space as soon as possible. Thanks to everyone who enjoyed FilmStruck, and we hope you’ll join us as we look forward to what the future brings.
According to this statement from Turner and WB Digital Networks, which reads like a statement made by the kind of executives who thought it was a good idea to have Poochie become a cast member of The Itchy and Scratchy Show:
“We’re incredibly proud of the creativity and innovations produced by the talented and dedicated teams who worked on FilmStruck over the past two years. While FilmStruck has a very loyal fanbase, it remains largely a niche service. We plan to take key learnings from FilmStruck to help shape future business decisions in the direct-to-consumer space and redirect this investment back into our collective portfolios.”
Needless to say, Film Twitter did not take this news particularly well:
You can't go to the Quad or FilmForum at 1am when you can't sleep. You can't have Hollis Frampton shorts up as wallpaper while you work at Anthology. FilmStruck is pretty serious part of my life. Newly added, sure, but still.— Jordan Hoffman (@jhoffman) October 26, 2018
Warner Media: you can blow me.
This is literally why I own thousands of Blu-Rays and DVDs: Fear. https://t.co/hGNnb32FOj— Sean Fennessey (@SeanFennessey) October 26, 2018
The dissolution of @Filmstruck isn't just a cinephile inconvenience, it represents a narrowing of our widespread exposure to diverse artists. Filmstruck is the only major streaming service seriously pushing the heritage of world cinema, queer cinema, women directors & it's over.— Ryan Perez (@ryguyperez) October 26, 2018
This is a bad day for film fans. FilmStruck offered films you won't find streaming elsewhere. I hate to hear this and also want to recognize everyone who worked so hard to create this platform. https://t.co/ivzjuzCxxt— Night of the Comet☄ (@HollywoodComet) October 26, 2018
For a film lover, Filmstruck is perhaps the single most beautiful thing to ever come out of the internet. To kill it in its prime is outrageous. https://t.co/hW8SXZCVSS— Ari Aster (@AriAster) October 26, 2018
I am heartbroken to say goodbye to @FilmStruck. But I’m also incredibly proud to have been part of this true labor of love for two & a half years. The intention was born from a pure desire to support arthouse cinema. And it was a great joy to work on.— Alicia Malone (@aliciamalone) October 26, 2018
Huge hugs to the entire @FilmStruck @CriterionChannl & FilmStruck Podcast team… and every single one of you who joined us on this crazy journey. (And of course I will be continuing to share my love for film on @TCM every Sunday and Tuesday)— Alicia Malone (@aliciamalone) October 26, 2018
FilmStruck might be dead, but at least Netflix has [clicks on their “Classics” section] …CLERKS?— david ehrlich (@davidehrlich) October 26, 2018
I know a new generation of people who became or were becoming cinephiles through Filmstruck. So important for everyone (especially writers, artists, filmmakers) to have the basic knowledge of these films. https://t.co/OprCtqWAKw— Miriam Bale (@mimbale) October 26, 2018
The death of FilmStruck is a reminder that there’s still life in physical media, which doesn’t come with an expiration date or a renewing subscription price. https://t.co/1MeLJMSxes— Matt Singer (@mattsinger) October 26, 2018
Another thing I will say: @FilmStruck actively took the time to highlight films made by women, people of color, minorities, and countries often not represented at all by other streaming services. We need to be programming and curating diversely.— Michelle BOO-chman (@michelledeidre) October 26, 2018
Cue sounds of a great disturbance in the Force, as if thousands of cinephiles cried out in protest, and then were suddenly silenced. https://t.co/wJN5Mz6OjT— Tasha Roboooonson (@TashaRobinson) October 26, 2018
Filmstruck started in November 2016, one of the darkest months I've ever experienced, and it has been soul-sustaining ever since. I feel genuinely bereft. https://t.co/GS3yBb5aAd— Farran Nosferatu (@selfstyledsiren) October 26, 2018
Warner pulling the plug on FilmStruck after just two years does not bode well at all for the future of film—or music—catalog on streaming services. And if streaming is exclusively focused on the present, where will we learn about our cultural past?— Stephen Thomas Erlewine (@sterlewine) October 26, 2018
The closing of Filmstruck is also a reminder that physical media—DVDs and Blu-rays—remains the only way for you to control your film library. Which is why so many corporations want it to vanish.— Mark Harris (@MarkHarrisNYC) October 26, 2018
@FilmStruck is not just a streaming service. It is one of those rare vestiges where media + the internet coincide with love, thought, passion, wit, community, art, accessibility. It has brought me countless friends and films, and was my first job. Such an indescribable loss.— jianna justice (@jiannajustice) October 26, 2018
through FS I met the inimitable @Taken_aBlack, @oldfilmsflicker, @toyiahm, @milliedechirico, @MissAusten who each taught me what it is to TRULY love movies and reminded me that film never needs to be exclusionary bc it lets you live and breathe inside someone else's world— jianna justice (@jiannajustice) October 26, 2018
the FS team are not just business people. They are movie lovers, preservationists, exceptional writers, top-tier researchers, insanely great leaders (@AstaBoots + @denker), and friends who always put the films first.— jianna justice (@jiannajustice) October 26, 2018
I will be forever grateful to the wonderful folks at @FilmStruck for allowing me to be a small part of their family as a contributor for #StreamLineBlog and for various supplements on the service. https://t.co/EFQthrlS6h— Jill Blake (@biscuitkitten) October 26, 2018
Nothing but contempt for the Mr. Potters who are shutting down FilmStruck. Also, never trust streaming: own or lose.— Richard Brody (@tnyfrontrow) October 26, 2018
Such a huge blow to people who love classic movies/those who don’t yet but want to discover their future faves. I am gutted by the news of @FilmStruck shutting down. GUTTED.— Rebecca Pahle (@RebeccaPahle) October 26, 2018
FilmStruck was a fantastic idea, and there's no reason why, in a company as gigantic as their parent corporation, that they couldn't have found a way to sustain it, if only as an emblem of pride in their cultural heritage.— Vote November 6 (@mattzollerseitz) October 26, 2018
With ScreenCrush being gutted & FilmStruck shutting down, it's been a tough week for Film Twitter. My advice:— David Chen (@davechensky) October 26, 2018
-Support writers you love w/ praise (& $$$, if circumstances allow)
-Share worthwhile content. Don't assume that because you've read it, others will.
-Buy physical media.
This literally breaks my heart. I have no idea what the higher-ups at WarnerMedia are thinking but I feel for the @FilmStruck and @tcm crew who nurtured this and made me excited for it. https://t.co/qWzNc8PKy6— Kristen L🎃pez (@Journeys_Film) October 26, 2018
ugh no no no no no. is there anything people can do to save it? @FilmStruck is a literal treasure for film lovers & an invaluable resource in an online world increasingly devoid of good things. https://t.co/B0POG7be4Q— Bright Wall/Dark Room (@BWDR) October 26, 2018
I swear to God if they touch a hair on TCM’s head… pic.twitter.com/TrZT9vxTLe— Rebecca Keegan (@ThatRebecca) October 26, 2018
As much as we enjoy watching Hulu, Netflix, Amazon Prime, and the many hours of television that they offer, it’s no secret that these apps, especially Netflix, which started out as an app/service for renting and streaming movies, have very little to offer when it comes to movies to watch. And when it comes to movies made before the Sixties and Seventies, the likelihood of being able to find one to watch on those apps is practically nonexistent. Which is why so many movie lovers rejoiced and did cartwheels when it was first announced that there would be a streaming service that offered so many classic films, especially those not available anywhere else for purchase or rental or seeing in a repertory theater if you live in a city that’s fortunate enough to have a repertory theater. The kind of classic films that made the people who love movies fall in love with movies in the first place.
If you were in the mood for science-fiction, you could watch Seconds, Mad Max, Scanners, Westworld, Godzilla: King Of The Monsters, or Capricorn One.
If you were in the mood for romance, you could watch the Before trilogy (Before Sunrise, Before Sunset, and Before Midnight, or as Petr calls them: the greatest trilogy ever made), Chungking Express, In The Mood For Love, and the original versions of A Star Is Born.
If you were in the mood for action, you could watch Seven Samurai, Bullitt, Lady Snowblood, The Getaway, Shogun Assassin, the Lone Wolf And Cub series of films, the Zatoichi series of films, and The Great Escape.
If you were in the mood for comedy, you could watch Hopscotch, Eating Raoul, Happy-Go-Lucky, La Cage Aux Folles, To Have And Have Not, This Is Spinal Tap, and Withnail And I.
If you were in the mood for crime fiction, you could watch The Long Goodbye, The Long Good Friday, Blood Simple, Le Samourai, Following, The Friends Of Eddie Coyle, Insomnia, The Killing, and Thief.
And if you were in the mood for horror, you could watch Night Of The Living Dead, Cronos, The Vanishing (the original version that’s actually good, not the watered-down remake with the happy ending), The Brood, Sisters, Eyes Without A Face, and Horror Of Dracula.
The fact that Warner Bros., one of the oldest and most successful movie studios in history, could so easily and willingly shut down a service that provided access to so many classic films that helped educate, enlighten, and just flat-out entertain audiences of all kinds, as well as preserve film history for those who are determined to help keep it alive and pass it on down to others, was like a knife in the heart for movie lovers of all kinds. And it also served as a cruel reminder of at least two things:
1) As efficient and easy as it may be to stream and download the entertainment of your choice, whether it’s movies or television shows or albums or video games, it’s becoming more and more crucial to actually purchase and own the physical media of the entertainment that you love and enjoy (just ask Lord Castleton, who could have easily stayed his ass home and downloaded Red Dead Redemption 2 on his XBox One, but chose not to) if only because there is no guarantee that what you stream and download will always be available to you, and physical media makes it easier to watch/listen/play something whenever you want and as often as you want without having to be reliant on Wi-Fi and Internet service to do so.
2) Too many companies, and the people who run them, are making it more evident that they care very little about movies as an art form and care about movies only as a way to make themselves lots of money. (It’s just one reason why Johnny Depp is still playing Grindelwald in Fantastic Beasts: The Crimes Of Grindelwald and hasn’t been replaced by Christopher Plummer or Teddy Perkins, despite the fact that plenty of people have voiced their anger and disgust at his involvement). It’s difficult enough to get most studio executives and every other shot-caller who works alongside them to understand that representation and diversity matters, both in front of and behind the cameras, and it’s also difficult to get most of them to realize that hashtags like #MeToo and #TimesUp wouldn’t be necessary if they’d get some damn Act-Right and stop sexually assaulting/harassing every woman and man that they work with, so it’s not all that surprising that they’re willing to treat the motion pictures that broke so much ground and made their industry possible in the first place as old things to be ignored and forgotten about, until they decide to either remake said films or until they include these films in yet another overlong, unnecessary, and self-congratulatory montage at the Academy Awards in which they pat themselves on the back on how far they’ve come and how wonderful it is to watch and be in the movies.
There is so much more to movies than what Marvel and DC will put out as their next films (and I say that as someone who likes and enjoys what they do, so please put down your pitchforks), but for the sake of everyone who love movies, who love watching them, who hope to one day write and/or direct them…who hope to learn everything about them so they can discuss them with others and even teach others about their history and how they were made and the time periods and circumstances that led to the creation of many films…there needs to be resources available to everyone that make it possible to acquire knowledge and consumption of movies in order to help develop appreciation for them, and streaming services like FilmStruck and cable channels like Turner Classic Movies are just a couple of those resources. (Cleopatra Jones airing on Turner Classic Movies at 4 in the morning is how and why I have it saved on my DVR, as it’s inexplicably difficult to find on either DVD or Blu-ray despite its status as a blaxploitation classic)
Here’s hoping that Warner Bros. realizes what a beloved and valuable resource they have in the form of FilmStruck, and changes their minds about kicking it to the curb just because they don’t see how they could financially and personally benefit from its existence. (The less said about how badly Warner Bros. fucked up in also shutting down DramaFever, the streaming service for people who love to watch K-Dramas and other Asian programming, the better.) And if they don’t, there are thankfully other (legal) ways and means to access classic films that aren’t readily available elsewhere and are able to provide the artistic nourishment that many of us can’t and won’t get from watching Netflix.
We will find a way to bring it back- We will! https://t.co/IiU243Kolb— Guillermo del Toro (@RealGDT) October 26, 2018
We will! ❤️ 💪 https://t.co/jouzGWrtEh— Criterion Channel (@criterionchannl) October 26, 2018
Header Image Source: FilmStruck
- What if 'Independence Day' with Will Smith is a Warning?
- With Great Power Comes Great Responsibility: Voting for the Pajiba 10 Begins Now
- The 10 Best Movies Of 2019 So Far
- Meghan McCain Wants to Quit 'The View' (WHY, GOD?!)
- 'Yesterday' Is A Love Letter To East Anglia