Recap: Mary Louise Goes All Boomer Grandma, Unveils Her Grand Plan, and Shakes Up the 'Big Little Lies' Universe in 'She Knows'
“Let’s get clean, shall we?” Mary Louise asks her grandsons, but her question isn’t exactly innocuous, is it? Mary Louise couldn’t get more righteous if she tried: She says “I will not forsake what I know Perry would want me to do for them” with the mania of a true believer. This woman is going to ruin her daughter-in-law’s life in pursuit of “saving” her grandsons, and the zeal with which she does this is frightening. I have no sympathy in my heart for Mary Louise, although her son is dead. What I have instead is concern for the boys who are now in her care, because as much as Celeste fears that they will grow up to be like their father, being in the custody of Mary Louise certainly isn’t going to help things.
But Celeste tried, didn’t she? THAT SLAP! When I was watching the screener for this episode and THAT SLAP happened, I pushed myself away from my coffee table and basically recreated the Jake Gyllenhaal geeking out over Sean Paul moment:
That was me! But then Mary Louise asked whether THAT SLAP was “foreplay,” and I WAS SHOOK. In fact, I transitioned into another Jake Gyllenhaal talking about Sean Paul moment:
Because in that moment, I should have known. I should have guessed that Mary Louise would not allow herself to be pushed around by Celeste. Perry certainly didn’t, so why should his mother?
AND EVEN STILL, that wasn’t everything that happened in this episode! The title of the episode, “She Knows,” could also apply to Bonnie’s mother, couldn’t it? Since Elizabeth has arrived in Monterey, she’s been warning Bonnie about her visions, about her glimpses—and now, after she suffers a seizure and a stroke, we know what she sees: Bonnie, floating face-down in the ocean, possibly dead. Does this sync up with what we know of Bonnie so far, the woman who is simultaneously entranced with and horrified by the water? The woman who has a memory of her mother ignoring her fears and throwing her into a pool, but who willingly walked into the ocean, fully clothed, just as recently as last week’s episode “The End of the World”? I’m not sure if Bonnie will really die this season; Elizabeth’s vision seems so obvious as to be a misdirect. And I honestly hope the season wouldn’t give us so much grief and guilt from Zoë Kravitz’s character only to end up killing her off. But who knows! I’m not sure! Anything could happen, I suppose!
Speaking of grief and guilt: Let’s talk about Madeline and Renata, shall we? Honestly, I felt for Madeline in this episode. As we discussed in the comments section for last week’s recap, absolutely, Madeline deciding to cheat on Ed with Theater Director Guy was her own mistake, and she says as much to Ed: “It wasn’t a problem with us, Ed, it was a problem with me.” But … at the same time … isn’t the state of their relationship kind of Ed’s fault, too? For most of the last season, it felt like Ed was just lingering on the border of his own marriage, not really taking part, not fully immersing himself in the partnership. I can imagine that’s because Madeline takes up the whole damn room of whatever damn room she is in, but part of me also blames Ed’s passiveness on the condition of their marriage, and on why Madeline would be tempted to cheat. It’s interesting that the only time we see Ed really behave like himself is with Bonnie, and also, I think, with Nathan. The masculine posturing he does to prove himself to his wife’s ex-husband feels more honest than the pettiness he is now displaying toward Madeline. I didn’t expect to, but I felt a lot of sympathy toward Madeline and how unmoored she seemed this episode.
And of course, that “unmoored” descriptor also applies to Renata, who continues MVP status for this season thanks to Laura Dern’s impeccable performance. Her attempt at facing off against the judge in bankruptcy court—girl, why?—leads to harsher punishment, so not only do “estimated liabilities of $33 million” get hit, but also Renata’s Rolex watch, her wedding ring, her Tesla, all of those little signifiers that tell people she is Renata fucking Klein. Without all that wealth, without the ability to lord it over people, who is Renata? She is grieving for a version of herself that no longer exists thanks to Gordon’s choices, and for her daughter Amabella, too, now that her precise vision for her daughter’s moneyed upbringing has been dismantled. During the ridiculously opulent disco-themed birthday party they throw for Amabella, Renata lays into Gordon, never once turning to face him but making all of her feelings clear: “All my hopes and plans for Amabella have gone to shit because I married a man who would take my life and all my accomplishments and just turn them to shit. That’s on me. My choices, my stupidity. It’s my picker that’s broken.” If I cared at all about Gordon, I would feel bad for him after that very effective dressing down! But I do not. GO PLAY WITH YOUR TRAINS, GORDON, AND THEN SELL THEM.
Finally, then, there’s Jane, who threw me a bit this episode: Is she being swayed by Mary Louise? I thought she did well against Mary Louise during her surprise attack at Madeline’s pumpkin-carving party, recovering well from the shocking realization that Mary Louise got a unit in the building where Jane lives (after last week somehow magically appearing where Jane and Ziggy were, in order to get a glimpse at her third grandson), but Jane’s silence when Mary Louise told her about Celeste’s altered-state driving was worrisome. Because honestly, I could very well see Jane’s fear (“I’m just a little bit curious as to what you’re doing, and if you plan to take my kid next”) coming true. If Mary Louise has already made moves to get Max and Josh, what’s to keep her for coming for Ziggy? Unless something about Mary Louise’s past could affect her reputation and her suitability for becoming the primary guardian of her grandsons. Maybe something related to the death of her other son, Raymond, the reason why her husband left her alone with Perry: Remember, she tells Celeste, “I deserved the blame, to be left.” Maybe something that explains Mary Louise’s obsession with Perry and with his memory and his reputation. Maybe.
ODDS AND ENDS
Image sources (in order of posting): HBO Media Relations, HBO Media Relations, HBO Media Relations, HBO Media Relations
- With Great Power Comes Great Responsibility: Voting for the Pajiba 10 Begins Now
- Spoilers: Digging into the Runes Throughout ‘Midsommar,’ What the Hell They All Mean, and the Easter Eggs Ari Aster Hid Throughout
- By Erasing Oasis for a Cheap Joke, ‘Yesterday’ Also Does One of Its Only Female Characters a Disservice
- Review: Tom Holland Is Perfect In 'Spider-Man: Far From Home' Even as the Story Struggles
- On the Spectacular 'Evvie Drake Starts Over' and the Time NPR's Linda Holmes Twitter Shamed Me