Welcome to the Author Archive for Caspar Salmon
- Review: 'Annette' Delivers Adam Driver Singing While Going Down On Marion Cotillard, But What Else?
- Review: Golden Boy Matt Damon Takes On America's Cultural Imperialism in 'Stillwater'
- Review: Paul Verhoeven's Wickedly Funny 'Benedetta' Kicks Back Against a New Wave of Puritanism
- Review: Olivia Colman And Colin Firth's 'Mothering Sunday' is Insufferably English
- It Is Possible to Be Too Crowd-Pleasing? HBO's 'It's a Sin' Tests the Limits
- Review: Jim Jarmusch's Zombie Flick 'The Dead Don't Die' Is All Self-Satisfied Winks and Irony
- Reviews: Pippa Bianco's 'Share,' Danielle Lessovitz's 'Port Authority,' And Annie Silverstein's 'Bull'
- Review: Michael Covino's 'The Climb
- Ranking the 50 Best Coen Brothers' Character Names
- Review: Spike Lee's 'BlacKkKlansman' Is a Messy and Naive Procedural that Muddies its Own Political Discourse
- Review: 'Leave No Trace,' Debra Granik's Superb Follow-Up to 'Winter's Bone'
- This Is Not a Review of Lars Von Trier's 'The House That Jack Built'
- Review: 'The Florida Project' Explores the Paucity of the American Dream in the Shadow of Disney World
- 'The Meyerowitz Stories' Review: Noah Baumbach Gives Adam Sandler Another Shot at Legitimacy
- 'The Killing of a Sacred Deer' Review: Yorgos Lanthimos's Contemptuous, Vacuous Follow Up to 'The Lobster'
- Cannes Capsule Reviews: 'BPM,' 'Happy End,' 'The Rider,' 'Nothingwood'
- Review: Robert Pattinson's 'Good Time' Is Like Nicolas Winding Refn Having a Stab at a Coen Brothers Movie
- 'Wonderstruck' Review: Todd Haynes, Julianne Moore, Oakes Fegley