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Welcome to the Author Archive for Caspar Salmon
Review: Jim Jarmusch's Zombie Flick 'The Dead Don't Die' Is All Self-Satisfied Winks and Irony
Caspar Salmon
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Film
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Reviews: Pippa Bianco’s 'Share,' Danielle Lessovitz's 'Port Authority', And Annie Silverstein's 'Bull'
Caspar Salmon |
Film
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Review: Michael Covino’s 'The Climb
Caspar Salmon |
Film
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Ranking the 50 Best Coen Brothers' Character Names
Caspar Salmon
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Film
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Spike Lee's 'BlacKkKlansman' Is Astonishingly Unfocused in Its Production and Try-Hard in Its Political Intent
Caspar Salmon
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Film
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'Leave No Trace,' Debra Granik's Superb Follow-Up to 'Winter's Bone,' Returns to Forgotten America
This Is Not a Review of Lars Von Trier's Repulsive 'The House That Jack Built'
Sean Baker's 'The Florida Project' Explores the Paucity of the American Dream in the Shadow of Disney World
Netflix Review: 'The Meyerowitz Stories' Review: Noah Baumbach Gives Adam Sandler Another Shot at Legitimacy
'The Killing of a Sacred Deer' Review: Yorgos Lanthimos’s Contemptuous, Vacuous Follow Up to 'The Lobster'
Cannes Capsule Reviews: 'BPM,' 'Happy End,' 'The Rider,' 'Nothingwood'
Cannes 2017 Review: Robert Pattinson's 'Good Time' Is Like Nicolas Winding Refn Having a Stab at a Coen Brothers Movie
Cannes 2017 Review: In 'Wonderstruck,' Todd Haynes Battles With His Material ... and Loses
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