By Mike Redmond | Pajiba Love | February 8, 2023 |
By Mike Redmond | Pajiba Love | February 8, 2023 |
In what’s hopefully a sign of things to come for this Congress, the Republican majority tried to put on a big show today where they thought they’d berate former Twitter executives and get them to admit that Joe Biden is making them shadowban Lauren Boebert or whatever stupid bullsh*t Matt Taibbi laundered for Elon Musk in “The Twitter Files.” Instead, the whole thing blew up in the GOP’s face as it became clear that Republicans were making the most demands of Twitter, and at one point, Donald Trump got mad about Chrissy Teigen calling him a “p*ssy a** b*tch” and demanded the tweet be taken down. For those of you playing the home game, that’s a clear-cut violation of the First Amendment, and yet oddly, none of the “journalists” doing PR for Musk brought it up. Funny that. (Daily Beast)
Jennifer Lopez and Ben Affleck knew everyone was tweeting about them at the Grammys as it was happening. (Lainey Gossip)
Jesus Christ, is it 2008 again? (Dlisted)
Let’s talk about The Cut’s “The Fleishman Effect” article about rich grindset moms. (Celebitchy)
From Roxana: Some of us on staff know that Peter Jackson’s changes to Helm’s Deep were good! And now, here’s the oral history. (Inverse)
Stoked about that new The Legend of Zelda: Tears of the Kingdom trailer? Surprise! It’s going to be the first Nintendo game to crest $70. (Polygon)
Disney is about to go through some things. (The Verge)
From Kayleigh: James O’Keefe has been put on paid leave by Project Veritas, so whatever the heck he did must be bad. (Intelligencer)
Brendan Fraser is glad he didn’t end up being Superman. (IndieWire)
I freaking adored this Harrison Ford interview. He was delightfully cranky and, despite his best efforts, uncharacteristically open in a way that I don’t think I’ve ever seen before. (The Hollywood Reporter)
From Andrew: This comic is WYLD and while I’d love more issues first, an animated adaptation is a rad way to go. (Variety)
Acrackedkettle loved the lyrical writing in Maggie O’Farrel’s Hamnet, a fictional account of the death of Shakespeare’s son. "It’s a novel about unbearable loss and terrible grief which feels deeply, vibrantly alive." Are you ready for a cathartic plague book? (Cannonball Read 15)