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Everything Important that Happened in the Last Episode of "Mad Men"

By Dustin Rowles | Posted Under TV Reviews | Comments (37)



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Comments

Sooooo.......nothing?

Posted by: Jay at September 1, 2009 9:30 AM

I think I got mind whiplash when they cut to John Slattery in blackface, did not see that one coming.

Posted by: Thaf at September 1, 2009 9:31 AM

I have to say, Rowles. This was not one of your most insightful pieces.

Posted by: Tracer Bullet at September 1, 2009 9:31 AM

That's a'ight.
I'm still in Season 1 -- took a break to devour Life, Season 2.

Posted by: Rykker at September 1, 2009 9:40 AM

accordian.

Posted by: jasper at September 1, 2009 9:45 AM

The first episode of season 3 was great, and then the next 2 have been meh. I keep waiting for something to happen, and it just seems to be random boredom all over the place. Dustin's review was right on target.

The only theme I could see in the last episode was "Let's put on a show." Whoever could sing or dance, did. I guess everyone else is tonedeaf.

And what's with Betty's dad? I know people who've had strokes, and they don't act like he does. He's fully functional, except for living in the past occasionally. The stroke victims I know have speech and movement problems.

Posted by: BWeaves at September 1, 2009 9:48 AM

I know this will be unpopular, but I'm really starting to dislike Peggy's character - not so much because of her conduct, but because I'm finding her to not be a credible character in the way I once did. I thought her "I'm going to be just fine" speech on Sunday was so stilted and cringe-worthy. Other characters ring far more true to me.

I did, however, like Kinsey for the first time this past episode. I loved his "Get out" reaction to his douchebag friend who called him out on being a scholarship kid from New Jersey.

Posted by: samantha t at September 1, 2009 9:48 AM

I can't believe someone with Winnebagos that big would choose the accordian as their instrument of choice. I kept waiting for a nipple to get caught in the squeeze.

Posted by: BWeaves at September 1, 2009 9:52 AM

Peggy was high as a kite, though. It struck me as being the kind of weird, pompous thing you say when high.

I'm still enjoying the hell out of it. It's so much fun trying to predict what will happen next. I don't think Joan's husband is going to get his job, and watching her manage him is so cool.

I love Sally. On the surface she's a sweet little '60s sitcom kid, but underneath she does this random shit that kids really do.

Posted by: Wednesday at September 1, 2009 9:54 AM

Um...I'm gonna go ahead and call whale's vagina on this one. Maybe there were no significant plot developments, but the character interactions were wicked insightful and I loved every minute of it.

First, we explored Joan's dynamic with her husband Dr. Douche, which was fascinating (and we found out Dr. Douche is a bad at his job and lies to Joan about it, which will definitely come up later);

Second, Betty's dad John McCain's interactions with the housekeeper and with Sally showed that while he's definitely 'in and out', he's a lot sharper than we were led to believe*;

Third, Don calling Cooper on his shit with his new trophy wife was important; and

Finally (and most important), Peggy and Kinsey smoking dope and working on weekends while the higher-ups relive the 20s sort of highlighted the coming culture clash of what we traditionally think of in the 60s. Peggy, while still somewhat naive, is confident about her place in the future and is seeking out the possibilities and new opportunities that the future holds. Meanwhile Pete is busy trying to impress his boss with a dance from 30 years ago, and said boss is dressing up in fucking blackface at a derby-themed party. The whole episode juxtaposed the old school with the new school.

I feel like we got a tempature reading on where all the characters are in their personal and professional lives, which I think is necessary for the events of the next episode (based on the trailer). Maybe not super significant plot-wise, but I think this episode holds up as one of the better ones.

*I fucking love the way the film Granpa McCain scenes...there's just this horrible silence and feeling of dread whenever he comes on; like I'm just waiting for this situation to come to a head where he'll do something terrible. I didn't like that he came to live at the house last week, but now I love it.

Posted by: Marra at September 1, 2009 9:57 AM

I know he is an absolute shitbag, but Pete Campbell is positively riveting onscreen. I cannot stop watching him - he's fucking incandescent. The scene of him dancing with Trudes was fantastic.

Posted by: samantha t at September 1, 2009 10:08 AM

I just want Don Draper to make me an Old Fashioned. He makes a wicked cocktail.

Posted by: SkyBlue at September 1, 2009 10:13 AM

"I love Sally. On the surface she's a sweet little '60s sitcom kid, but underneath she does this random shit that kids really do."

Poor Sals. My husband and I predict that ol' Bess is going to start bothering her about her "chunkiness" pretty soon.

Posted by: samantha t at September 1, 2009 10:15 AM

Hey! I completely forgot to watch this episode Sunday. Dammit.

Posted by: Anna von Beaverplatz at September 1, 2009 10:17 AM

Am I the only one who is terrified every time Sally is alone with GrandPa McCain? Last season there were some pretty strong vibes of former abuse or some kind of strange relationship with him and his daughter and now I'm torn between seeing Sally acting up as a reaction to the parents' shit or the shit between her and GrandPa. I mean what age is she? Is Decline of the Roman Empire really age-appropriate material for her? How much does he elaborate on the orgies, etc.? By the way, that little girl is a great actor.

Posted by: PaddyDog at September 1, 2009 10:24 AM

It's a period piece. Get it?

Posted by: branded at September 1, 2009 10:25 AM

I agree, samantha t. When Pete tells Don who the bigwigs are at the party, he puts on this "I've got them dead in my sights" look that cracked me all up. Pete and Joan are Nos. 1 and 1A in terms of watchability.

Posted by: sansho1 at September 1, 2009 10:41 AM

I liked your comments Marra. One small correction though. Don called bullshit on Roger Sterling's trophy wife, not Bert Cooper's.

Posted by: ed newman at September 1, 2009 10:48 AM

Good call, Newman. Sorry!

And Paddydog, I don't get sexual abuse vibes, but every time he's alone with the kids I worry he's going to forget who they are and tell them something that will scar them for life. I mean, I don't think he's a pedophile, and I don't think dementia patients suddenly pick up those traits, but he's definitely from the 'beat your kids half to death' school of parenting, and he's got his own car; there is definitely something dreadful coming down the pipe.

Posted by: Marra at September 1, 2009 11:06 AM

Marra:

I hope you're right. That little girl is already so damaged. Her mother seems to resent her. Her father practically ignores her existence (something that has always puzzled me because one would think he would be great to his children based on wanting to change how he grew up, or alternatively a monster and yet he just seems like another disengaged), and now the GrandPa is taking her under his very damaged wing. It will not end well.

Posted by: PaddyDog at September 1, 2009 11:13 AM

Sooo, this review just isn't going to get fixed. Ok. Good to know.

Every time we see Sally, she looks like she expects to be punished. It's really just heartbreaking. The Drapers are in for a world of hurt and humiliation when she comes of age in the mid-70s.

Posted by: Tracer Bullet at September 1, 2009 11:21 AM

@BWeaves: This is kind of a side note, but Betty's dad as a stroke victim is totally plausible. There are different kinds of strokes, which is not something I really understood until my grandma started having them - but the effects are entirely mental with her. They caused no speech or movement problems. She had been very sharp, and after the first stroke she suddenly started acting like someone with Alzheimer's. Each successive mini-stroke has taken away a little more of her awareness.

Posted by: corelina at September 1, 2009 11:23 AM

I found the Joan scenes interesting. (Well, I find it all interesting.) I believe that's the first time we've seen her and her husband interacting since the rape scene. Someone on another site commented that both of them probably do not even (consciously) think of what he did as rape, just as him taking what's his. But on some level, she has begun to realize what he is worth (specifically, not much). Notice that she is not walking on eggshells around him, even when they are alone. Even if he can "claim his marital privileges" in the bedroom, she does not fear him, because he is not half the person she is. She is a force of nature; he is failing at his job and his social skills are not so impressive. I saw contempt in her eyes when she looked at him as she played the accordian. I'm hoping that by the end of the season (and this is definitely a show that slowly builds towards season-ending fireworks) she realizes she's better off without him.

In short, if these kinds of low-key episodes bore you, you're probably watching the wrong show.

Posted by: Todd at September 1, 2009 11:35 AM

Marra - I agree. I get more of a catastrophe vibe than a straight creepy-sex vibe. The thing with Bess was b/c he legitimately thought she was his dead wife b/c of his dementia. I'm worried for a fire or a violent flashback or something like that.

All I could think when Sally was reading was how she was able to pronounce all the words even though she's so little, unlikely in the NCLB world of today. Sigh.

Posted by: samantha t at September 1, 2009 11:36 AM

Up until this last episode, I never really viewed the children as actual characters, more like props in the Draper's perfect life play. Don and Betty have kids because that's what they believe they're supposed to have to be happy, but neither one of them views children as a joy or a blessing, just an accessory to what their perfect lives are supposed to be. Don can't be a good father because he 1)didn't have an example of one growing up, and 2) views them as part of his Dick Whitman is Don Draper cover story - like, look how respectable I am, I have these kids! He likes having them, I think, and they entertain him sometimes, but mostly they're there to make him feel like he belongs in this world. And Betty's a terrible mother because 1) her mother was a nightmare, and 2) children were supposed to be her ticket to happiness, and yet she's still miserable; it's like they're a giant disappointment and she can't help but resent them for it.

But, here comes Grandpa, armed with 30s parenting ethos and The Fall of the Roman Empire. Bobby and Sally are fucked.

Posted by: Marra at September 1, 2009 11:43 AM

I can recap everything important that has happened in every episode. Nothing.

Posted by: EricD at September 1, 2009 12:01 PM

@ Paddydog: Seeing Sally with Grandpa McCain scares the crap out of me, and I have no idea why. He's done nothing inappropriate, yet I always feel like he's going to...I don't know. Grab her or something. It's truly amazing, the amount of tension that creeps up on you during this show. Maybe nothing happened, but I think it's my favorite of the season so far (though that's not saying much).

Posted by: sillytwoshoes at September 1, 2009 1:55 PM

Me hopes some explaination for this lame post is that someone at pajiba was smoking too much ganjiba. In that ("good") place, this post might seem clever, or poignant even.

Posted by: herban at September 1, 2009 5:09 PM

Aw, c'mon, really? I think lots of stuff happened.
The first two episodes were slow for me, but this one really took off for me. I think this season is more about character exploration than plot-driven stuff.
So what we saw was telling interaction instead of a plot moving forward.
I still love the show.

Posted by: Saint Saturn Sunshine at September 1, 2009 5:11 PM

In short, if these kinds of low-key episodes bore you, you're probably watching the wrong show.

true dat!

i have really been enjoying this season and i think this episode was fabulous. i didn't think they could top the Peggy getting high scene then they cut to Roger in black face--brilliant--even if it was a little heavy-handed.

i also really enjoyed the scenes with Joan and Dr. Douche. i'm hoping that she gets away from him soon, but since this show isn't really about happy endings i'm not holding my breath.

Posted by: pq at September 1, 2009 5:35 PM

You're spot on, Todd.

The beauty of this show is that, unlike all the heavy handed melodramatic crap on television today, this show truly explores and shows reverence for the quiet moments.

It's little nuances that make life what it is. Most of life is made up of quiet, subtle times. And life is often uneventful. The majority of life is, in fact, uneventful.

The show is really taking its time to flesh out the characters we thought we knew, to show their changing attitudes, and to give them dimension.

This show is beautiful, and so far, I'm completely pleased with this season. I always look forward to Sunday nights.

Posted by: Sarah at September 1, 2009 6:36 PM

It's probably a common complaint, but what is *supposed* to be happening? Even for a show is character-driven, this episode lacked plot, true. What of it? I enjoy the show a lot, but it's effectively a soap opera with better lighting and wardrobe. I do think that the show sometimes takes itself too seriously, and if anything is bothering me, it's not that there isn't any kind of story progression, but that there is major character progression not happening--at the moment.

I get the feeling that the people in charge are trying to push us to the end of our collective tether before a really big development.

Please get that lisping freak off of my screen, however. Mother-Daughter relationships are 'complicated', and this just came in over the newswire, 'Trix are for kids'. Well, as I live and breathe. Of course she resents her daughter, why do you think she had one? Mothers give birth to daughters so that they can take out their own strained lives on someone else, someone who 'deserves' it.

Okay, a little hyperbole, and I'm biased because stories about kids and animals aren't my thing. Sure, the kid is having some crap visited upon her, I'll grant you that. But she's also a stone-cold brat, and they're going to wish they had paid more attention come 1970.

Posted by: Jo 'Mama' Besser at September 2, 2009 2:22 AM

Jo,
I agree. I'm getting a 'bad seed' vibe from Sally.

Posted by: Tarn at September 2, 2009 12:07 PM

Uh, Marra, thank you for doing Dustin's job.

Seriously, they should put you on the payroll for that comment. Well done.

(only thing- Don called shenanigans on Roger Sterling, not Cooper. Cooper is crazy crazy Robert Morse.)

And "Grandpa McCain" isn't going anywhere. That's the character's name now. Forever.

And I want Don to make me an Old Fashioned too, SkyBlue.

Posted by: Martin at September 2, 2009 2:18 PM

How many seasons before little Sally turns all "Go Ask Alice"? What perverted violence will possess the demon Grandpa? Why is Don even married to Betty?

The whole story is about people who live for the sake of appearances. I get it: The characters are repressed. That's what it was like before the Hippies. It is suffocating. Is there anything more to say?

Peggy is no longer a believable character because she just predicted the women's movement. The scene with the pot-smoking was too big of a stretch - it's like the writers want to cram every historical & cultural event and nuance into the story whether it fits the characters or not. Like when Beatnik Dude went to Mississippi with Girlfriend. I don't think so.

Posted by: blue at September 2, 2009 5:30 PM

Heh. Steel your loins, Tarn.

I'm not really sure where they're going with Peggy, either. I do think Elisabeth Moss does a wonderful job with her though. Makes me wish she weren't a Scientologist. Last time I ever read an actor's bio, that's for certain.

What with her giving birth and landing a promotion, it's going to be interesting to see where her 'everything but the kitchen sink' approach to navigating through modern and professional femininity will land her. I am interested in seeing what gems will be left to posterity through her dictaphone session. Harshin'.


More Carla!!!

Posted by: Jo 'Mama' Besser at September 2, 2009 5:53 PM

Honestly now, do you think that Christina Hendricks tastes like cherries or strawberries?

Posted by: Anonymoose at September 3, 2009 12:31 AM


















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