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Deconstructing the First Six Scenes of Every Episode of "Castle"

By Dustin Rowles | Posted Under TV Reviews | Comments (42)



castle_300.jpg

Like a lot of folks determined to watch any and everything that Nathan Fillion has ever been involved in, out of simple loyalty to “Firefly” (and in my case, Waitress), I tune in weekly to “Castle,” a mediocre police procedural on ABC. Premise-wise, it’s not unlike most procedurals, except for the one twist: Fillion plays Richard Castle, a mystery novelist, who uses his mystery novel expertise — whatever that is — to help his detective partner, Kate Beckett (Stana Katic) — who also doubles as the inspiration for his ongoing series of novels — solve homicide investigations.

Story-wise, it’s not that great, and usually fairly predictable. But nobody watches “Castle” for great mysteries — they watch it for the effortless chemistry between Fillion and Katic, who also gets to occasionally wear revealing clothing. We also watch it because Molly Quinn, who plays Castle’s daughter, is precociously adorable.

But after watching the show for two-plus seasons, the formula has become increasingly stale. It is now officially to the point that the same six scenes open every episode of the show. “Law & Order” over its 20-year history also had a predictable opening, but even after 20 years, it never got as rote as “Castle.”

So, I ask you: The next time you watch “Castle,” or if you decide to re-watch some older episodes, watch for this pattern, because — save for the occasional sweeps-week episode or season openers — it’s practically beat for beat.

Scene 1) Someone stumbles upon a dead body.

Scene 2) Richard Castle is at home, bantering with his family. This is where the three (occasionally four) scene family subplot develops. It’s introduced in this scene, but is always interrupted by a phone call from Kate with news of a murder.

Scene 3) Without fail, the third scene is always the murder scene, where Castle and Kate show up and discuss preliminary details with Lainie — the medical examiner — who always has a wisecrack. Time of death is established, and referred to on several occasions over the course of the episode. I would love to interview a forensics person someday to ask whether time of death can be established with the exactitude that these forensics experts provide in procedurals because almost every episode hinges on this TOD.

Scene 4) This is where Castle and Kate meet with Espito and Ryan — who do all the grunt work for Kate — and develop an initial theory. Captain Montgomery will likely stick his head out here and provide some guidance.

Scene 5) Occasionally, this scene will happen later in the episode, but it almost always happens here: Castle and Kate meet with Lanie again, this time in her lab to go over the coroner’s report and further develop theory, expanding on the time of death established in the third scene.

Scene 6) Either investigate the victim’s home or interview the victim’s closest family member or girlfriend/boyfriend. This person will be immediately dismissed, but the answer to the question, “Did your loved one have any enemies that you knew about?” or “Did anything strange happen on the day your loved one died?” elicits the second clue.

The scene-for-scene episode construction usually wavers slightly from here, but overall, the mystery follows a familiar pattern. The first suspect is always alibi’d out by Espisito and Ryan. The second theory and suspect usually has a very quick dead end (although, it is often this suspect who ends up being the killer). The third theory and suspect is then developed over the entire middle-half of the show, but that suspect is always dismissed, as well.

However, the investigation of the third suspect leads them to a fourth suspect, who Kate and Richard almost always assume is the killer. However, the fourth suspect almost never is. Yet, one of the earlier dismissed suspects almost invariably can be tied to the innocent fourth suspect (this connection is often inspired by a conversation that Castle has with his daughter), and the person associated with the fourth suspect is fingered as the real murderer. However, in some cases, the real murderer is a close, heretofore not suspected associate of the fourth suspect (a client, a right hand man, a lawyer, an employee, or a spouse), who committed the murder without the fourth suspect’s knowledge. The fourth suspect finds this out during an interrogation. And anguished, “Why? How could you?” follows.

Then, each episode ends with Castle wrapping up the family subplot, and either making amends with his daughter or the talking over the resolution to a problem that his mother had. Hugs are shared.









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Comments

And why is this problem, exactly?

The show is fun, the actors are all fun to watch. Sometimes we need candy.

Posted by: max at November 11, 2010 4:24 PM

Other people are giving me a hard enough time for watching castle, i don't wanna hear it from you either.

Posted by: denesteak at November 11, 2010 4:24 PM

What they said.
My husband will never let me forget the ridiculousness of last year's halloween episode and now I have to DVR Castle or watch it in the other room because he refuses to admit it is, at least, fun.
I don't care. Nathan Fillion forever!!

Posted by: JenVegas at November 11, 2010 4:31 PM

Well, yeah, but so? Sometimes fun is fun. Plus, Kevin Ryan is REALLY cute.

Posted by: dsbs at November 11, 2010 4:32 PM

You left out how funny/punny it often is, all of the fun geeky references that Fillion manages to sneak in, and the fact that, after two seasons of it almost ALWAYS being the first person we meet who "dunnit," they have actually started mixing it up in interesting ways.

It's a fun show. I started watching for Fillion, true, but if it truly sucked and/or was lame, I would've stopped by now. It's the only current television show I watch at all.

Also, I agree w/max up there. Everyone likes candy.

Posted by: Samantha at November 11, 2010 4:35 PM

Do you know why people use formulas for math, tv shows, recipes, etc? They use them because they work. You get consistent results every time.

The TV shows that rely on twisty twists or some gimmick almost always die a quick and ignominious death.

Posted by: androstarr at November 11, 2010 4:36 PM

Why did mainstream America make Nathan Fillion old? This is why they can't have anything nice.

Posted by: Sbrown at November 11, 2010 4:45 PM

The ONLY 'problem' I have with Castle is how his home life is currently always in some way connected to the case. In so far as that is a problem.

Otherwise, it's the only procedural I have been able to watch for a LONG time. I don't watch for the cases (although they are often fun), but for the excellent chemistry between the actors. I love Ryan and Esposito about as much as I love Castle and Beckett!

And I liked how it treated the BDSM and Steampunk scene with respect rather than "oh look at these weirdos", like NCIS did.

Posted by: Linda at November 11, 2010 4:45 PM

God damned is that ginger adorable. She should get her own show. It would be like puppies and rainbows.

Posted by: Porkchop Express at November 11, 2010 4:46 PM

@androstarr

Except for Lost (oh, I went there) which managed to last 6 years and then die in the last 5 minutes despite the fact that changing about 3 lines of dialogue could have saved the whole thing leaving many fans mere husks of their former selves and afraid to love again.

Maybe the producers of Castle knew this and that's why they use the formula. It's safe, familiar and, as always, involves good-looking people.

Posted by: Mrs. Julien at November 11, 2010 4:53 PM

Everyone's taken the words out of my mouth. Sometimes you just want candy.
And Fillion.
And Esposito and Ryan.
And the ginger.

OK, how about this?
Ginger becomes the Doctor's new companion and she brings along Capt. Mal for the ride?

Posted by: BWeaves at November 11, 2010 4:58 PM

I need to pick this one back up. My favorite shows are always the ones with awesome, hilarious characters who just happen to solve mysteries and/or kick ass in a procedural manner.

Justified
Burn Notice
White Collar
Castle

androstarr is right. Formulas work for a reason.

Posted by: Melissa at November 11, 2010 5:00 PM

We are also committed "Castle" watchers at our house because of Captain Tightpants.

Here's the thing, at least for me, that elevates "Castle" from just any police procedural where the lead female detective has apparently way too much disposable income to spend on cute jackets (though they have toned this down in season 2): Nathan Fillion's charisma and his character's sense of wonder/joy, as well as the relationship with his daughter.

That being said, I absolutely love Law & Order and it is the reason we no longer have cable. (Seriously, there is a Law & Order marathon on all the time or at least often enough to render me completely unproductive on the weekend.)

Posted by: Hayden Tompkins at November 11, 2010 5:02 PM

"Someone stumbles upon a dead boy"

A dead boy in every episode? Man, that really is some lazy writing.

Posted by: anderbot at November 11, 2010 5:16 PM

"Someone stumbles upon a dead boy"

A dead boy in every episode? Man, that really is some lazy writing.

HA! First, when I read Dustin's article, I was like, 'Well, it's not always a dead BOY, it might be a dead woman, or something." Now I realize he must have made a typo. Which is lazy writing (on Dustin's part). Just as it would be lazy writing on the show's part if the victim in every episode was a boy.

Anyway, yeah, the show is particularly formulaic in its formulas, but it's NATHAN FILLION.

Many of us find him very charming. (YMMV.) Also, the supporting characters have great chemistry. The best part, though, as others have noted, is the little shout-outs to "weirdo" stuff. Steampunk, Firefly, the Green Lantern/Ryan Reynolds thing, there have been many others, I can't think of them right now... Not to mention all the cameos by famous real-life writers and New York personages.

Posted by: MM at November 11, 2010 5:23 PM

Well, the shout out to the terribly annoying tendency of Grey's Anatomy to string a list of "seriouslys" together and call it "writing" amused the hell out of me, for example.

Posted by: dsbs at November 11, 2010 5:39 PM

Castle's fun because Nathan Fillion really is ruggedly handsome, the banter is fun and the characters mostly believable. Castle's relationship with his family is pretty cool, and Stana Katic is...fun to watch run around, I guess.

Unbelievable things that I can generally ignore: the size of Beckett's apartment, the number of outfits she owns, especially coats and gloves, and the ridiculous amount of time she would have to spend on her hair and makeup daily to get it to look the way it does.

But I have to be the lone dissenter and say that while I love Castle's relationship with his daughter, and I think the actress is doing a fine job, the Mary Sue that is Alexis Castle makes me want to throw things at the television. "Precocious" doesn't begin to describe that 28-year-old teenager. The recent lost-rat-who-eats-quinoa-and-wheatberries or whatever the hell epitomized my distaste for almost all of the recent Alexis plotlines--the cloying mixture of entitlement and After School Special just leaves me cold. Castle falls flat when it tries to be serious, I know, and I'm sure Rich Kids Need To Learn Lessons Too--I'm not angling for Alexis to develop a coke habit and wreck her Audi or something. I'd just like them to tone her down a bit so I stop screaming "CUT TO THE DEAD PEOPLE ALREADY!" at the screen. That embarrasses Mr. Salieri2, and distracts him from Stana.

Posted by: Salieri2 at November 11, 2010 5:48 PM

On one hand, the daughter is just TOO perfect. It's wrong. But then, like everyone else has said, Molly Quin is fifteen shades of adorable and I'm fairly certain she's out there killing virgins and bathing in their blood or something, because she just fucking glows.

I second the coat love. God help me, that show is just porn for coats.

I take it as a good sign how the character of Martha has changed. She was such a cliche of 'wacky mom' at first, but she's developed into a geniune woman. She's still looking for and figuring out love, but like an adult (instead of the awful 'Sex in the City' techinique of turning the characters into self-absorbed idiots).

Posted by: ScienceGeek at November 11, 2010 5:48 PM

I have to be the contrarian here. I gave up watching Castle because it just became so predictable there was nothing there. The banter's nice but it can't carry a show. I hate precocious daughters in any show and it would be really nice if just once the actual detective solved a case instead of having the amateur always be the one to solve the puzzle. Fillion's charm only gets him so far and it didn't get me to season two.
But if you want to see a fairly realistic portrayal of forensic medicine (including honest time of death discussions), watch the re-runs of Silent Witness on your local PBS channel.

Posted by: PaddyDog at November 11, 2010 5:50 PM

Well, the shout out to the terribly annoying tendency of Grey's Anatomy to string a list of "seriouslys" together and call it "writing" amused the hell out of me, for example.

Oooh, good one! Another one: they made fun of David Caruso and his sunglasses. (When CSI Miami was on at the same time.)

Posted by: MM at November 11, 2010 5:53 PM

Molly Quinn, who plays Castle’s daughter, is precociously adorable.

/checks DOB

Yeah, those are the words that come to mind...totally.

For another year.

And while I am as much a fan as ever, like the folks above, I do miss the more stylish body reveals with the sweet music from the first season. And does anyone else find the title card comes in weirdly late in the intro?

Posted by: Vermillion at November 11, 2010 6:09 PM

Vermillion,

I can't believe you said that. I mean I was thinking it but decided it would probably be best to go with adorable.

The countdown begins.

Posted by: Porkchop Express at November 11, 2010 6:37 PM

I grew up watching soap operas (still watch Young & The Restless)and I read genre fiction, lots of mysteries and romantic suspense (don't judge me!) and the reason I enjoy them and TV shows like Y&R and Castle is BECAUSE they are predictable and reliable. I know some folk get all twisted up abot how formulaic this is, but...well, that's the POINT, I always thought.

If it is well done (and this show is well done, especially the side characters like the other detectives and Castle's Momma)

Posted by: lil_a at November 11, 2010 6:46 PM

It's brain-candy, yes.

Sadly, since the first season it's become less quirky and more procedural, pretty much every way that had potential.

- It's lost a bit of the "Castle's kind of an XXX-hole." spice. He's not really the entitled man-boy of season 1, which is a shame. Fillion can pull off being self-absorbed and still be charming. Worse, Castle's author-about-town super-powers have eroded. Stuff like the ridiculous motive / connection / forensic twist that he knows from the time he went body-surfing with Candomble priestess on his last "writing" trip to Jamaica.

- Officer boobs on stilts is less PO-ed at having him around, which is likewise less interesting. She's advanced to four distinct expressions, so the writers should have more to work with. (Not that I'd kick her out of bed for having only four expressions. Yep. Still shallow.)

- Lastly, while the ginger-mopped pegs the adorable-meter at 11 & the Castle-mom blows everyone off the screen in actorly chops, the home front was more interesting when it was a bit more fraught. It's way less fun knowing that in the end Castle will do the right thing by his mom, than wondering.

With the budget and the ensemble they've put together, they could do a lot more, especially because there's not a lot of world-building to address. Uptick the writers' room & this thing could sing.

Posted by: BierceAmbrose at November 11, 2010 7:38 PM

I agree with BierceAmbrose, the show really has lost its spark. Fillion is still charming but I spend more time just thinking it's been soo long since Firefly. Like almost 10 years now and it shows.

Stana Katic... is ok. She's not great but she and Fillion are good together so it works.

I think they need to do some character building. I understand it's a procedural but I think the best/most successful procedural usually make us care about the characters (ie SVU). They haven't really done anything about the characters since Beckett's mother's investigation.

Also, not a big fan of the daughter. She's so boring. There's a middle ground between perfect and drug addict, I hope the writers can find it.

Posted by: juicyjui at November 11, 2010 7:57 PM

I LOVE Nathan Fillion, but holyschnikes! I cannot sit thru this show. It's that meh.

Posted by: ceejeemcbeegee at November 11, 2010 8:28 PM

That show totally gets me through my Monday stuff. I tell myself, "just get through this insane problem set and you can watch Nathan Fillion be charming, Beckett be somewhat wooden, and Esposito and Ryan be awesome and adorable! Best part: no thinking involved!" And yes, as has been previously stated, the nerdy shoutouts are fantastic. The predictability is perfect for post-way-too-hard-math powering down.

Posted by: esme at November 11, 2010 9:33 PM

When I do the dishes, I either put on a RE-run of Burn Notice (can watch over and over) or a FIRST-run of Castle or Haven (they are not good enough to watch by themselves, but very good to watch when otherwise occupied).
And his IS ruggedly handsome!

Posted by: TrickyHD at November 11, 2010 9:35 PM

Oh, Dustin, I want to call you vile names for pointing this out...but only because you're right.

*sighs*

Why did mainstream America make Nathan Fillion old? This is why they can't have anything nice.

*sighs again*

*heads for the kitchen sink to get the Drano*

Posted by: Jerce at November 11, 2010 10:29 PM

I have to agree with PaddyDog and others: if it weren't for Nathan Fillion and the shoutouts, this show wouldn't be much better than Monk, another "formula show that lasted". I still watch Castle, but it's so predictable and cliched that I kind of hate myself (and the producers) when it ends. Meh.

Posted by: Uriah Creep at November 11, 2010 10:58 PM

C'mon, we all know that we watch it only for Nathan Fillion. The show's producers know it too, which is why they don't bother.

Posted by: Diviya at November 11, 2010 11:00 PM

Bierce,

You make an excellent point. I do miss the more-assholish-YET-charming incarnation of Castle. And Fillion can really pull that off. This season he's more just earnest-and-charming.

Posted by: MM at November 12, 2010 12:13 AM

Someone pointed it out before in a different post and now it's all I can see... There's such thing as a "middle-half?"

Also, PaddyDog FTW!

I just can't bring myself to watch it anymore.

Posted by: Uda at November 12, 2010 5:01 AM

It's McTV. The Big Mac of McTV. Soooo bad... so, so bad...

I'll be in my bunk.

Posted by: bev rage at November 12, 2010 5:27 AM

Of course we only watch for Fillion. He's the most lovable of lovable scamps.

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Posted by: Ciara Truhe at November 12, 2010 2:07 PM

Of course it's predictable, but so is EVERY cop show (31 flavors of ice cream). I come from a law-inforcement family so if I sat and watched with a critical eye I'd never enjoy a show. What drives the show is the characters. Not Just Castle and Beckett, but Esposito, Ryan, Lanie, Martha, Alexis, and Capt Montegomery make the show what it is. I like Castle because of the mad chemistry between Nathan and Stana and that it's just 43 minutes of pure fun. Monday's episode had me chuckling the whole way and I walk away with a grin on my face.

Posted by: Alie at November 17, 2010 8:54 PM

FYI, the best way to establish time of death, especially in the first 18 hours since murder, is usually just based on the temperature of the body. After that, you can look at things like lividity or other decompositional factors, but yes, it's feasible that Lanie can accurately estimate the TOD pretty quickly, though the more time that has elapsed since the death, the wider the range she can give should be.

Posted by: deadnotsleeping at December 1, 2010 1:37 PM

It's very easy to do and quite often takes just a click of a button.

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