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Cross Your Legs and Think of Good Books: The Bad Sex in Fiction Nominees Are Here!

By Kayleigh Donaldson | Miscellaneous | November 30, 2018 |

By Kayleigh Donaldson | Miscellaneous | November 30, 2018 |


Grandpa Simpson Sex.jpg

Every year, the sick perverts at the Literary Review round up the most ‘outstandingly bad’ erotic writing of the year and give the ‘winner’ a plaster foot trophy to celebrate their glory. This Bad Sex in Fiction award isn’t for the people who write romance or erotic for a loving. No, this is for the prestigious talents of the literary world where such things are taken ever so seriously. Few people get excited to be nominated for this award, although past nominees include Tom Wolfe, Morrissey and John Updike. This year, the bar has been raised again - phrasing - and we’re sharing excerpts from the nominees. I’ve never been prouder to see an all-male shortlist. Look, we all need a laugh today and this’ll get the job done.

Scoundrels: The Hunt for Hansclapp (Major Victor Cornwall and Major Arthur St John Trevelyan)

“Empty my tanks,” I’d begged breathlessly, as once more she began drawing me deep inside her pleasure cave. Her vaginal ratchet moved in concertina-like waves, slowly chugging my organ as a boa constrictor swallows its prey. Soon I was locked in, balls deep, ready to be ground down by the enamelled pepper mill within her.

Katerina (James Frey)

I’m hard and deep inside her fucking her on the bathroom sink her tight little black dress still on her thong on the floor my pants at my knees our eyes locked, our hearts and souls and bodies locked. Cum inside me. Cum inside me. Cum inside me. Blinding breathless shaking overwhelming exploding white God I cum inside her my cock throbbing we’re both moaning eyes hearts souls bodies one. One. White. God. Cum. Cum. Cum. I close my eyes let out my breath. Cum.

Connect by Julian Gough

He drops the bra to the floor, looks up, into her eyes, it’s too much. He kisses her chin, her mouth, and their tongues touch, oh, too much, he slips his lips free with a soft suck. Moves up to kiss her strong nose, on one side, then the other, it’s hard and soft at once. He moves back down, till he is level with her breasts […] He feels the huge change in meaning, in status; it is as though he had grown up in a single suck. Everything transformed. And yet nothing has changed at all; he sucks at a nipple as he lies on a bed, and it’s eighteen years later, and he sucks at a nipple as he lies on a bed, and his childhood falls away from him like a burned-out booster stage from a rocket. Its fuel used up. He is now in orbit around a different planet.

Killing Commendatore (Haruki Murakami)

My ejaculation was violent, and repeated. Again and again, semen poured from me, overflowing her vagina, turning the sheets sticky. There was nothing I could do to make it stop. If it continued, I worried, I would be completely emptied out. Yuzu slept deeply through it all without making a sound, her breathing even. Her sex, though, had contracted around mine, and would not let go. As if it had an unshakeable will of its own and was determined to wring every last drop from my body.

Kismet (Luke Tredget)

She shuffles her head closer to his cock, close enough to smell her own residue, and then takes it in her mouth, with the vague idea of cleaning it. Geoff mirrors this gesture by burying his head between her legs, and gradually she can feel his cock pumping up with blood, one pulse at a time, until it is long and hard and filling her wide-open mouth. They stay in this position for a long time, Anna sucking and slurping with the same lazy persistence you’d use on a gobstopper or a stick of rock. Eventually she loses her sense of the context altogether - of what she is doing or who she is with or where they are - and becomes an empty vessel for what feels like disembodied consciousness. She looks at the window and wonders how the glass feels encased within its wooden frame, what the shaggy clouds feel like being blown across the sky, what the walls felt like being splattered and smeared with wet paint.

Grace’s Day (William Wall)

He’s almost weightless. When he enters me it hurts and my pain belongs to the subterranean world, primitive as the clay. His body is slacker than I expected, a small paunch begins at his waist and settles in a downward parabola to his groin. His pubic hair is red. His erect penis is a surprise although I had imagined what they would feel like, read about them, seen them represented on toilet walls and magazines. I didn’t see it before he entered me, but afterwards it is small and sticky and amusing. I want to touch it but I don’t dare. I don’t know the etiquette. He is twenty or more years older than me. This is sex.

The Paper Lovers (Gerard Woodward)

He was aware that she was making a mewling sound as he put his lips to her tightened nipple and sucked. Her mouth was at his ear, her tongue travelling along its grooves, voice filling it. His mouth tugged at her, extended her, she snapped back, there was a taste of something on his tongue. In his mind he pictured her neck, her long neck, her swan’s neck, her Alice in Wonderland neck coiling like a serpent, like a serpent, coiling down on him. She had found a way through his clothing and her fingers had lightly touched his cock, then slowly began to take a firmer hold. He wanted to cry like a baby. He felt helpless, as though his body had come undone and she was fastening it. He felt as though he was bleeding somewhere. Then he felt powerful, gigantic. He would have kicked a door down.

Honestly, none of them are as funny as the ‘bulbous salutation’ that won Morrissey the award. Or when Tom Wolfe got the word ‘otorhinolaryngological’ into his scene.



Kayleigh is a features writer for Pajiba. You can follow her on Twitter.



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