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What's Your Number Review: Maybe Anna Faris Actually Is As Bad as the Movies in Which She Stars

By Dustin Rowles | Posted Under Film Reviews | Comments (23)



whats-your-number-anna-faris-chris-evans-review.jpg

The rap on Anna Faris has always been that she’s untapped comedic potential; that she’s a quirky talent; that she deserves better than the roles with which she’s saddled; that she’s the best thing about whatever movie she’s in. That’s what critics said about Faris when she broke out in the Scary Movie series, and that’s still what many are saying about her a decade later. But after 10 years and a string of terrible romantic comedies, you have to wonder if Faris is as much the problem as the scripts she chooses. You can’t fairly say that Anna Faris is the best thing in What’s Your Number? when the cast also includes Chris Evans, Joel McHale, Chris Pratt, Andy Samberg, Eliza Coupe, Blythe Danner, Zachary Quinto, Thomas Lennon, Ari Graynor, Anthony Mackie, and Aziz Ansari.

Anna Faris is not the best talent in What’s Your Number?; she falls to about ninth or tenth on that list. And the movie still blows chunks of bleached blonde pubic hair. You can’t lay the blame entirely with everyone else when ten more people in this movie also deserve better, and in most cases, bring more to their short two-minute scenes than Faris brings to the entire film. An actress with as much potential as Faris allegedly has ought to be able to do something transformative, transcend terrible, or at least elevate risible material to something watchable. Faris doesn’t do that. She never really has. At a certain point — say, the live-action Yogi Bear movie — you have to concede the point: Anna Faris is right where she belongs: Toiling away in bad romantic comedies that underperform at the box office.

In What’s Your Number?, Faris plays Ally, an “off-beat” woman who realizes, after reading an article in Cosmo, that women who sleep with more than 20 men are destined for spinsterhood. Instead of questioning the logic of the piece, reading the underlying study upon which it’s based, or using common sense, Ally does what any ditzy woman in a shitty high-concept romcom would do: She tallies up her booty count, realizes she’s hit 19, makes a pact not to sleep with anyone else who isn’t her husband, gets shitfaced, and promptly fucks her finger-smelling ex-boss (Joel McHale).

Therefore, and so as to never achieve the magic number of 21 Fuk BudZ, Ally then decides to track down her 20 former lovers and force a relationship with one of them, honestly under the misconception that, if she fails to do so, science will take away her happiness. She enrolls the assistance of her across-the-hall neighbor, Colin (Chris Evans), whose defining characteristic is a habit of standing nude in his doorway. He’s in a band. She makes creepy clay statuettes (how quirky!). Obviously, they’re perfect for each other, if only they’d realize it. Bing, bang, boom, yadda yadda yadda, one dumb plot contrivance by another, a strip H-O-R-S-E scene, the sister’s wedding, big speech, epiphany, chase, kiss, roll credits.

What’s Your Number is a marketing plan writ large, built entirely around an advertising strategy. There are absolutely no emotions, no jokes, and no developments in What’s Your Number? that you cannot surmise from the trailers. In fact, in the case of some of the cameos, their entire scenes are in the TV spots; in one case, a cameo gets more screen time in the trailer than the film. Moreover, there is not a single authentic moment in the movie; in fact, there’s not even a well-executed manipulative moment. They can’t even get mawkish right. It’s a terribly written, terribly edited film full of likable people doing unexceptional, unremarkable work. All in all, yet another tedious, unendurable film on Anna Faris’ filmography. It’s time for Ms. Faris to step aside now and let someone else with huge potential actually demonstrate it onscreen.










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Comments

Ouch.

Posted by: enon at October 3, 2011 12:24 AM

Ouch is right!!

Posted by: CurlyGirl at October 3, 2011 1:13 AM

"Awww snap!"

-Chang

Posted by: maka at October 3, 2011 1:43 AM

What’s Your Number is a marketing plan writ large, built entirely around an advertising strategy.

So it's a pop-tart, I mean new singing sensation? I thought this was a movie.

Posted by: BierceAmbrose at October 3, 2011 2:22 AM

So what you are telling us is that Chris Evens stands around without a shirt. Repeatedly. Sounds like my kind of Saturday night.

Posted by: captainfirepants at October 3, 2011 4:43 AM

I've never really been sold on Ana Faris, honestly I thought she was probably the worst part of Observe and Report as well.

Posted by: MATT at October 3, 2011 6:54 AM

Thank you, thank you, thank you for this. I've been saying this about Faris since she broke; ten years later, I feel validated.
Her recent jokes about wanting to get date-raped during her single years at least brought some attention to what a shitty person she is. Now, secure in the knowledge she's a shitty actress too, hopefully we can all just let her slip away, and let her adorable husband find someone better.

Posted by: Joey Jo Jo Jr at October 3, 2011 6:58 AM

Don't knock marketing, Chris Evans naked in a doorway is genius. I hope it gets a franchise.

Posted by: wojtek at October 3, 2011 7:03 AM

What on earth is Blythe Danner doing in this?

Posted by: KatSings at October 3, 2011 8:33 AM

Oh my God, FINALLY, someone else gets it. Anna Faris has NEVER been funny. She totally belongs on one of those lists of people Hollywood keeps trying to make happen. Can they please stop trying now?

Posted by: MelBivDevoe at October 3, 2011 8:44 AM

Even if she was the best comedic actress working today, I don't think I could make it through an Anna Faris movie without turning away or cringing several times. Something has happened to her face, and I refuse to devote another ounce of my energy to figuring out what.

Posted by: Kolby at October 3, 2011 9:19 AM

They lost me at the premise of someone believing a "study" they read about in Cosmo. That level of dumb does not bear watching when one has a choice. It's painful enough when one doesn't.

Also, way the hell over 20 and now married for 19 years. Apparently, Cosmo never met anyone who lived through the 70s and 80s and managed to get married thereafter.

Posted by: Reba at October 3, 2011 9:57 AM

I live in London. This is our Chris Evans:

http://images.mirror.co.uk/upl/m4/oct2009/1/4/chris-evans-pic-pa-952885448.jpg

If we're talking naked in a doorway, that's the one Anna Faris deserves.

Posted by: zeke the pig at October 3, 2011 10:15 AM

I live in London. This is our Chris Evans:

http://images.mirror.co.uk/upl/m4/oct2009/1/4/chris-evans-pic-pa-952885448.jpg

If we're talking naked in a doorway, that's the one Anna Faris deserves.

Posted by: zeke the pig at October 3, 2011 10:18 AM

Apologies for double-post. That's what happens when you open up that image.

Posted by: zeke the pig at October 3, 2011 10:24 AM

I saw this in a free screening and I was kind of conflicted. For one thing, the movie is based on the Bridesmaids template; the opening scene is even the same: the main character slips out of bed to fix her hair and make-up before sliding back into bed with the smarmy guy who just wants sex. And they attempt Frank Girl Talk throughout the movie in a similar way. But it just doesn't stack up. There were two moments in the movie that showed so much potential that I wondered if they had a different writer:

1. When Anna Faris is dancing with David Anable and she's unsure about him, he makes some comment about how like, "I might've not been your first, but maybe I'll be your last?" and she says, "...you gonna rape and murder me?"

2. When Anna Faris is hopping a fence to get into the fancy wedding where Chris Evans' band is playing, she pauses, looks at how ridiculous she's being and says, "This is bullshit! Why don't I just wait for him at his apartment?"

It just doesn't stack up. Most of it felt weirdly half-hearted and I so wanted it to be better given the cast. And I even LIKE Anna Faris.

(Agreed Sassafras. I thought the rape and murder line was the legitimately funny, and I also appreciated that she recognized how silly she was being in chasing him down at the wedding. It was a slight nod to subversion that simply wasn't followed through on. -- DR)

Posted by: Sassafrass Green at October 3, 2011 12:12 PM

I'm so grateful for this article; it is so tiresome reading countless reviews of Faris as though she's some latter-day Blanche DuBois.

Although, I understand everyone focusing on her "comedic talent," since her overacted and sad attempts at non-comedies left little other choice.

I hope the next rom-com features Faris and Sarah Silverman as roommates...that might work.

Posted by: Esske at October 3, 2011 12:59 PM

I don't get you people.
Anna Faris is totally cute, has a rockin' body, and was perfect in The House Bunny.
I know it's not My Left Foot, but they can't all be, can they?

Posted by: Calvinthebold at October 3, 2011 12:59 PM

I guess she was OK in The House Bunny, but even that is at best tolerable. I think I mostly got through that movie by concentrating on how hot Emma Stone was. That whole movie was just dumb. I mean, I like dumb, but that movie was too dumb and contrived even for me.

Farris does semi-ditsy airhead well, but how much mileage does that character really have? I could see her doing Elaine in some sort of Airplane! remake, or a similar movie but other than that I never really saw the potential you're talking about there.

Posted by: Socrates_Johnson at October 3, 2011 3:01 PM

Awww, but I liked her in...something.

Posted by: greer at October 3, 2011 7:42 PM

Ok. I stopped after the symopsis. I can't take anymore. At least I know not to rent it from any establishment I can find other than Qwikster (however you spell that mess)

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