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The Iceman Review: Michael Shannon Will Cut You

By Amanda Mae Meyncke | Film Reviews | May 6, 2013 | Comments ()


Powerhouse performance by Michael Shannon, who is the anchor of the film, a larger than life statue of a man who towers over everyone, menacing and imposing. It's amazing that he manages to make the character sympathetic, a loving father and doting husband who wants the very best for his family, all the while remaining a heinous murderer, able to kill without blinking twice, chopping up bodies left and right, casually removed from the immediate horror of his actions. Without a doubt, Shannon is one of the most gifted actors of our generation, and his work is consistently stunning. He's just as good as ever in this film, though the story may be a tad below his abilities, it's still nice to see the delicacy and intention he displays. Wonderful.

The supporting cast is fun, through and through. Liotta is back in fine form as the all-powerful crime boss, moved not by pleas and supplication, interested only in loyalty and the maintenance of his reign of terror. If you've been waiting for Liotta to get himself into a solid role, well, this is it. James Franco has a small role as a pervy pornographer, and David Schwimmer is delightful as a greased out '70s drug-running crime flunky.

What perhaps is most constant in the mind, however, is trying to consider the lives of Kuklinski's wife and two young daughters, living a lie for years, thinking their father was one man when in fact he was an entirely different kind of monstrous person. I didn't care for Ryder's portrayal of Deb, but I think that may be more of a problem with the character than Ryder's work. She's a little mincing, a little timid and wishy washy, but I still felt for her deeply that her life was devoted to a man so unworthy of her trust and love. While I was moved by her circumstances, I can't absolve her completely. There must have been hints, around the edges, that she willfully chose to ignore, but either way, what a desperate, sad conclusion. What a waste of love and life to care for someone who so willfully deceived, and to what end!

The cinematography and production design of the film is well-done on what must have been a very shoe-string budget. There are certain corners cut, but the film moves from era to era with deliberation, Shannon's facial hair and clothing always helping along the plot by giving us direct proof of when in time we are, helped out of course by a few title cards along the way alerting us to specific events.

Buyer beware, there's lots of stabbings, shootings, bloody messes all over the place, gross out moments upon sickening nasty imagery. While The Iceman is certainly not Oscar-worthy, and at times feels only like a high-class version of a sensationalized Lifetime film, but there's still plenty to like about this creepy little movie, mainly Michael Shannon's endless reserve of calm, threatening low-level horror.



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