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Welcome to Our 52 Films by Women Archive

Review: Agnieszka Smoczynska's 'The Lure'

Kristy Puchko | 52 Films by Women |

52 Films By Women: "Strange Days"

Brian Richards | 52 Films by Women |

52 Films By Women: 'Humpday,' Lynn Shelton's Exploration of Male Identity

Dustin Rowles | 52 Films by Women |

52 Films by Women: Lynne Ramsay Ruins Your Soul with 'We Need to Talk About Kevin'

Rebecca Pahle | 52 Films by Women |

52 Films By Women: The Glass-Ceiling Shattering Of Niki Caro's 'Whale Rider'

Kristy Puchko | 52 Films by Women |

52 Films by Women: Karyn Kusama's 'Girlfight'

Rebecca Pahle | 52 Films by Women |

52 Films By Women: Julie Dash's History-Making 'Daughters Of The Dust'

Kristy Puchko | 52 Films by Women |

52 Films by Women: "Waitress" Serves Up Adrienne Shelly's Legacy

Riley Silverman | 52 Films by Women |

52 Films By Women: Leslye Headland's 'Bachelorette' Is Hilariously Irredeemable

Joe Starr | 52 Films by Women |

52 Films By Women: Wrangling The Boy's Club Of Penelope Spheeris's 'Wayne's World'

Joe Starr | 52 Films by Women |

52 Films by Women: You Can't Get Rid Of Jennifer Kent's "The Babadook"

Riley Silverman | 52 Films by Women |

52 Films By Women: Lake Bell's Funny, Affecting, Patriarchy-Jabbing 'In a World'

Petr Knava | 52 Films by Women |

52 Films By Women: Puk Grasten's '37' Explores The Bystander Effect

Kristy Puchko | 52 Films by Women |

52 Films by Women: 'Cracks'

Rebecca Pahle | 52 Films by Women |

52 Films by Women: Sophie Goodhart's 'My Blind Brother'

Rebecca Pahle | 52 Films by Women |

52 Films By Women: Ramaa Mosley's Dark And Sexy Comedy 'The Brass Teapot'

Kristy Puchko | 52 Films by Women |

52 Films By Women: Lorene Scafaria's 'Seeking a Friend for the End of the World'

Riley Silverman | 52 Films by Women |

52 Films By Women: Sophie Barthes's Undersung Dark Comedy 'Cold Souls'

Kristy Puchko | 52 Films by Women |

52 Films By Women: Gabriela Cowperthwaite's (Sea) World-Changing Doc 'Blackfish'

Kristy Puchko | 52 Films by Women |

52 Films By Women: Patricia Rozema's Daring Austen Adaptation 'Mansfield Park'

Kristy Puchko | 52 Films by Women |

52 Films By Women: Alice Winocour's Mind-Melting Thriller 'Disorder'

52 Films By Women: Sian Heder's 'Tallulah' Finds Goodness In Bad Moms

52 Films By Women: The Astonishing Integrity of Gina Prince-Bythewood's 'Beyond the Lights'

52 Films By Women: It's a Moral Imperative That We Talk about Martha Coolidge's 'Real Genius'

52 Films by Women: Do Amy Heckerling's 'Clueless'? Duh, I Was Just Going To!

52 Films By Women: Julie Taymor's 'Frida'

52 Films By Women: Marielle Heller's 'Diary Of A Teenage Girl'

52 Films By Women: Sharon Maguire's 'Bridget Jones's Diary'

52 Films By Women: Anna Rose Holmer's 'The Fits'

52 Films By Women: Antonia Bird's 'Ravenous'

52 Films By Women: Gillian Robespierre's Funny, True, Feminist 'Obvious Child'

52 Films By Women: Debra Granik's Bone-Chilling, Jennifer Lawrence-Introducing 'Winter's Bone'

52 Films By Women: Marya Cohn's 'The Girl in the Book'

52 Films By Women: Maya Forbes' 'Infinitely Polar Bear'

52 Films By Women: Mira Nair's Joyous, Exuberant 'Monsoon Wedding'

52 Films By Women: Timelier Than Ever, Mary Harron's 'American Psycho'

52 Films By Women: Tribeca Film Festival Edition

52 Films by Women: An Impassioned Defense of The Wachowskis' 'Jupiter Ascending'

52 Films by Women: Ana Lily Amirpour's 'A Girl Walks Home Alone at Night'

52 Films By Women: Lexi Alexander's 'Punisher: War Zone'

52 Films By Women: Sofia Coppola's 'Lost In Translation'

52 Films by Women: Ida Lupino's 'Outrage'

52 Films By Women: Randa Haines' 'Children Of A Lesser God'

52 Films By Women: Kasi Lemmons' 'Eve's Bayou'

52 Films By Women: Dee Rees' 'Bessie'

52 Films By Women: Cheryl Dunye's 'The Watermelon Woman'

52 Films By Women: Amma Asante's 'Belle'

52 Films By Women: Andrea Arnold's 'Wuthering Heights'

52 Films By Women: Let's Do This

Reviews

Review: Scorsese's 'The Irishman' is a Blast from the Past and a Glimpse of the Future

Review: Greta Gerwig's 'Little Women' Is Smartly Re-Imagined And Absolutely Glorious

Showtime's 'Back to Life' Is 'Rectify' Peppered with Dark Humor of 'Fleabag'

Without Disturbing the Content, Damon Lindelof and Cord Jefferson Brilliantly Transform the Character Upon Which Alan Moore's 'Watchmen' Was Predicated

'21 Bridges' Review: What the Hell Happened to Taylor Kitsch?

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