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Let the Right One In by John Ajvide Lindqvist

By Carrie | Posted Under Book Reviews | Comments (9)



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Set in Sweden in the early 80s, John Ajvide Lindqvist’s book tells the story of Oskar, a 12-year-old boy who is lonely and bullied and prone to wetting himself. When Eli, a girl he assumes is around his age, moves in next door, he finally finds a friend. They tap messages to each other through the wall in Morse code, they play together, and through his friendship with Eli, Oskar starts to stand up for himself.

Of course, all is not what it seems (in more ways than one), as Eli is a 200 year old vampire, forever condemned to live as a child, but not a child. She has a helper named Hakan who kills people and drains their blood for her, but it is not long before their presence in the town starts to raise suspicions. Other characters are drawn into Oskar and Eli’s world - the bullies, the police, a group of friends missing one of their number, and a newborn vampire coming to terms with what they are.

Part coming of age tale, part gruesome horror, it’s also a social commentary of the city at the time, and shows characters dealing with alcoholism, drug abuse, and crime. It’s pretty ambitious, and it mostly delivers, although there’s still something missing for me, and I’m not sure what it is. I think I was expecting more from it, as I’d heard such good things. I thought I’d find it haunting, and much more moving. It was an enjoyable read, don’t get me wrong, but I’m not sure how well it straddled its worlds. Oskar and Eli’s relationship has some touching moments, but their friendship felt a little shallow to me. As for the horror, there’s plenty of that. It’s gory and descriptive and it’s probably wise if you don’t eat while reading, because it really put me off my lunch. Which I guess is a compliment.

However, it wasn’t as suspenseful as I would have liked. Horrible, and vivid sure, but I never had that sense of dread about what was to come. And I never felt fear for Oskar. I felt sorry for him, with what he went through, and at times frustrated by him for not standing up for himself more, but there was no sense of urgency to it, which I missed. The vampire lore is pretty standard, but has enough twists to keep it fresh. It doesn’t go into too much detail about Eli’s past, and I would have liked more on that, although I can see it’s not meant to be the focus of the story. Eli’s life as a vampire throws up more questions than there are answers, but at least it’s thought provoking.

I guess if you’re looking for a fresh take on the vampire story, you could do much worse than read this. In this day when you can’t move without tripping over something to do with Twilight, it’s nice to have a grown up alternative. I haven’t seen the film of Let the Right One In yet, although I’ve heard good things, but I’ll definitely watch it at some point, though not for a while so the book isn’t as fresh in my head.

This review is part of the Cannonball Read series. For more of Carrie’s reviews, check her blog, Teabelly’s Place.









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Comments

Carrie: I bought this after seeing the movie. I have read the first 20 pages or so, but put it aside to finish current reads. What I read I liked very much and it followed the movie pretty close. I wonder if some of your criticism could come down to translation issues, that seems to be the case a lot of times when foreign works are brought over the English.

The film pares down a lot of sub plots you mentioned. There is no fledgling vampire, no police involvement. The relationship between Oskar and Eli is very prominent and well developed. It is a truly excellent film as so many others have said. Not really a horror story, more of a very dark drama or thriller.

Posted by: TylerDFC at August 14, 2009 9:10 AM

Saw the movie not long ago. It's an extraordinary piece of work by the two child actors, especially the one who plays Eli. I wonder if these kids gave themselves nightmares. Plus there are terrific effects used subtly and in the service of the story.

I get the feeling a few small things get lost in the translation but the themes of loneliness and the actions of characters like the bullies are universal.

The real horror didn't sink into me until some time later, when I realized what the ending meant.

Posted by: , (the commenter formerly known as bucdaddy) at August 14, 2009 10:45 AM

tcfka Bucdaddy: Didn't you see the ending coming a mile away? That lost some impact with me. I liked the ending, but it just seemed so obvious that I was surprised it WASN'T going to happen when she left. I usually don't see "twist" endings coming but that one stood out for me.

Posted by: TylerDFC at August 14, 2009 11:26 AM

Re-reading that I can see my comment is confusing. I'm trying not to spoil the ending for anyone that hasn't seen it. What I meant was, the ending seemed obvious, then it head fakes, then you have the climax and yes, that ending indeed happens.

Posted by: TylerDFC at August 14, 2009 11:29 AM

I just watched this on Tuesday night, so it's still very fresh in my mind. Almost like TylerDFC, I saw the ending a mile away -- and then was wrong, because it wasn't the end. I really enjoyed it.

The only part of the movie I truly didn't understand was when Oskar and his father were playing a game which the father ended when a visitor arrived. Nothing was spelled out, which I normally *like* in a movie, but I couldn't decide what it really added in this case.

Posted by: Wednesday at August 14, 2009 11:43 AM

I went to to see the movie in the cinema last week, and of course ended up loving the shit out of it. There was a Swedish friend with me who had read the book, and from what she told me about it, I understand the movie is much more subtle, which I think I prefer.

SPOILER ALERT
For example, the full extent of Hakan's role was never made explicit in the movie. I assumed that, as a young boy, he had fallen in love with Eli and had since aged, while Eli had remained young. I assumed Oskar was going to end up being a second Hakan (and who knows how many had come before him!). But then my friend told me that, in the book, Hakan is actually a pedophile, and Eli lets him have sex with her/him in exchange for blood. Ah.

Anyway, I'm very curious to read the book--especially to learn about why exactly Eli was castrated. (My friend couldn't tell me because she had apparently skipped some of the creepy and disturbing parts in the book. ;) )

Posted by: Thijs at August 14, 2009 12:49 PM

Thijs,

That's the conclusion I came to about Oskar at the end, but it took me awhile.

Posted by: , (the commenter formerly known as bucdaddy) at August 14, 2009 7:03 PM

I was so creeped out by the book I sent the movie back to Netflix unwatched. The Hakan subplot was something I knew I couldn't watch on film, and now I find out they really didn't go into it.

Oh well.

Posted by: Sally at August 14, 2009 7:37 PM

I really liked this book. It's been some time since i read it, but i remember finding it fascinating. I probably found it more relatable than Carrie seing as I'm from Norway.

btw. Sally: the Hakan subplot isn't explored much in the movie.

Posted by: Margrete at August 15, 2009 2:12 PM


















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