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Welcome to the Author Archive for Lindsay Traves










Review: A Self-Aware James Wan Gets Zany in the Deeply Weird and Satisfying 'Malignant'


Review: Borne from '90s Nostalgia, Netflix's 'He's All That' Has Shallowness and Product Placement That Are Beyond Satire


Now on Shudder: Barbara Crampton's Teeth Sparkle in 'Jakob's Wife'


In Honor Of 'Escape Room: Tournament of Champions': An Escape Room Movie for Every Mood


Now on Netflix: Karen Gillan Kicks Teeth into Dust in the Shiny, Bloody 'Gunpowder Milkshake'


Review: Willem Dafoe's 'Siberia' Is Impenetrable


Now in Theaters: 'Werewolves Within' is a Real Awooo-dunnit


Now on Netflix: ‘Awake’ Tries its Best to Keep Your Eyes Open


Review: 'Seance' Summons a Familiar Ghost


Review: 'Things Heard & Seen' Delivers A Warm Hug With An Icy Grip


Review: ‘Held’ is Bloody but Ineffective Couple’s Counseling


Review: 'The Unholy' Couldn't Get Me To Kneel


Review: From the Mad Mind That Brought Us '[REC]' Comes 'The Vault'


Review: Bob Odenkirk Kicks Ass in 'Nobody'


Now on Netflix: 'Moxie' Is A Feminist Punk Album For Generation Z


Review: 'Sator' Will Reveal Itself When It's Ready


Review: ‘Wrong Turn’ Should Have Kept to the Main Trail


How 'Promising Young Woman' Upends Sex Comedy Cliches


From ‘The OC’ To ‘Promising Young Woman’: How Adam Brody Went From Nice Guy To 'Nice Guy'


Review: ‘Wonder Woman 1984’ Is A Worthy Sequel Unfettered by Its Cynical Expanded Universe


Review: 'Archenemy' Is No Antidote To The Gritty Superhero Wave


Now On VOD: 'Freaky' Boldly Smashes Together Body-Swap Comedy And Slashers


Now on Amazon Prime: ‘Welcome To The Blumhouse: Black Box’ Will Remind You To Rewatch ‘Get Out’


Review: 'Welcome To The Blumhouse: The Lie' Unravels A Parenting Nightmare