film / tv / politics / social media / celeb/ pajiba love / misc / about / cbr
film / tv / politics / web / celeb

Screen Shot 2019-08-26 at 3.29.46 PM.png
marvel-reject-spiegelman-header.png

Marvel Reject Donald Trump 'Orange Skull' Reference From Art Spiegelman Because They Are Trying to Remain 'Apolitical'

By Petr Knava | Politics | August 19, 2019 |

By Petr Knava | Politics | August 19, 2019 |


marvel-reject-spiegelman-header.png

Over the weekend it was revealed that Pulitzer Prize-winning cartoonist and author of one of the definitive fictional treatises on Nazism Art Spiegelman recently pulled his introduction to Marvel’s new comic collection, ‘Marvel The Golden Age 1939-1949,’ after the publisher insisted that he remove a reference to Donald Trump that drew parallels between the American President and Captain America’s Fascist arch-enemy The Red Skull. ‘Maus’ author Spiegelman’s intro was to include the line, ‘In today’s all too real world, Captain America’s most nefarious villain, the Red Skull, is alive on screen and an Orange Skull haunts America,’ but this was rejected by Marvel who said they were trying to remain ‘apolitical’.

A form of the intro was later published in The Guardian, in which Spiegelman described his dealings with Marvel:

When the Folio Society, venerable publisher of luxurious illustrated books since 1947, decided to plunge in with a deluxe compilation of golden age Marvel comics, they invited me, as a graphic novelist and comic book scholar, to write an introduction to the book. Perhaps they misguidedly figured that I might lend the endeavour a fig leaf of respectability.

I turned the essay in at the end of June, substantially the same as what appears here. A regretful Folio Society editor told me that Marvel Comics (evidently the co-publisher of the book) is trying to now stay “apolitical”, and is not allowing its publications to take a political stance. I was asked to alter or remove the sentence that refers to the Red Skull or the intro could not be published. I didn’t think of myself as especially political compared with some of my fellow travellers, but when asked to kill a relatively anodyne reference to an Orange Skull I realised that perhaps it had been irresponsible to be playful about the dire existential threat we now live with, and I withdrew my introduction.

Here we f**king go again, I guess. If ever a reminder was needed that big business will always either actively support the hard-right or turn a blind eye to it, here we have it. Remember how the capitalists cheered and the markets rallied when fascist Jair Bolsonaro came to power in Brazil. Remember how Disney worried that the anti-Nazi satire Jojo Rabbit would hurt their brand. Remember, indeed, how many industrialists preferred the rise of Hitler to a socialist Germany in the 1930s. Capitalism will always side with fascism before socialism. Social progress is only tolerated until it threatens the bottom line.

Yet the picture here is even more dangerous than a simple ideological aligning between corporations and the hard-right. As ahistorical as it would be to try to divorce a medium that arose in many ways in response to the fascism of the 1930s from its political roots, it would be one thing if this was only what Marvel claimed it was: A ridiculous attempt at some sort of ‘neutrality’. A fear of seeming ‘political’ in highly politicised times characterised by an international wave of fascism would be cowardly and complicit, yet it would still be better than the reality. The truth with Marvel is unfortunately even more insidious, and their link to Donald Trump more direct. Four words: Marvel chairman Ike Perlmutter. As Spiegelman himself notes at the end of his piece in The Guardian:

A revealing story serendipitously showed up in my news feed this week. I learned that the billionaire chairman and former CEO of Marvel Entertainment, Isaac “Ike” Perlmutter, is a longtime friend of Donald Trump’s, an unofficial and influential adviser and a member of the president’s elite Mar-a-Lago club in Palm Beach, Florida. And Perlmutter and his wife have each recently donated $360,000 (the maximum allowed) to the Orange Skull’s “Trump Victory Joint Fundraising Committee” for 2020. I’ve also had to learn, yet again, that everything is political… just like Captain America socking Hitler on the jaw.

The response on Twitter to Marvel’s complicit f**kery was predictably scathing:

Pictured, capitalists as their fascist friends run rampant but profits remain high:

via GIPHY

There is nothing ‘apolitical’ about capitalism. There is nothing ‘apolitical’ about whitewashing the crimes of a neo-fascist President. There is nothing ‘apolitical’ about trying to censor the author of one of the most important works of Holocaust fiction out there. If Marvel and Ike Perlmutter want to keep pumping hot air into the bloated orange toad balloon of Chernobyl-baked pastrami flesh and petrified murder-fog hairpieces that squats racistly on in the Oval Office then that’s on them—at least own it, you cowards. Don’t hide behind nonsense words like ‘apolitical’.



Petr is a staff contributor. You can follow him on Twitter.




Header Image Source: Disney // Marvel Studios


'The Morning Show' on AppleTV+ Looks Fantastic

Ari Aster Explains The Missing Shot From 'Midsommar's Trailer





ย 
GettyImages-145930939.jpg

15 Things You Probably Didn't Know About Charlie Day from 'It's Always Sunny in Philadelphia'

Jennifer-Lopez-Hustlers-1170194102.jpg

'Hustlers': Does Jennifer Lopez look like the real Ramona Vega? Compare the Cast with the Real Women

GettyImages-614935562.jpg

Where the Hell Has Joseph Gordon-Levitt Been?

GettyImages-52001882.jpg

Letters Supporting Felicity Huffman Present an Unflattering Picture of Another 'Desperate Wives' Co-Star

Dave-Chappelle-Sticks-and-Stones-Netflix.png

Who Is Dave Chappelle's Netflix Special 'Sticks & Stones' For?





hollywood-read.png







The Pajiba Store


petr-store-pajiba.png
















Privacy Policy
advertise