web
counter
 

You Smell Homeless

By Katelyn Anne | Posted Under TV Reviews | Comments (26)



gleelittle.jpg

Many shows when given A-list cameos slobber all over themselves to make the whole episode an “Oh hey, look who we got!” affair that just ends up being embarrassing. If the audience is interested in the show, the audience is committed to the current cast, which makes a stunt casting move feel disingenuous. Conversely, the rubbernecker viewers who may check out the show for the celebrity drop-in find the episode weird and not engaging, they won’t stick with the show to give it a chance, which is why cameos with big names always hold such a tense moment for the fans. If the move won’t draw in new viewers and doesn’t advance the story, why bother? Glee has been hit and miss with its celebrity guest stars, sometimes showcasing them just to say they can get them (see: Britney Spears) and sometimes they utilize the talent exceptionally well (see: Neil Patrick Harris). So when a big name is added to the Glee cast, there’s usually cause for some nervousness, especially when the cameo in question is a celebrity who, without any trace of irony, named her own life advice blog a synonym for slop. But despite worries to the contrary, Gwyneth Paltrow was great. Maybe it’s because her singing voice is good, maybe it’s because she went full Mary Todd Lincoln, or maybe it’s because it was nice to have a respite from Will; whatever the case may be, this episode was hilarious. Full of plot and character development? Eh, not so much. But let’s be honest: at this point in my relationship with Glee, I’ve come to terms with things like “a lack of continuity” and “absence of developing storylines.” If there are a few yuks in an episode, it’s a success.

Because the monkey flu gods are merciful, Will Schuester was sick for a chunk of this episode. Sadly, he was still present, but my schadenfreude for his plight was great. Will decides that after an adorable toddler hallucination he needs to be on bed rest until he is better, which leads to some weird exchanges between him and his ex-wife. Is Terri’s special brand of crazy (even medicated) appreciated? Yes. Was it uncomfortable as hell watching her play “Sick Baby” with Will and a Vaseline lubed thermometer? Oh, dear God, was it ever. But it became apparent after a vaporub rub down that Will and Terri actually make sense with each other. She’s psychotic, sure, but Will’s special brand of jackass deserves to be with someone that unhinged. It’s not like Will doesn’t appreciate her medicine, he likes the fact that she remembers his favorite sick day film and her weird (and gag-inducing) baby talk, but because Will’s an ass he decides to hit it and quit it. This, of course, works extremely well for Will since that means his unfinished business is done with Terri and all that matters in Will’s little world is his business. But hopefully, since Terri is so insane, she’ll need to find some sort of resolution with a big crazy scene (or maybe she’ll actually get pregnant, oh, the irony). Will still hasn’t quite been taken down enough and I think a little bit of public humiliation may do the trick. The secondhand embarrassment would be worth it to see Will finally realize what an ass he is.

Whatever may come of Will, he’s still currently the teacher in charge for Glee club, despite being ousted by Holly for as long as it took for the paint to dry on the wall of the choir room. Will was temporarily fired by Sue, who was made the temporary then actual principal. Since the show has a problem with keeping stories straight, time will only tell if Sue is actually the permanent principal or if Figgins returns with absolutely no explanation, but no matter, I’ll always enjoy Sue on a power trip. While Will was sick, Holly Holiday (Gwyneth Paltrow) took over for his class and Kurt asked her to take charge of Glee club since he remembers her rousing performance of “Conjunction Junction.” It was nice, in theory, to have a teacher who actually listened to the students instead of searching for Journey songs to perform, but unfortunately, instead of actually letting the students sing the music they wanted to sing she sang the songs and let them revel in the pleasure of her musical talents. Despite totally pulling a Schuester and making everything about her, Holiday was a great substitute and a decent break from Will’s nagging. She was fun and spontaneous and called Rachel out for being a brat so she gets a pass. There was a dichotomy in Holly’s & Will’s teaching styles that showed some of the difficulties there are to actually being a teacher. Holiday was energetic, but she couldn’t focus on anything serious and when Sue brought down the hammer on Mercedes, she spaced out. Letting the students be off-the-wall is OK, but not all the time, which is why the Glee club, for better or for worse, needs a teacher like Schuester. Yes he’s an ass, but when he lets the kids do their own thing, while still providing a safety net, he works. Of course it’s completely undetermined as to whether or not Paltrow will be an occasional pop-in, like Groban, or if she’ll just disappear after one great performance, like NPH. Hopefully, the Holiday character won’t be overused because she may not hold up well on repeat appearances. Part of the reason the Paltrow’s cameo worked was because she got a few hilarious moments that would probably end up feeling stale if the show were to just have Holiday show up semi-regularly.

There was another Kurt subplot this week, but it was mostly undeveloped. Mercedes and Kurt used to be close, but with recent things going on in Kurt’s life, the two of them have drifted. We got to see Kurt and Blaine on a date/not-a-date with Mercedes and it was a funny third-wheel situation and then there was a tots revolution and then that was it. Apparently the moral of the story was that Mercedes shouldn’t eat her feelings and that she should try to find a boyfriend since Kurt has grown so close to Blaine. Sorry Kurt, but she was your best friend and it’s wonderful that you have someone you can relate to, but there is a difference between a boyfriend and a best friend and it’s unfair of you to just brush her off so easily. Kurt did to Mercedes with Blaine what Burt did to him with Finn, which pissed off Kurt royally, but doesn’t seem to bother Mercedes too much. Again, Kurt needs the comfort he gets from fitting in with Blaine, but it’s a little disappointing to see him leave Mercedes to her own devices without any real concern about it. On the other hand, this is high school and in high school kids will drop and pick up friends for relationships as quickly as they text. I can forgive Kurt any perceived callousness, based on the fact that in an episode full of goofiness the show had one of its most screwed up moments of all time: Karofsky threatening to kill Kurt. Karofsky has some violent tendencies, which we knew, but the entire wind rushed out of the episode in that one moment. In light of the current bullying and violence against LGBT kids the threat felt almost too real, but if that’s where the show is heading, things can only get darker. Hopefully, Kurt will be ok and Karofsky can be stopped before anything drastic happens. There’s a fine line between being honest and terrifying and the show is certainly straddling it with comments like that. Despite the impact Karofsky’s comment made the rest of the episode didn’t devote much time to it, so I’m left a little unsure as to where the theme may be heading for the season.

With very little plot development, one would hope the music would be incredibly strong, but it wasn’t. “Forget You,” was actually really good considering it was censored to hell. The song is great by itself and Paltrow had the voice for it, if not the swagger. There’s a reason they cut away from her robot dancing quickly. Again, probably my biggest issue with the song was that it was a solo for Paltrow with back-up parts for the club, I would have preferred seeing Puck sing it with Paltrow on back-up, but what can you do? While good, the performance would never trump the original, no matter who performed it on the cast.

Weirdly enough, my favorite performance of the night was “Make ‘Em Laugh,” which was Schuester’s solo. Wall flips and Three Stooges-esque comedy is always funny and it doesn’t hurt that Will is infinitely more tolerable when he’s paired with Mike Chang. Since I can’t remember Mike actually singing, it’s not technically a duet, but the two of them worked great together. It’s strange how a little monkey flu and goofy dancing will persuade me to tolerate the man that was so loathsome just a week ago. The duet of the night between Rachel and Holly was bland. “All That Jazz” is a great number and maybe that’s why I feel so critical towards their performance, but the most interesting thing about the number was how vast the height difference was between the two women. They both sang it well enough, of course, but it was by no means worth using up the time it took to perform it. We get it, writers, Lea Michele sings incredibly well, unless you have some pact with the devil that requires she sing a solo in every episode, lest the world’s supply of puppies disappear, we can do without the constant reminder of how talented she is.

“Singing in the Rain/Umbrella” was a weird mash-up. I didn’t hate it, but that’s mostly because of the dance number. It also would have been better had the kids been allowed to perform it, but whatever, Schuester is going to sing in the Glee club no matter what. Would it shock anyone if he managed to swindle his way into a sectionals performance somehow this year? Dammit, Will, this is why you can never have nice things, because you just end up making it about yourself.

This episode of Glee was good, if only because it had some of the best zingers in a while. The show used to slide them in all the time, but they had lost some of the quickness that used to be my favorite part of the show. Unfortunately, pacing has never been this show’s forte, considering that the writers are always willing to stop a plot just to have a song. Whatever the show’s faults may be and despite the fact that the episode did not add much to the overall arc, at least it was funny.










Each Time You Like, Share, Tweet or Stumble a Pajiba Post, An Angel Does the Paul Rudd Dance



Damnit, Keanu. I've Missed You | Some Unimportant Keanu News, but Hey! Look! Keanu! | "Accused," "Misfits," and "Miranda" Reviewed | This Week in British TV









Comments

“All That Jazz”

Love you! Love this! Hate Will! They actually sang the "Hot Honey Rag" from Chicago! Okay! Musical Geek out!

Posted by: coveredinbees at November 18, 2010 11:11 AM

I liked Paltrow, I thought she was hilarious, especially in the Mary Todd Lincoln garb. Those lines were hilarious.

Anybody else love Terri Shuster? I love her brand of crazy, especially if it means The Shue is gonna get it.

My concern with the bully Karofsky is he goes from winking at Kurt to threatening to kill him in one episode. It's disconcerting.

Also, it cannot be that easy to fire a teacher. Don't they have a union??? In Toronto, it takes min. Of a year to get fired, unless you're accused of murder/molestion. I realize it's not grounded in reality, but come on.

Posted by: kilmo at November 18, 2010 11:19 AM

I'm sorry, but until the producers ease up on the auto-tune throttle, I'm going to hate every new episode of this show.

Posted by: Maui M. at November 18, 2010 11:19 AM

I'm sorry Katelynn, but I cannot get past the fact you enjoyed this episode. I enjoyed a few short moments, but overall I felt SO cheated. Of all the singing, about 10% was the student cast. The rest was Schuester and Gwyneth. And I HATED the Chicago number - it was like they tried to do an exact copy of the movie, excpet neither of those women have any grace whatsoever. Ugh, awkward.

Maybe I'm alone. Who knows.

Posted by: Patty O'Green at November 18, 2010 11:23 AM

I don't particularly think that Lea Michele can sing that well. I mean, her voice is alright, and I know she sang on Broadway (I think, anyway) but she sounds insipid and her voice doesn't work on half the songs she sings on the show.

Oh, and she dances like a baby giraffe just learning to walk.

(Sorry, I don't really mean to attack the actress, but she's just not as good as we're supposed to think she is.)

Posted by: ZombieNurse at November 18, 2010 11:23 AM

And I HATED the Chicago number - it was like they tried to do an exact copy of the movie, excpet neither of those women have any grace whatsoever. Ugh, awkward.

Not, alone, lobster o' mine. Not alone. HOW SHORT WERE THOSE FLAPPER DRESSES? Made Catherine Zeta Jones and Renee Zellwegger look like nuns in comparison. And that would be fine if the ladies, Beyonce-style, had the moxie to pull it off. But they looked so uncomfortable. It was a near IDENTICAL number to the film. Ditto for Schue and Mike Chang. And I found that uncomfortable too. I HATE YOU, WILL SCHUESTER, GET YOUR SMUG MUG OFF OF DONALD O'CONNOR'S TERRITORY.

Conjunction Junction, spanish class and Mary Todd Lincoln were all adorable, though.

Posted by: coveredinbees at November 18, 2010 11:29 AM

Paltrow did a good job, though I absolutely agree that the adults find far too many opportunities to insert themselves into the performances. I loved the quick cutaways to Schu saying, "That's great, but I found another Journey song!".

Posted by: Wednesday at November 18, 2010 11:38 AM

If Gwyneth's voice was so good, why did they have her sing every note of every song into the T-Pain iPhone app? She might as well have spoken the words into a vocoder and let a piano player take care of the rest for how "good" she sounded. Shoot, they should have just asked Laurie Anderson to play the role if it was going to be full on robot singing.

Posted by: Robert at November 18, 2010 11:38 AM

I think overall I hated this episode. I didn't like the way Mercedes decided that the way to cope with her BFF finding a (possible) BF was to get a BF of her own. I didn't like that Figgins randomly got fired (for what, exactly?). I HATED that Terri showed up, only because we've neither seen nor heard from her since the divorce (except for ONE TIME). And I hate that it's SO PREDICTABLE that she's going to get actual pregnant this time. I hate that they did that thing again where they try to cram every single plotline they can into a single episode. I hated the forced-ness of that Singin'/Umbrella mashup. Those two songs just DID NOT work together, and they forced them anyway.

I DID like Gwynnie, but less for her singing and more for the crazy she brought to the teaching gig (full Mary Todd Lincoln, INDEED) and, as you said, KA, the respite from Schue. As far as her singing went, it wasn't terrible, but it seemed like she was singing through her nose for most of it. I'm also not entirely sure why they took it in the direction they did, with the whole Mercedes thing, and what the point of that was. Also, I was surprised at how much I liked Make 'Em Laugh, because when they first started I was all "oh no they DI'INT," but I should've known Will and Mike could pull that scene off.

I'm starting to feel like I don't really care about the show, and it makes my pants sad. *sigh*

Posted by: Anna von Beav at November 18, 2010 11:41 AM

Didn't care for GP's singing much at all. It managed to be simultaneously flat and auto-tuned. I'm assuming (hoping) that she'll be less involved in future numbers.

The Mary Todd Lincoln bit was funny though, and she gave the "Wow, your wife's a bitch!" line just the right amount of punch.

Posted by: sansho1 at November 18, 2010 11:49 AM

The fact that people think Lea Michelle is a good performer is proof positive of the dumbing down of entertainment in the 21st century.

Is her voice pretty? Kind of, if she is doing something that falls in her wheelhouse.

Does she have any heart to anything that she does? No.

Does she ever tell the story of the song that she is singing rather than simply prove to the world her voice is pretty? No.

I would much prefer someone with less technical ability and more ability to engage a storyline and empathize with an audience. She's the anti-Maria Callas, and I love me some Maria Callas.

Posted by: dulli1419 at November 18, 2010 11:58 AM

ohmygod, I think we found Paltrow's Waterloo: she cannot dance. AT ALL.

That "Nowadays" number was AGONY to watch. She CLOMPS.

She can sing, but she CANNOT dance.

Posted by: Maryscott O'Connor at November 18, 2010 12:02 PM

Oh! I almost forgot: I LOVED LOVED LOVED Mercedes' name necklace and NEED TO KNOW WHERE i can get one of my very own.

Posted by: Anna von Beav at November 18, 2010 12:12 PM

Thank you, Maryscott! I agree that Gwynneth's dancing was BAD! But I do think she was good -- and funny -- on the show.

I HATED the Singin' in the Rain numbers. I thought make 'Em Laugh was PAINFUL. Not well sung. Not well danced. In fact, I thought JGL's version on SNL was better. What it lacked in precision was made up for with heart and energy. The Glee version tried WAY too hard and fell FLAT.

And as everyone else has already noted, the Chicago number was flat-out awful.

I also agree that, where Lea Michele may have a good voice, she's not a good SINGER. She sings everything as though she's in love with the sound of her own voice, to the detriment of most songs she sings. I also can't STAND that hiccuppy sound she makes at the start of every line.

Posted by: jimbob at November 18, 2010 12:16 PM

I usually want to smack smug Gwynnie in her pouty-piehole, but she was actually tolerable.

There were just SOOOO many good throw-away lines in this ep.....Sue's line about Brittany's reaction to the broccoli, Kurt's reaction to the tots revolution, "shut your gash, Nancy".....

Posted by: dammitjanet at November 18, 2010 12:21 PM

Dulli, I agree. I've thought that since I first heard her on the cast recording of Spring Awakening in 2006. She's got a pristine voice, but it's absolutely sterile. And yes, gasping/gulping before and after every line does not interpretation make.

That Chicago number was bad all around. Why was it there. I can't remember if they sang, because the dancing was so, so awk.

Most of all, I was BORED for most of this episode. A 42 minute show with singing and dancing shouldn't make me check the clock at the 25 minute mark but it did.

Posted by: Ian at November 18, 2010 12:35 PM

The one plus of this episode was that Kurt was relegated to a subplot. I forgot how funny he could be in small doses.

Posted by: kelsy at November 18, 2010 12:55 PM

We all know what's going to happen at the end of this season. Will's ex will return with real bun in the oven just when Will and his ginger are getting close again.

Gwyneth please stop singing

Posted by: Dingle Berry at November 18, 2010 1:12 PM

Seriously, though. I need that necklace. Anyone?

Posted by: Anna von Beav at November 18, 2010 1:55 PM

I actually liked Gwyneth, Rachel can die in a fire, and neither of them should ever dance again.

Posted by: kitkat at November 18, 2010 2:16 PM

I hated the Kurt/Mercedes dynamic in this episode. I hated most of the songs. I thought the Singing in the Rain/Umbrella mash-up could have been really cool EXCEPT they had Gweneth and Schuster sing it and, like every other song lately, autotuned the hell out of it.

Posted by: tt_marie at November 18, 2010 2:58 PM

Weirdest thing about this ep? The Umbrella/Singin' in the Rain mashup. But only because I've seen the original source material which is a mellow, laid back jazz piece Jamie Cullum (look him up if you don't know him) did at TED 2009.

Posted by: trib at November 18, 2010 4:48 PM

I'm afraid that I'll have to abandon the show if (and most likely, when) Terri shows up pregnant.

The baby drama almost killed it for me last season, and I cannot take a reprisal.

Was surprised that I liked GP. Mostly bored for the episode though.

Posted by: Drake at November 18, 2010 7:24 PM

The purse falling out of Kurt's mouth during the dinner date scene had me DYING. This episode was so scattershot, but that throwaway gag killed me.

Also, is it necessary to mash-up EVERYTHING? I would've rather heard a full rendition of "Umbrella" than that weird mix they did at the end of the show. It probably sounded like a good idea when they thought it up, but the execution was a little odd.

And all hatred for GOOP aside, I thought Gwennie did a great job on the show. But like someone said above, girl can NOT dance. For that matter, neither can Lea Michele. That was the most awkward "All That Jazz" I've ever seen.

Posted by: MelBivDevoe at November 18, 2010 8:42 PM

This felt like the Glee I loved last season, maybe because Terri's creepy insanity was back. Also, there was lots of high school politics, not just Lea Michele gulping for the camera with her stupid new bangs hairdo. I was all set to hate on Gwyneth, but she actually was really good. How can you not love that terrible Mary Todd Lincoln impression?

Singin' in the Rain is one of my favorites, but I just wasn't feeling the numbers related to it. Make Em' Laugh was too much of a by-the-numbers copy, and the mash-up didn't work so great. I do love me some dancing with umbrellas, though.

Is it true Carol Burnett is on next week? If so, I hopehopehopehopehope the episode does her awesomeness justice.

Posted by: Empress of All the Russias at November 18, 2010 11:24 PM

I absolutely hate what they did with the Mercedes, Kurt, and Blaine subplot. Kurt has been best friends with 'Cedes since she joined Glee; she was the first person Kurt told he was gay and she's been there for him through all his problems. So, in my mind, there is no way that Kurt is going to toss her aside for a possible boyfriend.

On another note, does anyone else think Kurt was getting creepy on Blaine? I noticed it when Blaine first came in (picture in Kurt's locker, oh how stalker-esque) and that date/not-a-date made me cringe so much. I really hope the writers stop writing Kurt like a creeper and more like a person who can be reasonable when they like someone.

Posted by: Kara at November 20, 2010 3:22 PM