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The Love TARDIS

By C. Robert Dimitri | Posted Under TV Reviews | Comments (28)



series5vampires.jpg

“Blimey. Fish from space have never been so…buxom.”

Recently I spotted a large billboard advertising Doctor Who on a major thoroughfare. It was a striking sight; when I watched the show as a kid, I never would have guessed that Doctor Who would one day achieve a level of mainstream recognition in the U.S. such that it would have a billboard like this. This morning I drove past the spot again to take a photo of it; it was already gone. It seems fitting that I had this sighting when the next episode to watch was “The Vampires Of Venice,” given the current populist craze for vampires.

Back in 1977 there was another populist craze on television that would last ten years and 249 episodes. That’s not as venerable as our good Time Lord, but The Love Boat was at least reliable enough to find echoes of its recurring plot in “The Vampires Of Venice.” Even though I watched at least a few episodes of The Love Boat back in the day for whatever reason, I will let you know up front that this episode of Doctor Who was the weakest for me thus far in this new season.

It’s Venice in 1580, and a boat-builder named Guido with limited prospects brings his daughter Isabella to noblewoman Rosanna Calvierri and her son Francesco in the hopes that they will accept her into their school. Rosanna agrees under the condition that they take her under their auspices immediately. The boat-builder is taken aback that he must say farewell immediately, but he wishes his daughter well and leaves the court. Isabella screams when Francesco, after expressing how much he likes Isabella, reveals vampiric fangs.

In London in the present day, Rory is in the midst of his bachelor party, as he leaves a message for Amy letting her know how much he loves her. Rory hangs up and is surprised when the Doctor pops out of the giant bachelor cake that should contain the stripper. The Doctor addresses Rory before his fellow partiers, letting him know that his fiancée had tried to kiss him and that he’s lucky that she’s a good kisser. There’s an awkward silence as the Doctor realizes his lacking social tact.

Back on the TARDIS, the Doctor explains to Amy and Rory that the fantastic journeys on the TARDIS often result in one’s losing perspective when the experience is compared to normal life. He offers to take Rory and Amy anywhere and anytime as a wedding present. Amy is rendered uncomfortable by this odd situation, while Rory hides whatever feelings of amazement about the TARDIS that he might have. He’s been reading up on the latest scientific theories since the appearance of Prisoner Zero.

In response to Rory’s blasé attitude, the Doctor feeds the burgeoning rivalry with Rory when he deadpans: “I like the bit when someone says it’s ‘bigger on the inside.’ I always look forward to that.”

They settle on Venice, and the Doctor briefs them on the wonders of the city and its history as they stroll through the streets. His stream of consciousness reminds the Doctor that he should avoid Casanova, who is still a few decades away, as the Doctor owes him a chicken from an old wager.

A customs inspector who is maintaining quarantine for fear of the plague stops the group, but the Doctor fools him with psychic paper and quizzes him on this phantom threat of the plague from which Rosanna Calvierri keeps the people safe.
A group of shrouded women with parasols pass through the streets, and Guido accosts them. He finds his daughter Isabella among them, but another of the women reveals her vampiric fangs. Guido falls back, the women are ushered away, and Francesco tells Guido that his daughter is gone. The Doctor, Rory, and Amy observe this from afar.

The Doctor catches up with Guido and interrogates him about the nature of the Calvierri school. Guido tells him that something evil and magical happens inside the school; his own daughter no longer recognizes him.

In Rosanna’s keep where she is “hydrating,” Francesco warns her of Guido’s interference. He tells her that they have converted enough women and that it is time to introduce them to his brothers. Rosanna wants to wait longer for their plan to develop.

Rory asks Amy what she and the Doctor have been doing and realizes that she has not thought of him during her adventures. She asks him not to fight with her and to enjoy the setting. Nearby Francesco attacks a woman, biting her on the neck. Rory and Amy rush to the scene in time to see Francesco remove his fangs and leave the premises. Rory inspects the victim, while Amy rushes after Francesco, who seems to have disappeared into the waters of the canal.

Guido creates a diversion while the Doctor sneaks into Rosanna’s keep. In the lower levels, the Doctor finds a mirror and straightens his bowtie. He is surprised by five of Rosanna’s mysterious nightgown-clad students, who do not appear in the mirror. “Who are you?” they ask in creepy unison. The Doctor offers a picture of his first incarnation as identification and comments on the size of his own (William Hartnell’s) nose. The women bare their fangs and slowly advance; the Doctor rapidly retreats the building.

The Doctor and Amy share excitement over their discovery of vampires, and Rory runs up to them a bit late with the same excitement but uncomfortably on the outside of the rapport that the Doctor and Amy have built. Back at Guido’s home, they hatch a plan for Amy to infiltrate the keep by posing as an applicant for the school. The Doctor is reluctant at first, and Rory is completely resistant. They reject a plan for the Doctor to pose as her fiancé, because the students already saw him. Amy proposes that Rory escort her as her brother, which of course raises Rory’s hackles. His annoyance is not assuaged by Guido’s statement that he thought the Doctor was in fact her fiancé.

In Rosanna’s court, Rory makes the case for Amy’s acceptance into the school. He claims he is a poor gondola driver and that they were orphaned. He is supported by the use of psychic paper references from the king of Sweden. Francesco likes Amy, and Rosanna accepts her into the fold. As Rory is escorted out of the room, he sees Francesco bare his fangs.

Amy enters the quarters of the fellow students and attempts to speak to Isabella, who seems more aware and receptive to conversation than the other students. Isabella tells her that “they” come at night, gather round her bed, and take her to a chamber below the keep where she is strapped down. When she returns from this process, she finds her skin more vulnerable to sunlight.

Rory and the Doctor sneak into the keep through the sewer to attempt to rescue Amy, and they bicker over the Doctor’s kiss with her. Meanwhile, Amy is taken into the green-lit dungeon, where the other students wait and Rosanna reveals that the psychic paper did not fool her. Francesco straps her into the chair that Isabella mentioned, and Rosanna bites her neck, after interrogation about the source of the psychic paper fails.

Above, the Doctor and Rory find the remains of a corpse that has been drained of all moisture. Rory is angry with the Doctor; he claims that the Doctor inspires people to take dangerous risks on his behalf for the sake of impressing him. The students ambush Rory and the Doctor, and the Doctor uses a portable ultraviolet sunlight lantern to keep them at bay.

Rosanna tells Amy that the process consists of drinking her until she is dry and replacing her fluids with their blood. If Amy survives the process she will lose her humanity and mate with the males of their species waiting in the canal. Amy kicks Rosanna, whose cloaking device on her waist is damaged briefly revealing her true nature. She is not a vampire; she is a sort of multi-limbed walking fish. Amy flees and meets the Doctor and Rory. They manage to escape, and the students are held at bay by the sunlight outside.

Rosanna punishes Isabella for betraying them in helping the Doctor, Amy, and Rory escape by feeding her to the males in the canal. Rosanna leans over the water and reassures the males of her species that it will not be long before their mating impulses are satiated. Francesco warns her to be careful of her human disguise, lest the males think that they are being fed twice.

Rosanna returns to her throne room to find the Doctor waiting for her. They size each other up, trading an answer for an answer in a respectful verbal duel. The Doctor learns that the subconscious brain alerts potential victims of the danger of her species’ teeth and partially overrides the perception filter that they use as disguises accordingly. The Doctor tells her that he is from Gallifrey. She tells him that they are on Earth because they had to escape the silence and the cracks in the universe. They saw other worlds and the end of all things. Her planet Saturnyne was destroyed. She wants to form an alliance with the Doctor, but he refuses because she could not even remember Isabella’s name, whom she admitted to having executed.

The Doctor leaves, and Rosanna sends the students after him and his companions. Back at Guido’s house, the Doctor ascertains Rosanna’s plan to transform women into her species and to sink Venice. Only the males survived the journey, and they need the converted women to repopulate. The fish-women break through the window, and the Doctor once again holds them at bay with the ultraviolet light, while revealing their true forms with the sonic screwdriver. The Doctor, Amy, and Rory escape the building, and Guido detonates himself and the transformed women with a stash of gunpowder.

Rosanna activates a weather machine device that begins the process of sinking Venice. The Doctor sternly yells at Amy and Rory to return to the TARDIS to keep them safe, and Rory thanks the Doctor for the consideration. In the throne room again, Rosanna confronts the Doctor as he attempts to break her machine. The Doctor tells her that the new female additions to her race have been killed. Distraught, Rosanna leaves and bitterly tells the Doctor to try to save the city.

Outside, Francesco attacks Rory and Amy. Rory insults the beauty of Francesco’s mother to goad him into a duel. In his fish form Francesco is on the verge of killing Rory, but Amy destroys Francesco using reflected sunlight from the mirror in her compact. She kisses Rory after the excitement of the confrontation, and they run to help the Doctor. The Doctor scolds them for ignoring his order and then asks them to help destroy the machine in Rosanna’s throne. While they attempt to break it, he climbs the keep’s tower, where the source of the machine’s power is situated to manipulate the clouds above as a storm rages and earthquakes tremble. The Doctor halts its gears with the push of a button, and sunlight returns.

Back at the edge of the canal, Rosanna accepts defeat and is on the brink of throwing herself into the water - still in her human disguise - to be eaten by her brethren. The Doctor tries to convince her not to do it, but Rosanna challenges his conscience for destroying her race and throws herself into the water.

As the Doctor, Rory, and Amy return to the TARDIS, Rory begrudgingly tells Amy to continue her adventures with the Doctor without him. Amy instead invites him to accompany them for a bit, and the Doctor agrees. Amy tells “her boys” that she’ll put the kettle on in the TARDIS, and as the Doctor and Rory enter behind her, they notice a foreboding silence that has suddenly descended upon Venice, echoing Rosanna’s earlier warning about the contents of some of the cracks in time and space that have been pursuing the Doctor and Amy.

*****

My primary initial issue with this episode was the immediate tense dynamic between Rory, the Doctor, and Amy. While it’s a believable situation, the development felt somewhat rushed in the midst of this adventure. Did anyone else feel similarly?

On a second viewing, I was more familiar with the story, and it did not bother me as much. Nevertheless, the conflict with the Saturnynes and the narrative beats felt a stock by Doctor Who standards.

Outside of the mention of the cracks and the accompanying silence, the mythology of this season was not advanced to a great degree, particularly when juxtaposed with the events of the Weeping Angels two-parter. The Doctor’s relationship with Amy was advanced, though, as Amy now has a proper outlet for any snogging impulses inspired by the dangers they encounter. Her relationship with Rory seems superficial and unexamined at this point, but perhaps further adventures will reveal more about them.

C. Robert Dimitri spent many of the prime Saturday nights of his youth staying home to watch syndicated episodes of Doctor Who on PBS, and his social skills might be beyond repair as a result. He’s not the most hardcore Whovian, but he’s a respectable representative. The first episode he remembers watching was Tom Baker’s “The Creature From The Pit.” At one point he obsessively watched all the Hartnell, Troughton, and Pertwee episodes that were available to him, and sometime around the age of 14 he dragged his mother to a Doctor Who convention. All he truly has ever wanted for Christmas is Perpugilliam Brown, but he would be almost as content with K-9.

He might fake a row with his girlfriend if it meant the opportunity for a reconciliatory trip on the TARDIS.









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Comments

Arrrgh!
Long weekend up here!
Space didn't air this, so now we're one behind!

Posted by: Odnon at May 25, 2010 12:32 PM

I still don't like Amy. The Doctor spent the whole episode encouraging her and Rory to reconnect and she still seemed to treat the whole relationship as an afterthought. Plus I didn't get the reflected-sunlight-destroys-Francesco thing. That seemed way too easy quick and easy, considering that the creatures were walking around in daylight before that. I guess maybe clouds would block the sunlight, but wouldn't that be extremely risky?

Like the new Doctor, though.

Posted by: Todd at May 25, 2010 12:45 PM

Why, oh why, did they need for Amy to sneak into the school and open the trap/secret door at the canal when the Doctor has the sonic screwdriver for just that purpose. He is never to be thwarted by a locked door that his sonic screwdriver cannot open. Lame plot device (the Amy infiltration, not he screwdriver)!

Posted by: mamasez at May 25, 2010 12:57 PM

fantastic journeys on the TARDIS often result in one’s losing perspective when the experience is compared to normal life.

Jesus, Tell me about it! I have been having terrible trouble dealing with normal life lately, adventure is MUCH more fun.

I thought the pointy teeth looked like the teeth of a deep sea angler fish right from the beginning, and so they were! This was a pretty weak episode, I agree. And let me assure you, the canals of Venice have NEVER been as pretty and clear blue as they were in every single CGI shot in that ep.
So yeah, Ball dropped.

Posted by: Lindsey with an 'e' at May 25, 2010 12:59 PM

Evil weather machine. Seriously.

This episode didn't work for me.

Posted by: MyySharona at May 25, 2010 1:05 PM

I think I've figured out this season. After every weak episode two significantly better episodes follow. Now that I've isolated the problem, Moffat, you can take measures to excise said offending episodes and only submit every second and third script that comes out of the stable.

You're welcome.

Posted by: coryo at May 25, 2010 1:14 PM

You gazed upon Francesco's pimp hat and capelet and you still think this is one of the weaker episodes? NONSENSE.

Actually, honestly, after that horrible Dalek/Churchill episode, everything seems awesome to me. Maybe that was the plan all along, I dunno. I liked this episode for the most part, and I like that Amy's thing with the Doctor WAS resolved and DID end up just being a PTSD/Stockholm type thing. I also like that Rory, unlike freakin' Mickey, wasn't played for laughs as the dumbass, though there was a bit of the initial dumb boyfriend confusion. He was incredibly self-aware, and I especially liked when he confronted the Doctor about the consequences of his noble charisma and the effect it has - that he makes people do stupid, dangerous things to impress him, to follow his example, and that it's not a good thing. And then of course he too inevitably fell under the Doctor's spell, which I think is kind of an interesting plot point, that the Doctor's very need for company and his desire to show people the beauty and goodness of the world completely draws them in, despite themselves, and in many cases ultimately destroys them (or at least leaves them with one hell of a trauma/recovery period, like Sarah Jane).

I want a weather machine too. But mostly I want Francesco's big pimpin' Venetian vampire outfit. SERIOUSLY. LOOK AT THAT FUCKING HAT YOU GUYS.

Posted by: Nat Kittyface at May 25, 2010 1:23 PM

That was a flye lid, to be sure. All the costumes were great. But the ep was all hat, no cowboy.

Posted by: Lindsey with an 'e' at May 25, 2010 1:29 PM

I definitely had mixed feelings about this episode. I liked the fish from space idea, but the whole disguising them as vampires thing didn't really work for me. I liked the Rory concept (setting us up for later stuff) but I think you're right in that things felt forced. And I liked the Doctor -- he's funny! -- but I'm a little sick of the "last of my species" theme.

Mostly, though, I'm a fan of the "building up a big story arc over the course of the season" thing. The little hint strategy is an excellent way to tie things together without overwhelming the show's episodic nature. Plus, you get those AAAH! LOOK! moments every so often.

Posted by: esme at May 25, 2010 1:46 PM

Odnon, I think that we here in Canada's Butt don't get a new episode this weekend, due to the holiday, so we should all be synchronized again by next week.

Posted by: Drake at May 25, 2010 2:09 PM

A: Rory's t-shirt

B: Best cold open yet

Posted by: Jay at May 25, 2010 2:31 PM

Worst episode ever. Way to gimmicky. Way to much deus ex machina. Amy isn't likeable. She treats Rory like dirt and seems like an idiot. Sure, she's a cute ginger, but not a likeable character in any way. I'm still not sold on the new doctor.

Posted by: chewster at May 25, 2010 2:59 PM

Amen. Truth be told, I could barely pay attention to this one.

Posted by: Cindy at May 25, 2010 3:19 PM

I have to agree that this was a pretty lame episode. I haven't been sold on this season as a whole, I like the new doctor, but I'm not really sold on Amy, she is very good looking but as a character I find her somewhat irritating. There also just seems to be a quality from the previous four seasons that is lacking.

Posted by: matt at May 25, 2010 4:04 PM

I am not sold on the new doctor at all. His head looks like it was carved out of a raw potato--oddly lumpy and beyond pasty. Dear gods man, get some sun.

Posted by: androstarr at May 25, 2010 4:10 PM

And don't talk shit about "The Love Boat". Come on, Saturday night 1-2 with "Fantasy Island"!

Posted by: Jay at May 25, 2010 4:36 PM

PROS:

I liked this episode. It reminded me of the old school Dr. Who cheesefests.

MORE RORY! Now Rory is the kind of companion I like. He's not trying to be the Doctor's equal. He's just an ordinary guy along for the ride. He's not stupid, but he's not a supercompanion like Rose was. Plus, I thought Rory had way more chemistry with the Doctor than Amy did.

I loved, "Did you kiss her back?" "No, I kissed her lips." And, "Yours is bigger than mine." "Let's not go there." I can't remember the rest, but their banter was fun.

I love it that the Doctor's pockets are bigger on the inside. Even Patrick Troughton's Doctor had bottomless pockets that contained whatever device was needed at the moment.

CONS:

If the sky is full of clouds and smoke, where did the sunlight come from to bounce off Amy's mirror?

Why did the sonic screwdriver only show the fishwomen at the end?

Why didn't the sonic screwdriver work on the lock? It seems to be very picky about what it can and cannot do, given that it seems to do must about everything. The Doctor seems to hold it like Bones used to hold that medical tricorder thingy in the old Star Trek's.

Why didn't the Doctor offer to transport the fish people to another planet?

Why didn't Rosanna turn into a fish when she took her cloaking device thingy off? Surely her "sons" would have recognized her, smelled her, and not eaten her? Or were the fish that incredibly stupid? I mean, then didn't eat Francesco when he dived into the water after munching on the flower girl.

The holes in this plot were way too big, and the solutions a little too much deus et machina.

Posted by: BWeaves at May 25, 2010 4:39 PM

Also, I'm not sure I thought "Vampire" with this episode.

It screamed "Mega-piranha" to me.

Posted by: BWeaves at May 25, 2010 4:42 PM

Nice summation Ms Kittyface

Not a jellybean-Dalek sized downer, more of a "needed to spend a lot more time in the writer's room" downer. Still, every season has it's flops (Gridlock, werewolf, Agatha Christie), I'll put this down to a lapse. Next weeks promo looks promising, hopefully it gets back on track again.

Ditto comments on Amy and Rory- he was immediately likeable, she is showing all the depth of a petri dish. I understand she is back for next series, but Amy is running out of time to make me care about what happens to her. I can't quite put a finger on it- an unearned sense of entitlement? Lack of genuine engagement? Give it a few more episodes and I might work it out.

Posted by: Squirrelgripper at May 25, 2010 6:25 PM

werewolf, Agatha Christie

You so crazy!

Posted by: Jay at May 25, 2010 6:52 PM

You so crazy!

Posted by: Jay at May 25, 2010 6:52 PM

I judge the eps by the ones I decide to skip when the repeats come around and these ones stand out.

Werewolf- ughhh. The Scottish Highland kung fu monks weren't even amusingly anachronistic and while I know it's trivial, Rose's baiting of Queen Vic ("I just BET you're not amused") really set my teeth on edge. As for Gridlock, the fundamental premise just seemed so ridiculous that I couldn't take the drama seriously. And that's not to mention the farting Slitheen episodes...

My basic point is that it's easy to overlook the weaker episodes when reviewing a full series, so I'm reserving judgement until it's all over. As it stands right now, Matt has firmly established himself in my mind as the Doctor, so the core of the show is still intact. If Amy could just catch up, the transition will be complete.

Posted by: Squirrelgripper at May 25, 2010 7:36 PM

Dude! Gridlock is one of my favourites of the entire SHOW. It's so interesting/bizarre how the exact same episode of a TV show can have such opposite effects on people. To a certain extent, quality is quality, no? Anyway, long live Doctor Who to polarize its viewers and reinvent itself every five years, because anyone can be sure to find something they'll like in there.

Posted by: dsbs at May 25, 2010 8:31 PM

Without getting into spoiler territory by giving specifics, I really feel like Amy's character growth is getting addressed in post-Vampires in Venice episodes. She's very much being called out on her adrenaline junkie "Yay I can be just like the Doctor!" behavior, and is being forced to confront it, and I - as someone who was really annoyed by Amy from episode 2 onwards - am feeling a lot better about her. Her entitlement and snarkiness isn't something that goes unaddressed and accepted as normal, and things happen in the next few episodes that really make her think about her priorities and relationships and attitude toward the whole thing, yadda yadda.

So hang in there, Amy haters, I personally think she gets better. Or is getting better so far, at least.

Posted by: Nat Kittyface at May 25, 2010 9:13 PM

Gridlock was a certainly a left field idea but I just couldn't buy the basic premise that anyone, much less the majority of people would consign themselves to an unmoving decades-long traffic jam.

To each their own I guess, thats tightrope the show walks: weekly suspension of disbelief, combined with a weekly reset of the environment the characters find themselves in. Some stories are bound to work for some and not for others, if anything it's a minor miracle that there are so many episodes people agree on.

Posted by: Squirrelgripper at May 25, 2010 9:14 PM

Gridlock was a certainly a left field idea but I just couldn't buy the basic premise that anyone, much less the majority of people would consign themselves to an unmoving decades-long traffic jam.

You've never been to Branson, MO, have you?

Posted by: apocalipstick at May 25, 2010 11:46 PM

I actually enjoyed this episode. Not as good as the Angels but infinitely better than skittle colored Daleks. The episode did have some flaws, but as Squirrelgripper pointed out, the question is would I watch it again and the answer is yes.

I have also come to accept that Doctor Who has a lot of ups and downs in any given season. For example, I hated Daleks in Manhattan, but rather then dwell on it I will simply not watch it again.

Posted by: Morgan LaFai at May 26, 2010 12:29 AM

Nat Kittyface has it. Amy gets a proper amount of time spent on her soon and it is a relief to see her figure shit out. Also Rory is growing on me. He's the anti-Mickey. This ep seemed a little contrived just to bring them together but they really make it work in the next ones. And it is so nice to have the Doctor not being a love interest for a bit.

Posted by: Anne (in Reno) at May 26, 2010 1:32 AM

It was ok. nice costumes. Rory is good. He can stay.
But the episodes feel rushed somehow. Like they're not all there or something.
Maybe they're just building a season at the expense the individual episodes and it'll all be good soon.
I'm still on the fence, but I'll keep watching.

Posted by: Odnon at May 30, 2010 10:08 PM