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Is This Man the Least Heterosexual Straight Man on Television?

By Dustin Rowles | Posted Under TV Reviews | Comments (44)



gleed3.jpg

Last night was another one of those episodes of “Glee” that makes it difficult to continue watching. In the beginning, it felt like the show was very playful about stereotypes. Now, it feels like it’s essentiating them. Really? Straight boys like sports, and gay guys like to moisturize their face? “Glee” once felt fresh; it was like nothing else on television. Now, it feels like a magical realist after-school special with show tunes. And in order to cram its after-school specialness down your throat in 42 minutes, “Glee” grabs those stereotypes by the testicles and squeezes the life out of them. If it weren’t for Sue Sylvester, there’d be little reason to watch the show anymore.

Kristin Chenoweth returned again to last night’s show, if only to give Rachel Berry a week off. I like Chenoweth, but her lovable souse has quickly grown tiresome. And in last night’s episode, she dominated with four excruciatingly long, overly-sappy numbers. She, along with Will, took every last little bit of life out of Springsteen’s “Fire,” on a roller-rink, no less, and then subjected us to Burt Bacharach, who hasn’t been relevant in 30 years, save for a brief resurgence early last decade thanks to Elvis Costello (it was an eight-minute number and I doubt there were many who didn’t DVR there way past most of it). By the end of the episode, Chenowith’s character had gained $2 million of hush money after the death of her lover, which she used in part to buy the school auditorium.

“Glee,” is not a fairy tale set in high school; it’s Ryan Murphy’s wet dream.

Meanwhile, because Ryan Murphy is hellbent on pairing up everyone in this show with everyone else in his plotting-by-musical-chairs fashion, Kurt’s dad ended up with Finn’s mom, which ultimately caused lot of friction for both Finn, who didn’t want his dead father replaced, and Kurt, who didn’t want his own father’s attention diverted to Finn, who could bond with Mr. Hummel over sports. The gambit payed off for Finn, who may get a father figure in his life, but for Kurt — who also subjected us to an over-long, insipid Burt Bacharach number — he’s losing his gay crush to his own father over some “guy talk.” Seriously, Ryan Murphy: What kind of world did you grow up in where the colors were so black-and-white? Take some colors off your rainbow flag and put them into the show. It’s called nuance. Look into it.

Lastly, in the Disney channel message of the week subplot, Mercedes had to contend with her body issues, needing to lose 10 pounds in a week to keep her position on the Cheerios. How do you lose that much weight in such a short period of time? Why, the Sue Sylvester cleansing method, of course: Water, maple syrup, lemon juice, cayenne pepper, and a dash of ipecac. But after fantasizing that her classmates were food and having a nice little pep talk with the pregnant girl, Mercedes went all self-empowerment at the Cheerio performance with the only contemporary song of the episode, Christina Aguilera’s “Beautiful,” which aimed for the jugular and punctured it like a can of spray cheese.

But I think what annoyed me most about the episode, and especially the reaction shots of Will Schuester during the “Beautiful” number, is that in “Glee,” Will doesn’t even pretend to act straight. If Neil Patrick Harris’ Barney Stinson is the straightest gay man on television, Matthew Morrison’s Will Schuester is the gayest straight man (a role I happen to own in the online world). Obviously, I wouldn’t have a problem with it if it suited the character, but unless Ryan Murphy plans to pull that rabbit out of his hat of lame plot devices and eventually settle him up with Mr. Hummel, Schuester needs to dial down the sensitive guy thing a notch or six. The eyelash batting, the teddy-bear eyes, and the constant heart-melt is beginning to grate.

Thankfully, we still have Sue, who gave us the line of the night asking Mercedes and Kurt: “How do you two not have a show on Bravo?”










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Comments

"Really? Straight boys like sports, and gay guys like to moisturize their face?.."


Hey hey hey, nothing wrong with a little facial maintenance. Especially the white guys, the sun is MURDER on unprotected skin.

HI FIV...anyone? The guys know what I'm talkin' bout.

Posted by: BarbadoSlim at April 28, 2010 9:45 AM

Don't count on Matthew Morrison maintaining that least straight man on TV title for too long. I'm sure Jonathan Groff is going to convince you otherwise real soon. Obviously, Jesse St. James is only at WMHS to infiltrate and sabotage the Glee club for New Horizons. I'm willing to bet that he comes out of the closet in a later episode, perhaps by hitting on Kurt, and Rachel does everything she can to cover it up out of fear of an eternal existence alone with no one to love her. His name has to be a nod to James St. James, one of the best known 80s Club Kids, right? Will Schuster I buy as a straight man most of the time; Jesse St. James, not so much.

Posted by: Robert at April 28, 2010 9:48 AM

I have to say, I watched sat through the episode specifically for "A House is Not a Home". Though that's more because I have a very soft spot for the Luther Vandross version.

I'm also fiercely loyal to shows; the Very Special Eating Disorder storyline made me want to throw my TV at the wall, but I know I'll be watching next week. Because I cannot let go. My relationships with television shows are actually the exact opposite of my relationships with humans. I should look into that.

Posted by: sillytwoshoes at April 28, 2010 9:52 AM

Never interested to catch "Glee" but every female I know of goes head-over-heels over it.

Posted by: Fredo at April 28, 2010 9:53 AM

Repeating my earlier missive:

I liked Glee tonight -- right up until Finn invited Kurt's dad to sit in his father's old recliner, which was occupied by the urn containing Finn's dead father's ashes! *facepalm* I'm beginning to think there's one writer determined to undermine the entire enterprise....

I liked Kurt's Bacharach song, although Finn served as a spot-on straight guy audience surrogate (furtive glances around to make sure nobody sees me enjoying it).

The Bravo line was great, as was Sue notifying the state of Ohio that she would no longer be carrying ID because "people should know who I am." Heh.

Posted by: sansho1 at April 28, 2010 10:24 AM

My wife watches this, on and off. Last night I watched it with her. Never again.

I don't know anything about these character's motivations or backgrounds, but you nailed it with that Will dude- gay as a jaybird. Not that there's anything intrinsically wrong with that, but his actions are completely unbelievable- no straight man could possibly have Kristin Chenoweth in their bed and not have her ride the baloney pony. Hell, no gay man either.

Posted by: logar at April 28, 2010 10:29 AM

I think my cat is reading my diary.

Posted by: dammitjanet at April 28, 2010 10:31 AM

He may be the least heterosexual straight man on television right now, but
the all time award goes to that guy who played Richard (Malcolm Gets
according to IMDb) on Caroline in the City.

I watched part of Glee for the first time since the premier last night. So
it's a musical about high school? Okey-dokey. I predict a flame out at the
end of season 3.

Posted by: Mrs. Julien at April 28, 2010 10:32 AM

Yeah, Will's a little too warm and fuzzy to be believable, but... it's a TV show. Reality is not really TV's thing.

Sue is such a colossal bitch, but she's so damn funny, I can't not be delighted every time she's onscreen.

RE Ryan Murphy: this is the guy who came up with Nip/Tuck. I fully expect Glee to go off the rails at some point in a similar fashion. But until then, I continue to enjoy it.

Posted by: Slash at April 28, 2010 10:34 AM

You're so right about Will. When I first started watching the show, he was adorable in his dopiness. It was clear that he couldn't get anything done in his life because he was too nice, but that was OK -- it was his character. Now he's just annoying. Anything he says makes me want to puke. Then drink a lot. Then go kick puppies just to balance out the sappiness ratio in the world.

Posted by: esme at April 28, 2010 10:35 AM

dammitjanet - Your cat IS reading your diary, and what he reads is troubling. I think you two need to talk. Soon.

(LURVE Brittany, but only saw about 20 min of last night's ep)

Posted by: Green Lantern at April 28, 2010 10:38 AM

I actually liked last night's episode as well. I do agree that there wasn't enough contemporary music and the Schuester/Chenoweth duet was somewhat mind-numbing. But, I get that they were going for a more serious tone after the madonna episode. I liked the Mercedes story line and didn't feel it was too after school special. At least she didn't vom and put it in jars in her closet.

@Robert - I think that would be great for Jesse St. James to turn out gay and hit on Kurt. The JSJ character is so over the top. He makes me laugh.

Posted by: griffims at April 28, 2010 10:39 AM

Never interested to catch "Glee" but every female I know of goes head-over-heels over it.

Not this female. Great cast, but it's too cutesy for me. Plus, I'm not a fan of musicals.

I also thought of Nip/Tuck and I hope Glee doesn't go the same route.

Posted by: Brie at April 28, 2010 10:45 AM

Robert, I'm not sure if you meant New Directions or Vocal Adrenaline, but either way, I agree. I less than three Jonathan Groff, if only because of Spring Awakening, but he is gayer than a day in May. I predict Kurt will get a ping on his gaydar by watching JSJ watching Finn, and they will have a fierce gay-off.

And add to me to those who appreciated Kurt's solo.

Posted by: Patty O'Green at April 28, 2010 10:48 AM

The writing on this show is beginning to drive me to distraction. Things that have annoyed me in the last two episodes:

***POSSIBLE SPOILERS IF YOU HAVEN'T WATCHED THE EPISODES, THOUGH WHY YOU'D BE READING THIS IF THAT'S THE CASE IS BEYOND ME, BUT IF ANYBODY BITCHES ME OUT I'LL HAVE TO RIP THEM A NEW ASSHOLE, SO SPOILER WARNING***

1) That whole thing with Artie and Tina last week, where Artie was demanding that Tina change her whole look and Tina bitched him out. That was COMPLETELY out of character for BOTH of those characters. Seriously.

2) I had completely forgotten that Finn's mom, Kurt's dad, and even Quinn Fabray existed. Please feel free to include these characters more regularly instead of just having them pop up for the sake of convenience.

3) The musical numbers last night were ....well, they just weren't that good. I mean, I loved Kurt's voice on that song, although it's an incredibly slow and long and boring song that is not *all that* recognizable, and then to repeat it AGAIN, well, just no. Also, while I love Mercedes and her rendition of "Beautiful" was lovely, it was rather dull, I thought. Why not do a *little* something with the arrangement?

4) While I'm at it, why are we doing this additional sub-plot with Kurt and Mercedes on the Cheerios? It's extraneous, distracting, AND half-assed, since there's not really enough time for it.

5) And speaking of characters acting out of character, I didn't really feel like Sue Sylvester was particularly consistent last night either.

I loved this show at the beginning, but it feels like it's all over the place now. What's happening with Puck? Why haven't we seen him shirtless lately? Will gets a divorce and Emma breaks up with Coach Whats-his-face, and we just never see those characters again? I'm left feeling disappointed each week, instead of thrilled. I don't like it. At least the Madonna episode had spectacular musical numbers, though. This one... bleh. Just bleh.

Posted by: Anna von Beaversmack at April 28, 2010 10:52 AM

"In the beginning, it felt like the show was very playful about stereotypes. Now, it feels like it’s essentiating them.Really? Straight boys like sports, and gay guys like to moisturize their face? "

"Obviously, I wouldn’t have a problem with it if it suited the character, but unless Ryan Murphy plans to pull that rabbit out of his hat of lame plot devices and eventually settle him up with Mr. Hummel, Schuester needs to dial down the sensitive guy thing a notch or six."

I'm confused by what your point is here.

And the saccharine "Beautiful" musical number made me crave a viewing of Mean Girls so I could remember that I can't take that song seriously.

Posted by: kelsy at April 28, 2010 10:53 AM

Oh, and one I forgot: The whole damn Kurt trying to seduce Finn thing. He already tried that. Finn is straight, Kurt knows it, we know it; why make him go through the motions AGAIN?

Posted by: Anna von Beaversmack at April 28, 2010 11:00 AM

"I think my cat is reading my diary."

That was funny, dammitjanet. Also the "Sometimes I add a little sand" comment. Those two semi-lesbian cheerleaders were the best part of the episode, as far as I'm concerned. Come to think of it, lots of shows could use a couple of semi-lesbian cheerleaders.

Posted by: logar at April 28, 2010 11:10 AM

Slash AT SOME POINT?

Dude, can we be honest right now? This show has jumped the shark with a turquoise glitter sea-doo, only to turn back around and start getting the shark wasted on mojitos, fuzzy navels and shots of SoCo so that it can have it's showy way with that skanky shark. And that was before the mid-season return.

This show is beyond being reasonable and it doesn't even care any more. Need I remind you that, before November there were plot lines involving teen pregnancy, fake pregnancy, blackmailing, cheating, competition, back-stabbing, gossip, sex, music, coming out and a car wash. IN THREE MONTHS THEY JAMMED ALL THAT IN.

I kind of hope that the show gets kind of "wink wink" about it, but I don't even know any more. I mean, it's a sugar-charged twee fest that doesn't even pretend to understand what pacing is. They put three separate story lines in last episode that could have stood on their own as individual episodes. Everything about this show feels rushed. The B-Plots on this show are heavier than Sue Sylvester's backhand and the main plots are sometimes convoluted enough that they could last half a season.

Sue may be the best thing on that show, but I don't know how long she can carry the damn thing.

But as a sidenote, I thought what Kurt's dad said about Finn's mom was sweet. I mean, the fact that he said "love" made it feel like even the adults are in high school, but it still made me all verklempt.

Posted by: Kayanne at April 28, 2010 11:10 AM

I loved this show at the beginning, but it feels like it's all over the place now. What's happening with Puck? Why haven't we seen him shirtless lately?

My thoughts exactly.

Posted by: squeeziee at April 28, 2010 11:22 AM

Oh, forgot about the sand. Jezuss, they are getting some of the best lines of the kids lately!

Posted by: dammitjanet at April 28, 2010 11:23 AM

THANK YOU Dustin for articulating everything I felt while watching that episode last night.
I could not get into any of the ickyboringteendrama storylines they threw together so I ended up just sitting there, begging for Sue to get more screen time.

And although I love Mercedes, and especially her voice, when they started "Beautiful" my mouth compulsively yelled at them, DIDN'T WE COVER THIS IN MEAN GIRLS ALREADY?! High school, bullying, fat-fear, and "Beautiful" ?! C'MON! Done and done WAY better.

Glee, you can do so much better.

Posted by: gee. ay. at April 28, 2010 11:30 AM

Unfortunately, I agree with your assessment and the points that Anna brought up (really enjoyed that spoiler warning, too). I love, love, love this show but since it's come back it doesn't really seem to know what direction it wants to take, and last night was just boring and overwrought (if it's possible to be both). I did love the Bravo line, and pretty much anything that comes out of Brittany's mouth is gold.

On the plus side, I read last night that Santana and Brittany are being promoted to season regulars, meaning we get more of them which cannot ever be a bad thing.

Posted by: Even Stevens at April 28, 2010 11:30 AM

I dunno this episode was real sad guys. I like Glee best when it's like Wheels. Hilarious with like a moment or two of genuine feeling and emotion. This one was way too heavy on the sad. Loneliness, isolation, dead parents...a show called Glee shouldn't make me cry. Alls I'm saying.

Posted by: buttercup at April 28, 2010 11:39 AM

So the characters are way too stereotypical... except Mr. Schuester, who is 'the least heterosexual man on TV'? Got it.

Posted by: jadeblue at April 28, 2010 11:41 AM

@ Kayanne: EXACTLY. The friggin' pacing is RIDICULOUS.

It makes me sad. I want to love this show, and I'm getting to the point where I'm going to start ignoring its calls and hoping it takes the hint.

Posted by: Anna von Beaversmack at April 28, 2010 11:53 AM

I like Glee, I still do after a not-so-impressive batch of new episodes but I can't be the only one that things that the writing is very inconsistent. It took many episodes and an out of character flashback to give the Artie/Tine subplot some follow up and I still don't know if Quinn is still living in Finn's house or if he kicked her out. Even Lost with all the misteries that it keeps adding in its final season manages to be more consistent in characterization and plot.

Posted by: Radlum at April 28, 2010 11:54 AM

I agree with...everything you said, Dustin. Last night was the first time I wondered whether I really want to keep watching this show. There was just zero excitement in the episode, the songs felt completely inorganic and saccharine, and nothing felt right.

I just think they need to figure out a way to go, and THAT should be back to the balls-out fun this show used to be. Stop it with the forced drama, stop it with bringing up plot lines and killing them two episodes later, and PLEASE stop trying to make me believe Finn is the best singer around. Dude sounds like an N'Sync reject.

Posted by: figgy at April 28, 2010 11:54 AM

RE Kayanne: To repeat, it's a TV show. Just enjoy it for what it is (or not).

I agree they throw all kinds of storylines out there and that it's hard to care when they peter out abruptly, but like I said, that's Ryan Murphy's MO. It's why Nip/Tuck started out pretty delightful and then just went bugfuck crazy within a year. I didn't even watch the last year of it because it was just too unbelievable and worst of all, depressing. God, so depressing. I don't think Glee has gotten that bad yet, but others disagree... whatever.

I'll still watch. I still watch Lost and would continue to watch Heroes if NBC would put it on.

Posted by: Slash at April 28, 2010 12:07 PM

Come on, you know you all want to see the first all white version of "The Wiz."
I think that Glee suffers from having higher expectations than most other shows. At it's best it's fun, touching, unique TV. At it's worst it's Burt Bacharach songs and boys stalking their fathers. Why was Kurt outside Finn's house? Just for dramatic impact? Bullshit. He's a stronger character than that. In fact many of the recent storylines depend on characters getting a serious case of the stupids just so they can can have an unearned epiphany. I think I counted at least eight single tears glistening on someone's face last night. That's enough for at least 15 episodes of this show. And Burt Bacharach as the show's theme? Even Henry Mancini is more relevant! Give me Moon River done well once and I'll forgive a lot of other crap on this show. There are three producers and at times it feels like each one gets a batch of shows-just pick a theme people, spray it with glitter and snark and ride it until it squeals.

Posted by: Mrcreosote at April 28, 2010 12:07 PM

Sounds like Glee hasn't fixed the issues that caused me to stop watching in the first place. It was difficult to pull myself away, but you get over it.

Posted by: DemonWaterPolo at April 28, 2010 12:16 PM

I know that they now have a mandate to use 5 songs per episode, but so often they are REACHING for those songs. I mean, really, most of last night's numbers were way too long, way too slow, and to be honest, I didn't even recognize several of them!! And I'm a music theatre/choir geek! Concentrate more on the story, the characters, and don't FORCE the music. It should flow, organically, from the story line. The story line should not exist just so you can squeeze in songs A-E.

On a related note, after the preview for next week, my 15 year old son looked at mr. dammit and I and said,

"Who's Olivia Newton-John?

Posted by: dammitjanet at April 28, 2010 1:00 PM

I really wanted to like this show and watched the first four episodes but then wanted to kill them all. Tonally, it's a mess and they establish rules just to break them. Nothing wrong with that if you know you're breaking the rules, but I don't think Ryan Murphy knows that.

He's like a spoiled kid who's going to have it his way no matter what, structure and coherence be damned.

Posted by: Andrew at April 28, 2010 1:03 PM

I think Glee has one more episode for me--then I am breaking up. The songs last note were overly long and did not really have much of a connection with the plot lines. I also don't see the point of straightforward covers--I don't need to hear a karaoke version of Beautiful, if I had any interest I'd just go listen to the original.

Also, I know I shouldn't expect to much continuity, but where the hell is Quinn living?

Posted by: maceo at April 28, 2010 1:03 PM

I didn't even make it past Mercedes' rendition of Beautiful. This episode was so after-school special. And what happened to pregnant girl? She's not looking or acting very pregnant, is she gonna pop soon? I feel like they've left a lot of loose strings from the fall and it is starting to bored.

Parenthood is worth a lot more of my time.

Posted by: grace b at April 28, 2010 1:11 PM

no straight man could possibly have Kristin Chenoweth in their bed and not have her ride the baloney pony.

Creepy little elf. *shudder*

Posted by: Jay at April 28, 2010 1:40 PM

I liked Mercedes' version of "Beautiful." Yes, it was too predictable (ie, I knew it was coming up about 5 minutes before it did). Still liked it. She sang the shit out of it.

I too am curious about where knocked-up cheerleader is living. Maybe she secretly lives at the school. That'll be an upcoming episode, where someone finds her camping out in the boiler room.

Posted by: Slash at April 28, 2010 2:00 PM

I think a big problem with it is just how BIG it got all of a sudden. So now they have to insert all these songs that don't belong, and they overproduce the shit out of them so that they'll sell more records. It's pretty horrible, and sad, because the show does great things with great songs sometimes. And forcing them to sing cheesy, overlong songs and autotuning the hell out of them just makes the whole thing feel so unauthentic, and takes away from the fun of the show.

Posted by: figgy at April 28, 2010 2:25 PM

I keep holding out hope that the plot issues are going to resolve themselves. Like if I just hang on for a few more episodes, they are going to get the real writers back from rehab and it is all going to get cleared up. I think that Quinn is living with Puck, but that is only a guess. I think that she is planning on keeping the baby now and Terry Scheuster is completely out of the picture.

With a cast this big, they can let some storylines ride for a couple of episodes. We shouldn't have to deal with Will's stupid love life every episode or Rachel's eventual betrayal and awesome plans of revenge. Remember at the beginning of the show when she was a scheming prima donna who got the old Glee teacher fired for giving her solo to the student he had a crush on. Come on Rachel-get your head back in the game!

But instead of letting each storyline play out, they rush them, then drop them and then sometimes pick them up again out of nowhere.

Posted by: Jennifer at April 28, 2010 2:36 PM

I call this guy "New Luke Perry." No?

Posted by: RedFred at April 28, 2010 5:56 PM

Meh, I've been an unapologetic Glee hater since that Beyonce episode. I started fast-forwarding through the songs halfway through last season, and do you know what was left? A really crappy high school show. The worst thing about Glee (other than the characters annoying habits of bursting into song) is that the male characters are such pansy-ass wusses.

Posted by: Michelle at April 29, 2010 1:52 AM

It is losing it for me too. Most of the songs last night I had never heard (I'm getting on a bit too, so I probably should) and they went on forever, none of it was especially perky.

And the writing is all over the place. I'm not sure they're sure what they're trying to do, or say, or the tone they want to take, so they just throw in everything and hope it's ok.

I was pretty confused at the beginning of these newest eps. Granted I hadn't watched the last ep in a while, but Finn and Rachel were a couple? When did that happen. Quinn said she was going to do this on her own, yet she's with Puck, we can infer, since he said the whole 'I don't like fat chicks' comment. And we have to assume she's living with Puck, since she's not living with Finn and can't be living at home. I don't like all this assuming.

Basically they really need to tie up or continue with the storylines they began, and make it make a teeny bit of sense.

It was nice not to have Rachel in it as much this ep, I have to say. I like her, I like her voice, but there are so many other characters I'd like to see more of, they're just wasted.

Posted by: Carrie (Teabelly) at April 29, 2010 4:52 AM

I'm not sure if the latest episode was especially bad, or if it just brought the show's camouflaged flaws out into the open. The show is intentionally convoluted (the breathless "previously on" narration at the beginning of each episode celebrates that aspect of the show), but there comes a point where there is too much going on and it doesn't seem to be building to anything in particular. Character arcs are dropped and picked up again, seemingly at random, and until Quinn had a scene in this episode, I hadn't even noticed that she'd all but disappeared for several episodes.

On the other hand, it may have mostly been a poor episode. In addition to featuring predominantly melancholy songs (*yawn!*), it completely failed to advance ANY of the ongoing plot lines:

- Will's love life, specifically his imminent divorce and will-they/won't-they with Bush Baby Eyes.
He mentioned his divorce to April, and that was about it.

- Kurt and Mercedes joining the Cheerios, complicating the rivalry between the Cheerios and New Directions.
The subplot dwelt in this setting, but nothing changed (nor do I expect it to, despite Sue's compliments from the reporter). Will never once voiced any disapproval of the Cheerios in this episode.

- New Directions is preparing for Sectionals, and has been infiltrated by (probably) a spy/saboteur from a rival choir.
Oh noes! They had to find a new venue for rehearsals, which they never used (Seriously? No choreographed roller skating numbers with the choir?), and in the end they get to use the auditorium again just like always!

- Um, hello? Quinn's going to have a baby, which is kind of a big deal!
Nah, it just makes her a wise pregnant girl, convenient for spouting wisdom to help another character through her issues (which will never be heard from again).

Instead of dealing with any of these stories, they introduced an entirely new one, and now we'll get to forget all about Kurt and Finn's parents for a few weeks. Until that plot gets pulled out again so we can say, "oh yeah...that's going on."

Posted by: Wonkey The Monkey at April 29, 2010 4:29 PM

Let me see if I get this right. You criticize Glee for being too stereotypical with gay/straight depictions (football = straight, moisturizing = gay), yet you pull out similarly tired gay/straight stereotypes without the least bit of self-awareness (being sensitive = gay).

Fail to you.

Posted by: t6 at May 2, 2010 9:30 AM