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A Story for Another Day. Damnit.

By Dustin Rowles | Posted Under TV Reviews | Comments (30)



how-i-met-your-mother.jpg

This is not a review or a recap of the “How I Met Your Mother” finale, just some general fuckery I need to get off my chest. As I’ve written before, I fell in love with “HIMYM” midway through the first season, during the Victoria storyline (she was the wedding cake maker). It’s there when the show transitioned for a formulaic “Friends” knock-off into a hilariously sweet “Wonder Years” for young adults. For the next two seasons, the CBS sitcom entrenched itself as one of the most consistently funny and effectively poignant half-hours on television. In fact, but for Jim and Pam, it’s featured the only good relationship comedy since J.D. broke up with Elliot during Turk’s rehearsal dinner at the end of “Scrubs” season four. Indeed, “HIMYM’s” writers perfectly handled Ted and Robin’s burgeoning relationship and the subsequent break-up — their post-romantic relationship has been written perfectly without tarnishing either character.

Unfortunately, the show has begun to unravel over the last half season. There have been a few good episodes, but overall, it now spends too much time calling back gags from earlier episodes (the intervention, the slap bet, Robin’s Canadian heritage) and not enough time formulating new running jokes. And as the central focus began to move away from Ted’s dating life and toward Barney’s obsession with Robin (a relationship that would never work, really), the show began to lose some of its sweetness.

Look: I realize that for a lot of people, the biggest appeal of “HIMYM” has been Barney’s prickery, or even Marshall and Lily’s relationship, which has been mostly a brilliant example of a solid relationship that works, even when the characters don’t have to split apart every half season to keep it compelling (and Lily’s absence this last half of the season has been felt). But it’s been Ted’s storyline that differentiates “HIMYM” from a regular sitcom you can tune in and out of from a sitcom you watch each week to see where it takes you in the course of his romantic life. I liked the Stella (Sarah Chalke) arc last season, and their eventual break-up was almost as gut-punchy as Ted and Robin’s break up. But this season, the Ted character has floundered. It’s become Season Three of “Lost.” With no eventual end in sight, there’s not much left to do with Ted until he finally meets the mother of his children.

My biggest complaint: They completely fucked up the woman in the yellow umbrella. In the first episode of Season Three (two seasons ago), they all but suggested that Ted’s eventual wife would be a woman, barely glimpsed, holding a yellow umbrella. After 40 episodes or so, they finally returned to that yellow umbrella. It was one of the best episodes of the season, mostly because the entire time, I actually stupidly thought that we were about to get an answer. When it was finally revealed that Stella was the woman with the umbrella, I was actually OK with the idea that Stella would ultimately be the mother of his children, even if it wouldn’t happen for another season or two. At the very least, we were finally getting somewhere.

But then the episode ended, and the writers struggled mightily to square the woman with the yellow umbrella (Stella) with Ted’s eventual wife. And it’s been a mess. And in the season finale, we finally got the most ridiculous of answers. For two years, they built up that woman with the yellow umbrella, only to finally reveal that she, Stella, was the woman who broke up with Ted on the altar for her ex-husband; the ex-husband felt so guilty about breaking up Ted and Stella that he got Ted a job as a professor at a college, where he would eventually meet the Mother, who is going to be one of his students, someday.

So, basically: One huge letdown. It also suggests that the writers have had no idea what direction they are taking the show — that they’re just making it up. Fine, right? Seat of their pants. It’s a sitcom. A comedy. What we’re we expecting? A hydrogen bomb explosion that would send everyone back to Oceanic Flight 815? Maybe I’m expecting too much. But, damnit: I got involved. I bought into that yellow umbrella device. And I expected more than this. And I expected way more than a full season of Barney pining over Robin only to learn that he’d lose all romantic affection for her the minute she expressed her love for him (even if it was fake). I understand that sitcoms have a tendency to return to square one after each episode (see Bart Simpson, a 4th grader for life). But I guess I wanted more than rendering all of season four completely moot. I didn’t want square one. I wanted Pam to be pregnant. Or Winnie to move to France. Or Chandler to wake up in Monica’s hotel bed. Damnit: I wanted more than “and I would eventually meet your mother in that classroom, but that’s a story for another day.”

Where’s the story for today, goddamnit.









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Comments

Sounds like the lesson learned was the lesson from the end of the episode, life won't always take you where you planned it to. Take the leap.

Posted by: J Stride at May 21, 2009 11:08 AM

I wouldn't be opposed to a throwback now and again when it comes to previous running gags, but there is no need to shove it down our throat (see: Robin is from Canada).

They need to move away from the Seinfeld mold of the "girl of the week with a new quirk". Instead, why can't we find out who the mother is and have a few seasons of she and Ted building to marriage. There are certainly workable plots involving someone in a relationship.

Posted by: StupidRookie at May 21, 2009 11:12 AM

I can explain how I met my husband in one sentence, hence, I never watched this. I hate long, drawn out explanations. And now, I'll never Netflix it, because the ending is a letdown.

Posted by: BWeaves at May 21, 2009 11:13 AM

I like not knowing who the mother is yet, to be honest. I wasn't entirely happy with the finale, but mainly because it just wasn't as funny or emotional as I'd hoped other than Barney and Robin's fickle moment at the end.

Posted by: Julie at May 21, 2009 11:16 AM

i've tried to watch this a few times, but have never found it engaging or amusing in the least. gimme big bang theory anyday-THAT show is hysterical.

Posted by: gem at May 21, 2009 11:25 AM

Normally I like to see characters develop, but the Barney falling in love with Robin has always felt forced to me. The show works best when the respective characters utilize their roles to move the plot forward, and Barney in love just seesm out of place.

Posted by: StupidRookie at May 21, 2009 11:27 AM

You just hit on the primary problem with American series. The only reason LOST is solid right now is it has an end in sight. No television show should have an open ended run. They just become mired in stupid plotting in order to stretch out the tension. Obviously The X-Files was the biggest perpetrator of this.

If they would concentrate on making compelling shows without caring if they have an 8th season somewhere down the line it would work wonders for ratings. That is how you bring the viewers back to the networks. Promise them the series will reach conclusion, because the numbers are down because too many of us have been burned too many times. People that say "get a life, it's just TV" miss the point. I have spent my time following along with your narrative, you owe me a goddamn conclusion.

Posted by: TylerDFC at May 21, 2009 11:33 AM

"They completely fucked up the woman in the yellow umbrella."

While I agree with most of your take on the course HIMYM's taken lately I'm under the impression you've got a bit twisted.

Stella's not the woman with the yellow umbrella. Remember? Ted's the one holding the yellow umbrella when they bump into each other. It's there as a red herring to distract us so that the Stella reveal would come as an even more intense surprise(which granted may be a bit of a douche move).

But Bays & Thomas have said in interviews that the umbrella remains to be explained. There's the whole, Ted finding it at that bar post St. Patrick's day thread that still needs to fall into place.

Whether Stella's comment back in 'Ten Sessions' that she was out on the same night ends up connecting her to Yellow Umbrella Girl/Mother in another, more immediate, way remains to be seen. It might have been a trhowaway or again a red herring...

But the fact that the girl who lost the yellow umbrella for Ted to find will be the Mother is pretty much a given (per the wording in 'No Tomorrow'), no?

Posted by: Ammos at May 21, 2009 11:37 AM

Good point, Ammos. That slipped past me; I was distracted by the mere presence of the umbrella. But to tie the run-in with Stella to any yellow umbrella was a dick move on their part.

Posted by: Dustin Rowles at May 21, 2009 11:42 AM

Dick/douche... I was distracted by my love for Sarah Chalke initially but yeah... I can see your point, Dustin Rowles.

On the other hand, I kinda do give them a pass on this one. The yellow umbrella -though dickish in its false employment- is in a way necessary as a signifier. Would you be on tenterhooks throughout the episode if it weren't there? I don't think I would be. No matter what SageTed said. And while the end reveal wasn't what we were made to think it would be, I was still thrilled with it.

In a way, they called on the fans' loyalty and inverted the expectation. I wouldn't call it a dick move to an absolute degree but it's close. It's sort of similar to those "pull the rug out form under you" episodes good shows do - like Veronica Mars' 'Donut Run' or House's 'Both Sides Now' and... a better example that eludes me at the moment*.

Yes, you get a good strong twist out of it but is it really worth distancing the show and its audience in such a way just to achieve that big thrill? It depends on the execution I suppose.

Anyway. That wasn't my initial point.

The thing with which I was genuinely disappointed was, as you mentioned Dustin Rowles, the ultra low-key finale.

It's not like they're The Big Bang Theory and shy away from such stuff as their MO. They've done big and flash and good before. So why not now?

*Oooh! Scrubs' 'My Screwup'!

Posted by: Ammos at May 21, 2009 12:11 PM

Agreed on Lily's absence. I don't care much for Robin when she's carrying the female plot lines on her own. But I did enjoy seeing all of the different bags she carried to hide her growing belly. And having Barney's joke be what sent Lily off for a while was pretty funny. It's not often you learn a new, very dirty joke from a sitcom.

I thought it was pretty lame to not have him meet his future wife this season, but it was nice to see him move on into an adult career that suits him. A little character growth goes a long way, even if it's not to the main story line. I guess my point is that I still like the show and will continue watching next season. But Ted needs to become much less pathetic, and Robin needs to go away on her own baby leave for a while. Make us miss her a little bit.

Posted by: katy at May 21, 2009 12:25 PM

I agree for the most part. I love the other characters but Ted is what gives the show heart. And this past season he just hasn't been himself. The focus and the tone of the show hasn't been the same. Maybe that was intentional. Ted was coming off being left at the alter and struggling with his career. So its logical that he was a bit off for a while.

But what I liked about the finale that kind of made me forget about the lackluster (by its standards) season was that Ted said it was the best year of his life. That tells me that it was all an important part of how he meets his wife. A few episodes ago he even did the whole thing about how if he hadn't done this and that he wouldn't have met your mother. They need to follow through and actually move the story ahead. But I wasn't dissatisfied with the finale and how they ended the season.

Posted by: Dave at May 21, 2009 12:38 PM

The last two seasons have been hit or miss for me since they haven't had a story arc that covers the whole season like 1 and 2 with the Robin/Ted relationship. But there have been enough funny episodes to keep me going, and let's be honest, mostly because of Jason Segel.

I'm hoping the next season will have the woman that will become the mother in it so it feels like the writers are aiming for something. Oh! And stop bringing back Stella. She doesn't like Star Wars(!!?)

Posted by: kelsy at May 21, 2009 12:52 PM

I really wish you people would stop talking about me behind my back.

Posted by: Stella at May 21, 2009 1:16 PM

Isn't the show less about the "meet-cute" of Ted and the Mother and more about who Ted is becoming in the process?

Posted by: ceejeemcbeegee at May 21, 2009 1:28 PM

Maybe I'm just impatient, but I'm just getting bored with the entire show. Regardless of how much I might like an individual episode, I can't get past the fact that I want to know who the mother is already, damnit!

They haven't lost me yet, but I think they could. Conceptually, it's a fantastic show; however, they'll ruin it if they try to stretch it out until they can't sustain ratings anymore. Ideally, I would think the writers would come up with a general arc, plan how they could most effectively move the story without rushing but while maintaining interest, and set an end date?

Seriously, I don't care if they try to keep the story going after he's met their mother, but if he hasn't met her by next year's season finale I'm DONE.

Posted by: Noxbu at May 21, 2009 1:38 PM

The plan for HIMYM as it now stands, based on edjukated guesses and reading interviews with the creative team, is that (a) they have no idea who The Mother is, (b) they're totally winging it except for one small thing, and (c) the viewers may never really get to meet her.

Carter and Bays said a while back that they filmed ten minutes of footage for the last episode a few seasons ago. Probably those ten minutes are with FutureTed and the Kids. Given how teevee drama works, it'll probably start with Ted at his Lowest Moment Evar. Mopey Ted. Shortly thereafter, mid-mope, PastTed sees a woman who's never been on the show before and he says hello to her. "I think that's my umbrella," she says.

"And that, kids, was how I met your mother."

Credits, end of series.

This plan will be amended if the show goes longer than another season or two, since they'd introduce The Mother as a recurring character to goose a tired series.

Posted by: Soulless Merchant of Fear at May 21, 2009 1:57 PM

But when does Ted become Bob Saget? Is that next season?

Posted by: Optimus Rhyme at May 21, 2009 3:42 PM

why do you think that the Mother will be a student in the classroom. He MET her in the classroom, she could be a faculty member or lecturer... Ted Mosby is a wuss, Marshall is the real star of the show.

Posted by: Ted at May 21, 2009 4:16 PM

Ted: Didn't he say 'as you know, she was IN that class'? Or I remember wrong.

I agree that this season has been pretty weak all in all. The first two were great, three ok, but it is often treading water now. I was hoping when they jumped over the buildings the mother would come out of that apartment, and that would be how he met her, but alas, not to be.

Posted by: Carrie at May 21, 2009 5:00 PM

Meh, story arcs are the new thing for comedies. They all have to have them. It makes them "deep". Unfortunately, and this could be said for any show, they just run out of ideas. But, fuck man, they gotta keep them pay checks comin in! So. Many. things these days need to die earlier, but they don't because of money. And we're left characters who change completely without incentive to become people we no longer recognize. But, because they look the same, we continue to tune in(The Office). They need a better plan, or rather, a plan at all.

They have a choice to make. The British version of The Office could've gone on for years and made a shit ton of money, but it would've suffered for it. So, instead of three good seasons, three meh seasons, and 1 shitty season, we got two amazing short seasons and an equally amazing special. And my memory of that show will never be tarnished because of that.

Posted by: pissant at May 21, 2009 5:44 PM

I wasn't disappointed with the finale. Granted, I love HIMYM and own the first three seasons on DVD, so maybe I'm just more forgiving, but I'm fine with not knowing who the mother is just yet. As ceejeemcbeegee said, it's more about how Ted became who he is than it is about the specific romantic encounter where he meets his wife. This season Ted almost got married because he was so desperate for commitment, then he got fired and struck out on his own for a while and then finally decided to take that teaching job (does he have a Master's?). As someone in her late 20's who's still trying to figure out what to do with her life, this show speaks to me in a zeitgeisty way, which is one of the main reasons why I love it.

Posted by: Elfrieda at May 21, 2009 6:21 PM

Oh, and it can so work between Barney and Robin. How awesome was it that she Mosby'd him?

Posted by: Elfrieda at May 21, 2009 6:22 PM

See... I've heard so many people talking about how Robin would be the mother, or Stella would be the mother. The problem is, Robin couldn't be the mother because the first episode ends with Ted saying, "And that's how I met your Aunt Robin." Stella couldn't be the mother because of her daughter, who ought to bear some sort of mention.

To me, the best part of the show is Barney, Lily & Marshall, Robin, and THEN Ted. Ted is just too much of a whiner for me.

Posted by: the maljax at May 21, 2009 9:43 PM

I guess I have a shriveled heart, because (before I completely lost interest in this increasingly chuckleheaded show), I found Lily and Marshall to be the second most obnoxious couple on television. Jim and Pam win the crown on that one.

No, I'm absolutely not one of those people who crave false strife, and the breakup-go-round game-- I actually really hate that. Maybe I'm just one of those sad individuals who hates love, because television couples either seem to be nauseatingly cutesy, insufferably smug, or overwhelmingly boring, if not all three. I don't want to hear any of my real friends talk about their boyfriends/fiances/husbands all day (even though they do), so why would I want to from people who don't exist? Turns out I don't, so I go somewhere. Aren't I fun? Yes, I'm single, and a delight. How did you guess?

Actually, it's not Marshall who is the problem for me, it's Lily/Alyson Hannigan. Sacrilege Alert: Neither do anything for me. Something about her seems so forced. 'I'm SO, SO CUTE, and I'm on a SIT-COM!' Okay, fine. Stop talking, I'm bored. This is getting grating.

And while on their own, they can be entertaining, I was the one person on the planet who thought that it would have been interesting if Jim and Pam went out, and just didn't click. No FRIENDS-style dumbfuckery (although what on that show wasn't dumbfuckery? I know, right? I'm impossible. Just burning all of your sacred cows. I invite my solitude, Holy God! Ugh). Still, through my unpleasantness, I think I can still make an argument. Just two regular people who weren't a good fit, and got on with their lives, could have been stupid, but maybe not. Pregnancy stories are a deal-breaker for me, though. Even though it's been circling, I still like THE OFFICE, but I've never seen a pregnancy storyline that didn't bore me, so goodbye Jim and Pam, it's been real. I get that it's me on this one, though. No one agreed with me then, or now, so I can see I'm a charred soul. Oh, well.

But when I do catch HIMYM, it just seems like How I..Who Cares? is more interested in impressing loyal viewers with continuity and callbacks than bothering with an engaging story. Do they think they're pulling the wool over people's eyes by bringing things up repeatedly? 'No, we haven't lost focus, because our service to continuity is an assurance that this is going somewhere.' I mean, I can say right now that an apple tree will have a profound impact on Ted's bunion surgery in four years, keep referencing that tree to assuage the fears of viewers who think, 'is this going to go anywhere?' Because I can say 'Yes! Look back. Over the last four years, we mentioned that there would be an apple tree seventeen times, so that YOU would know that our eyes are on the prize!' Whatever purpose that tree serves is moot point, because now the viewers get to feel smart, and are thusly placated.

A reference for no reason is not a joke, and continuity, in and of itself, is not a story. I mean, it's not a fair comparison entirely, because at least Who Cares Anymore is driven by its own material, but this show is starting to devolve into Family Guy-style self-cannibalization and self-parody.

Oh, yes it is.

This show needs to stop obsessing over how clever it is, and how much it rewards its viewers by acknowledging that they have the ability to remember things, and work on rewarding its viewers with a frigging story.

Sorry for the tenor, kids. Is it possible to have a pleasant, yet gut-bustingly, excruciatingly, profoundly sad, sad day? Well, now I say it is. Grr. I need to drink a glass of 'Shut up and Grow Up Juice', go to bed, and dream sweet dreams of getting the crap over myself.

Over and out, friends.

Posted by: Jo 'Mama' Besser at May 21, 2009 11:09 PM

You know, I think the best possible plot device is for Ted to meet the mother and for her to absolutely hate him. Or better yet for them to hate one another. There's a lot of room for that type of plot to develop from the last season (she could be a cousin, a friend, or sister of one of the women he was messing around with). It would be especially great if she was exactly what he was looking for, but he found her annoying, overly-intellectual and competitive.

This way the kids can start asking for more of the story and it becomes How I wooed your mother. I'm not about to start writing fan fiction, but I really don't see how else the plot can continue without becoming a frustrating round about where its all red herrings.

Posted by: leheather at May 22, 2009 1:59 PM

Red Herrings & the Yellow Umbrella. Is that a better band name or album name?

Posted by: Ammos at May 22, 2009 7:44 PM

Valid points, Rowlers, but the show isn't called, "How I Dated Your Mother", or "How I Married Your Mother". The whole show is built around how he MET the future Mrs. Mosby.

The title of the show hooks you in, but it is also an encumbrance.

They met their minimum for syndication. Now they can focus on the end game.

It still brings the funny, though.

Posted by: L.O.V.E. at May 24, 2009 12:33 AM

I often think the reason British shows are so much better than American ones is because they are designed to only last a certain amount of time. They do not drag on indeterminately, so their creators have a complete story arc from beginning to end, and you never get the WTF feeling you get in American shows as they drag them out.

Also, seems like all the good American shows where the creator does have a complete arc in mind are cancelled before it can be played out.

Posted by: MissSmilla at May 24, 2009 6:31 PM

I liked it. A lot.

Posted by: io at May 25, 2009 11:38 AM


















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