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I Like Minorities So Much I'm Thinking About Moving to California and Becoming One


"Glee" S1/E7 Recap: "Throwdown" / Andrew J. Stride

TV Reviews | October 19, 2009 | Comments (27)


Open on a slow motion bitch-fest between Will Schuester and Sue Sylvester. Though no words can be heard, neither participant is holding back, Sue shoves Will. Images of a gazelle being taken down by a mountain lion come to mind. When Principle Figgins assigned Sue to co-chair the Glee Club last week, conflict between the two was inevitable. Why did things escalate so quickly?

Cut back to last week in Principle Figgin’s office. Schue’ and Sue are doing their best to disguise how they really feel about working together. If Figgins found out that they are trying to undermine each other, he might take Glee from both of them. If there is any chance of Glee Club winning sectionals, one will have to destroy the other.

Sue has a plan: take a small difference within Glee and exploit the hell out of it. Her Cheerio moles have noticed that several of the students hate being background performers to Rachel and Finn. They also want to perform something a little more ‘black’. Even Kurt agrees they do too many show tunes.

Doing the democratic thing for Figgins, Will and Sue agree to flip a coin as to who will be directing the first number. Figgins insists they hug it out to seal the deal. Thanks to his leadership seminar, he will no longer be as much of a pushover. After some hesitation, they finally hug, muttering threats under their breath.

Glee

Finn and Quinn are at the OB/GYN for a first trimester check-up on their (her) baby. It’s a girl. Please don’t name her Lynn. Mr. Schue, stepping in where their parents should be, is waiting in the lobby. Finn claims he was too freaked out to drive, but the truth is he looks to Will as a father figure. Getting all of the worry and none of the responsibility, Finn feels helpless. He wants do the right thing, but he’s doing it alone. “It’s cool, Mr. Schue, you wouldn’t understand.” Finn explains. Little does he know how closely his situation and Will’s are connected. Seeing Finn and Quinn continue an unbalanced relationship must painfully remind Will of his own high school past with Terri.

Back in school, the creepy jew-fro’d journalist is back to terrorize Rachel Berry. Threatening to publish information about Quinn’s pregnancy, he blackmails Rachel for an unknown, but likely disturbing, form of ‘payment’. When only the members of Glee Club know about Quinn Fabray’s pregnancy, you have to wonder who fed him this information.

Sue, much like Two-face, makes her own luck. A trick coin gives her first run on choosing a performance piece. Betraying her word to Will, she announces half the class will be performing only for her elite Glee Club “Sue’s Kids”. The group is split once again, this time by race. Anyone with an ethnic sounding last name, alternative sexual preference, or handicap is recruited.

Back at the Schuester household, Will abruptly terminates a phone call between Terri and her sister. He’s still trying to maintain some control over the relationship, and announces that they both will make decisions regard their child for now on. He will be with her at the next OB/GYN appointment. Assertive Will is a much more dynamic character.

Finn and Rachel still remain close in school. She’s warned him that Jacob the journalist knows Quinn’s secret, and she had to intervene to stop him. Walking away, Will promises he will make it up to her someday. Rachel should learn that if you’re going to pay off a journalist by giving him a fake pair of your panties, you should remove the store tag first.

This week’s “Sue’s Corner” is littered with great Lynchisms regarding minorities. But don’t be offended, it’s cool, she’s 1/16 Comanche Indian. “I like minorities so much, I’m thinking of moving to California to become one.”

Sue knows how to rally people to her side and she appeases to the kids demands for current music. They perform Jill Scott’s “Hate On Me.”

Mercedes gets to showcase her powerful voice in this performance. Also the Asian guy, whose name is finally revealed to be Mike, gets to do more poppin’ and lockin’. I believe Sue chose the song to teach them that tolerance is about banding together and accusing other groups of being intolerant.

After losing his pianist to Sue, Will confronts her in the hallway. She denies any foul play, but he will not back down: “This ends right here.” She finally admits to wanting to destroy his club, but only to protect them from a man with curly hair that attracts ‘sulfurous egg-laying birds’. Her true motives are still hazy, but she will fight to protect the Glee legacy, and further the cause for healthier school beverages. “Those drinks are Crap! SLAM!”

Fearing Will’s involvement in her fraudulent pregnancy, Terri tries an entirely new tactic: kindness. She admits to not wanting to live like her sister. In fact, she offers advice to help Will at school. In order to win, he must sink to Sue’s level. You have to wonder what Terri expects by transforming Will.

He takes Terri’s advice, and goes beyond what you think him capable of. Will Schuester flunks most of the Cheerios squad, disqualifying them from extracurricular activities.

Back in Figgins’ office, Sue has lost it. It turns out most of her Cherrios are indeed functionally illiterate; some can’t even spell their own names. At the last game, they incorrectly spelled ‘Go Team’ as ‘To Game’. Sue debunks Spanish as a ‘dying’ language, one spoken by only dishwashers and gardeners. Figgins rules in favor of Will, no free passes for Sue. Desperate, she threatens to upload his embarrassing in-flight safety video, but it’s too late. He has already posted it, and it only got two hits. Sue does not handle losing very well.

Back in class, Finn is also battling Quinn for more control. He wants to name their little squirt ‘Drizzle’. Quinn loses it. She can’t and won’t keep it. He then confesses that he wishes she was a little more like Rachel. Not the best choice of words dude.

Back in Glee Club, they are performing an impromptu cover of Nelly’s, “Ride Wit Me.”

It’s interesting that the director chose to put a raw vocal performance in the show. If you’re bothered by the use of auto tune, this is what the performances could sound like. They sound great, but I can forgive some of the vocal enhancement. Will walks in as Sue’s Kids exit and hands his five remaining members their performance piece: “No Air” by Jordan Sparks.

Almost parodying the last scene’s use of raw audio, this song starts with reverb and tuning effects. The show is also steering away from justifying the dance performances, and instead staging them as music videos. I like the creative direction, but Finn and Rachel walking down a brightly lit hallway with wind in their hair was a little ridiculous.

Quinn’s jealousy gets the best of her, and she convinces Will’s other two remaining members to join Sue’s rainbow coalition.

In a candid moment, Terri hesitates to strap on her fake pregnancy belly. She seems distraught over continuing her deception. If she truly does love Will and is doing this to keep from losing him to Emma, she would be honest. They probably haven’t even touched in weeks. Will on the other hand has become more forceful, and he’ll finally have a chance to look at his little boy. He’s decided that next week they will be visiting Dr. Wu.

Back in the faculty lounge, it’s Will and Sue round two. Being down to three kids, Will is furious. She makes him an ultimatum: if he passes her Cheerios, she’ll release his Glee members. Will refuses to compromise.

Terri and her sister visit Dr. Wu regarding her false pregnancy. When Terri can’t sweet talk Dr. Wu into playing along, her sister threatens a lawsuit. Her demon offspring were the result of Dr. Wu prescribing too much potassium during labor. The lawsuit wouldn’t hold, but anyone who’s ever met those kids would likely do anything possible to avoid the same fate. It’s a small town, what option does he have?

Back in school, Quinn confronts Rachel. She will not lose Finn to her. Rachel admits she helped Finn because of romantic ulterior motives, but she has it on good authority that Quinn’s cheating. Luckily for Quinn, the only cheating she knows about is her spying for Sue Sylvester. “She’ll turn on you too when she finds out,” Rachel warns.

Quinn walks off singing The Supremes’ “Keep Me Hangin’ On.”



The performance spotlights her as the popular head cheerleader she is, being followed by the rest of the Cheerios squad. There was some really great dance choreography too, though I had trouble believing some of the girls were in high school.

Now at rehearsal for sectionals, Will’s three members are performing for everyone else that Sue hijacked. She calls for a walk out before they even finish the first verse. Her poor impoverished minority children have suffered enough. Will loses it and they go into the full version of the fight from the opening scene. Sue mocks Will’s compassion for the “stupid little club that nobody cares about” in front of the entire Glee Club. Finn interjects, “Enough. If we wanted to hear mom and dad fight, those of us who still have two parents would just stay home on payday.” All Glee members, minority and majority, storm out. Sue seems betrayed; Will is devastated.

Later that day at Dr. Wu’s office, Mr. Schuester is distraught. He feels he has nothing left except for Terri and their child. At this moment, if he found out the baby isn’t real, Terri would lose Will forever. Fortunately for her, Dr Wu begrudgingly plays along. He plays Quinn’s sonogram DVD on the monitor, and points out that he misread the last one. It appears their boy is a girl, honest mistake. Will is brought to tears, not because he found out it’s a girl, but because he’s seeing his child for the first time. Terri grabs Will close, “Remember at this moment that we love each other.” She has him all to herself now.

The next day, Will visits Sue to make things right. Both let things get too far out of control and Sue decides to step down to a position of less power. She wants them to win sectionals, and Will is the only one who can help them accomplish that. Will admits to making mistakes, but she was right to acknowledge the Glee Club’s differences, because they are all different. This includes Quinn, as Sue has found out about her secret pregnancy. With her trust betrayed, and her chances of winning in Cheer reduced, Sue throws Quinn out of the Cheerios and parts ways.

With only Glee left, Quinn and the rest of the club perform Avril Lavigne’s “Keep Holding On.” It’s a pretty song with lots of harmonic sections that include everyone. The song also appropriately sums up how Quinn is feeling. At least she now has one less deception to worry about.


Andrew J. Stride lives in Omaha, somewhere in middle America. You can email him or leave a comment below.


Mary and Max Trailer | Pajiba Love 10/19/09



Comments

Great summary. I especially like your blurb. Counting crows fan at all?

Posted by: Pandemic at October 19, 2009 12:34 PM

Pitosin, sweete. Not potassium. Anyway, is anyone else out there wondering why Will hasn't seen Terry naked, or had sex with her, in the past few weeks? I'm not sure I believe she could pull off the fake pregnancy for this long, much less the whole nine months.

Posted by: elsie at October 19, 2009 12:44 PM

I get how Terri can pull off the fake prgnancy, women have successfully done it in real life. The thing I had to wonder about this week is why Will didn't know the Cheerios were getting passed through until it was convenient for him. Does this mean he was complacent in the grade padding up to this point or were the grades changed at a higher level after he issued failing grades?

Posted by: Jadashay at October 19, 2009 12:50 PM

She probably fed him some line about sex disturbing the baby, or being tender, or something else. He's a nice guy - he'd buy it. Especially since a previous episode implies that once a week was a step up from their previous frequency of sex. So, he's used to "dry spells."

Posted by: Landon at October 19, 2009 12:51 PM

Yeah, I get the dry spell thing. But, really, I just don't buy that he would never, ever see her change clothes or take a shower or anything else where he would get a chance to see her unpregnant belly. I guess it doesn't really matter. I'm not bagging on the show at all. I love this show to pieces. I was just wondering. When Will walked in on her holding the fake belly I just couldn't help but wonder how he's not seen her naked for any reason.

Posted by: elsie at October 19, 2009 1:07 PM

I can buy her being able to convince him to a certain extent but wouldn't he be interested at all in seeing her pregnant stomach or touching it? Guys out there, did you feel compelled to see and touch your wife's pregnant tummy? I loved her sister.

Also, this is a great recap.

Posted by: becks at October 19, 2009 1:10 PM

Yeah, I'm with becks, there is no way in hell he hasn't put his hands on her belly to feel it kick. And I think that would give it away. Though I guess she could explain that the baby stopped kicking. Of course she doesn't seem on the ball enough to pretend that it's kicking in the first place.

Posted by: tamatha at October 19, 2009 1:30 PM

It's still early in her pregnancy to be able to feel it kicking. She did tell Will a couple of weeks ago that he couldn't touch her tummy because he might hurt the baby, or something alo g those lines. I've also been wondering about the time difference between Terri's pregnancy and Quinn's. Is Terri going to have the longest pregnancy ever while she waits for Quinnto finish incubating?

Posted by: elsie at October 19, 2009 1:42 PM

Babies don't kick all the time. I don't think my ex ever felt our baby kick. Of course, the way he acted when I was pregnant, you'd have thought I had leprosy. We've seen that Will's pretty clueless if he thought you could determine the sex of a baby at 10 weeks with an ultrasound. It's really iffy even at 16 weeks.

Both the future-dads in this show seem to be letting the women lead the way. Finn even bought the "hot tub sex" theory.

Posted by: Wednesday at October 19, 2009 1:46 PM

Yeah, there's no way you can get that far into a pregnancy without someone seeing something. If their place is as small as it's supposed to be. What's she going to do at the end? Fake ankles swollen as big as her thighs and boobs so huge they need their own zip code (I speak from experience)? I know it's for TV, but I think it's too much of a stretch.

And it's Principal Figgins. I always remember that because they used to say "they principal is your pal." But the thing is, he never was.

Posted by: Captain Tuttle at October 19, 2009 1:50 PM

I'm sorry, but I've completely lost interest in the plot of this show. It's just so cheesy. Mmm, cheese... Man, isn't it lunchtime yet??? But I digress.

Okay, so I think the plot could be WAY better. However, the musical numbers are consistently OSSOM, so I will keep DVRing it.

But "Modern Family" will get the best of my love at 9pm on Wednesdays.

Posted by: Jelinas at October 19, 2009 1:58 PM

I'm trying so hard to keep liking this show. But it's getting too far over the top. The musical numbers BUG me. And I LIKED when they weren't all autotuned to death, it sounded more like what I wanted to hear in the first place.
The whole pregnancy plot (on both ends) is just getting too weird and implausible. I don't mind a little oddity in my entertainment, but I don't want to sit there thinking "What a bunch of fucking morons!" either.

Posted by: myysharona (formerly Sharon) at October 19, 2009 2:08 PM

Am I the only one wondering if Sue doesn't have another scheme in mind? I can hardly believe she stepped down like she did.

Loved, loved, loved the "moving to California" line.

I prefer the raw vocals to the auto tune but I guess the iTunes downloads might suffer. I still think they could tone it down so the performances have a less polished sound.

Posted by: ed newman at October 19, 2009 2:17 PM

I agree. I like the more natural musical numbers much better.

Posted by: elsie at October 19, 2009 2:17 PM

I enjoy this show, too, mostly because I'm a giant fool for musicals. So as an aside, I recommend to anyone who hasn't seen it yet, the movie Camp. The acting is painful, but the musical numbers by the kids are mindblowing!

Posted by: melia at October 19, 2009 2:51 PM

Its not hard to believe, given Will and Terrys' relationship - early on he makes a line about them having sex all the time "like once a week."

You sort of got the feeling there wasn't much intimacy there at all, and that they are the "change in seperate room" types to begin with.

Posted by: sammy at October 19, 2009 2:55 PM

Fake pregnancy? Auto-tuned musical numbers? These are what you guys find implausible?

There are so many blatantly unrealistic things going on on this show. I just don't know what to think. I mean, I kick myself and say "Self- don't be such a downer, it's TV for God's sake" and then I grab myself by the hair and say "ARE YOU EFFING SERIOUS? How did those kids learn those numbers in one day? Where does the jazz band magically appear from? What Show Choir can work up costumes that fast? How come these teachers still have jobs, 'cause they are COMPLETELY FUCKING INSANE? Who installed the intelligent lighting in the Choir room? How come they never have on mics, but they can magically be heard over the band?"

Sorry, I taught high school theatre for three years. This show makes smoke come outta my ears.

I like the young talent, though. They are pretty great.

Posted by: Miranda at October 19, 2009 3:35 PM

Why is everyone taking this so seriously? It's a musical. Did you ever see the old movies where people used to burst out in song, complete with a 101 string orchestra? Just enjoy it for what it is - it is supposed to be outrageous! Don't keep analyzing. I think this program is the best thing that has happened to TV in I don't know how long - it's a farce, it's fiction, it's fantasy!

In the words of I don't know who: don't think too much, you forget to feel!

Posted by: Juliam at October 19, 2009 4:03 PM

I get that the whole thing is a musical, but what I was looking forward to was a choir version of these songs. I'm an ex-choir dork, that's what appeals to me.

Example: Imogene Heap's "Hide and Seek" is autotuning done right, or at least inventively. And the harmonies are really intricate. It's AWESOME to hear a choir do it, sans electronics. That's what I was looking for--a new interpretation of these songs; not polished recordings that aren't any different from the originals.

Posted by: myysharona (formerly Sharon) at October 19, 2009 4:57 PM

I always enjoy hearing other people's take on the latest Glee - any chance I can get my fix sooner after the episodes air?

Posted by: Empress of All the Russias at October 19, 2009 5:20 PM

Sue's breakdown when she leaves Figgins's office is one of the greatest things I have ever seen. If Jane Lynch doesn't get nominated for an Emmy, there is no justice in the universe.

And last week she had one of the best lines: "I'm not like the rest of you hippies, caring about the kids' feelings as if they're real."

Posted by: MelBivDevoe at October 19, 2009 6:57 PM

@juliam

I really don't mind outrageous or unrealistic plotlines -- some of my favorite shows ever are firmly grounded in fantasy (e.g. "Pushing Daisies" -- *sigh*).

But in this case, the unreality doesn't add anything -- personally, I think it detracts from an otherwise fantabulous show. And I also think that the show is in danger of turning my opinion to "the musical numbers are great, but not good enough to make it worth watching the rest of the crap." Thanks to Stride's reviews, complete with clips of the musical numbers, I may eventually stop watching/DVRing the show.

Posted by: Jelinas at October 19, 2009 7:41 PM

This show is mediocrity defined. I've stuck with it so far, mostly out of inertia and every week it gets worse. Take away the musical numbers, and you have...Jane Lynch. That's pretty good, but it's not enough. Even the musical numbers have gotten worse--from Journey and Queen to...Jill Scott. And yes, I get that suspension of disbelief is a part of TV, but it has to be earned. Glee hovers in an uneasy vaccuum between straight naturalism and wants-to-be-charming-but-ends-up-feeling-like-its-writers-were-too-lazy-to-think-up-good storylines- surrealist camp. Finn believes he's gotten his girlfriend pregnant even though they've never had sex?? Good God. Count me out.

Posted by: tim Lake at October 19, 2009 8:08 PM

This show is only alive due to the comedic talents of Jane Lynch. honestly the main characters are so boring it's ridiculous. They should start focusing on the other students in the glee club b/c Rachel and Finn are annoying and the whole love triangle w/a fake pregnancy is getting old.

Posted by: vizza at October 19, 2009 9:29 PM

Is it crazy that I'm Deaf and also totally love this show? (It's kind of my musician husband's fault, though.)

But I gotta agree... Jane Lynch is the winner of this one. Shue is adorable, but Sue is hilarious.

The whole pregnancy plot should just be dropped. It can't go anywhere. I would honestly feel better if they just pretended that storyline had just never happened (but then everyone on the internet would b e like "WHAT ARE THESE FOOLS THINKING JUST PRETENDING NO ONE WAS EVER PREGNANT AND FAKE PREGNANT??").

Alas... I'm missing Lost.

Posted by: julian at October 20, 2009 12:37 AM

Empress
If you're in the States, hulu and fox.com have it up by the next day. If you want it the same night, ninjavideo.net has it within 2-3 hours of when it airs.

Hope this helps!

Posted by: myysharona (formerly Sharon) at October 20, 2009 12:43 AM

There's really two pieces to the pregnancy storyline.

The first one, that Finn believes he got his girlfriend pregnant in a hot tub is far far far too believable in America. Do some news cruising and the number of stories about girls not knowing they were pregnant, or boys thinking oral sex can get a girl pregnant will blow you away (oops pun there).

But the Will storyline is problematic. Will is a 'sensitive' guy. He's going to be looking at books in the library, thumbing through copies of "child birth for daddies". And Will is a straight guy in the world of musical theatre - he's almost certainly been around other pregnant women who were more than happy to share all the details with him.

So the Finn storyline is believable, but the Will one is going to crumble under its own weight. I suspect a pretend miscarriage soon.

Oh, and on the 'I can't believe how poorly educated people are', the recent episode of Amazing Race had one team spending hours trying to find tickets to a country called "The Persian Gulf".

Just ugh.

Posted by: morganew at October 20, 2009 11:09 AM





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