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"Drop Dead Diva" Review: What's in a Name?

By Sarah Carlson | Posted Under TV Reviews | Comments (13)



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For a show all about perception, identity and stereotypes, it’s unfortunate the biggest obstacle TV’s “Drop Dead Diva” faces is its name. That and the fact it airs on Lifetime. But its premise is what had me wary when it premiered in 2009: A shallow aspiring model dies and her soul soon ends up in the body of a recently deceased plus-sized lawyer. I tuned in sure I’d be offended and ready to criticize. But what could have been an insulting skinny-girl-becomes-fat saga instead has taken a sweeter route. “Diva” has stuck around for three seasons now, its third ending soon, building an audience and changing skeptical viewers’ minds — mine included — about just what type of show it is. And it’s a cute one.

When the model, Deb Dobkins (Brooke D’Orsay), is killed in a car accident, she causes trouble in Heaven, giving grief to her guardian angel Fred (Ben Feldman), and pushes a button that sends her back to Earth — only as someone else. Jane Bingum (Brooke Elliott), a dowdy, plus-sized lawyer, had taken a bullet for her boss and died on the operating table until Deb took over her body. Now, the new Jane has her own smarts but Deb’s memories and personality — think Sam Beckett in “Quantum Leap,” only he never switches who he’s inhabiting. The change, of course, is a shock for the new Jane, who’d rather have her old body and life back with her fiance, Grayson Kent (Jackson Hurst). He’s also a lawyer and lands a job at Jane’s firm led by J. Parker (Josh Stamberg), and their relationship is the more interesting of the series. Because Jane is essentially Deb — she has her soul, after all. But she doesn’t look like Deb, therefore Grayson isn’t romantically interested in her. They’re just good friends. It’s painful, but it’s honest. Jane has to keep her secret, although Fred is sent to Earth to deal with her and she is able to tell Deb’s best friend, Stacy Barrett (April Bowlby), another model but one whose sweetness makes up for her cluelessness. Empowerment is the main lesson as Jane, still smart and curvy but now with confidence and a bubblier personality, navigates her new life.

Elliott easily carries the show. She gives Jane an earnest joyfulness that is refreshing among female leads. She can be silly, but she’s not neurotic or severely troubled. And she’s beautiful inside and out, sort of a brunette Elle Woods. The cases Jane handles generally carry a power-to-the-underdog theme — a recent episode dealing with lesbian teens wanting to go to prom was a standout — though showrunner Josh Berman infuses his series with enough whimsy to keep it away from the procedural trap. It succeeds where shows such as “Glee” are failing by delivering characters viewers can care about, believable conflict and messages that aren’t sermons. Plus the occasional song-and-dance dream sequence never hurts.

The biggest complaint you can make about “Drop Dead Diva” is not necessarily about the show itself but that it is one example of several shows where plus-sized (and in America, that’s average) characters are only featured because their weight is part of the plot. Look at actress Melissa McCarthy. She stole every scene she was in in Bridesmaids and was a favorite on “Gilmore Girls,” and I assume her size was not the reason she was cast in either. But her current starring vehicle is “Mike & Molly,” about a couple who meet at a weight loss class. Maybe that show does transcend its initial theme, as “Drop Dead Diva” certainly has, but until plus-sized actors and actresses are cast for their talent, not their weight, the messages of empowerment on select shows will only go so far.

For now, we’ve got Jane and a show with an unbelievable amount of guest stars, from Kathy Griffin to Wanda Sykes to Liza Minnelli. And Jane has plenty of conflict in her life, with the old Jane’s past occasionally popping up and presenting new obstacles and one of the firm’s other lawyers, Kim Kaswell (Kate Levering), and Jane’s assistant, Teri Lee (Margaret Cho), in the drama mix. Plus, Jane is busy dating — numerous men, in fact. Because really, what’s not to like about her?

“Drop Dead Diva” airs Sundays at 9/8C on Lifetime.

Sarah Carlson has a front-row seat to the decline of the newspaper industry and lives in Alabama with her overly excitable Pembroke Welsh corgi.









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Comments

Wow. I wrote this series off as soon as I saw the first ad for it (years back). You just sold me on giving it a try. Sounds like smart television.

Posted by: Trey Shacksit at August 26, 2011 2:13 PM

Love, love, love this show. It is silly cotton candy fluff, but it's perfect for a Sunday night with work looming the next day. They never lose cases and there's always a last minute piece of evidence that wraps everything up nicely, but it doesn't really bother me. Brooke is fabulous as Jane, although I don't really think Greyson's so fabulous. Bring back Roy from The Office as the love interest, please, show.

Posted by: Jenny at August 26, 2011 2:13 PM

I'm confused. Who wrote this review?
Dustin or Sarah?

Posted by: OldSchool60 at August 26, 2011 2:22 PM

Would it be wrong of me to ask if the main character has lost any weight over the last three years? I mean, if she's a shallow model in a new body, wouldn't she have her some crazy diet regiments and all that jazz?

Or maybe I'm missing something. The "plus-sized" woman died on the operating table, so her soul isn't in there as well, is it? Or is the model's soul not really in control?

Fuck it, I give up.

Posted by: csb at August 26, 2011 2:46 PM

So the lawyer died and has been replaced with the soul and memories of a model? And she never loses a court case? WTF? I assume she does not have the college degree or experience of a lawyer, right?

Posted by: BWeaves at August 26, 2011 3:18 PM

Man, you guys are totally missing it. She has the personality of a thin model (which is why everyone likes her so much) but the memories and knowledge of a tubby lawyer, which she gained once she leaped into the new body. That's how she is able to work in a law office without getting disbarred.

She doesn't lose weight because she is contracturally obligated to stay unhealthy to fit the premise of the show comfortable in her own skin for the first time. It's character development. Sheesh.

Also, Dustin has a vagina.

Posted by: superasente at August 26, 2011 3:48 PM

My mouse always hovers over this in my Netflix que but I always skip it, because I can't bear another fat-girl-is-punchline shtick. It is too depressing.

However, I shall reconsider.

Posted by: Haystacks at August 26, 2011 4:32 PM

It's funny to see this review now because just with the last episode of DDD I decided I couldn't take any more of just how inane and pointless this show has become -- and I never expected much depth out of this kind of show anyway. Pretty cute and charming its first season, but now the extent of Jane's legal practice seems to be prancing around, wiggling her hips and tossing her hair in front of a judge while drawing upon her deep knowledge of hair products/sororities/modeling to save the day. While the show does involve some goofy and fluffy legal cases where clients are fighting against stereotypes or discrimination, since season 1, the issue of how a looks-obsessed model might feel as a plus-sized woman is pretty much avoided as a non-issue; and it remains one of the more interesting things they could address in the show, if they felt like it. And, ugh, her unrequited "love interest" -- the boring, bland, charisma-free box o'hair lawyer that they keep telling us was her soulmate, and whom we're supposed to believe is a wonderful guy despite him repeatedly sleeping with whatever skinny, shallow blonde that crosses his path. Anyway, for some light fun, season 1 is fine -- and I don't know how I've managed to write this much about such a fluff show. Must be sublimating my fears of the impending hurricane.

Posted by: ecoli at August 26, 2011 5:02 PM

I still have it completely written off, and I'm a Margaret Cho devotee.

Posted by: Jerry at August 26, 2011 5:13 PM

I think I made it through a season and a half before getting too annoyed to watch any further. I just couldn't get past the fact that the heroine is madly in love with a complete ass who's only interested in the most superficial of women... I mean, he's REALLY an ass. The protagonist's bustling through the hallways, the hair flipping and the incessant mindless smiling also bugged me.

Margaret Cho is delightful in the show, however. I think she's probably the reason I stuck it out as long as I did.

Posted by: snapnhiss at August 26, 2011 6:44 PM

Ooh I might give it a look on Netflix. Just on a day when I need something fluffy to watch.

Posted by: figgy at August 26, 2011 9:26 PM

Tried it on Netflix. I want to like the show but it doesn't like me. Takes me about four breaks to get through the first 15 minutes of an episode. Cringe-worthy lead-ins to strange cases that eventually become entertaining. I think I'll just stick to Ally McBeal. At least that had dancing babies and soul singers.

Posted by: Robert at August 27, 2011 5:01 PM

This is not what I thought the series was about.

Posted by: duckandcover at August 27, 2011 11:36 PM