The First Clip from Dredd Looks Like an Ultraviolent Diesel Jeans Ad Come to Life
It comes from director Pete Travis, who in no way previewed this sort of talent for color and pretty in Vantage Point, so I'm going to give credit for this sequence to cinematographer Anthony Dod Mantle, who worked on Slumdog Millionaire, 127 Hours, and some other Danny Boyle films (like Millions). Never underestimate the cinematographer: They go so unappreciated.
This clip is absolutely gorgeous. Look at the stars in the blood splatter!