elf.jpg


I’m a Cotton-Headed Ninny-Pajiba

The Weekly Trade Round-Up / The Pajiba Staff

Trade News | November 8, 2006 | Comments (35)


Item #1: Because of the impending release of Stranger than Fiction, it’s unofficially Will Ferrell week here at Pajiba. Ferrell initially agreed to be a guest critic on our site, but balked when we assigned him a Guide to What’s Good for You entitled “The 10 Best One-Trick Comedians in Hollywood.” You’d think the bastard would have a better sense of humor. Unfortunately, we’ll just have to settle for these two bits of industry news: First, Ferrell is set to star in Semi-Pro, a fictitious film about Jackie Moon (Ferrell), a player/coach in the now defunct American Basketball Association. Moon must lead his team on a desperate attempt to make it to the big leagues. Ferrell has been asked to stand in front of the camera and hold a basketball for 90 minutes while spouting gibberish with varying degrees of volume. (“Basketball. Net. Sliced APPLE vagina. Swish.”) Second, Ferrell is currently shooting Blades of Glory alongside Jon Heder (number two in the aforementioned Guide). The film is about two Olympic skaters who were stripped of their gold medals and disqualified from competition. The two decide to exploit a loophole to get back into the sport by joining together as a pairs team — cue at least 47 crotch shots during the inevitable same-sex ice-skating montage. In the film, Ferrell has been asked to stand in front of a camera wearing ice skates for 90 minutes while spouting gibberish with varying degrees of volume. (“Slip. Critchety-Crotch! Doggy Doo-hickey. WhirrrrrrSUCK.”) — Dustin Rowles

Item #2: I once knew a guy who wrote a screenplay with maybe the best title I’ve ever heard: Jesus Saves Coupons. But that’s neither here nor there. The real news is that screenwriter Bob Comfort has written a screenplay called Jesus on Line Four, about a Howard Stern-level shock jock whose radio show starts to receive phone calls from Jesus. The script generated no small amount of buzz at the recent American Film Market in Santa Monica, and Aesop Entertainment has inked a deal with Richard Davenport to direct. I know what you’re all thinking: Richard Davenport, the visual effects guru who bears some of the blame for bringing us Garfield, Daredevil, and The Cat in the Hat? One and the same, friends. I shudder — shudder — to think of the CG-animated hijinks Davenport will put the Son of God through in the name of bad entertainment. If Garfield has a cameo, I say we all march on Hollywood and get this guy’s head. — Daniel Carlson

Item #3: Here is a feature tandem you never expected to hear: Robert DeNiro to star alongside 50 Cent(!). Actually, you’d think I could come up with something clever about this bit of casting, but — given the project — it doesn’t actually sound that bizarre. The two will star in New Orleans, a film about a cop (DeNiro), who believes his partner (50 Cent) died during Hurricane Katrina, only to discover that he was shot to death because of police corruption. (Correction: 50 Cent is DeNiro’s new partner, who helps investigate the murder of his old partner.) The project was previously titled Microwave Park and was set to shoot in Los Angeles. However, Millennium Films apparently felt that the opportunity to exploit a natural disaster was just too ripe to pass up. But at least the film can continue with the ridiculously long succession of black/white buddy films, wherein 50 Cent tries to educate DeNiro in hip-hop slang while DeNiro attempts the lip-biting, head-shaking white-man dance. Hot on the heels of New Orleans, Paramount is also expected to announce a DMX/Sandra Bullock international-adoption romantic comedy, featuring the DMX hit, “What These Bitches Want,” a song about the incessant demands of Malawian infants. — DR

Item #4: Perhaps sensing that the market for atmospheric thrillers starring young actresses hasn’t quite been saturated, Kirsten Dunst is now set to star in A Jealous Ghost, an adaptation of the A.N. Wilson novel set up at Paramount Vantage. Dunst recently expressed her desire to star in a dark thriller along the lines of The Shining, which I could have sworn she accomplished with Mona Lisa Smile, but whatever. Also, in the true spirit of Hollywood, the film will apparently abandon all but the most basic elements of the novel. The film version will see Dunst will play a student in London who hooks up with one of her professors and promptly starts seeing demons. Ah, college. — DC

Item #5: Good news on the “Studio 60” front, as word on the street is that NBC is ever-so-close to giving the show a full season order, which will hopefully give Sorkin enough time to work out the kinks and maybe even acquire a few extra viewers. Well, unless you listen to some other word on the street, which says that network execs are ready to cancel it as soon as they can find their way out of Sorkin’s pricy contract. CBS is lucky not to have these problems, having already given a full season order to its new hit, “Jericho.” And now it’s copying ABC by making a risky move with the freshman. As many of you no doubt know, last night was the end of ABC’s “Lost” run until early next year. Well, CBS is doing the same thing now with “Jericho” — after the show’s Nov. 29 episode, it’ll be gone until mid-February, when Season 1.5 will kick in. Both networks obviously hope that folks care enough to come back after the months-long hiatus. And while it’s probably a relatively safe bet for ABC (even in light of “Lost’s” lower numbers this season), it seems less sure for CBS. But if the move backfires, CBS is already thinking about next season, ordering up a pilot for a new law drama. Brought to us by the folks responsible for “Numb3rs,” the show will focus on public defenders and hopes to fill a much-ignored gap on network television, the show about lawyers. About bloody time! — Seth Freilich

Item #6: The box office delivered fantastic news over the weekend, as Borat, which opened on only 800 screens, nevertheless conquered the competition by racking up $27 million in ticket sales. Buoyed by this success, 20th Century Fox has decided to see how much more money it can extract out of the franchise, hiring Will Ferrell to replace Sacha Baron Cohen in the sequel, in which Ferrell will stand in front of a camera wearing a mustache for 90 minutes while spouting broken gibberish with varying degrees of volume. (“Incompetent Whack-a-Doodle SHIZBLAT! Carnal Rodeo. US OF A!”) The Santa Clause 3 debuted at number two, with a nearly $20 million opening, ensuring any number of sequels, all of which will remind me of my worst Christmas experiences. Thanks, Tim Allen! Flushed Away was actually a surprise, too, coming in third place and making a solid $18 million. Congrats, Aardman Features.

This weekend has four new wide releases, starting with the aforementioned Stranger than Fiction, which may be the last opportunity any of us get to see Will Ferrell do anything aside from stand in front of a camera and spout gibberish. (“Rhino HULKY BEAR Purple Farts. Moon Missiles.”) Russell Crowe stars in A Good Year, directed by Ridley Scott. And is it just me, or do the trailers make the film look like the masculine counter to Under the Tuscan Sun? Christian Bale will open with Harsh Times — and if it looks like Training Day redux, it’s because it’s written and directed by the same guy who wrote the Denzel Washington film. I’d be optimistic about its chances but for the presence of Eva Longoria. Finally, Sarah Michelle Gellar brings us The Return, which only looks like another dreary, tedious J-Horror remake. I’m guessing, however, that it’s a run-of-the-mill, American, dreary, tedious horror film. Additionally, two other films will expand their run, so that y’all out in middle-America can see two of this year’s better features: Borat opens in 2,500 theaters, while Babel expands into 1,250. — DR


Pajiba Love 11/08/06 | Pajiba Love 11/09/06





Comments

Looking at the above movies on tap for this week, I wish we could fast-forward, or better yet--flash-forward--to next week because I'm curious about Pajiba's response (reviewer as well as commentators) to Casino Royale. I'm not a huge fan/follower of the franchise (I haven't seen a single Brosnan Bond film), but the CR trailer has peaked my interest, and I'm looking forward to the inevitable (and inevitably amusing) "no blond Bonds!" debates.

FWIW, it looks to me that Daniel "I don't drive stick" Craig has pulled it off, but what do I know, not having seen the film and not being allowed an opinion as an avowed non-Bond-connoisseur?

This recent BBC news article may be of interest to avid fans and/or potential "boycotters":

http://news.bbc.co.uk/2/hi/entertainment/6116286.stm

Like I said, I'm looking forward to seeing the film and reading opinions as they effloresce over the next couple of weeks. Me loves a good pop-culture debate.

Posted by: ranylt at November 9, 2006 8:58 AM

oh, still laughing at the Will Ferrell gibberish bits.....

Posted by: dammit janet at November 9, 2006 9:09 AM

I know you think W.Ferrell is white bread humor, but I can't help it. He makes me laugh till I tinkle just a wee bit.

SBCohen aside, nobody else is out there making comedies worth seeing--or even renting. Right now, White Bread Will has the corner on the market and that's fine with me!

Posted by: wsapnin at November 9, 2006 10:04 AM

Actually Studio 60's last episode was the most boring one yet. If it continues in this vein, I might not even care if it's on or off the air anymore.

Too bad, as you'd think with Mark McKinney writing whole episodes now, there would be something... more to them. I wonder if he is falling victim to them same corporate BS the show is supposedly against.

Posted by: Karina at November 9, 2006 11:04 AM

"Hot on the heels of New Orleans, Paramount is also expected to announce a DMX/Sandra Bullock international-adoption romantic comedy, featuring the DMX hit, "What These Bitches Want," a song about the incessant demands of Malawian infants."

can't....breathe...

Am I the only one who actually wants to see this film?

Posted by: KDM at November 9, 2006 11:14 AM

KDM: No, you're not. I think the movie should be named after the song while we're at it.

Posted by: Justin at November 9, 2006 11:23 AM

Damn it! I gave up on Studio 60 a few weeks ago (when I read it was definitely canceled) so that I wouldn't become invested in characters who were then taken away long before their time. I still can't quite accept that Swearingen et al from Deadwood have been taken from me, ripped from the mental womb so to speak. And the character assassinations on Gilmore Girls have been equally bad so they're dead to me. Can anyone tell me if it really is worth getting back into Studio 60 or will my little viewer's heart be broken all over again?

Posted by: Siobhan at November 9, 2006 12:08 PM

As long as Will Farrell stays away from any big-screen adaptation of "Blades of Steel" he can do whatever he wants.

Posted by: Peter at November 9, 2006 12:26 PM

after the absolute travesty that was The World Is Not Enough, Casino Royale would be a welcome change to me; new bond or no.

Connery will always be the man, Brosnan was also excellent, I'm curious to see how well the new guy can play the part. judging by the trailer he seems to have pulled it off.

Posted by: razh at November 9, 2006 4:43 PM

If "A Good Year" comes across as the masculine version of "Under The Tuscan Sun", it's because the movie is based on the Peter Mayle novel that's basically Under The Tuscan Sun, with a dude instead. Seriously. I read the book and the whole time I was thinking, "This guy got paid to rewrite that stupid movie with Diane Lane that was nothing like the book..."

Posted by: Dani at November 9, 2006 4:47 PM

Studio 60's still OK. Damn, give a show awhile to get up to speed. It's sorta typical Sorkin, except behind the scenes of SNL instead of the WH. I'm over the whole "Christian chick on a comedy show" storyline, but whatever... I think it's worth seeing for M. Perry, B. Whitford and DL Hughley. They all rock. Oh, and Steven Weber as the CEO guy. He's awesome. And Amanda Peet is fine, too, though seems WAY too young to actually be the head of a network. They should have cast someone realistically aged (like 40-something). And the show is pretty well-written. The fact that the show within a show doesn't seem to be all that funny doesn't matter to me. The point is the behind the scenes crap.


RE new Bond: There ain't nothing wrong with him. Even if the movie is just 2 hours of looking at Blonde Bond, fine by me. 007's a cartoon character anyway. At the risk of incurring the wrath of Bond purists, I think Pierce Brosnan was the best Bond and his Bond movies were the most entertaining. Even the one with Halle Berry in it didn't suck too hard (though it did suck). How many different ways can someone almost destroy whole countries and be thwarted at the last minute by Bond and Bond Girl?

Posted by: LL at November 9, 2006 8:17 PM

I once knew a guy who wrote a screenplay with maybe the best title I've ever heard: Jesus Saves Coupons.
Really? Seriously? I would totally watch that movie.

Russell Crowe stars in A Good Year, directed by Ridley Scott. And is it just me, or do the trailers make the film look like the masculine counter to Under the Tuscan Sun?
Nope, not just you, Dustin. Slumming, are we, Russell?

Posted by: Daphne at November 9, 2006 9:20 PM

I, for one, walked out of Talladega Nights half way through. Never again, Will. For every new movie he makes, I will just pop in my copies of Elf or Anchor man. I'll still get the gibberish, without wasting any more money on him.

Posted by: Scott at November 10, 2006 12:20 AM

All right, goddamnit, enough of this.

Please pay attention: Elf was NOT funny. It was not funny at all. Not one scene. Not one line. Not even the stuff with Bob Newhart. And James Caan looked like he wanted to kill himself the whole movie. (I wish he had killed Will Ferrell.)

Everyone I knew who saw it liked Elf. All the critics I read said it was a funny movie. So I Netflixed it. I'm still apologizing to my husband.

Elf is not funny. Don't believe me? Rent it again.

Just shut the hell up about Elf.

Posted by: Jerce at November 10, 2006 12:29 AM

Sounds like someone lost their Christmas spirit...

Posted by: Mara at November 10, 2006 1:14 AM

-Please pay attention: Elf was NOT funny.

I agree with you whole-heartedly Jerce! Thankfully, my Christmas spirit is still in tact.

Posted by: Jo Ann at November 10, 2006 2:11 AM

"Sounds like someone lost their Christmas spirit..."

Nope, I still have my Christmas spirit, in spite of being subjected to empty, idiotic, taste-free "holiday" pap like Elf. Believe it or not, I still cry at the end of It's A Wonderful Life.

Good Christmas Movies/TV: A Christmas Story; A Charlie Brown Christmas; The Santa Clause (first one only--sweetly funny); How The Grinch Stole Christmas; It's A Wonderful Life; and about five percent of the Christmas Carols (they grind out about four new variations per year).

Shitty Christmas Movies/TV: Too numerous to mention.

Forgotten But Awesome Christmas Carol: The one made in the Eighties with GEORGE C. SCOTT as Scrooge. Best one ever made. Go find it; you won't be sorry.

Posted by: Jerce at November 10, 2006 10:12 AM

Wow, Jerce. I'm glad I don't feel the same way. I saw Elf in the theater with my best friend and my 10 year old daughter and we laughed until we cried. Bought it the day it came out on DVD, bought the soundtrack (my daughter listens to it at least monthly) and it's one of our favorite movies.

I can't even begin to imagine how someone could hate Elf as much as you. Indifferent, sure. My husband is indifferent to it. But the hatred, wow.

"There's no singing at the North Pole."

"Yes there is!"

Posted by: Kathy at November 10, 2006 10:52 AM

Well, Kathy, there's no accounting for taste, and public opinion seems to be with you on this one. I'm glad you have fun with it.

(The last movie that made me laugh until I cried was Revenge Of The Sith. Before that, it was The Day After Tomorrow.)

Posted by: Jerce at November 10, 2006 11:02 AM

Man, I liked Russell Crowe a lot more when he did movies like "The Sum of Us" and "Proof"...and he really needs to shut up about that lame phone-throwing incident. You're an ass, Russell. Accept it and move on.

"Elf" was OK--kind of "meh" in my opinion--but I still don't see the big deal about Will Ferrell. He has his moments, but I don't know, I guess it's just not my kind of humor. He was still better on SNL.

Posted by: em at November 10, 2006 11:47 AM

Both my partner and I, as well as a few of our friends, prefer Will Ferrell in ensemble thingies full of other comedy big-guns rather than as comedy lead. We were unexpectedly "indifferent" to Elf and Anchorman, but things like "Old School" really work for us--he seems so much more brilliant when he isn't under total pressure to carry a movie on his own. Solo, his schtick just gets too forced for our taste--he gives off this scent of desperation (although I recognize this isn't the impression plenty of other viewers have).

That said, I'll still probably catch Talledega (sp?) Nights and Blades of Glory on some plane trip or some rainy sick day...not sure why. I guess there's some underlying loveability to the big lug, as annoying as he is IMO these days.

Posted by: ranylt at November 10, 2006 11:49 AM

I'm with Jerce and others on Elf. Not funny. The funniest thing Will Ferrell ever did was an add-on to the DVD of Old School where he does James Lipton from Inside the Actors Studio. All of his other stuff might be funny in 15 minute clips also, but none of them works for a full movie. Frank the Tank was great in Old School because he only appeared for about that much time on his own.

Posted by: Siobhan at November 10, 2006 12:29 PM

"Blades Of Steel" should be pretty awesome, if just for the fact that it will have Amy Poehler, Will Arnett and Jennsa Fischer in it.

And I thought Brosnan was bit too dandy as Bond. You need someone who you could picture having rough sex with a barely willing woman and slapping around dark-skinned foreigners. Like Connery, and now Craig.

Posted by: No Nickname For Me at November 10, 2006 12:53 PM

I think the thing with Elf is you have to REALLY appreciate silly, goofy humor. If you don't, I can totally see how it wouldn't be very funny at all.

The scene where he drinks an entire two liter of Coke at one go, then several minutes later lets out this horribly long loud belch, then says very innocently and very impressed with himself "Did you HEAR that?" cracked me up so hard.

But I'M silly and goofy. If he had JUST burped, that would have not been very funny. But what he said was.

Elf was also very sweet, I thought. Bob Hope as Poppa Elf--brilliant. He just wanted a son.

Will Ferrell in the mail room with the ex-con, drinking "syrup" in their coffee. The cute romance between the elf and Zoeey Can'tSpellHerLastName. "He's an ANGRY elf."

I was in a good mood for two days after I saw it. Probably because it was as silly and goofy and corny as I am.

Posted by: Kathy at November 10, 2006 2:26 PM

"You need someone who you could picture having rough sex with a barely willing woman and slapping around dark-skinned foreigners."

Yes, that's why I like Bond--(barely) sex abuse and xenophobia.

All this time I thought it was about gadgets and fast cars.

Posted by: anikitty at November 10, 2006 2:33 PM

"I think the thing with Elf is you have to REALLY appreciate silly, goofy humor. If you don't, I can totally see how it wouldn't be very funny at all."

That's a good point, but it has me wondering why some of us can find something as stupid as Dodgeball hilarious but not laugh much at Elf (sure, we laughed one or twice, but like Em says in his/her post--"meh"--and it's not like we're big Ben Stiller fans, either)? Is it because there is a darker, more satiric edge to the former? Is it because Stephen Root rocks so much in everything he does? I don't know. Some goofy/silly stuff just works, others don't. While we all have our broader preferences for certain types of humour, IMO it's a mystery that sometimes goes beyond genre or formula and germinates somewhere, I think, in the irrationally inconsistent individual--and includes factors like right mood at right time, unmet expectations, etc. No rhyme or reason.

Posted by: ranylt at November 10, 2006 2:36 PM

Bob Hope as Poppa Elf--brilliant.

...

You know, I think I'm getting a handle on what might be the problem here...

Posted by: Jerce at November 10, 2006 2:36 PM

ranylt, I think you're right.

Jerce, problem? There's no problem, just different opinions being expressed. No need to snark. I'm sure your sense of humor is far more dignified and refined than mine. I'm good with that, LOL.

Posted by: Kathy at November 10, 2006 2:40 PM

Good for you. Really.

LOL.

Posted by: Jerce at November 10, 2006 3:44 PM

Weirdly, Elf is the only Will Ferrell movie I enjoy. To each his or her own, of course. I do, however, enjoy his James Lipton impersonation very much. Since we're talking about Christmas movies, I LOATHE, with every fiber of my being, A Christmas Story. The fact that TBS or TNT or USA or some such channel sees fit to air a 24 hour marathon of it every fucking year really boils my blood.

Also, call me crazy, but I thought Bob Newhart was Papa Elf?

Posted by: Daphne at November 11, 2006 3:16 PM

Hey Jerce! You're an asshole! Shut the fuck up! LOL!

Posted by: NotJerce at November 12, 2006 4:10 AM

You are correct, Daphne. Bob Newhart was in Elf. That is probably because Bob Hope, much like Charlie Chaplin and Buster Keaton before him, is DEAD, for God's sake.

That's what I was trying to point out--politely--but for my pains, I get called an asshole.

*sniff-sob*

Posted by: Jerce at November 12, 2006 7:51 AM

Well, for whatever it's worth, I don't think it's right that you were called an asshole for it. It was simply a mistake on my part to say "Hope" instead of "Newhart." I realized it last night as I was telling a friend about the woman on Pajiba who was so hostile about Elf. I said "OMG, I said Bob HOPE" and had a good laugh over it.

Thanks, Daphne, for just stating the mistake.

Posted by: Kathy at November 12, 2006 12:45 PM

Daphne - so curious why you hate the unassailable "A Christmas Story." I feel like every person in the world loves that movie. I don't, of course, but I'm curmudgeonly. Give me Addie Mills's "House Without a Christmas Tree" any day of the week for a coming-of-age story.

For the record, "A Christmas Story" depresses my mother tremendously - mainly because the father is kind of a prick. She says it reminds her of everything bad about growing up during that era.

Posted by: Samantha T at November 12, 2006 3:15 PM

Samantha T -
There's nothing specific I can mention that I hate about the movie. I haven't watched in a long time, but I do recall being bored to tears. I think what angers my blood so much is that it's held up as a classic Christmas film in addition to some network being compelled to show during a marathon....of nothing but the movie. Not Christmas movies in general - just ACS. OMG. It's not even Christmas, but I know what's coming. Kill me. Kill me NOW.

Posted by: Daphne at November 13, 2006 11:33 PM





Video ads popping up after each page view? Try clearing your browser's cookies.