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For Better Or Worse, You're Probably Going To Get A Cloverfield 2

By TK | Posted Under Trade News | Comments (12)



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Cloverfield was one of the more heavily divisive films of 2008 (and is it me, or does it feel like it came out more than three years ago?). Our own Dan Carlson enjoyed it, though noted that it’s not without its flaws, an opinion I pretty much agree with — I thought it was a tightly made, entertaining bit of monster mayhem that got bogged down and had some really annoying characters. But overall, I really dug it. But a lot of people hated it, or thought it was shaky-cammed to the point of nausea-inducing, or just thought it was crap. Each their own, right?

Well, either way, you’re probably going to see a sequel. Total Film interviewed director Matt Reeves, and he had this to say about it:

“Well, you are going to see it — we just don’t know when [laughs]. At the moment we are talking about the story quite a lot. Drew Goddard, who wrote the original, is going to pen the sequel and JJ Abrams is very much involved… However, the three of us have been so busy that getting the right idea together has been taking a long time.”

Given Abrams’ schedule, it could take years for him to get freed up, but Reeves sounds pretty definite. Then again, Reeves isn’t exactly drowning in projects — since Cloverfield, he’s directed Let Me In and… that’s it (side note: did you know he wrote the script for Under Siege 2: Dark Territory? Me neither), so it could be that he’s trying to drum up some business. As for how they’d handle the sequel, stylistically?

“You see, that’s a difficult part: we want it to be shot like the first but how can you continue that idea successfully for a second time?… We have a lot of affection for the original and the sequel can’t just be the same thing. But that is tricky when you need to have a monster destroying stuff once again.”

Story-wise, there are several places you could go, particularly since one of the smart decisions in Cloverfield was to never bother telling the audience anything other than what the protagonists experienced. As to the hand-held, real-time aspect of it, that’s far trickier ground, because it begins to smack of gimmickry, especially given how many movies since then have adopted the same techniques. Regardless, if it does happen, it’s not going to be anytime soon.









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Comments

After you've seen the ponys one trick...

Posted by: logan at March 22, 2011 10:47 AM

... you trick out the pony.

Posted by: cinekat at March 22, 2011 10:53 AM

Or do a donkey show.

Posted by: lubeg at March 22, 2011 10:57 AM

My issues with the first film did not involve the shakycam or the acting. They all involved the abuse of NYC geography. I spent the better part of a week trying to wrap my head around which magical subway track they used to go that far in that direction in that brief amount of time without switching tracks. Better yet is the mystery of crossing the bridge to being in Union Square while only crossing three streets consisting of no major landmarks. The answer is obvious: wizards. I'd like to see that direction explored in a sequel.

Posted by: Robert at March 22, 2011 11:07 AM

Gee whiz, Robert, you'd think with all the movies made and set in NYC, you'd be used to directors and writers screwing up geography and landmarks by now. I mean, we've only had a handful of TV shows made and set in DFW, and I always just get a kick out of the blatant misuse of the area. Like, in an episode of The Good Guys, which involves the DALLAS police department, where they not only go out of their jurisdiction (to a seedy motel in ARLINGTON 20-30 miles away from downtown), but they also get in a shoot out and make two arrests. Knowing the geography, that sequence is complete and utter malarkey. But that didn't get in the way of my having fun with the show, and at it's expense. You might live in the greatest city in the world, but no one else gives two bits.

Not that I loved Cloverfield, but it was entertaining. A couple easy ways to do a sequel and keep the shaky-cam/documentary feel: Follow one local/national television news crew as the monster wrecks the city, or, follow one military crew with an embedded reporter (those guys/gals all use their own handheld cameras now, anyway). If they want don't to Rashomon the series, then do either of those things with another attack in another city as the monster spreads its carnage across America, I guess.

They're really overthinking it. It's a gorram monster movie.

Posted by: RobP at March 22, 2011 11:28 AM

Do it as a romcom from the monster's point of view. It's just looking for love!

Posted by: mrcreosote at March 22, 2011 11:35 AM

I'm used to those issues, Rob P, but this film was all about "How do we get from point A to point B" and the answer was not anything close to what they came up with. I can normally ignore it (Enchanted, for example, claims Washington Square Park is part of Central Park for "That's How You Know," but it's pure fantasy and I forgive them) but not when the geography is integral to the film. Maybe if the time stamp wasn't constantly shown or the director cut back on a few of the 9/11 visual motifs (like that dust storm down the streets that almost had me leave the theater, or the twin apartment towers with serious structural damage at the top floors where one had a long spire and the other did not) I could have gone "whatever." But he didn't, so I won't.

And I liked the film for what it was. I just think that, as a found footage film, it should have reigned in some of the jump thirty blocks in two minutes staging. If I'm sitting back thinking "now that's not where that street goes" during this kind of film rather than watching it, the director isn't doing enough to keep me distracted from those mistakes.

Posted by: Robert at March 22, 2011 11:48 AM

I know I'm fed up with all the geographic inconsistencies with movies set in Akron.

That's Akron, Ohio people.

Oh, fuck off.

Posted by: superasente at March 22, 2011 12:12 PM

I'm still pissed off about Cedar Rapids filming in Ann Arbor, Mich.

Posted by: idiosynchronic at March 22, 2011 12:45 PM

Fair enough, Robert. I can see the distinction between geography being integral to the story (as, you're right, it is in Cloverfield) and when it's just used as setting. But I'm never not stunned, no matter how many times one hears that common refrain from NYC and LA dwellers, that the creators in question ruined the movie/show for them by getting the geography wrong, or not exactly right. For one, it's generally beside the point, and two, considering the sheer amount of stuff that's set in those locales, I figure people should be desensitized at this point.

Posted by: RobP at March 22, 2011 12:49 PM

I'm fine with this, the first one could have been good if they hadn't decided to make the characters as insufferable and boring as possible. Now that they're dead we can focus more on the monsters and less on some lame 'romance' that no one cares about. I spent most of the first film wishing the camera guy would just ditch the others.

Posted by: Steph at March 22, 2011 2:03 PM

I want to see Cloverfield from the Military/embedded journalists POV. Same movie, different POV.

Posted by: Adam C. at March 26, 2011 5:16 PM