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I Must Break You

By Brian Prisco | Posted Under Think Pieces | Comments (36)



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A friend I went to college with, Sybil Nelson, wrote a young adult novel called Priscilla the Great and I really wanted to review it for Pajiba. She had been getting a lot of killer reviews, and was saying folks were comparing her book to the Percy Jackson series, which I loved and still wince thinking how they irrevocably cocked up the entire genre of mythology for a long time between that and Clash of the Titans. So I got a copy of Sybil’s book and read it. And I really thought it was terrific. I wouldn’t compare it to Percy Jackson so much as I would The X-Men or Teen Titans. It’s about a preteen who starts to discover a series of superpowers: lighting her hands on fire and heightened senses. The story unravels really nicely, with a couple of extremely clever surprises. I know Sybil sold the movie rights, and in the right hands, they can do a bad ass flick in the vein of Sky High that one of us will nitpick the shit out of when it gets released in the coming years. My only reservation about reviewing it for the site was that I felt like it skewed a little young. But that’s also what’s so excellent about it. It’s a great book for preteens without relying on the PG-13 tropes that most young adult novels can fall into. Usually, children’s books neglect those kids who’ve graduated beyond chapter book but aren’t quite ready for the sexuality and violence ramped up in the teen books. This doesn’t, and I really admire her work. Is it a perfect book? No, but for the age group it’s aimed it, they’ll gobble it like candy coated candy made of candy. The only mistake I think Sybil made was selling it for movie rights. I don’t know what she’s planning on doing for the rest of the series, but the way she’s set it up, it’d make an astonishingly badass cartoon for the new Genndy Tartakovsky. Oh, Samurai Jack, you can’t come back fast enough. So if you’ve got kiddos in the right age range, snag a copy of Priscilla the Great because it’s a darn good book.

But. While Sybil was doing press for her book, she’s been checking out the reviews. And while most of them have been pretty stellar, she’s noticed that a few people have taken to what she calls “book bashing.” She wrote a guest blog at The Bookscape Report where she takes bashers to task for needlessly and viciously ripping apart a book. The brunt of her argument is mostly that if only we knew how hard an author worked to get published, all the blood, sweat, tears, and fast food gorging went into the years and years of trying to get published, we might be a little more civil.

Nope. Not a chance in hell.

We can be plenty mean-spirited in our reviews around here. We dish out some pretty fierce rebukes when it comes to our writing. And sure, there are a few things I’ve written that in hindsight, I do feel went a little far. Clearly, I don’t think Denise Richards deserved to be abused by Charlie Sheen. Clearly, I don’t think there are filmmakers who deserve to be shot out of a cannon and into the sun. Do I wish that some folks weren’t able to make movies any more? Well, yeah. Does that come out of jealous and bitterness and spite? Maybe a little. But it mostly comes out of wasting my time.

It’s not my place to offer constructive criticism. I’m not your teacher, giving you a grade. I’m just an asshole with an opinion. Most of the time, we’re selling a product. We’re entertainers. We’re also knowledgeable as fuck, in most cases. We try to be witty and amusing so you keep coming back. You expect a little fiery hyperbole. Maybe something isn’t necessarily as terrible we make it out. Maybe we go a little overboard decrying something as “a cinematic abortion that somehow crawled into the nearest butthole and spontaneously spawned.” But, we speak what’s true to us.

And that’s just on movies. With movies, we commit anywhere from 80 minutes to 3 hours our lives. I’ve got more free time than most, but still. That’s time I could have spent doing something better. Watching a better movie. When I read the synopsis of your film, when I watch your trailer, we’ve entered into a contract. You’re going to tell me an interesting story or at least tell it in an interesting way. If you don’t do that, you’re wasting my time. And that pisses me off. If I watch your television series, sometimes it takes a few episodes to get firing properly. Or sometimes I’ve settled in to watch a whole season. And you’ve changed it for the worst. Or it’s not as good. That’s anywhere from 6 to 22 episodes. That’s a lot more wasted time.

And with books? Holy shit. I’m a pretty speedy reader, and it usually takes me a few days to finish a book, if I can commit six to eight hours a day to reading. So when I read the back cover, you’ve promised me that you’ve written something interesting. You’ve made a deal with me that you’ve done your best to tell me a good story. And if it turns out to be bad? Then I’ve not just wasted a few hours. I’ve wasted days on you. Days I don’t get back.

So you want me to feel bad because it was hard work? It should be hard work, goddammit. It should be mind-breaking, finger-bleeding, ass-numbing work. It should be hard as hell. And it’s not just Sybil. This isn’t directed at her. This is directed at all the folks who’ve ever written in here telling us, you just don’t understand how hard these people worked. And you’re shitting all over that.

I busted my ass to make my student film. I had so many obstacles thrown in front of me. I was trying to be one of the first screenwriting MFAs at Boston University to qualify for the Sumner Redstone Film Festival. They changed the rules so many times, they should have just added number 12: Fuck you, Brian Prisco. I wasn’t allowed to use the cameras. I fought to get my hands on a video camera that I was only allowed to use over the weekend, from Friday night to Monday morning. I scrounged up a location, a karaoke DJ, and shot in my apartment. I didn’t have time to audition actors, so I just used my friends. I did my best. While all the film production students were shooting for thousands of dollars, I shot mine in two days for $137. Most of which went to catering a party at Pizzeria Uno’s on Commonwealth Ave for agreeing to let me use their basement. For all that work, it was a fucking Oscar winner.

But that’s not what matters. I don’t go up before every screening and tell people that. The film has to speak for itself. And it’s bad. Is it the worst film ever made? Not at all. It’s got some rookie mistakes. I can do better. I’d love to reshoot it. There are moments in the film that make me so fucking proud. But overall, it’s pretty shitty. I never screened it for the public. I didn’t want to waste people’s time with an inferior product.

And neither should you. If someone takes a shit on your book, or your film, or your play, or your television series, sit back and think, are they right? Chances are, they probably aren’t. They’re just one person. I know for a fact I’ve written negative reviews that inspired people to go see the film specifically because they hate my taste and think I’m always fucking wrong. Hell, I get attacked at least once an article. In fact, I expect to get attacked in this one.

So is it fair to annihilate someone’s hard work just to get some more page hits or just to make yourself feel better? Not necessarily. But it’s just as bullshit to waste my time with an inferior product. So I think Sybil’s completely wrong. But I also think she wrote a hell of a good book. So I’m glad that it took her years and years to crank out Priscilla the Great. Because that hard work paid off in the end product. And I’m really looking forward to her success with the film.

Which better be good or I’ll rip it to fucking pieces.









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Comments

I agree. Although certain books may not be suitable to certain tastes, the amount of effort should definitely be taken into account.

Similarly, I face this issue all the time as a novice standup comic. Hecklers fail to realize that, no matter how bad someone is doing, they still have the guts to be onstage in the first place. Yes, I do find certain comics unfunny, but I still give them credit for doing it in the first place.

Posted by: Parker Jammstein at February 2, 2011 2:08 PM

To paraphrase: suck it up, buttercup(s).

Posted by: Ian at February 2, 2011 2:10 PM

Student: "But Dr. Linny, I worked SOOO HAAARD on this paper/test/whatevs! I studied/wrote/thought for HOURS and HOURS!"

Dr. Linny: "Student, you made several mistakes on the test/paper, and it did not reflect the material/was poorly written/it is clear to me you do not know beans about this topic."

Student: *Puppydog eyes me*

Dr. Linny: "I'm sorry, I do not grade based on effort, I grade based on content. And this? Yeah. Not an A."

Student: *walks away calling me unmentionable things*

...The best part is, as a Social Psychologist, I know that whenever people hear criticism, the first move they make is to blame the critic in question rather than ego-depleting by looking int the fucking mirror to figure out what went wrong. So even though my students earn their grades, by their book, I am a whimsical god passing down arbitrary points from on high, and if they don't get enough, by Zeus, it must be my fault.

Posted by: linny at February 2, 2011 2:18 PM

When it comes to art, trying really hard is great, but it's just not good enough. People will judge you, and you better have the cojones to handle unfair, mean-spirited criticism because it's the rare artist who is going to get more praise than complaints, and even those artists who do are still going to get complaints.

Posted by: Wednesday at February 2, 2011 2:23 PM

You want harsh criticism? Wait until your Mom tells you something you did sucks.

Here in the south, at least, Moms are supposed to be that last bastion of "you tried your best, we love you even though your a failure" kinda thing. I'm a writer, have been for a long time, and think I do pretty damn good most days. Showed my Mom something I'd done (recently) and she said: "Wow, that really sucks. Are you sure you wrote this?"

And you know what, she wasn't wrong. But still, yikes.

Posted by: dahlia6 at February 2, 2011 2:25 PM

Er....did Parker Jammstein stop reading 2 paragraphs in? 'Cause I think you missed the point.

Here's something else to think about: Making the movies, the books, the music...it's 'art' but it's also a job - and you should expect to be called out when you don't succeed at your job. With the arts, granted, success is more subjective, but them's the breaks.

Posted by: Sara Tonin at February 2, 2011 2:25 PM

Trying is exactly that: trying. It's not doing, no matter how much you want it to be.

Posted by: TWoP_Fan at February 2, 2011 2:30 PM

I think you've made an excellent argument, Prisco. When I watch a movie trailer or read a book's synopsis or television previews, the creator has told me "Hey, you with the iridescent tits, you're going to like this." If I don't, well then motherfucker you lied to me.

What's more is that I pay for 99% of the media I consume. I don't download torrents or music, I don't watch TV on the internet, hell, I don't even borrow books from the library. Therefore I feel that it is my right as a consumer to be able to tell the producer of tripe that it is, indeed, exactly that in whatever manner I choose. I don't fucking care how hard you worked on it, I work too and I just paid you for a flaming pile of pickled dog assholes. Go munch a fuck, fuckmuncher.

Posted by: admin at February 2, 2011 2:30 PM

You won an oscar?

Posted by: wemblydale at February 2, 2011 2:31 PM

@linny, I swear kids now are taught only to take ownership of good (regardless of their own effort vis a vis good product) and find blame for bad (again, regardless of their own effort). Compound that with lowering the bar as to what "good" is, and you get much of the frustration of dealing with teens today.

I think we should give serious consideration to teaching kids how to take both compliments and criticism in school. I don't think it's a skill they're learning elsewhere.

Posted by: leuce7 at February 2, 2011 2:31 PM

Prisco, PUH-LEEZE screen your movie on Pajiba.

I will blow you.

I. Will. BLOW. You. (upaninflatablebeachballbutscreenitanyway)

It cannot possibly be worse than half the shit we watch. Have you seen the Night of the Demons remake? Shannon Elizabeth looks like a botched plastic surgery monster ate her youthful body and craped out a spray-on-tanned brunnette mutant. Edward Furlong was practically wiping the cocaine away from his nose while they were shooting the horror sequences. There is no way in hell your movie could be worse than that shit. No way.

Screen it. Make your dreams come alive [jazz hands]!

Posted by: superasente at February 2, 2011 2:49 PM

I suppose it's possible for criticism to be too cruel, but that would entirely depend on how sharp/mean the critic is, and how fragile the creator. In any case I don't buy the "If you only knew how hard it was!" argument. It's supposed to be fucking hard. If it was easy, everybody would be writers/painters/musicians etc. In the (ideal) grown up world, success should come from the result of your effort, not the mere fact that you made an effort.

Posted by: Groundloop at February 2, 2011 2:50 PM

When you put anything "out there," criticism has to be expected. Does it hurt when you've spend a great deal of time and effort creating something? Of course -- but to think that you shouldn't get or aren't going to get the bad right along with the good is completely unrealistic. Like anything else in life, what matters is that you put it out there.

Any publicity is good publicity.

Posted by: Cindy at February 2, 2011 3:04 PM

As a survivor of Prisco criticism, I can say I emerged a better writer. Sure, he made me cry but I made him read my entire book and there’s a certain satisfaction in knowing that for two days I filled his head with my thoughts.

Posted by: SwedishAcid at February 2, 2011 3:17 PM

I agree with you to a certain extent.

I understand the entertainment value of an overly negative review. I've gotten a kick out of many of them on this site, and if you're putting art out there, you have to be prepared for the entire spectrum of reactions.

At the same time, though, I understand the effect that unnecessarily harsh criticism - rather than constructive criticism - can have on an overly sensitive artist. (And aren't most artists overly sensitive?) Thankfully many artists are accustomed to feedback and have thick skins, but for some - particularly the ones who have not had as much positive reinforcement - it can be a real kick in the teeth. It's the sort of thing that might make someone believe he or she is a shitty writer. Maybe they give up, and we're all worse off for the lack of what could have been produced given just a little more encouragement.

Maybe I should go get a job with the Foundation For A Better Life.

Posted by: DarthCorleone at February 2, 2011 3:19 PM

It's the sort of thing that might make someone believe he or she is a shitty writer. Maybe they give up, and we're all worse off for the lack of what could have been produced given just a little more encouragement.

That's the exact mind set that gives us the first five (and only watchable) episodes of American Idol.

Posted by: admin at February 2, 2011 3:24 PM

dahlia6 >> I almost can beat that. I've been told that my work sucks by: my best friend, a writing teacher, and someone who works in the industry. Thankfully, my mom pulls her punches.

Posted by: DarthCorleone at February 2, 2011 3:25 PM

admin >> I avoid American Idol like the plague, but from what little of it I've seen, it seems like some of the rejects leave that audition with the delusion that Simon, Randy, and Paula were simply out of their minds.

Posted by: DarthCorleone at February 2, 2011 3:27 PM

I make no apologies. If someone put countless hours of time and effort into a project no matter what it might be, no matter the intentions, no matter the labor of love, if the end result comes out like crap- they're going to be called out on it. Effort alone does not excuse a lack in overall quality.

Some people can put in very little efforts and get results that others toiling away can still only dream of. That's life and it isn't fair. Nothing that really can be done about it except to wear a cup and soldier on, evolve, and become a stronger artist for it.

Bear in mind critics are paid to find the flaws because a critic who thinks everything's great isn't employed very long. Some critics take the time to deconstruct something rationally and reasonably trying to explain why something worked or did not...and others do not. Some critics would tear anything apart with the fury of a 3-year-old Airedale, never taking the time to appreciate the potential beauty and for that matter not even being skillful in their wanton destruction.That said, there are in fact critics out there that get their jollies by mercilessly teeing off on anybody's work for some of the most trivial of details. I'm sure if somebody really wanted to they could in one fell opening of their bladder, piss all over the Mona Lisa, Don Giovanni, North by Northwest, The Catcher in the Rye, and Abbey Road without stopping for a beer run. Doesn't even make it true. For those critics (and thankfully none to be found in this forum) are doomed to inevitability be seen as the disgruntled feebs they are and destined to have their words find eventuality in oblivion. In the end they are but opinions and while it's nice to have someone offer kind words for your work, don't ever expect them.

To any artists out there regardless of your method, I say again- critics are an obstacle to overcome regardless a positive or negative review. Like awards, if your productivity is for them and not for you and the passion you have for your craft, then I would suggest giving up and taking up a new hobby because pleasing them is next to impossible and often unfulfillable if you sacrifice your vision to do so. You will risk upsetting the harshest critic of them all; your soul, the one critic you'll not likely recover from should you disappoint.

Posted by: bleujayone at February 2, 2011 3:42 PM

A great piece, Prisco. It's an important point that overly critical reviews (regardless if they are about art or not) may still be correct just as cloying hand-holding can be harmfully soft. There's always a balance.

Thankfully many artists are accustomed to feedback and have thick skins, but for some - particularly the ones who have not had as much positive reinforcement - it can be a real kick in the teeth.

And those that have the thick skin aren't typically born with it. Great work isn't supposed to be inherently easy.

Posted by: branded at February 2, 2011 3:49 PM

bleujayone >> Well said. I would add, though, that in this world of increasing online connectivity where anyone and everyone can easily broadcast a loud voice in an open forum, the line between "critic" and "audience" is blurring very quickly.

Posted by: DarthCorleone at February 2, 2011 3:51 PM

A kinder gentler interwebs? Sadly, my first thought was "never gonna happen".

Here is the thing- not to be mean- but I have a utterly fabulous, hilarious, brilliant book that took me 4 years to write, and over the last year or so I havetried to obtain representation without even the tiniest amount of success.

Know why, chicken thigh? because either (a) my book really sucks and no one will ever want to read it or (b) everything worthwhile takes twice as long and triple the amount of work/effort we all think we need to exert to be successful.

and you know what, chicken butt? A LOT of people have written books and a lot of them suck, so place your bets on whether I will ever be published. But I can accept that. Sometimes your mom is a big fat liar and you aren't even close to being the prettiest girl in kindergarten.

Maybe what is wrong here is that our sense of entitlement is overblown. Maybe we shouldn't always be rewarded for finishing the race, maybe most often we should be rewarded for winning.

A published author- oh yea, she worked her ass off just to get an agent to acknowledge her existence. No question. But I already know that she'll need a thicker skin if she wants to continue to survive her success.

Posted by: JuiceinLA at February 2, 2011 3:54 PM

branded >> I don't believe merely thinking twice about the potential effect any given harsh comment might have and the degree of its harshness implies that an artist should or would expect anything to be easy. I'm not claiming any black and white dichotomy here; it's all gray to me.

Posted by: DarthCorleone at February 2, 2011 3:54 PM

I come at this from the perspective of a published author. I write college science textbooks -- have published two, am writing a third, and have contracts for a fourth and fifth. Although the perception might be that textbook writing is not necessarily as creative or "hard" as writing fiction, that perception would be most wrong. There is every bit as much of my heart and mind invested in my science textbooks as in my fiction (which I do write but for which no one pays me).

Part of textbook writing is an intense, exhaustive, frustrating, and often mind-numbing review process. The reviewers are ostensibly colleagues of mine who teach college courses in the same field as I do, and so for some reason I expected these reviewers to have some sort of clue about what goes into just producing a single chapter of a textbook. The words in a textbook don't magically appear on the page. It takes work, massive amounts of work, including research, planning, sketching and designing all of the figures (my discipline is anatomy and physiology, so the figures are insanely time-consuming), working out the pedagogy, and then of course, the actual writing of a 25,000-30,000 word chapter. For some reason, I had the expectation that reviewers would have some understanding of this and be constructive in their criticism instead of being simply unnecessarily harsh. I was wrong. While the majority of the reviews are reasonably positive and pleasant, some of them can get downright nasty, even abusive.

I'm meant to have a thick skin, being that this is what I do for a living, but the truth is that that is nearly impossible. When you create something, from a book to a painting to a film, there is a part of you in it. When someone trashes it, they trash you, irrespective of whether or not it was their intention. Yes, I am putting my work out for criticism, but criticism doesn't have to be nasty or personal.

I guess I'm a hypocrite because I regularly read this site with its tagline of "Scathing Reviews, Bitchy People." Mostly I read Pajiba because I like the writers and respect their opinions. I have to admit sometimes I wince when the criticism is overly harsh. I can see it from both perspectives--from that of the audience member and from that of the creator. Yeah, it sucks seeing a shitty film, but there are still a lot of people behind that shitty film that worked their asses off to produce it and who have a lot invested in it.

I guess what I'm trying to say is that it's fine to say that something isn't good. It's fine to say why you didn't like something. But that can be done without getting mean or personal. There is a big difference between, "I didn't like the way the director framed this scene," and "The director is a fucking moron for framing the scene in this way."

Posted by: GeekChic at February 2, 2011 3:56 PM

I see your point. And I agree with you...kinda. I mean if you put your work out there, you have to be ready for the people who aren't gonna like it. And there are certain celebrities and stuff I just can't stand and will bash them till the day I die. (Alex Rodriguez I'm lookin at you. Way to screw up my fantasy league, bastard). I was just trying to be a nice person. I mean, I write children's books. I gotta have the kiddies like me.

Thanks for the great review, by the way!

Posted by: Sybil Nelson at February 2, 2011 4:24 PM

I can be harsh with criticism, but I try to be accurate. I don't want to tear apart someone else trying to create something to make myself feel better. If I really can't find something positive to say, I won't write up a formal review of it. I'll figure out another less blunt way to explore the topic that acts as a surrogate for the review.

I've been on the other end of the criticism argument and can say from experience trying to stop vicious criticism just brings more criticism. Horrible, soul-crushing criticism that can effect your productivity, not to mention your emotional and mental state.

I guess I advocate fair criticism. I like to ask myself whether or not I would say something to the person's face that I wrote down. If I would, it stays in. If not, why not? How can I make the same point without being a total bitch? Repeat until I can defend myself from the "too cruel" argument.

Posted by: Robert at February 2, 2011 5:02 PM

I've often thought about the different intricacies of being a critic. It's especially complicated when the critics are admittedly an aspiring author/director/screenwriter/actor/whatever themselves. Sometimes the reviews can reek a little too much of "hey, this guy/gal has a career and I don't?! Gimme a chance, Hollywood!"

And let's not even get into the whole tortured metaphor trend of the '00s. "This movie is like Christina Hendricks nailing Angelina Jolie while decapitating Katherine Heigl as Arcade Fire blasts out of the murdertank and zombies get killed by kittens dressed as Joss Whedon characters." I mean, come on. Let's put that to rest.

Back on topic... isn't that a little too much conflict of interest? It's like a food critic being an aspiring restauranteur, or a music critic being in a band. There have been very few critics who have actually completed work to be judged by others. Truffaut and Ebert are the two that come to mind. Worked out well for one, the other? Not so much.

Maybe this is my new positivity tip... but I like recommendations more. Turn me on to something cool. Yes, it's fun to bash Michael Bay and Uwe Boll and whoever. Yes, it's way easier to write bad reviews than good ones. Still, I'd like a website where they just went into new genres and bands and video games and movies they discovered and want to share. And less overtly-bitter picking on the work of others. Because that's no fun, and while I am no regular, I do remember occasional criticism being launched at the fine folks behind the scenes here, and some skin being sometimes exposed as thin... coughToyStory3cough

Posted by: A-Train at February 2, 2011 5:06 PM

I was going to write somthing witty and on point, but am completly distracted by the thought that admin may have iridescent tits. I...I gotta see that!!

Posted by: noodlestein at February 2, 2011 5:48 PM

First off, profiling of an artist's critics should be undertaken: there are many out there, some of whom have been established for years, who have made their careers on trashing films, music, what have you, and are just out-and-out assholes; yet their opinion/criticism can almost always be relied upon to go against the grain of the popular opinion, or the opposite of what you think. This type should be dismissed and not worth one's attention at all, even if they happen to praise your work - can't have it both ways.

Secondly, the reviewers here (or is there a distinction between "critic" and "reviewer?") are people who obviously love film, and music, and books, and, like those of us who read this site, really, really want to like these efforts , not approaching a work with the singular intent of 'tearing it apart' before one's even seen/read/heard it, which is so ridiculously prevalent in media today.

But thirdly, and most importantly, any truly dedicated artist has to know their limits as to what they can contribute versus what the 'public' wants or can tolerate.

I've recorded almost 200 songs on 4-track recorders, painstakingly overdubbing all vocals and instruments, operating all the controls and taking hours just finding a sound effect I'm satisfied with, not to mention dozens and dozens of takes, and believe me, that is a monumental effort.

But of all those songs, those endless hours, I can count on one hand the tracks that I would even dare attempt to promote or release to the public. I didn't do all that work for mass consumption or for even my closest friends/relatives - it was all for me, I'm proud of my body of work, and on my worst days I still loved what I was doing.

I am very thin-skinned; however, it has nothing to do with a fear of critics regarding my art - it has everything to do with knowing my own limitations and not blindly expecting everyone else to love my music simply because I do.


Posted by: abliac at February 2, 2011 7:20 PM

It all boils down to this: You're selling me something. It had better be good. If it's not, I'm not going to be kind. And you NEED to hear it, so that you'll grow a thick skin and try again, harder. That's why, when I criticize you, I'll try my damn hardest to tell you how I think it could be improved. If you don't want to hear it, fine. But then don't try to sell me anything ever again.

Posted by: Figgy at February 2, 2011 7:38 PM

Oh, sweet JAYzzus - Prisco?? Really??!?

Of ALL the talent floatin' around in that Pajiba pool, you figure Brian 'Dickweed, Smart-Ass, Bitter, Easily-Offended "Fanboy-with-a-vendetta" since-adolescence-against-the-world'-- PRISCO is the most qualified to ask, "Can Criticism Be Too Cruel?"??!!!

This is an early April Fool's joke, right? That shithead knows as much about being "too cruel" as Bush knew about "responsible handling of America's national debt."

Yeah, right, he got all 'disturbed' from watching 'A Serbian Film' (sniff); maybe his maturity is starting to catch up with his age some, but it ain't there yet.

Go back & read some of his earlier stuff - he could (and can) be as nasty and biting as the "cruelest" critic you'll ever read.

His writing is fantastic, original & funny as hell - I also pity any subject who gets on his wrong side.

Posted by: Anthony Maxwell at February 2, 2011 7:58 PM

Effort should be recognized, but effort in service of a crap product is not worth much. Effort in service of something awesome is. In other words, effort is the price of admission. Humans have been writing books and producing movies long enough that we know what goes into making a halfway decent book or movie (artistically). Which makes producing a crappy movie or book that much more insulting. If publishing a good book or producing a good movie was easy, any lazy asshole could do it. If you produce a movie or publish a book, you get the right (essentially) to present it to the public. You don't get the right to demand that people praise it.

Posted by: Slash at February 2, 2011 11:49 PM

Everything Geek Chic wrote, great post.

Posted by: Dave Shepherd at February 3, 2011 1:06 AM

That's a good point, Slash. Really great work reflects effort, you don't need to tell anyone "Well, I tried really hard!" My answer to that would just be "...You did?"

Posted by: Figgy at February 3, 2011 1:17 AM

This was the single worst piece of shit article I have ever read.

The mutual hatred between Werner Herzog and Klaus Kinski is nothing compared to the burning animosity I feel towards this article, and by natural extension, its author.

Fuck you, Prisco! Fuck you to hell you talentless hackcunt! Write something that doesn't make me want to vomit out my heart and strangle it with my recently excreted intestines! Oh, I forgot, you can't, because you're a useless waste of raw material that once could have been used to build a properly functioning human being but you cocked it up by crawling out your cunt monther's cunt first

...

See, I didn't mean any of that - it was a good article, Prisco - but damn it still felt good.

I think all this vitriol stems from the inner disappointment that we all feel with our lives and the fact that they haven't quite panned out as we planned. The Internet then comes along provides a nice and incredibly easy outlet to shit on other people's output, with the added bonus of anonymity and a lack of accountability. So even though I agree with you in that it's the result that counts, the Internet does have a skewing effect on everyone's hyperbolic criticisms.

Then again, sometimes shit really is execrable shit and deserves to have all the scorn in the world dumped on it.

... Jesus, I really do have a unique way of aimlessly wandering through different viewpoints, contradicting myself every two minutes, so here, QUICK; conclusion:

It's all inconsequential; screaming into the void. But it does feel good.

Posted by: zeke the pig at February 3, 2011 5:56 AM

Nobody who sits in front of a keyboard or stands in front of a camera or plays a fucking game for a living ought EVER EVER EVER to play the "But I WORK so HAAAAARD" card. Those who do, I'll introduce you to 29 dead fucking West Virginia coal miners.

Do we have a fucking deal?

Posted by: , at February 4, 2011 2:07 AM