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Pajiba Blockbusters
Sling Blade / Phillip Stephens
Sling Blade is, if nothing else, a movie close to the heart of Pajiba. Billy Bob Thornton filmed his debut in Benton, Arkansas, a small hub just southwest of Little Rock which sadly conforms to some of the worst southern stereotypes - poverty, ignorance, and brutality; it’s a town barely removed from the swamp, of monstrous heat and lush green overgrowth frilling the edges of rotten automobile innards; its people a bizarre confluence of petty bourgeois lawyers and car magnates ruling over a lower class obsessed with football, country music, alcohol and Biblical hysteria. It was an easy place to hate, especially for left-leaning young iconoclasts - Benton was the town Dustin, Jeremy and I grew up in, and we fled as soon as we had the legs.
In the summer of 1995, Billy Bob Thornton (a resident of nearby Hot Springs) did the unthinkable, bringing ersatz Hollywood to our doorstep. Arkansas had hardly ever been a feature of American media in our lifetime (until that randy fellow found his way into the White House), let alone the suburban white-flight hamlet of Benton. So, watching Sling Blade for us is to be awash with nostalgia: There’s my friend’s house. I know that extra! That’s the high school football field. Did you know I saw John Ritter in Burger King? They’ve torn that bridge down by now… etc. That being said, it’s still a pretty damn good movie.
Thornton made in his modest sleeper hit a kind of pastiche of southern fiction, spanning the heartfelt glow of “To Kill a Mockingbird” and the darkest gothic traditions. The main character, Karl Childers (Thornton), is like a Boo Radley who wandered into a Flannery O’Connor story, or Deliverance. Karl is a halfwit, not quite mentally-challenged and not quite idiot savant, whose eyes bear no palpable expression and whose jowly under-bite and simplicity render a voice like a Buick not turning over. Karl has been institutionalized for 25 years for murder - as an ostracized and neglected youth raised by a Biblical tyrant, he was forced to live in a ramshackle shed until he caught his mother in bed with another man. Wielding the eponymous blade, a banana-shaped machete, he murdered them both for their transgression. Karl, now a stooped man-child, is being released after all this time into a cruel world he barely understood in the first place.
Karl wanders home, completely at odds with his new situation, until the hospital administrator finds him a job at a lawnmower repair shop, where he can also live. On the outside, it seems that Karl’s situation hasn’t changed since childhood - he’s living in a shed again and confounded by most of society. But a chance encounter with a kindhearted young boy, Frank (Lucas Black), gives him the opportunity to genuinely relate to another human being for the first time. Frank is drawn to Karl’s strangeness, and the simplicity with which he looks upon the world. At the behest of Frank’s equally benevolent mother (local actress Natalie Canerday) Karl is offered their garage and a place at the table. Frank’s father committed suicide years prior, and his grief-addled mother has taken up with an irredeemable, violent lout, Doyle (Dwight Yoakam), to fill the void. Doyle torments Frank and Karl when Linda isn’t at home, as well as generally abusing anyone around him with his bigotry, including Vaughan (John Ritter), a soft-hearted gay man (God save the gay community in Benton) who feebly tries to protect everyone from Doyle’s cruelty.
Thornton, like many a southern storyteller, finds the very heart of the archetypal American South embodied in its outcasts - Karl epitomizes the best and worst of Southern tradition; he’s simple to an almost mathematical certainty, and he treats others with only the kindest empathy. But it’s a simplicity leavened with Old Testament savagery; the world has been cruel to Karl, and he’s perfectly capable of responding in kind. Karl has to choose whether to forfeit his chance at redemption, in addition to his freedom, in order to spare other good people the horrors visited upon him. Ethically, it’s an unsolvable conundrum - to commit the same crime which damned you in order to redeem the lives of others, but of course, Karl views it much more simply than that: Will my suffering stop the suffering of others? That’s an easy choice, for him.
Thornton films Benton carefully, only shooting the dankest corners and densest rural enclaves to craft a portrait of a lost, disturbing world only just removed from jungles and wagon wheels. Anyone viewing Sling Blade will think the town is a cesspit of impoverished squalor populated by hateful goons or the downright weird. And it certainly is these things. Thornton doesn’t show the upper-crust of the town, the commercial sprawl and signage that are home to most of American suburbia (and equally as ugly, in my estimation). It’s a strange, hot, ethereally slow place, rife with a small-minded simplicity that was hard for us not to hate, but whose occasional turns of large-hearted kindness were impossible to find elsewhere. This is where we grew up.
Phillip Stephens is the lead critic and book editor for Pajiba. He lives in Fayetteville, AR, and only goes back to Benton for funerals and Christmas.
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| Pajiba Love 06/05/08
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Comments
This is one of my favorite movies. I have an irrational love of Billy Bob Thornton for this movie. I knew that one of these days this would make it onto the site. I grew up in the north east part of the state and while I still don't understand some things about this state, there are worse places to live.
Believe me. This is a beautiful movie and a nice review.
Posted by: Melody at June 5, 2008 4:46 PM
Damned Spambot tainting this nice little ode.
Well done, Mr Stevens. It struck me.
Posted by: Adere at June 5, 2008 4:46 PM
*Stephens.
Sorry.
Posted by: Adere at June 5, 2008 4:48 PM
This is first movie I screen when teaching Screenwriting. Even if the gutteral "mmmhhmms" and the bizarre mannerisms turn you off of Karl, you will never find a more horrifying villain than Doyle.
And holy fuck, did I just realize the little kid is the motherfucker from Fast and the Furious: Tokyo Drift.
Posted by: insertclevernamehere at June 5, 2008 4:50 PM
One of my favorite lines from moviedom is when Doyle asks Karl what he's got that shovel for.
"Fixin' to kill you widit."
Love it! I try to use that line in my best Karl impersonation on my kids as often as possible.
"Mom, what are you doing with the chicken tonight?"
"Fixin' to kill you widit. mhhm."
Posted by: wsapnin at June 5, 2008 4:58 PM
God, I love this movie. And I just realized I haven't seen it in about two years. To the Netflix queue!
Posted by: PaleoLithchick at June 5, 2008 5:00 PM
I don't know. I like the review, but I can't agree with all of your views on Southern Arkansas. I mean, I grew up there as well, and I remember it being pre-tty good. We trounced rival team at state my senior year and there weren't many colored people around to mess up the view. I mean, heck, we just got a Ruby Tuesday's...so, yeah, I think we're doing all right.
Posted by: pissant at June 5, 2008 5:06 PM
Wsapnin, it was a lawnmower blade I believe.
Posted by: Melody at June 5, 2008 5:10 PM
Dear godtopus, let us not forget the brilliant and inimitable J.T. Walsh, who plays a fellow inmate of Karl at the mental institution. Although it's a very small part, Walsh's understated menace in Sling Blade makes Anthony Hopkins' Hannibal Lecter look a bit of a circus clown by comparison.
And as to your last paragraph, most of my ma's family still lives in and around Benton -- I spent a fair amount of time there as a kid -- and it certainly is all of those things, as you say. It was also the location for Burt Reynolds' White Lightning, another somewhat-accurate portrayal of Arkansans in the mid-20th Century.
Posted by: socalledonlycousins at June 5, 2008 5:15 PM
I stumbled upon this film the other day and if anything it got me talking like that for the rest of the week. I caught it half-way through and this helps me understand exactly what was going on.
Posted by: Rex at June 5, 2008 5:18 PM
Dwight Yoakum was so good in the movie. Doyle was eeevil. I don't know much about Dwight Yoakum but if I saw him on the street I would probably hit him in the head with a shovel.
MmmmHmmm.
Posted by: greer at June 5, 2008 5:22 PM
My friend Holly does a dead-on impersonation of Karl--she terrifies me with it. Oddly enough, when she translates it into Spanish, I cannot stop laughing.
Dwight Yoakam will be in Nashville at the Grand Ole Opry this weekend (my brother-in-law is playing with him, that is how I know) so pack up the shovel and/or sling blade.
Posted by: Brigette at June 5, 2008 5:31 PM
I love this movie. Despite my liberal bent, I think there are people out there who are beyond redemption and are just no damn good. Like Doyle. He needed killin'. Dwight Yoakum kicked ass as this character. I always loved his music, but the sheer menace of Doyle made me like Dwight more.
This movie is infinitely quotable and the scene with Doyle and his band is priceless...
Posted by: Forrest at June 5, 2008 5:32 PM
Some folks call it a sling blade ... I call it a kaiser blade. MmmmmHmm.
Posted by: socalledonlycousins at June 5, 2008 5:35 PM
Slingblade bears the distinction of being the only film almost ruined by a simple musical selection: The montage of him making his slingblade. Do they pick a moody piano piece? Maybe something with strings? Maybe a tribal drumbeat? Or even some blues?
NO
ELECTRIC GUITAR SOLO WOOOOOOOOOOOOO
Posted by: Chris Croy at June 5, 2008 5:42 PM
The only movies filmed near my hometown are For Keeps? with Molly Ringwald and the exteriors for Amityville Horror remake.
Posted by: Three-nineteen at June 5, 2008 6:00 PM
Pardon me for nitpicking...but isn't that what commenters do best?
How exactly is this an Underappreciated Gem? It is basically heralded as the film that spurred the Indie into mainstream film movement of the mid-late 90s as well as turning Billy Bob into a household name. It received several Oscar nods and made a tidy profit to boot. None of that really qualifies for Underappreciated.
I thought these sections were to pique interest in movies that may have otherwise been overlooked by the majority of the readership. Who in Pajibaland has not seen this?
Bitching aside thanks for the pleasant memories and eloquent writing.
Posted by: Hard Drugs & Easy Listening at June 5, 2008 6:01 PM
Brigitte, can you just let your brother-in-law know that Dwight needs killin'? I'm sure he'll know what you mean. Thanks.
Posted by: greer at June 5, 2008 6:19 PM
@ Hard Drugs & Easy Listening- That's why they put it under Pajiba Blockbuster and not Under Appreciated Gems.
Sorry, the change from Gem to Blockbuster was actually a late correction. -- DR
Posted by: AllGussiedUp at June 5, 2008 6:44 PM
Been meaning to see this, not gonna read a thing about it until I do. Good to see a review for it though as a reminder for me.
Posted by: Mick J at June 5, 2008 7:31 PM
I love this movie - great review. John Ritter barely had a chance to show us his great side.
Posted by: Cindy at June 5, 2008 8:43 PM
Stephens-- "it's"= it is or "I totally ripped a hellish fart". Not possessive. Check first paragraph.
Otherwise, good review.
Posted by: Jessika at June 5, 2008 8:56 PM
Stupid f-ing spambot! It IS! It WAS!
Posted by: Jessika at June 5, 2008 9:00 PM
NOOOOO!!! My (otherwise lovely) husband used to absolutely torture me with his Billy Bob-in-Slingblade impression, and the very thought of that voice now makes me cringe! Mmmm-hmm, I reckon I will never watch this f-ing film! Though I'm sure it's good and all....
Posted by: MO at June 5, 2008 9:11 PM
I grew up in Memphis, just over the river from all those small towns in Arkansas and Mississippi. I remember when that movie came out, my brother and I had already gone up North. My mother said that she thought the movie was a bullshit Hollywood version of southern gothic... not at all genuine or real. My brother and I, on the other hand, thought it hit the nail on the head. I guess you need a little distance and maybe Memphis wasn't quite far enough.
Posted by: megbon at June 5, 2008 9:50 PM
I can't see French fries without thinking "I like them fried taters mmmhmmm."
I also like the way this movie takes its sweet slooooow time telling its story, like some southern people do. There's no hurry in it whatsoever, but that makes it extremely effective at building creeping tension.
That's also a riveting monologue Karl delivers near the start, when he's in the institution. Great acting job by Billy Bob, with the tics and the voice and the mannerisms and all. I think people who know what he looks like now but have never seen the movie would barely recognize him. Pretty much like I knew John Ritter was in it but couldn't recognize him, all fat and mohawked, until the credits rolled.
Posted by: bucdaddy at June 5, 2008 10:08 PM
This film scared the living crap out of me. I'll take Chicago and its violent, corrupt reputation over life in a small southern town any day of the week. Now I can't get that "mmhhhmmm" out of my head! Thanks so much, you rat bastards.
Posted by: Lori at June 5, 2008 10:43 PM
You shouldna done that. He's just a boy. mhmph
Posted by: Dexter Morgan at June 5, 2008 11:31 PM
My ex did such a good Karl impersonation that people who were unfamiliar with the movie really thought he was retarded. I smacked him for doing it in the mall once and people gave me these horrified looks.
Only movie filmed in my town is the original "Walking Tall." Buford Pusser actually lived in the next town, but for some reason they couldn't film it there.
Posted by: superEdna at June 5, 2008 11:33 PM
The movies that were filmed/based on my town are the American Pie series. They were written by a couple of guys from a local high school and loosely based on some of their experiences there. Some of the scenes in the film actually were filmed around town. Grand Rapids, MI.
And no, this does not make me proud.
Lastly, that noise you just heard? That snapping sound? My posting cherry folks, I done popped it. I've read this site for roughly a year now, and figured it was time.
Posted by: Roaddog at June 6, 2008 1:50 AM
He's batshit crazy and makes some bad choices, but Billy Bob's among the best.
Posted by: samantha t at June 6, 2008 7:20 AM
Yeah--duh-I knew it was a lawnmower blade. my pajiba-foul.
Posted by: wsapnin at June 6, 2008 8:28 AM
My posting cherry folks, I done popped it.
Well, as long as you clean it up, welcome, welcome, welcome.
Posted by: socalledonlycousins at June 6, 2008 8:58 AM
OK, I'm usually on board with most of you guys, but this movie bored me to tears after the first 1/2 hour or so. Although I do love Dwight Yoakum in this movie---out of this movie---out of his jeans---whatever.....
It has been several years since I have seen it. Maybe I just need to watch it again.
Posted by: michelle at June 6, 2008 9:39 AM
SoCalled: I was thinking the same about JT Walsh. His performance is the second thing that comes to my mind anytime that movie is mentioned after the "mmm-hmmm" and "french fried taters" dialogue. I don't even remember what is monologue entailed, just that it was chilling and intense. That dude was such a badass and went way too soon.
Posted by: Rob at June 6, 2008 9:40 AM
The Station Agent was filmed in my hometown, and though that was cool, it was very distracting to see the scenes here and there that were unmistakably my town. I love the movie, but that did lift me out of the moment.
However, that was a lot better than, say, scenes of major metropolitan cities in blockbuster movies that in no way resemble the cities they are supposed to be.
Live Free and Die Hard, I'm lookin' at you.
Posted by: mswas at June 6, 2008 10:17 AM
This is gonna date me, but ... the morons who made the worst sports movie ever, "The Fish That Saved Pittsburgh," rousted me and my college roomie out of our (separate, before you ask) dorm room beds by filming a fireworks sequence at 3 a.m. I know, it's our own fault for being asleep at 3 a.m., but ...
And I think maybe you can see that little college in the shot of downtown Pittsburgh near the start of "Groundhog Day."
My brushes with greatness, besides shaking hands with Alex Trebek and having Dennis Miller make fun of my sweater.
Posted by: bucdaddy at June 6, 2008 11:57 PM
Great write-up of a fantastic film, Mr. Stephens. I think Billy Bob Thornton is absolute tits, no matter how seriously the man takes himself.
Chris Croy, your comment made me giggle. Loudly. WOOOOOOOOOOO!
My hometown boasts the dubious honor of being the place where "Quarterback Princess" was filmed back in the early 80s. It stars Helen Hunt and it is utterly, unequivocally awful. If you happen to catch it on one of its many Lifetime reruns, I highly recommend you watch it.
Posted by: Jen at June 7, 2008 4:47 AM
Jen, I totally remember that. Doesn't she end up being the Homecoming Queen, too, or Prom Queen or something? Classic Movie of the Week on CBS -- "Her parents uncertain ... the whole town against her ... her own team her worst adversary ... introducing Squinty McSquinterson as ... Quarterback Princess!"
Posted by: socalledonlycousins at June 7, 2008 11:58 AM
Socalled, yes, I believe it ends with her being voted prom queen or some bullshit. Because if there's anything to be learned from a movie called "Quarterback Princess", it's that deep down, a football-playing girl really just wants you to think she's pretty!
Posted by: Jen at June 7, 2008 5:58 PM
Well, it was CBS in the 80s. Might as well be reading Dickens. Maybe the message was "You can have it all! Horrible 10-hour per day job making 10% less than your good for nothing husband, plus kids and housework!"
Posted by: socalledonlycousins at June 7, 2008 9:19 PM
I love this movie. I love this movie so fucking much I can't even talk about it coherently.
It's one of the few movies set in the South that embodies the Southern fiction tradition (Flannery O'Conner, Carson McCullers, Truman Capote, Faulkner) of embracing the weirdness, the grotesqueness of small town life and its inhabitants without making a mockery of them.
God knows, it's one thing I love about Southerners; we sure do embrace our fruits and nuts lovingly.
And who can't love a movie that features Colonel Bruce Hampton, Ret.?
I had such high hopes for Billy Bob. Now it seems he has devolved into white trash parody.
Posted by: Alabamapink at June 8, 2008 10:17 PM
"Sling Blade" blew me away for many reasons: I couldn't imagine I'd ever seen the actor playing Karl before, but he was in Kurt Russell's "Tombstone"; I didn't recognize Dwight Yoakam as the odious Doyle, plotzed when his name appeared in credits, and for days afterwards burst out with "Damn! Dwight Yoakam - who KNEW?!"; and J.T Walsh and Robert Duvall were perfect bookends of curdled evil.
It's one of my favorite films, but I haven't seen it for years, precisely because Billy Bob painted such a clear picture of Rotten Things in Life You Can't Fix. It's just too hard to watch.
Posted by: jeanne at June 9, 2008 3:40 PM
Actually, I just realized that the little kid who plays Frank grew up to play the quarterback in the movie version of "Friday Night Lights," co-starring Billy Bob Thornton again. I guess they work well together, eh?
Posted by: Jessika at June 10, 2008 10:26 PM
My father's best man played Ritter's boyfriend. Let's see, six degrees...
Posted by: Allison112 at June 24, 2008 3:49 PM

