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Beavis and Butthead, Sexism in The Social Network and Eric Stoltz as Marty McFly

By Dustin Rowles | Posted Under Pajiba Love | Comments (46)



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Jeremy is serving out a one-day suspension for lashing out a readers last week, so I’ll be taking over Pajiba Love today (I kid. I kid. He’s traveling. There are no suspensions for lashing out, only Tyler Perry review assignments. Have fun with Big Momma Does Bad All By Herself, Goes to Jail, and Meets the Browns IV, Jeremy).

Images from The Hangover 2 have surfaced, and they are fascinating, offering a gritty, comedic look at four men walking through an airport. (PopSugar)

Good news, 28 Days Later fans: It seems that Danny Boyle is considering a return to the director’s chair for the next installment in that franchise, set in Russia. (DreadCentral)

Beavis and Butthead will be returning to the big-screen this weekend in a 3D animated introduction to the next Jackass movie: Jackass 3D: The One Without Katherine Heigl. (Slashfilm)

There’s been a lot of strange, slow-news desperation (I think) to discuss the “female problem” in The Social Network over the last couple of weeks. I’m normally someone who likes to jump all over perceived misogyny, but this one doesn’t ring particularly true to me. Or maybe I just got caught up in the whiz-bang dialogue and forgot to turn on my detector. In either respect, Aaron Sorkin (deftly?) addressed that issue over the weekend in the comments section of a blog. (Ken Levine)

So, the Insane Clown Posse are Evangelical Christians. Or they used to be. Or they’re not. Or they’re afraid of magnets. I have no goddamn clue. They’re an enigma, people, an enigma that likes to stick two-liters up its butt cheeks. (FilmDrunk)

Over on LT today, you can test your knowledge of astronomy while rocking out to the Beastie Boys. (LitelySalted)

Rain, apparently, has delayed production on the unanticipated Mad Max sequel starring Charlize Theron and Tom Hardy. (The Playlist)

Costas Mandylor has suggested that, if the box-office receipts are big enough, this may not in fact be the last Saw movie. Here’s an idea: Instead of a sequel, how about a reboot? That’s original! (Cinemablend)

Only Fantasy Football dorks would understand this, but someone has finally and rightfully taken Matthew Berry to task for his rampant douchehattery and for screwing over many a fantasy team. (Ugly Fours)

The good folks over at the Impulsive Buy review Taco Bell XXL Chalupa, Fire-Roasted Border Salsa & Verde Border Salsa. Spoiler: Like all Taco Bell menu times, It smells like cat litter. (Impulsive Buy)

All right, this is PFC (that’s my new textspeak acronym for Pretty Fucking Cool! Let’s not make that happen!), here is footage of Eric Stoltz in Back to the Future before he was replaced by Michael J. Fox. (THR)









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A Tuesday Morning B-List Ab-Off | Transparent Hit Whoring (You Can Thank Me Later, Ladies) | "Nowhere Boy" Review | The Same Old Song









Comments

Marty! WHOA!!

Posted by: Fredo at October 12, 2010 12:14 PM

GREAT SCOTT! I did not know this.

Posted by: coveredinbees at October 12, 2010 12:16 PM

Hmmm...could the "maybe we'll do another one" have anything to do with the Lionsgate deal to possibly produce through Saw IX that was inked a few years back? You know, when V wasn't totally eviscerated by the critics but movie bloggers weren't aggravated enough by the series to report news like this? Cause I think it might. And I think it will get that far.

And I hope above all hope they kill of Costas Mandylor and bring in an actor who can sell crazy genius serial killer. Like Betsy Russell, whose character is supposed to have that opportunity, but is instead possibly disemboweled by a runaway race car driven by the lead singer of Linkin Park in this film.

Posted by: Robert at October 12, 2010 12:19 PM

Wow, a positive review for Taco Bell food?

I confess, once every three months or so I get a craving that cannot be denied. Of course, I am forced to settle for Taco Bell, because we do not have Taco John's around here, which was my taco of choice in college.

Ohhhh, I would stab your mother in the neck for some Taco John's.

Posted by: TK at October 12, 2010 12:24 PM

AH! I heard the Eric Stoltz thing was one of those great shameful Hollywood secrets where all of the footage was destroyed. Thank you for sharing that. It's still crazy to think that 5 weeks of work was all just thrown out the window. Also, how bad was he that the studio was like, "Yea. We need to let you spend more money and time to get this fixed?" Studios are notorious for freaking out over budget and scheduling issues. PFC, indeed.

And Taco Bell is my secret shame. I know I shouldn't love it. I know it's probably made up of ground up hopes and dreams and cooked in the fires of anguishing lament, but I love it so much. Their fresco tacos are bitchin'.

Posted by: Kayanne at October 12, 2010 12:27 PM

So there's no punishment for a rogue out of control potentialy violent reviewer?
Typical liberal.

Posted by: BarbadoSlim at October 12, 2010 12:29 PM

P.S. Are we all sure that's actually Sorkin? I am making a dubious face.

Posted by: coveredinbees at October 12, 2010 12:30 PM

I question the dubious face coveredinbees is making.

Posted by: Mrs. Julien at October 12, 2010 12:39 PM

Look, I'm not really looking forward to a Mad Max sequel, but they could do far, far worse than Theron and Hardy. I got a half chub just from typing those two names in close and sweaty proximity.

Posted by: admin at October 12, 2010 12:42 PM

I kinda like it when the Pajiba writers lash out at commenters. It's usually highly entertaining.

RE: "Social Network" drama: Eh, I read about that on another site. I still haven't seen the movie (go figure, a dramatic reenactment of the court case regarding Facebook and I didn't rush to the theater), but Sorkin's explanation sounded plausible. Frankly, when men under the age of, say, 30, AREN'T raging douchnozzle he-man woman haters (even the geeks; sometimes they're the worst, actually), I'm pleasantly surprised.

Yes, I know that's depressing.

To be fair to them (and this is the only concession they get from me on this), many women in that age cohort don't deserve much respect. FYI, when you make everything about your tits and/or your ass, that's what men (and everybody else, for that matter) tend to focus on, to the exclusion of everything else.

Posted by: Slash at October 12, 2010 12:58 PM

Ohhhh, someone is throwing sand near my lady bits.

Posted by: coveredinbees at October 12, 2010 1:02 PM

I am surprised that the XXL Chalupa actually does not look repulsive.

Of course, it's probably had all the unsightly bulges and wrinkles Photoshopped out of it. Otherwise, it would look all busted and disgusting.

Posted by: Slash at October 12, 2010 1:03 PM

I agree, Dustin. As a card-carrying feminist, I'm usually the first responder on the scene when sexism is charged, but the critiques against the Social Network seem hollow and desperate. In fact, I thought that the Social Network was a pointed critique of the hyper-masculine ego of the tech field, including the obsession with sexual conquest and blatant misogyny. The film doesn't endorse the gross, dripping sexism of facemash, facebook's predecessor; it explicitly criticizes it. I think that's why the only characters we really empathize with in the movie, Eduardo and Erica, are the two most level-headed, socially aware, and non-ego obsessed characters.

Posted by: Ruth at October 12, 2010 1:08 PM

Rain, apparently, has delayed production on the unanticipated Mad Max sequel starring Charlize Theron and Tom Hardy.

Was he showing off his abs, dance moves, winning smile, or singing voice?

Posted by: ThunderSacTriumph at October 12, 2010 1:20 PM

Man what a bunch of hipster pussies you guys are, make wanna PUKE. If it had been Eli Roth no punches would be getting pulled, but since it's Sorkin and his crew, excuses have to be made, rationalizations and all this hand wringing. "OH MY GOD Sorkin couldn't possibly, could he?"

Whatever, you need to grow a pair Rowles.

Posted by: BarbadoSlim at October 12, 2010 1:30 PM

I would have liked to actually seen some scenes with dialog showing PreMcFly instead of just a brief silent clip.

Posted by: BWeaves at October 12, 2010 1:33 PM

Zombies in Russia? Didn't Alias do that already?

Posted by: Todd at October 12, 2010 1:41 PM

I reacted giddily to the Danny Boyle news, because I fuckin' love 28 Days Later and I'm convinced the man can do no wrong. (The Beach was just a feature-length screen-saver, it doesn't count.)

But then: I'm never too keen on sequels. I'm a member of the "if it's fine the way it is, then leave it alone" category. And I REALLY wouldn't want to have to blame Mr. Boyle for anything excrutiatingly terrible.

But then again: I've been refusing to recognize 28 Weeks Later as a sequel for quite some time now. I don't think anyone could drive the franchise through more shit than that.

And if this new installment does turn out to be balls-out terrible, can they at least do it in a way so that I may enjoy it? Like (since it's being set in Russia) fusing it together with Night Watch?

Posted by: penelope at October 12, 2010 1:49 PM

P.S. Are we all sure that's actually Sorkin? I am making a dubious face.
Posted by: coveredinbees at October 12, 2010 12:30 PM

For the spell check alone, at least..

Posted by: Odnon. at October 12, 2010 2:05 PM

RE BarbadoSlim: "Man what a bunch of hipster pussies you guys are, make wanna PUKE. If it had been Eli Roth no punches would be getting pulled, but since it's Sorkin and his crew, excuses have to be made, rationalizations and all this hand wringing."

Can't speak for anyone else, but I don't hate Roth and I think Sorkin is overrated. So ... whatever. Chill out, B.

Posted by: Slash at October 12, 2010 2:24 PM

I think the problem with The Social Network is that when you're crafting a film with sexist characters, it's very easy to fall into the trap of "Well, we're portraying women this way because that's how our characters see them." Which is basically what Sorkin is saying, if I read him correctly.

The problem with that approach is you're filling your movie with stereotypes and not really offering a counterpoint to demonstrate that those stereotypes aren't really true. This gets complicated when your film exists somewhere between fact and fiction, like this one does. But Sorkin himself has officially said that he was more interested in telling a compelling a story than following facts. So his characters were to a large extent his own creations, and he chose to only include stereotypes.

Those stereotypes include more than the sex object stereotype. You get two women in the movie - Rooney Mara and Rashida Jones - who seem to be the kind of thinking women we like in our movies. Okay, cool. But Mara's character (even though she gets the best line in the film) is not a person of her own - she exists as a flash point to inspire Zuckerberg's diabolical genius. As for Jones' lawyer character, she's respectable enough, but she's, again, not fleshed out enough to be any more nuanced than Serious Female Lawyer.

So what you've got is a multitude of well-written, layered male characters - not all sympathetic, but at the very least, they're real, complicated people. Your women, on the other hand, are either party favors or Serious. This is despite the fact that all signs from real life seem to point to the fact that Zuckerberg did have female friends (and a monogamous girlfriend!) in his life that existed as more than props for his creation, and the film chose to ignore that.

So while the counter argument has been that it's unnecessarily heavy-handed in a movie about men to throw in token well-rounded females where they don't exist, just for the sake of being PC, the film deliberately chose to invent a fiction that didn't include women as real, multi-faceted human beings, even though those women did exist in real life. They've just been omitted for more glossy Hollywood fantasy.

Posted by: Amanda6 at October 12, 2010 2:29 PM

I'm not going to levy any misogyny claims at Sorkin, but I will say I HATED Rashida Jones' character. I thought she was clumsily written and woodenly acted and served, mostly, to be some weird exposition fairy, asking rather awkward questions of the Zuckerberg character in order to get backstory the (rather brilliant, in my opinion) structure couldn't produce naturally.

I will say this, though, Zuckerberg may be a weenie, as Sorkin wrote him, but the real Zuckerberg has had the same girlfriend since 2004. Someone he met at Harvard. She would have been an interesting character to see, I think, but it wouldn't have produced the "story" Sorkin was going for. I think the story is great, so it doesn't bother me, but it is a little specious, then, for Sorkin (I'm still not convinced...as Odnon says...spellcheck) to claim in that blog post that one of the reasons there are unattractive female-types in the film is because he's being so faithful to reality.

Anyway, bottom line is, I really liked the film and Sorkin is a fantastic story teller and yarn spinner.

Posted by: coveredinbees at October 12, 2010 2:41 PM

Oh Amanda6, I swear I read your post and then I rehashed some of your points anyway. Sorry!

Posted by: coveredinbees at October 12, 2010 2:43 PM

I always cry a little inside when people say that they like Taco Bell. I grew up in Southern Arizona 1.5 hours drive from the Mexican/American border. You can get f*cking amazing Mexican food for cheap 24 hours a day. Food that is made from fresh ingredients using authentic techniques. So, I will freely admit to being a Mexican food snob. My friends and I used to call Taco Bell "starvation food." In that you would have to be actually starving to death before you would consider eating it.

Posted by: androstarr at October 12, 2010 3:29 PM

@ Androstarr.

No fucking shit. You think we don't know Taco Bell is crap? I don't even consider it Mexican food, any more than I consider a Big Mac to be a burger. They're garbage. Complete manufactured, artificially flavored and colored dogshit.

But that doesn't mean I don't crave them periodically. It's not because I crave Mexican food or tacos. It's because every now and then my body inexplicably cries out to be mistreated, and every now and then my brain indulges it. It's the same reason I occasionally drink cheap beer.

Trust me, your snobbery and culinary regionalism, while perfectly understandable, is totally misplaced in this particular conversation.

Goddamnit, now I want fucking tacos. Someone get on that.

Posted by: TK at October 12, 2010 3:46 PM

Sorkin didn't put decent female characters in the movie because bitches be ruining everything, yo...

Posted by: Slash at October 12, 2010 3:50 PM

Have fun with Big Momma Does Bad All By Herself, Goes to Jail, and Meets the Browns IV, Jeremy

NOOOOOOOOOOOOO!!!

Posted by: Jeremy Feist at October 12, 2010 3:50 PM

Hey, I did two Lifetime movies and Human Centipede. You gotta earn your stripes, kid.

Welcome to Hell.

Posted by: TK at October 12, 2010 3:58 PM

*squeels*

JEREMY!

Rowles, you're good and all...

Posted by: Zerath at October 12, 2010 4:03 PM

re: Taco Bell
I live in the Southwest, and one of the great perks of living here is the oodles and oodles of amazing Mexican food being sold everywhere you look. We actually have a "chain" of fast food Mexican restaurants that are always named some variation of the name Filiberto (Filberto's is the original, but there are Roliberto's, Raliberto's, Rigoberto's, etc.), and their food is like Taco Bell for people who actually like Mexican food: greasy and wholly unhealthy, yet tastes as though it was crafted in the kitchens of Heaven, especially if you are drunk on a Saturday night.
That being said, I cannot deny my love for the Bell, and must occasionally eschew the 'Bertos to satisfy my inexplicable chalupa craving.

Posted by: Jessie at October 12, 2010 4:13 PM

It's because every now and then my body inexplicably cries out to be mistreated, and every now and then my brain indulges it. It's the same reason I occasionally drink cheap beer.

@ coveredinbees

Re-hash away! :)

Posted by: Amanda6 at October 12, 2010 4:16 PM

Uh, the bit from TK above was supposed to have an admiring tween heart below it. But I guess it broke when I hit "post."

Posted by: Amanda6 at October 12, 2010 4:17 PM

I don't think the problem with 28 Weeks Later was the direction; it was the incredibly stupid screenplay.

Oh...it appears Juan Carlos Fresnadillo was responsible for both.

Anyhow, as much as I respect Danny Boyle and his body of work, I can't see how he'll do himself any favours returning to this.

Posted by: Simon at October 12, 2010 4:43 PM

What bothers me about the articles and blog posts complaining about the lack of women in The Social Network is that some commenters seems to be treating the film like a roll-call of inclusion. Sorkin gives an excellent explanation of why he included certain characters and gave limited focus to others: the plot of The Social Network is not centered around Zuckerberg's girlfriend, or Eduardo's girlfriend, or the lawyer played by Rashida Jones. Why is it necessary to emphasise such characters if the are not part of the world the writer/filmmaker is describing, or the story he or she is trying to tell?

Incidentally, I saw a thread for another TSN review (can't find the link right now) where, in addition to the sexism debate, some people were complaining about the lack of black characters apart from Rooney Mara's male friend at the club (he says something like "Is this guy bothering you?" when Rooney's ex-girlfriend character is trying to get Zuckerberg to go away.) On this same thread were complaints that the Indian character was not played by a real-life Indian -- I believe they are referring to the partner of the Winklevoss brothers and not Eduardo, who's Brazilian character was played by a British actor. After a while, however, the tangle of arguments and accusations gets very confusing.

Is there any way of making clear that the omission or even diminution of certain characters of a certain gender or nationality is not meant as a slight against real-life members of that group? Because including one character of each possible ethnicity etc. and making sure everyone gets an equal balance of screen time is going to make for some very cumbersome movies.

Posted by: spoobnooble at October 12, 2010 5:08 PM

I've said it before and I'll say it again: Taco Bell is an abomination of unspeakable proportions and its mere mention makes me nauseous.

Also: yay, Danny Boyle! Maybe he can make it so that we find out that the entirety of the second film (FIE! FIE UPON YOUR WORTHLESS FILM!) was someone's bad dream. Possibly someone who hates Americans and, well, smart writing.

Posted by: figgy at October 12, 2010 5:40 PM

Wow. That clip is like an alternate universe. It looks like Eric Stotlz has been messing with the space time continuum.

Posted by: AndyWii at October 12, 2010 6:26 PM

Stoltz cuts quite a brooding version of Marty McFly. Make no mistake, this Marty would have totally fucked his mom.

Posted by: dagnabbit at October 12, 2010 6:44 PM

I don't anymore evidence to be convinced BEYOND all doubt that Sorkin is a sexist, racist, swine.

I cannot comprehend how some keep making excuses for that piece of garbage.

Posted by: BarbadoSlim at October 12, 2010 7:53 PM

Is there any way of making clear that the omission or even diminution of certain characters of a certain gender or nationality is not meant as a slight against real-life members of that group?

Yes. It's by not making that omission or diminution happen in every single fucking movie. We women don't make a fuss over feeling slighted in every single film, because gosh that would take up a lot of time and energy. But we will point it out for films like The Social Network, which is demonstrably a good film, critically acclaimed, and is being heralded as the defining movie of [my] generation. Welcome to my generation - where the men are misogynists and the women are... nonexistent.

Because including one character of each possible ethnicity etc. and making sure everyone gets an equal balance of screen time is going to make for some very cumbersome movies.

It seems like there is this problem where, every time this complaint is made about feeling stereotyped and objectified in a movie, that argument pops up about how cumbersome it would be to stick a token person of every minority/oppressed group into every movie. This argument treats every movie like it exists in a vacuum. It absolutely would be trite and sappy to work in a Benetton ad angle to every single movie. A more realistic approach would be to make more movies where women and minorities are written like individual human beings, not like what the writers think "women" and "minorities" act like. And then, plant the idea that those movies are accessible to everyone, not just niche chick-flick or minority audiences.

Posted by: Amanda6 at October 12, 2010 8:04 PM

Amanda6: Brilliant. I think you're absolutely right about the distinction between what is reality and how the characters perceive reality. It's something I didn't consider in my quick defense of Sorkin. He missed a golden opportunity to criticize the misogyny, which is unfortunate, because we all know he excels at writing strong, independent women.

Posted by: Ruth at October 12, 2010 8:56 PM

Not having been previously exposed to anything else Sorkin had done previously (because my viewing habits don't owe a damn thing to anything), I was startled by the brownface. Hand in hand with the 'how are minorities handled' in film, is the 'are they handled?' issue--i.e., did they whitewash the characters or brown up the actors and if so, why?

People go to Taco Bell because their products have lard in them, I really don't think it's anything more complicated than that. Kids, I'm a student on permanent disability and the odd thing about Canada is that it's not the cheaper alternative to go out for fast food. Fast food is expensive here and really more of a 'special occasion' type of thing, for money and health reasons. Maybe I'm living in a post-Ramsay world, but I have less than no patience for food snobs. I eat what I can afford and what I'm feeling well enough to prepare and I don't care to suffer through what every Tom, Moz and Sorkin can pull out of their treatise caps. Man, Lenny Henry wasn't overdoing it at all! Eat in silence, or do as Depeche Mode does and 'Leave In Silence'. It's 1984 again, kids, but don't listen to Kajagoogoo this time: they suck.

Well now, isn't Katharine Hepburn's character Susan the most irritating little shit-bitch in BRINGING UP BABY? I've always thought so.

Posted by: Jo 'Mama' Besser at October 13, 2010 12:31 AM

@TK

Right On! That's exactly right. Taco Bell is my guilty pleasure too, not because it's mexican food, because it isn't even food. It's chemical, like drugs, but unlike drugs, Taco Bells exist every fifteen feet. The fact that androstarr would even compare mexican food and taco bell indicates that they are not really a mexican food snob at all.

Posted by: John G. at October 13, 2010 12:43 AM

Danny Boyle is considering a return to the director’s chair for the next installment in that franchise

Blargh.
Dude needs to remove the head/destroy the brain of 28 Demarcations of Time Later and just move the fuck on to something else.

Posted by: Rykker at October 13, 2010 6:53 AM

I hate all the misogyny in those 19th c. films. Every director makes the women be all curtsying and sitting around in gowns, and trying to get husbands. Pisses me right off.

Posted by: 2HB at October 13, 2010 10:00 AM

Dustin needs to write this column full-time. It is sooo refreshing to not be drowned in curse words (esp. fuck) every three words. The usual writer is so foul-mouthed I either use selective reading skills to avoid the filth or skip the column altogether. Too bad, since there are usually some good links posted.

Posted by: Hybrid at October 13, 2010 12:01 PM

"I hate all the misogyny in those 19th c. films. Every director makes the women be all curtsying and sitting around in gowns, and trying to get husbands. Pisses me right off."

The sexism isn't in what the female characters do or don't do, it's in how flat and pat the characters are. The women in Gosford Park, for example, are subjugated and, yet, it's not a sexist movie.

Posted by: samantha t at October 13, 2010 3:44 PM