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Hip Hop Started Out In The Heart

By TK | Posted Under Music | Comments (37)



800px-Hip_Hop_Graffiti.jpg


C’mon baby light my fire
Everything you drop is so tired
Music is supposed to inspire
How come we ain’t gettin’ no higher?
Now tell me your philosophy
On exactly what an artist should be
Should they be someone with prosperity
And no concept of reality?

-Lauryn Hill, “Superstar”

lauryn_hill_2.jpgThere is no more frustrating, infuriating, upsetting musical genre than hip hop. I firmly believe this to be true. What started out as essentially street poetry has gone through a thousand iterations, become turned and twisted and spun around and knocked up and down, to finally reach the sad state of affairs it’s left in today. In truth, though it’s certainly had a shorter life than country music, there are many parallels. This may sound strange, especially for you country fans who have nothing but disdain for hip hop. But like country, what started out as basically poor people’s music evolved and changed over the decades. What used to be a movement, a message (to borrow a phrase), has become bastardized, drowned out by the commercial, the mindless mass of modern hip hop monsters.

It’s why it’s not uncommon for people to blatantly state, “I hate rap music,” or “all hip hop sucks.” In truth, if all you know is what you hear on the radio, well then based on your experience you’re probably correct in that assertion. It may sound like reactionary griping, like the old man who’s watching modern society pass him by, but the truth is that modern, commercial, radio-friendly hip hop, with a couple of exceptions, mostly iscrap. Amateurish, misogynistic, derivative, weakly produced crap. It’s developed on the equivalent of a musical assembly line, by predatory producers and executives who prowl cities and audition halls and neighborhoods, looking for someone with the basic abilities and a badass attitude. Those “artists” are paired with a producer or DJ capable of cranking out serviceable, uninspired beats and noise, and a couple of weeks later, the next Li’l Jon or Flo Rida is born.

Six months to a year from now, they will vanish into obscurity. But for six months, another brainless zombie album full of sex, drugs, and violence - bitches, money and guns, if you wish - will be foisted upon us. The music industry feeds on them like wild dogs, and they’ve somehow convinced people — everyone from urban school kids to suburban white kids to fraternity brothers to the average radio listener - that this is what urban music is about, and what’s worse, that this is the best hip hop has to offer. These are the people that foist the T.I.’s of the world upon us, or even worse, Asher Fucking Roth. That’s why it’s never surprising when we get comments from readers stating they hate hip hop, and based on what they’re hearing on the radio, who can blame them?

“Man, fuck that shit, I pay my taxes when I’m asked to
I’m not enthusiastic about it, but shit I make it happen
Yeah, it’s last minute, but goddammit they cash it
This is fiscal harassment! They keep touching my assets!
Now I imagine I might be feeling different about it
If it was given outright, witnessing it helping somebody
But it just so happens in life, the school district’s too crowded
There ain’t no teachers in sight, that’s why the kids are so rowdy”

-Lyrics Born, “Stop Complaining”

APF20080617_298_LyricsBorn.jpgWhat you hear on the radio is an insult to hip-hop, a slap in the face to Run DMC and KRS-One and everyone who came before or after them. I’m not going to waste your time telling you to go back and find the old-school stuff, because actually much of that music hasn’t aged terribly well. Unless you’re a real hardcore hip-hop fan, much of it is going to be wasted on you. Hell, I love hip hop and I can’t tell you the last time I dusted off an old Eric B and Rakim album. But you don’t have to go back 20 years. There’s great, moving, intelligent, thought-provoking and fun hip hop coming out all the time. Music that still has something to say, that hasn’t been corrupted by fame and fortune, and that you can still shake your goddamn ass to. Good hip hop is sexy, it’s smart, it makes you want to dance — and sometimes it makes you want to revolt. It’s what we should be asking of all music. And sometimes…. sometimes, it can be so goddamn beautiful it’ll make you shiver a little, it’ll make your eyes wet, and it’ll make you question what you thought you knew about music.

Christian, Caspar and the rest of us have been screaming from the goddamn rooftops about Atmosphere, P.O.S., CunninLynguists, and other modern hip hop artists who are changing the game every year, bringing out more and more fresh beats, jaw-dropping production and smooth, brilliant lyrics. It’s out there. Trust me. You just have to look.

dead_prez_02.jpgI’m leaving off the likes of Tupac and Biggie and Jay-Z and some others — those are guys who are still popular that actually do have a lot of talent — in favor of some perhaps lesser known, and less divisive, artists. Make no mistake, these folks are artists. Because of the sheer volume of crap out there, it’s often thought of as a lazy or simple genre. That couldn’t be further from the truth; as writer Ta-Nehisi Coates once wrote, “hip-hop is a lot more complicated than rhyming couplets and stolen drum riffs… I would not, from a mere sample of Kenny G or even John Coltrane, make any broad statements about jazz. Those of us who were shaped by hip-hop are only asking the same.”

So indulge me for a moment and let me throw together a quick and dirty playlist of modern hip hop that doesn’t, well… suck.


“I want to be free to live, able to have what I need to live
Bring the power back to the street, where the people live
We sick of workin’ for crumbs and fillin’ up the prisons
Dyin’ over money and relyin’ on religion for help
We do for self like ants in a colony
Organize the wealth into a socialist economy
A way of life based off the common need
And all my comrades is ready, we just spreadin’ the seed

-Dead Prez, “Police State”


Go ahead, tell me that’s not poetry.


This post (minus some minor edits) originally ran on The Music Is The Message on July 7th, 2008. Click here for a longer playlist.

TK writes about music for Pajiba. He likes dogs, raising the dead, and tacos. You can email him here.









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Comments

Fuck and yes. Though I will say Eric B. and Rakim holds up extremely well. Run-DMC? Not so much.

Posted by: Tracer Bullet at July 21, 2009 12:17 PM

I like me some hip hop. French, Latin, and old school American are pretty good.

Posted by: SofĂ­a at July 21, 2009 12:18 PM

Love the K-OS for the tagline.

Posted by: chayes at July 21, 2009 12:40 PM

what no lupe?

still an eloquently put piece that will be my go to now when i need to explain why hip hop is good.

Posted by: jim of the lower case at July 21, 2009 12:46 PM

Hip-hop was gunned down in the street the day McDonald's co-opted it to sell even more Big Macs and fries to already supersized black people.

I hate "I'm lovin' it" and have waged a years-long personal boycott of McDonald's because of it.

Fuck McDonald's.

Posted by: , (the commenter formerly known as bucdaddy) at July 21, 2009 12:46 PM

to be quite honest, this is exactly how I feel about country music. Just because all you hear on the radio is taylor swift and kenny chesney doesn't mean there aren't people like Lyle Lovett still kicking ass. Country is bad. Shitty country is bad.

Posted by: buttercup at July 21, 2009 12:50 PM

TK, I have to say, this is the best thing you've written since your hair metal article. I finally learned the difference between hip hop and rap from my second cousin while I was on vacation this week. (Hip hop gives priority to the DJ, rap gives priority to the MC.)

He's rather cynical about the future of hip hop, but it's good to know some guys out there are fighting the good fight. Although I have to say, Cunninglynguists is probably the most retarded group name ever, that's probably what's holding them back.

Posted by: George at July 21, 2009 12:55 PM

You put the lamest most mainstream Ghostface Killah song ever on this list. But i still love you for including him. He does not get enough recognition for being easily the most consistent rapper out there.

I do suggest you listen to COUNT BASS D. Some of the best production out hands down. You ill love his shit.

Posted by: Sad Rockstar at July 21, 2009 12:56 PM

Great column. Hip hop radio stations are an abomination to all things good. The funny thing is, you don't have to look that hard to find good hip hop. Speaking of, I highly recommend the Rock the Bells tour for all hip hop fans.

Posted by: teo at July 21, 2009 12:58 PM

It's bigger than religion
hip-hop
it's bigger than my niggas
hip-hop
it's bigger than the government
(humdi luli lali lulo)
This one is the healer, hip-hop

Told you we aint dead yet
we been livin' through your internet
you don't have to believe everything you think
we've been programmed wake up, we miss you.
they call you indigo, we call you Africa.
go get baptized in the ocean of the people
(Humdi luli lalulilo)
say reboot, refresh, restart.
fresh page, new day, o.g.'s, new key...

-Erykah Badu, The Healer/Hip Hop

Posted by: boo at July 21, 2009 1:03 PM

I love 99% of the artists you threw on that playlist, except for atmosphere. I don't know what it is, but their work seems so... mediocre whenever I listen to it. I've never been able to put my finger on what bothers me about their sound, but I can't listen to more than one or two of their songs (Bass and the movement is a great track)


I'd recommend Deltron 3030 (or del the funky homo sapien, or whatever name he's going by now) and K'naan for your list. Virus and Madness are great tracks by Deltron, and although its abundantly clear that K'naan doesn't speak english through his lyrics they're incredibly evocative, there are only a couple tracks on troubador i won't listen to every single time.

Posted by: Braski at July 21, 2009 1:22 PM

Ok, I concede the point.

I posted in some earlier thread that I was one of those who associated hip-hop exclusively with guns, bitches, and money, and yes, perhaps that opinion was influenced primarily by what I experienced on radio and video. It was only when "basic" hip-hop -- meaning the lyrics and rhythm track -- was mixed with something musical that I became interested.

I also posted a challenge to show me two "basic" hip-hop songs that were fundamentally distinguishable from each other.

So with an open mind I'm listening to the play list provided above, and, honestly, I'm blown away. Arguably, the first few songs at least rely as much on the background musical elements as on the lyrics, which in my mind takes them out of the realm of "basic" hip-hop, but so what? They're all good -- really good.

So, thank you muchly for something new to listen to.

Posted by: Neodiogenes at July 21, 2009 1:24 PM

Also, the hate for the Black Eyed Peas now begins to make sense.

Posted by: Neodiogenes at July 21, 2009 1:34 PM

Great article, TK. I have this argument all the time, and you state the position perfectly both in words and music.

I used to argue with my former roommate about the worth of mainstream hip hop quite a bit. While you're right that most of it is crap, I think it's important to remember that not all hip-hop is meant to be conscious (although, admittedly, that tends to be the only kind I enjoy). Sometimes it's just meant to be dance music, and when it comes down to that, guys like TI and Weezy are pretty unmatched. I mean, my friends and I sure as hell don't like Britney Spears, but if I turn on Toxic during a dance party I doubt people are going to leave the room. It is what it is, I guess.

In closing, Immortal Technique: the best MC you've never heard of.

Posted by: Phaedawg at July 21, 2009 1:40 PM

Blu & Exile - Below the Heavens

The whole damn thing.

Do it now, you will not regret it.

From the song 'Below the Heavens':
I got problems to face as a man
I was told either you stand or you fall
long as you know that when you walk yo holding hands as a god
that alone can turn the dark
into a walk in the park
I only talk from my heart
so open yours when your listening
every man has his own heaven
the difference is the way that he envisions it so....
if you make your heaven pictureless
by the time you die youll be drifting in an imageless field
so fill your heaven full of blessing thoughts
thats real
you could stress it or just let it walk
I got a question if a man can make his own heaven
then can he make his path to get to it too
I only spit fluid truth
and I spit it for the listenas so Im spittin to you
you say it's hell I say it's bullshit were getting through
just think about it any man has his own heaven
but you gotta go through hell to be a man first
and understand 1st hell is what you choose to call the present
thats why youre going through what I just choose to call a stressin
to tell you fools the truth
I don't feel it's what I'm destined
you can call it hell but brah...
I can say Im below the heavens

Posted by: Alon at July 21, 2009 1:40 PM

Amen, TK. For those who aren't acquainted with real hip hop it's much easier to simply assume it's all fiddy's, guys named lil something and diddy (post biggie). This playlist is a great intro to some lesser known artists that keep the torch burning. Love the Rhymefest inclusion, love ghost, love brother ali. Even though his newer stuff is rather mainstream and not terribly good I'd recommend Common's Like Water for Chocolate to anybody who enjoys this list. It's damn fine hip hop from start to finish.

Posted by: BillowingBackpacks at July 21, 2009 2:49 PM

It's not that I dislike hip-hop as a genre because artists like P.O.S. and Hyder Ali prove that it is, indeed, art. In fact,you don't have to defend it to me because it was a Pajiba music column that led me to buy the P.O.S. album that still comes up on a regular basis in my cd rotation.
That said, I have always preferred rap to hip-hop, going back to the days of N.W.A. and Public Enemy because a) the music was powerful and b) the lyrics were even more powerful. A friend of mine called "Straight Outta Compton" the "ghetto newspaper" because it spoke honestly and brutally about their lives and pulled very few punches.
Hip-hop on the other hand, generally glamorizes the "bitches, money and guns" lifestyle which makes it seem not only desirable but attainable to young black men looking for a way out and up.

Another problem with hip-hop, as it is with rock music, is that today's stars are, as you stated, totally disposable. Coming and going so quickly that there's no time to discover whether there's any real talent behind the bullshit facade erected by producers and publicists.

The playlist is excellent and I'll continue searching out the good stuff but, for me, mainstream hip-hop, along with country and what passes for rock are long past worth caring about

Posted by: Spender at July 21, 2009 3:09 PM

Phaedawg, Immortal Technique is awesome, even if his conspiracy theorizing sometimes gets a tad shrill. I would say that P.O.S. falls into that category as well, though, seeing as no one seems to know who he is until I foist him upon them, and then they all go bananas for him.

I was actually going to yell at you, TK, for not including him in that playlist, but I saw that it was written in 2008, so I'm going to give you the benefit of the doubt. Now, if that was a new playlist and you forgot about him, then I'll be very upset. I might have to bust a cap.

Now, I will say that I think it's easy to say that every genre starts out this way. There are innovators, people doing it for the art, and then people come along and exploit it for the money. It happened with blues, country, folk, rock, jazz, even salsa. Hip-hop, as my Pop Music professor said, is the new rock and roll, and bands/artists that can synergize the two genres really capture the attention of fans of both. People like P.O.S. and TV on the Radio are really on the cutting edge of music because they combine genres that were once thought mutually exclusive. That's the future of music. And we have to be ready.

Posted by: Christian H. at July 21, 2009 3:19 PM

TK, once again I feel like a dummy & cannot add anything eloquent so I'm going to just say thanks for the pretty playlist...and yes you made me crush on you a little bit ;)

Sofia, what french hiphop do you listen to? Just curious. I went to a Saian Supa Crew concert last year and it was electrifying!

Posted by: Mona at July 21, 2009 3:33 PM

First off, I do feel it necessary to state that I am in fact a white guy. (Danish-first generation and so more European in mindset than North American). So this might just be my ass talking here. Please feel free to deride and decry and say that I am way off base.

But what I always loved about Rap and Hip Hop was that, for the first time, and for the most part, it was a style of music that sounded really stupid when White Folk tried to do it. They just couldn't steal it like they did with Rock and Roll so they had to dilute it.

I am old enough to remember The Message by Grandmaster Flash and the Furious Five. And while the video might not hold up, both the song and 'the message' itself certainly do.
The same with 'Fight the Power'. Anthems.

And I think that's what's been co-opted by The Suits. The great and holy rage. The dissatisfaction. The righteous rebellion of rhythm borne out of societal injustices.

It's like the Suits said 'Hey, this could be serious and just get out of control if 'those people'(to use a vulgar euphemism') all rose up. So let's give 'em fame and money and maybe that will anesthetize them'.

Rap and Hip Hop got killed by flattery, by 'lip service empowerment', and by it's own success. One more thing for Whitey to steal.

And so now we have suburban white kids up here in Canada claiming the same injustices and adopting the Cool Pose when they know nothing about what it is, or why it is. Not getting your allowance is not the same as being disenfranchised.

In the best of Rap and Hip Hop roars the thunderous undiluted battle cry 'I will be heard! You cannot look away! And when you hear me you will MOVE!'

But somewhere along the way, the dance revolution became the Dance Dance Revolution.

I say fight the power.
/end rant.

Posted by: Odnon at July 21, 2009 3:40 PM

thanks for including Lyrics Born. Asian American emcees get little love these days. you should throw in some Blue Scholars next time for good measure.

Posted by: sylvieK at July 21, 2009 4:58 PM

Cunninlynguists
YES PLEASE

Immortal Technique
YES PLEASE

I don't believe that I saw any reference to People Under the Stairs tho...that makes me a sad Panda.

Posted by: baboocole at July 21, 2009 5:41 PM

Also, no Gang Starr?

Posted by: baboocole at July 21, 2009 5:43 PM

A great source for current talent out there is Think Differently Music Presents-Wu-Tang Meets The Indie Culture. It came out in 2005 and has at least 2 solid underground acts as well as RZA & GZA on each track

Posted by: Malon at July 21, 2009 6:10 PM

Great article. I will be steering all the non-believers to this article from now on.

However, I agree with Tracer that Eric B and Rakim hold up well, as does Public Enemy.

Also, MF Doom.

Posted by: Se7en2 at July 21, 2009 8:34 PM

Lots of early hip-hop holds up. De La Soul, Wu-Tang, Public Enemy, Eric B. and Rakim, B.I.G., Tupac, Dr. Dre, N.W.A., all still solid. Though, if you're talking things like "Rapper's Delight", you're right.

Posted by: Christian H. at July 22, 2009 12:13 AM

Spencer, I love and agree with your overall sentiment; but I'd flip your definitions. I recommend listening to Mos Def's song, 'Fear Not of Man'... Generally, hip-hop is more the "ghetto newspaper"; rap is the bullsh!t side of the game.... Or at least that's how most hip-hop heads describe it (I think).

Posted by: Gnaius at July 22, 2009 2:20 AM

it was a style of music that sounded really stupid when White Folk tried to do it.

Actually it sounds really stupid when anybody does it.

Posted by: muchsarcasm at July 22, 2009 2:28 AM

And again, thank-you, thank-you, THANK-YOU Pajiba (and readers) for these awesome suggestions!! Living in Kansas City, the indie rock scene is pretty darn good for getting out new bands I should check-out (96.5 FM: The Buzz, few things finer!!)... but with hip-hop, I'm so out of the loop for anything other than the good mainstream folks (i.e. The Roots and so on).

So I really appreciate getting suggestions from folks whose opinions I value!

Posted by: Gnaius at July 22, 2009 2:32 AM

"Actually it sounds really stupid when anybody does it."

Seriously? That's your contribution to the discussion? "It sounds stupid"? Gosh, how enlightened you are.

Dude, don't be a douche.

Posted by: I Love Beets at July 22, 2009 7:21 AM

Am digging the playlist at work right now. Well done.

Posted by: K at July 22, 2009 7:48 AM

Since you're giving underground rappers some shine, thought Little Brother deserved a mention. Heartfelt lyrics over sould inflected beats. Their album Minstrel Show is a great place to start.

Posted by: Zabu at July 22, 2009 9:54 AM

No Talib? (Or Black Star?) What about The Roots - did they lose cred for being Fallon's house band? Also, this is in tandem with a previous diversion, but my theme song would be "Lady Don't Tek No" by Latyrx.

Posted by: erin at July 22, 2009 10:40 AM

TK, nice post. Wu-tang has aged pretty well. Tracks off Enter the 36 Chambers are still awesome. What Raekwon and Inspectah Deck do in two verses on C.R.E.A.M. challenges every mainstream non-Wire depiction of inner city life ever committed to media.

Also, the video for the Roots' 'What They Do' with the subtitles is one of my favorite commentaries on the hos/guns/money culture of top 40 hip-hop. (I can't find it on youtube or I would have linked it).

Posted by: Groovekiller at July 22, 2009 11:36 AM

Gnaius, I too live in KC and agree with you 100% about 96.5. They even, on occasion, play some Atmosphere and Sage Francis, so big ups to them. You would think 103.3 would do more to feature some underground artists on their station, like 96.5 The Buzz does with their Home-Grown Buzz show. Hell, maybe they do, I rarely listen to 103 any more, but have never heard of them having a show like that.

Posted by: Se7en2 at July 22, 2009 7:07 PM

How have I only just seen this? I'm proud to get a name-check in this article, which I think is definitely your best, TK. "Necessary and impassioned", etc etc.

Also: that's a STEAMING playlist! I wanted to talk about female hip-hop, and how we don't hear enough of that. For every early Queen Latifah, mid-career Missy and late Jean Grae, there's about a million male rappers, and I wish that would be corrected.

Talking of French hip-hop, Diam's and Keny Arkana female, and not at all bad. The aforementioned Saian Supa Crew are really fantastic, and of course the lovely, elegant, literary flow of MC Solaar is worth checking out. I haven't lived there for a while now, so I've fallen behind, but I think there's still a lot of good stuff coming out of there.

Posted by: Caspar at July 23, 2009 8:51 AM

Hmm. Interesting playlist.

Mine would have included Q-Tip, DOOM, Mos Def, Blu, Flying Lotus, The Roots and Jay Electronica.

Thanks for this. I don't even bother defending hip hop since the real sh*t isn't being popularized by Clear Channel and Viacom.

Posted by: Grrravy at August 7, 2009 2:49 AM