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Fugit Sound

Wristcutters: A Love Story / John Williams

Film Reviews | November 15, 2007 | Comments (35)


Wristcutters is a premise in search of a movie. Set in a purgatorial afterlife populated by suicides, it’s a shabby, sentimental indie that didn’t bother to spring for Zach Braff or the rights to the high-profile emo songs that might have drawn the audience of yearning teens it so desperately craves. Instead, it signed up Tom Waits and Patrick Fugit (of Almost Famous…fame) in a misguided attempt to rope in the aging hipster demographic, who won’t fail to find it thin, lacking in humor, and occasionally insulting. So, amend that — a premise in search of a movie in search of an audience.

In the opening scene, Zia (Fugit) calmly cleans his bedroom and then commits suicide in his bathroom. In the next scene, he’s in another bathroom, this one sporting an “employees must wash hands before returning to work” sign, telling us in voice-over that, after dying, he got a job at Kamikaze Pizzeria. The deathly world serviced by this pizzeria looks like any lightly populated desert town, but with a blueish tint.

It turns out that death doesn’t solve the problem of women. Zia had ended it all because he was heartbroken over Desiree (Leslie Bibb), a willowy blonde we meet in flashbacks. But not only does his heartbreak continue in Suicity (that’s not what it’s called), he soon learns that Desiree took her own life soon after he took his, and is likely a fellow resident of this strange place.

At a bar after work one night, Zia engages with two cute-but-pallid young women in a guessing game — they scan the bar and try to ascertain the method various patrons used to “off” themselves. When a mustachioed, Eastern European customer named Eugene (Shea Whigham) joins the table, the girls scamper, leaving the guys to strike up a friendship. Eugene’s entire family — brother and parents — committed suicide (at separate times), so they’ve been reunited. With not much to occupy his time, Eugene agrees to join Zia on a road trip to find Desiree. Along the way, they find Mikal (Shannyn Sossamon), a beauty who’s seeking out the “People in Charge” to appeal her fate — she claims she’s landed in purgatory by mistake.

The main flaw with the clever-on-paper premise is that, once it’s been established, it has no effect on the action. The road trip could just as easily be taken by two living guys in search of a lost love. The premise can’t do any of the heavy lifting, so that’s left to the script, which is a dud. Much of the early dialogue between Zia and Eugene feels improvised in the worst way, and several visual gags are telegraphed and impotent. (One example will suffice: When they pick up Mikal, Eugene says he can’t sit in the back seat, because people who sit in the back have “no cock.” Hilarious already, right? Smash cut to Eugene sitting in the front seat, crammed between Mikal and Zia, and you have the movie’s toothless sense of humor.)

When Waits enters, as Kneller, another mysterious seeker who ends up as a deus ex machina, Wristcutters goes from failed road-trip comedy to failed surreal comedy. Even a cameo by Will Arnett is wasted. He plays a spiritual charlatan, but his skills are no match for the
lifeless lines handed to him.

If you’re concerned that Wristcutters sounds a bit precious and underimagined, it’s those things, too. There are no stars in the sky. No one in this afterworld can smile. Fugit, charming enough in Almost Famous as the teenage reporter sent on the road with a rock band, is a bit charisma-challenged to begin with — the no-smiling constraint only serves to emphasize his wooden performance here. He looks a lot like Jeff Tweedy, so perhaps a future biopic will be his big breakout. For now, his career seems to have the same problem that Zia does, stuck somewhere between living and dead.

John Williams lives in Brooklyn. He’s a freelance writer. He blogs at A Special Way of Being Afraid.


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Comments

Damn, I was excited for this one. It had so much promise: a quirky plotline, a few under-the-radar actors and Shannyn Sossamon...

Guess I'll have to wait for that new Tom Cruise movie to come out. What with shitty accents and even worse acting, its sure to be a winner!

Posted by: Zooey at November 15, 2007 2:07 PM

Hah? Kamikaze pizza?

What the hell does "divine wind" have to do with suicide? Oh, it's because of the Japanese pilots from WW2...right? But why would an afterworld way station be named after some Japanese battle tactic? Was this stopover for suicidal people started after World War 2?

Posted by: BarbadoSlim at November 15, 2007 2:25 PM

Er... unless that was a joke and I'm too dumb to get it... Patrick Fugit was in Almost Famous, not Already Famous.

Aw, hell. It was a joke, wasn't it.

Balls.

Posted by: TK at November 15, 2007 2:54 PM

Dammit, dammit, dammit, shit. I wanted this to be good. If Super Mario Galaxy weren't on sale at Toys R Us, my weekend would be shot.
I mean....football, boobies, beer!
Don't you fucking judge me!

Posted by: insertclevernamehere at November 15, 2007 3:03 PM

Does he come across Kurt Cobain in Suicity? That's a movie I'd go see.

Posted by: AllGussiedUp at November 15, 2007 3:37 PM

Boring... :(

I agree with the above poster. Suicity [as the reviewer has dubbed it] could have been a really cool place...

Posted by: Yawn... at November 15, 2007 4:11 PM

Maybe the film actually is good. Why take this guy's word for it. Ny Times critic's pick. Richard Roeper etc...
John who????

Posted by: MyOwnMindMakerUpper at November 15, 2007 4:17 PM

Maybe the film actually is bad. Why take the NY Times's word for it. Pajiba hates. Richard who????

Sorry, dumb arguments annoy me.

Posted by: TK at November 15, 2007 4:34 PM

Wow. I'm actually kind of upset by this review. I saw Wristcutters at SIFF and it was amazing. I don't know what this guys beef is (seeing as he gave no support to his arguments and just seemed to be rehashing the plot without exploring the movie at all) but it was sweet, well acted and I thought Tom Waits was genius. It kind of shakes my faith in Pajiba that someone gave Wristcutters a bad review. Don't put all your faith in this guy and go see it for yourself. I think you'll be happily surprised.

Posted by: MaliceAlice at November 15, 2007 5:20 PM

Well, I personally really liked this movie, and I'm pretty disappointed with this review.

Yes, the plot is not typical, and there are times when you wonder what the hell is going on- but seriously, the character development in this movie is amazing. The chemistry and relationship(s) between Zia, Eugene and Mikal is pretty convincing- and since when has Patrick Fugit is not been endearing?

Maybe I'm just a sucker for romance on screen that is actually believable, or maybe I was a little punch-drunk when I saw this. Either way, I really enjoyed it and will be buying it when it comes out, since it only showed for one weekend in Detroit.

Posted by: lfrac88 at November 15, 2007 5:28 PM

Lol, lfrac, that's the perfect way to describe my family and I leaving the theater after seeing Wristcutters. Punch drunk. :) Could have something to do with me swooning over Tom Waits though. ;) The director was there for the showing, cool guy. He said he wasn't sure if it was ever going to be released mainstream because of the subject. SO happy it's going to DVD. :D

Posted by: VentureSister at November 15, 2007 5:34 PM

VentureSister: Yeah, leaving the theatre after this was probably the happiest I've been after a movie in a looong time.

I'm happy I'm not the only one who liked this movie- this review made me so sad.

Posted by: lfrac88 at November 15, 2007 5:40 PM

VentureSister: kudos on your awesome name.

In the words of Brock Sampson: FUCK YEAH!

Posted by: BarbadoSlim at November 15, 2007 6:03 PM

I also agree with the commenters who disagree with the review - my girlfriend and I both enjoyed the hell out of this movie.

There were moments when Will Arnett was just sitting in a chair, and it was funny. But I'll admit that could have been residual GOB-ness - his character here could very easily be what happens to GOB a couple years after Arrested Development.

And that Gogol Bordello song that they played in the car was stuck in both our heads for weeks.

Posted by: Ericeric at November 15, 2007 6:03 PM

Great review, John. I wish I could say the same for the movie...

Posted by: Kevin Longrie at November 15, 2007 6:28 PM

Hey man, taste is subjective. I LOVED this film and have been stalking it at various film festivals, slaking my thirst for it slowly over the two years (2 YEARS?1?!) since I first saw it. I thought it was sweet, well filmed and tremendously well acted. It taught me to love the band Gogol Bordello (thanks!) and the writing of Etgar Keret (no, really, thanks!!). I would give it a shot, Pajiba-ites. I think it's right up your alley, and I usually totally agree with John.

Posted by: rebeaniegirl at November 15, 2007 6:46 PM

that sucks, because the original short story is incredibly brilliant, as is anything by etgar keret. from what ive heard though, they depart wildly from the original idea, which makes sense, as the story could never be put into film form.

Posted by: jordan at November 15, 2007 8:23 PM

Hmm, I liked this film a lot, but I have to agree with its faults. I found it interesting in a C.S. Lewis "Great Divorce" sort of way, but it also left much to be desired. And, like rebeaniegirl, it totally got me to love Gogol Bordello.

Anyway, it's kinda a low blow to compare this one to Garden State. I wouldn't have touched it with a ten-foot pole had it anything to do with the Braffinator or tripe like the Shins.

Posted by: Gudrun at November 15, 2007 9:24 PM

I have to say I liked this film as well, but I think that's because I just took it for what it was. The trailer I saw was fairly accurate in its representation of the film. I wasn't expecting anything amazing, but ended up really enjoying it.

All in all, I'm with Gudrun, I have to agree with its faults. Still I found it pretty fascinating.

Posted by: awesome_awesomeness at November 15, 2007 10:29 PM

So, no, I won't be hunting it down at film festivals or buying the dvd, but, all in all, Wristcutters was a pretty enjoyable film. Certainly, it adhered to familiar road movie and rom-com formulas, but the concept provided for a fairly interesting take on them (and anyway, there's a reason formulas become so.)

It had it flaws, and, indeed, suffered mostly from being a mite twee, but it mostly just had a gentle heart. I think are in the beginning of a backlash having to do with anything at all quirky; my neighbors here in Williamsburg seem be playing at tough guys these days.

Posted by: spf at November 16, 2007 1:49 AM

Did someone say Will Arnett's in this?Fark this shit,I'm going to see it tomorrow.

Posted by: Daniel at November 16, 2007 4:24 AM

Perhaps it's just me, but did any of my gamer geek brethren see this trailer and immediately think "Oh, shit, did they just make a Wraith: The Oblivion movie?"

Posted by: DishwasherOfDoom at November 16, 2007 8:54 AM

So wait, after committing suicide the people still have to have jobs?

That pretty much would defeat the purpose in my book.

Posted by: Dingles at November 16, 2007 11:58 AM

Oh noes!

Oh, well. I'll see it anyway. Patrick Fugit rocks my socks from here to Fort Knox, and I'd rather watch him in something that wasn't great than...say, another rerun of Cruel Intentions on TBS. (My weekends are soo wild...)

Posted by: that bees chick at November 16, 2007 12:19 PM

I was sad to read this review, because Kneller's Happy Campers, the short story by Etgar Keret, that it is based on is absolutely amazing. But I'm glad to see that at least some of you enjoyed it, I still want to see it, even if just to support my dear Etgar.

Posted by: Laura at November 16, 2007 12:24 PM

I loved, loved, loved Patrick Fugit in Almost Famous (and Phillip Seymour Hoffman, but that's beside the point), so I think I'll have to put this movie in my Ballbuster Online Queue regardless of the lackluster review...

Posted by: Aldogg at November 16, 2007 1:36 PM

the premis is ripped off from a comic. i don't remember the name of said comic, it's in a box somewhere in my parents house, but i read it printed in an anthology that also had stuff by nate powell in it. do they admit the borrowing in the film credits?

Posted by: breonne at November 16, 2007 2:24 PM

Breonne, a little bit of IMDB'ing tells us this: it based on a short story called "Kneller's Happy Campers" by Etgar Keret. You know, it is possible for two things to be thematically similar without being a rip-off.

That wasn't so hard, was it?

Posted by: TK at November 16, 2007 3:13 PM

Really, Gogol Bordello and their lead singer Eugene (who I hear one of the characters is based on) are "fuck yeah" amazing. But what does that have to do with making a movie awesome? Since when does good soundtrack = good movie?

Posted by: Gogol Rules at November 16, 2007 6:11 PM

Good soundtrack doesn't necessarily equal good movie any more than good cinematography or good set design equals a good movie. It's just another component in the overall film experience, but when one component is particularly good, it stands out.

And Gogol does indeed rule.

Posted by: Ericeric at November 16, 2007 8:58 PM

This premise reminds me of a Japanese film where the dead walk up out of the mist on Monday morning. The staff of the building (also dead) have to help them to pick a memory from their life, then they make a movie depicting that memory. At the end of the week they play the movies in a movie theatre and each person disappears, to spend eternity living in that happy moment. We find out that the staff are the people who couldn't (or didn't want to) pick a memory. Can anyone remember what that film was?

Posted by: ChrisD at November 17, 2007 7:26 PM

ChrisD, that movie sounds awesome. If you ever find out what it's called, let me know?

I'd like to see this movie, but one thing-- what is with every character having a unique or downright strange name?

Posted by: amea_gari at November 18, 2007 3:54 PM

I don't think good soundtrack EQUALS good movie per se, but it certainly helps. Just naming off the things I liked that, as a whole, made the movie one of my favorites.

Posted by: redbeaniegirl at November 18, 2007 7:50 PM

DishwasherOfDoom:

Not really. There are plenty of things about the afterlife, and this looked too muuch like hipster/emo bullshit to have any real similarity to Wraith.

Posted by: Samuel Erikson at November 19, 2007 10:12 PM

The movie ChrisD is referencing is After Life (Wandâfuru raifu).

Posted by: millie at November 23, 2007 11:22 AM





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