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Ghetto Adequate

By William Goss | Posted Under Film Reviews | Comments (31)



Lottery Ticket Bow Wow.jpg

Despite the presence of Ice Cube as both supporting player and executive producer, Lottery Ticket is no Friday. It ain’t even Barbershop (or Millions, for that matter). But it’s not bad for an urban comedy, generally amusing in its first hour before getting inevitably preachy on us.

One can almost see this as a passing of the torch from Cube to the no-longer-Lil’ Bow Wow, from one rapper-turned-actor to another, and while Wow doesn’t quite boast the former’s innate charm, he’s perfectly fine as the clean-cut Kevin, a would-be shoe designer who’s ashamed of how everyone in his Atlanta projects is lining up to take a chance on a $370 million lotto jackpot. It’s a system “designed to keep poor people poor,” he insists, but once he loses his job at Foot Locker after a run-in with a local thug (Gbenga Akinnagbe), he’s not above giving it a shot. Sure enough, Kevin’s lunchtime fortune cookie has given him the perfect combination to win, but the 4th of July weekend means that he can’t claim his prize for three whole days, and it doesn’t even take one day for every gold digger and fair-weather friend to come knocking at his door.

As co-written between Erik White and Abdul Williams, and directed by music video vet White, Ticket often walks a fine line between madcap appeal and broad characterization at the start, more lively than shrill. For every scene stolen by T-Pain (as the convenience store owner who sells him the ticket), we get a moment involving Kevin’s Caucasian-y store manager that’s at best a hokey Ned Flanders impression and at best “whiteface.” In one scene, we get frequent Cube cohort Mike Epps as an exaggerated Pentecostal preacher; in another, we’re treated to a regrettably calm appearance by Charlie Murphy as the local source for gossip. Hard-headed mob boss Keith David? Surprisingly ineffectual bodyguard Terry Crews. And so on.

At the relatively calm center, we have Bow Wow, best friend Brandon T. Jackson and girl next door Naturi Naughton, and before you can call it, Jackson’s dressing our protagonist down about trust and giving to the community while Naughton gets fed up as he falls for the obvious gold digger (Teairra Mari). Oddly enough, the ultimate confrontation between Kevin and this girl plays nicely - she insists on seducing him, and when he refuses to do the deed without protection, she lays out her mission to get herself a baby daddy (“This is my lottery ticket,” she says pointing to her body). It’s an on-the-nose moment, to be sure, but Mari sells it like this girl genuinely buys into that mentality and ever so slightly sidesteps the stereotype by owning up to it. The same can’t be said for the characters who, upon stepping into a snobby restaurant for the first time, immediately start to steal the silverware.

And Cube? He plays Mr. Washington, a hunched-over recluse chock full of valuable lessons for the young gun. With hair dyed gray and a raspy voice, it’s almost distracting to see the 41-year-old Cube try to pass himself off as someone older and wiser, but by the time he’s appropriating this PG-13 film’s solitary f-bomb to dust off Chris Tucker’s famous line from Friday, it’s easy to realize just how long he’s been around the block.

Things were funnier then. But they ain’t so bad now.

William Goss lives in Orlando, Florida. But don’t hold that against him.









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Comments

Pass.

Posted by: Kballs at August 20, 2010 1:09 PM

And there was a resounding "Meh."

Posted by: A-schaef at August 20, 2010 1:23 PM

I'm always torn when it comes to these flicks. Do I vote with my dollars and tell Hollywood to stop making this crap? Or do I support the very little effort it's making to include people of color in the first place?

Posted by: ceejeemcbeegee at August 20, 2010 1:25 PM

You want seats at the minstrel show because they're casting blacks? Doesn't really sound like a choice to me. Whenever another one of these movies comes out I always think of this: http://tinyurl.com/27wya4e. The Boondocks was correct in characterizing movies like these with their spoof of Soul Plane. "Our only defense...Is Black Incompetence!"

Posted by: Yeesh at August 20, 2010 1:38 PM

And I ran, I ran so far away, I just ran, I couldn't get away.....

Posted by: EllenP at August 20, 2010 1:41 PM

Any criticism I can level against this debasement of a whole race of people has already been addresed by The Boondocks. Look up: nigga moments and nigga synthesis. Shame on you Cube.

Posted by: BarbadoSlim at August 20, 2010 1:49 PM

Yeesh: Word. But you know if this movie tanks, Hollywood will just shrug it's shoulders and say, "See, Black movies don't make money!" and continue to ignore POC. Or worse, throw more money at Tyler Perry.

Despite all that, I have zero interest in seeing this.

Posted by: ceejeemcbeegee at August 20, 2010 1:57 PM

When did Lil Bow Wow turn into a living Bobblehead? Look at the picture again. The kid's noggin is HUGE! It looks like the digitally manipulated midget in a Wayans brother's "comedy". Normal size head on a very small body. Or vice versa. Whoa. I need to go have a lie down I think.

Posted by: TylerDFC at August 20, 2010 2:02 PM

“But it’s not bad for an urban comedy.”

William Goss

No Mr. Goss, it is bad for an urban comedy. And the fact that you think that the urban community will eat this shit up not knowing that this IS shit is a whole different matter. I’m so sick and tired of movies like this getting made, yes the director has a right to make any type of movie that he or she want to. And I also have a right to spend my hard earned money somewhere else. I will support black directors who historically have been shut out of the movie directing business up until recently. But I will not support shit, and this movie is total shit. I’m through with Ice cube, I’m through with twenty-first century Amos ‘n’ Andy. If black directors think this is the only type of movies that they can earn a living making, well then they should go do something else.

Posted by: Pookie at August 20, 2010 2:13 PM

You know what I meant. Strictly as an entertainment, it's better than Next Day Air, Welcome Home, Roscoe Jenkins, Norbit, anything with Tyler Perry's name on it.

You're free to make your (very valid) points, but don't assign intent to my words that isn't there.

Posted by: William Goss at August 20, 2010 2:17 PM

Why is this an urban movie? I'm white, I live in an urban city. There are black people who live in rural areas. What makes this movie urban? Did Keith Urban do the music? Is Karl Urban in it? I'm so confused.

Posted by: BWeaves at August 20, 2010 2:17 PM

Mr. Goss how can you make the statement “ but don’t assign intent to my words that isn’t there?” Would you like for us to just over look what you’re writing? How can any sane movie critic say anything other than this movie is a total piece of shit? Just curious Goss, what specific quota were you hired to fill?

Posted by: Pookie at August 20, 2010 2:32 PM

I saw the movie. I moderately enjoyed it. I said as much.

I'm reviewing the film, not the industry.

Posted by: William Goss at August 20, 2010 2:34 PM

BWeaves: "So it goes in the so-called 'urban' genre, a broad category of independent films featuring predominantly African-American and Latino casts and behind-the-scenes talent."

-Variety, 4/23/2007

Posted by: William Goss at August 20, 2010 2:39 PM

Oh ok, so we’re the ones that are taking your review out of context? Ok got it. This guy has got an answer for everything.

Posted by: Pookie at August 20, 2010 2:40 PM

Variety? WTF! That’s your source of information? What, In Touch Weekly wasn’t available?

Posted by: Pookie at August 20, 2010 2:54 PM

The unfortunate truth is that Lottery Ticket wouldn't be getting made if there wasn't an audience willing to go see it. And I guarantee that the longest lines this weekend will be for it and that it'll do more business than either Piranha 3D or The Switch; two movies which are unlikely to feature anyone of a color different from white.

As for it's inherent quality, that I'm less enthused about. Fact is I cringe every time the trailer comes on and a girl goes "I wanna have your baby" followed by someone else going "I know your momma!" Really? Really Ice Cube? That took 2 writers to come up with?

And no one can say a bad word about The Boondocks because The Boondocks speaks the truth. Now someone call in Air Marshall 50 Cent.

Posted by: Fredo at August 20, 2010 3:05 PM

CeeJee,
I vote to pass on this one. Although these kinds of movies do present a quandry of sorts. Does Hollywood keep cranking out these kinds of movies because they make money, or because they think these stereotypes accurately represent "urban" life? Or is it a little bit of both?

It's kind of like the music industry after gangsta rap really took off. Suddenly everybody who could rhyme was being marketed a certain way even if it was the total opposite of who they really were. Everytime I see one of these things hit the screen I can't help but think of the movie "Bamboozled."

Posted by: TheBlackMenace at August 20, 2010 3:33 PM

Ah, man, Pookie. I was with you and then you spun right off the track.

Posted by: Tracer Bullet at August 20, 2010 5:08 PM

I have to admit, I chuckled to myself when I read the "urban comedy" bit. We all know that thats code for "black comedy" so just say it.

Posted by: Lennon at August 20, 2010 6:06 PM

My problem isn't with this film. Its with the idea that any film with a cast of black people happens to go down the road of foolish minstrel shuffling for an hour before sewing on an excuse, sorry, message at the end as if they were trying to explore cultural problems during the first half. Whats worse is that even when the characters are middle class, or upper class, it still ends up being mantan/sleep n' eat buffonery. it isn't even a racist thing. Its black people behind films like this. Ice Cube (whose parents were college professors and whom has a degree himself) has the resources and the power to attempt something better than this. If I had to choose between Tyler Perry's crap and this I'd choose death, at least I'd be taking a stand for the advancement of black art.

Posted by: Gamal at August 20, 2010 6:51 PM

Tracer Bullet exactly where did I go off the rails?

Posted by: Pookie at August 20, 2010 7:21 PM

You're second comment. You're not wrong overall, I just don't know that it holds in regards to Goss.

Posted by: Tracer Bullet at August 20, 2010 10:07 PM

DUMB movie and it had about 3 funny parts. It is just stupid.

Posted by: Blah at August 20, 2010 11:34 PM

Oh there will be an audience, if only here in Atlanta. They have promoting this shit out of this movie, mainly because it was filmed here. It will probably make $20 million just on "that's MY street!" viewers alone.

And as the others said, The Boondocks pretty much summed up my thoughts on this film.

Oh ok, so we’re the ones that are taking your review out of context?

What's with the "we" shit? Seems amore like a solo endeavor, buddy.

If black directors think this is the only type of movies that they can earn a living making, well then they should go do something else.

Aha....hahahaahaa...HAHAHAAHAHAHAHAAA......

And somewhere, Robert Townsend is shaking his head silently.

Posted by: Vermillion at August 21, 2010 8:47 AM

Want to make a REAL movie about a lottery winner who had everything go to shit, look up Jack Whittaker.

Here, I'll save you the trouble:

en.wikipedia.org/wiki/Jack_Whittaker_(lottery_winner)

Posted by: , at August 21, 2010 11:38 AM

Holy crap, bucdaddy, you weren't kidding! The only thing is... he was robbed of $545,000 in cash, then a year later, robbed again of $200,000 in cash... why the holy hell was he carrying that much cash on him?!? And he left it in his car?!? AND he did it twice, the second time AFTER he'd been robbed the previous year?!?

Guess money really CAN'T buy you smarts.

Posted by: MelBivDevoe at August 21, 2010 12:17 PM

Oh don’t worry Vermillion I wouldn’t dare include you in “we,” I wouldn’t want to insult you. Heaven knows you’ve already got a lot on your plate.

Posted by: Pookie at August 21, 2010 7:22 PM

Guess money really CAN'T buy you smarts.

Posted by: MelBivDevoe at August 21, 2010 12:17 PM
---
Except somehow the guy was smart enough to already own and run a multimillion-dollar business. He seems full of contradictions like that. I mean, he gives a huge chunk of money to a church AND he hangs out with lowlife criminals in strip bars (well, I guess I'm being a little judgmental there; Jesus seemed to prefer the company of the lepers and the crooks and the prostitutes in his day, but you get my point). Or maybe people just start thinking like low-life criminals when there's a guy driving around with hundreds of thousands of dollars in his car.

Posted by: , at August 22, 2010 11:49 AM

Down with capitalism, up with communistic pseudo-capitalism and thank gawd for the chinese...coz nowadays you don't have to waste money on crap, bootleg baby!

Posted by: Siobhan at August 28, 2010 3:32 PM

I think many rappers turned actors who grow older find themselves in this type of dilemma. Ice Cube has a family now and they are getting older and I think in order to keep your name relevant, you do need to do family movies. No one wants their 7 year old watching the original "Friday" or "Boyz N Tha Hood". Times have changed and so has entertainment. I personally loved the movie. It was funny and at times it was somewhat cheese-ball-y but I didn't have any issues with it. I watched it on TV instead of the theaters because of my work schedule and I ordered it in HD and it played great. I work at DISH so most of my channels are in HD but I just felt like I was definitely getting the most for my money. Out of 5 stars, I give the movie "Lottery Ticket" four stars, just because it was somewhat stereotypical of people at times.

Posted by: Danielle at January 18, 2011 11:33 AM