beowulf4.jpg

A Wrecker of Mead-Benches, Rampaging Among Foes

Beowulf / Phillip Stephens

Film Reviews | November 18, 2007 | Comments (100)


It’s strange that the quintessential Anglo-European chronicle, the haunter of high school English classes, the prime saga to undercut all heroic literature from Northern European vantages, the great inspiration for Tolkien (and, er, Michael Crichton) and countless others, has been given such sparse and scanty cinematic treatment until now. It’s likely that the saga has become so archetypal as to render any dramatic recreation lifeless without embellishments to the story or mode of storytelling, both of which Robert Zemeckis tries to bring to the table in this most recent adaptation.

But what, many have asked, was the point in making this new Beowulf a quasi-animated 3-D affair, other than to showcase Zemeckis’ continued hard-on for CG motion-capture technology? It’s an important question since the uncertainty in tonal intent does have a result on the final product. Is Zemeckis trying to make a cartoon, or an augmented version of reality? The answer lies somewhere in the middle: Zemeckis’ Beowulf is at times as close to realism as animation is likely to get, with its avatars miming real actors and real movements, but other embellishments that would be impossible for anything other than a computer to simulate look like exactly that — cartoonish superfluities. Zemeckis wanted the best of both worlds — real human action and outlandish fantasy, and his inability to properly balance the two results in a bizarre brand of diffidence; Beowulf is certainly spectacular to look at, but it’s often hard to take seriously.

It’s a shame, too, because the screenplay written by Roger Avary and Neil Gaiman is pretty good, an intriguing, if unoriginal take on the bare facets of the story.

Spoilers Hereafter

Gaiman and Avary present the Beowulf myth as exactly that — an accepted, but not fully explained story. The horror of Grendel, here depicted as a revolting, mewling mutant and obvious Halfling, is that he’s the bastard spawn of King Hrothgar, seduced by Grendel’s demonic, succubus mother (Angelina Jolie). Hrothgar’s sins have literally returned to haunt him. This isn’t the first time someone has posited this theory as an explanation of Grendel’s behavior, but Gaiman and Avary go one step further by making Beowulf susceptible to the same impulse — after felling the demon he forges into the Mother’s lair for the fabled battle, but instead of killing her, he’s also seduced by her rapaciously sexy wiles. Beowulf lies about this encounter, which results in another demon — the dragon that will eventually kill him. Fans and scholars may be uncomfortable with these changes, but they shouldn’t confuse discomfort with the change itself and the reason for these changes. Reimagination is an essential part of interpretation, and the changes wrought by Gaiman and Avary are mostly interesting ones which give an archetypal flaw to Beowulf’s heroic complex.

The writing bolsters Beowulf a bit, but Zemeckis is an entertainer above all else — to his credit, he succeeds — the 3-D romps and impressive visuals are damned engaging on a visceral level, but they also bring the collective I.Q. of the film down to forgettable dimensions. As awe-inspiring as the film’s generated imagery is, the millions of tiny nuances which make up genuine human emotion aren’t found here; graphical animation will probably never bridge that gap. Though they’re impossibly rendered here, the characters onscreen look and feel like milk-eyed automatons desperate to mime real humans, and only Ray Winstone’s sweaty snarl brings us down to the Realm of Real enough to be affecting.

Will this Beowulf be remembered for anything other than an attempted leap into a new breed of filmmaking, where CG clones approximate real actors and digital landscapes all but replace genuinely Earthy locations? Probably not; Beowulf is still too flawed even as an animated feature. The life of a motion picture, no matter how immense or impressive its visual laurels, is still no greater than the real-life hands that wrought it.

Phillip Stephens is the lead critic for Pajiba. He lives in Fayetteville, AR.


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Comments

I loathe - LOATHE! - Beowulf. Its age and infamy for being the first story in the English language (that we're aware of) has contributed to its longevity, not the quality of the story. And, perhaps, the fact that men love stories of men fighting monsters, real or imagined, no matter how shitty the plot. At any rate, I have no desire to see Angelina as a cartoon monster; her real-life persona frightens me enough as it is.

Posted by: Ariel at November 17, 2007 10:21 AM

Yeah! You tell 'em!

Posted by: Gigantor at November 17, 2007 10:30 AM

I love - LOVE - beowulf, but I'm sure this version will only serve to harden a new generation of peeps against it. it's a kick-ass, visceral story that's surprisingly complex. Sadly, it looks like the dumbdownifaction of the classics is continuing unchecked. Mr. Gaiman, I expected better.

Posted by: grenadine at November 17, 2007 10:46 AM

I love Beowulf, too and I still haven't recoevered from The 13th Warrior. I almost had to break up with Antonio Banderas behind that bullshit. I'll have to skip this one altogether or I may never be right. (Or as close to right as I'll ever be, which isn't really all that right. I'm just saying.)

Posted by: Blackwater Hattie at November 17, 2007 10:55 AM

Couldn't agree more. It was visually stunning and a big leap in computer graphics. But it's ironic that you can make the CG characters do whatever you want, and yet you can make them act. Robin Wright Penn's character had two emotions: dull and, well, dull. All in all, it was entertaining despite the brief Anthony Hopkins nekked-ness (ewww),

Posted by: maria at November 17, 2007 11:02 AM

oh you did NOT just diss Gaiman's writing- the only thing that upsets me about Beowolf and Star Dust, is that neil gaiman's work did not get a good treatment by the directors-- the man is a talent and directors' visions are ruining his work, and rendering it less than spectacular.

Posted by: sara at November 17, 2007 11:22 AM

"...Beowulf is certainly spectacular to look at, but it's often hard to take seriously.

It's a shame, too, because the screenplay written by Roger Avary and Neil Gaiman is pretty good, an intriguing, if unoriginal take on the bare facets of the story....."


The only shame here sir is your lack of professionalism on this review. You are biased against all forms of animation. YOU are hard to take seriously. I suggest you educate YO' ASS and take a view at Akira and Ghost in the Shell and tell me they're not as serious and epic as the best of the genre.

I'd call you an asshole but I don't to offend assholes.

Posted by: BarbadoSlim at November 17, 2007 11:42 AM

should read:

*don't want to offend assholes.

Posted by: BarbadoSlim at November 17, 2007 11:46 AM

I dunno BarbadoSlim, everyone tells me Akira is overrated. (Oh no, here comes the mob again).
I don't think the reviewer is dissing animation, really. But an important thing to remember with animation is-- it's not /meant/ to be realistic. That's the beauty of it. And this movie, despite going the animation route, is trying to be realistic. It's why I can't stand the CGI geekiness, as I've said before. When you take an art form that is representative, visually, of reality and then try and force it into realism, you merely highlight how it falls short of reality. It's the same concept that makes humanoid monsters more terrifying than insect..oid... monsters.

Posted by: amea_gari at November 17, 2007 12:25 PM

Also, Ariel, you've abused the word 'infamy'. It cries out in pain.
I only point this out because I feel you have also missed the grandeur that is 'old fashioned' storytelling in an effort to promote feminism, and that deserves ridicule.

Posted by: amea_gari at November 17, 2007 12:27 PM

"..I dunno BarbadoSlim, everyone tells me Akira is overrated. (Oh no, here comes the mob again)..."


I don't think you'll be mobbed, there's some strong anti-animation snobbery here (sorry to disappoint you)*shrugs*
Even if you think Akira is overrated (which *I* don't), at least it's a demostration of how grand/epic animation can be.

Posted by: BarbadoSlim at November 17, 2007 12:41 PM

I'm with BarbadoSlim that animation can be as nuanced and vital as live action, but I agree with amea_garl that the critique this time has to do with working against the virtues of animation as a medium by constantly making it refer back to actors' faces and bodies in a way that renders them to be pale facsimiles of the real thing, rather than exploring the possiblities to be found in the idioms of a new expressive medium. "Final Fantasy," "Polar Express," and even Oshii's "Avalon" show how inert and stultifying this confusion can be, while Oshii's "Innocence" shows how exploring the possiblities of animation qua animation can come back around and compete with live action for subtlety of expression by just being good animation, not Uncanny Valley simulations of "live" action.

Posted by: be right back at November 17, 2007 1:17 PM

A Canadian production company made their own version of the story ("Beowulf and Grendel"), starring Gerard Butler as Beowulf and Stellan Skarsgård as Hrothgar. It wasn't bad. It took the "realistic aproach" to the story and cut out the dragon and stuff.

That being said, it wasn't amazing and I'm in no hurry to see another Beowulf movie.

Posted by: KatyBelle at November 17, 2007 1:18 PM

I also agree with 'Slim that this review seems oddly undernourished as a critique, as well as hastily written ("the uncertainty in tonal intent does have a result on the final product"? Do you mean "have an effect on the final product"?). Maybe it needed more time to percolate? Or did it just not seem worth the effort?

Also, I love much of what Gaiman writes, especially things like "The Sandman," but the dude is not infallible. Many of his novels are surprisingly pedestrian in their use of language, for example. Constantly laying all blame for the flaws in filmic adaptations of his scripts at others' feet may be a bit hasty (although I admit I liked Stardust well enough, though it is more evocative as an illustrated story. Maybe he should stick to writing those?).

I think I've invited flame mobs with that one that may dwarf any pro-Akira ones gunning for amea_garl, so I think I'll stop here. (By the way, I think Akira is important and effective, just for the record! ktnxbai!)

Posted by: be right back at November 17, 2007 1:33 PM

Let me just that, in my opinion, anyone who takes the the mantle of critic and wants to get into doing so with animation should, at the very least, look at Hayao Miyazaki's work: Princess Mononoke, Porco Rosso, Castle in the Sky, etc. Hell, even Kiki's Motherfucking Delivery Service, BEFORE shitting on the genre.

I say this because it is CLEAR, that the reviewer has ZERO respect for animation as a serious medium. I think this film is landmark in the sense that at least ONE American production company is willing to use animation as a dramatic medium, not just for kiddie fare.

*great for the investors IMHO

Posted by: BarbadoSlim at November 17, 2007 2:06 PM

Slim, you're barking up the wrong critic's tree. Phillip is the one dude on the site that has respect for animation. See this and this. Not so CLEAR now, huh?

Posted by: Great Mango at November 17, 2007 2:21 PM

@be right back -- "renders them to be pale facsimiles"? Yeah, that's great writing, chief. Stones, glass houses, etc. *sigh.

Posted by: be right back at November 17, 2007 2:45 PM

I may be wrong, but haven't movies like /Princess Mononoke/ received their due here? Okay, in general maybe there's a bit of anti-animation snobbery, but again, I don't see it in /this/ review. I'd call this pro-animation 'snobbery' if anything.
Just basing this on the previews, but I'd say Zemeckis abuses the medium in the same way he abused history in /Forest Gump/. This guy started out with some good will from me eons ago, for being a Spielbergian protégé, but forget it. He's a hack.

For the record, I am not sure I would personally say /Akira/ is overrated. I think it was the first anime I ever saw. It's certainly not terrible, but I can't hold it in the same regard with which I hold things like the Rurouni Kenshin OVA's, or /Ghost in the Shell/.

Posted by: amea_gari at November 17, 2007 3:03 PM

Well, now I know which Neil Gaiman scripted movie I'll be going to see first, Stardust (It's still playing in the UK) Wanted to read the book first, and couldn't find it
Cue off topic rambling:
It was hidden in the Graphic Novel section, along with a comic adaption of Neverwhere, -adapted into comic form by some guy that ain't Gaiman; WTF? That's how Neil got his name, getting someone else to do a adaptation,rather than the man himself seems just a little bit stupid-)

Posted by: cockroach at November 17, 2007 3:20 PM

The English adaptation of Princess Mononoke was written by Gaiman BTW (on topic- woow!)

Posted by: cockroach at November 17, 2007 3:22 PM

I think Mr. Stephens is describing this type of animation the same way you would describe an instrumental version of 'Welcome to the Jungle'. You can replace Axl's voice with that of a guitar, and while it will sound the same, it won't sound the same. Something about the song just falls flat.

(If this sounds crazy just listen to the original & then the John5 version & you'll see what I mean. If it is find-able on the interwebs.)

Posted by: The Stew at November 17, 2007 3:29 PM

If the reviewer has demonstrated previous respect for animation then, duly noted.

But that doesn't change my view that in THIS review. his dismissive premise was:

Well..... this would have been good, if it weren't for the fact that Zemeckis has a hard-on for animation.

Posted by: BarbadoSlim at November 17, 2007 3:54 PM

i had also always written-off animation as fun, but just somehow, not engaging(?), full(?)- i'm hunting for adjectives, help me out here, i want to say that something was always missing for me when comparing animation to live-action, anybody? anyway, that was my feeling. i enjoyed animated films (like Akira, Ghost in the Shell, Metropolis and, to a lesser extent, The Triplets of Belleville) but i would never put them in the same league as live-action films.

then along came Samurai Jack. holy fuck. was i ever blown away. maybe the dope had a lot to do with it, but for me this was the first time that an animated feature competed head-to-head with it's live-action counterparts, namely 30-60min fantasy drama, and, for the most part, kicked their collective asses. i highly recomend this show to everyone that hasn't seen it. avoid the 2hr. premier mini-movie though. this show works best in it's 30min. format.

Posted by: causaubon at November 17, 2007 3:57 PM

I don't see how a critic recognizing the misuse of animation somehow equals him disliking the medium as a whole. There are things animation can do and there are things it can't. There are things live action can do and things it can't. You don't make a live action movie look like animation any more than you should meaninglessly make an animated movie look like live action.

I won't lie though, the best animation of the whole film (ie the most realistic) was the motion of that scrubbing woman's breasts. The guy working on her clearly understood the human body far more than whoever did Angelina.

As for the movie, I'm not sure. I hate purists when it comes to Beowulf because HELLO the story got to where it was by evolving, and if you don't keep changing it, and you force it into this static remnant of the past, then you basically kill everything that's good about the damn story in the first place.

That said, I think any changes that are made should be good, sensible ones that update the story in a meaningful way to the culture doing the updating. This movie didn't do that for me at all. It seemed pretty bland and unimaginative. I figured someone as talented as Gaiman could have been able to give the story a good facelift while still paying homage to its nuances, but instead it was "lol tits".


PS I love the Rurouni Kenshin OVAs! And Ghost in the Shell. Akira not so much, but I saw an incredibly poor fansub so that probably didn't help. Haha.

Posted by: Heather at November 17, 2007 4:05 PM

I don't see how a critic recognizing the misuse of animation somehow equals him disliking the medium as a whole. There are things animation can do and there are things it can't. There are things live action can do and things it can't. You don't make a live action movie look like animation any more than you should meaninglessly make an animated movie look like live action.

I won't lie though, the best animation of the whole film (ie the most realistic) was the motion of that scrubbing woman's breasts. The guy working on her clearly understood the human body far more than whoever did Angelina.

As for the movie, I'm not sure. I hate purists when it comes to Beowulf because HELLO the story got to where it was by evolving, and if you don't keep changing it, and you force it into this static remnant of the past, then you basically kill everything that's good about the damn story in the first place.

That said, I think any changes that are made should be good, sensible ones that update the story in a meaningful way to the culture doing the updating. This movie didn't do that for me at all. It seemed pretty bland and unimaginative. I figured someone as talented as Gaiman could have been able to give the story a good facelift while still paying homage to its nuances, but instead it was "lol tits".


PS I love the Rurouni Kenshin OVAs! And Ghost in the Shell. Akira not so much, but I saw an incredibly poor fansub so that probably didn't help. Haha.

Posted by: Heather at November 17, 2007 4:06 PM

"But that doesn't change my view that in THIS review. his dismissive premise was:

Well..... this would have been good, if it weren't for the fact that Zemeckis has a hard-on for animation."

See, I read that as a comment on CG motion-capture animation, not animation in general. Mo-cap is pretty much the bottom of the barrell -- you can end up with some beautiful effects, but the characters often end up looking creepy and dead-eyed. The gestures are all wrong, the faces are too stiff...they're like pretty, pretty puppets that live in the uncanny valley, and I'm not surprised he had trouble taking the movie seriously because of it.

I mean, Zemeckis is also the guy who brought us "The Polar Express," which is the creepiest, most horrifying example of motion-capture animation I've ever seen. For that alone he should've been banned from using CG motion-capture ever again.

Posted by: Kathleen at November 17, 2007 4:09 PM

Er, I'm not sure why I'm the only one to point out that hand drawn animation such as Akira should in no way be compared to computer animation trying to be a live action movie. I have several artist friends who refuse to believe that they are the same genre. Even in combining hand drawn and digital animation you wind up with something lackluster. I think that a fully CGI trying to be realistic is a terrible idea. Things like The Incredibles worked much better because they used stylized characters which go back towards more cartoon or anime sensibilities.

Posted by: Stacy at November 17, 2007 4:09 PM

Slim, I am totally with you as far as animation's merits go, but I can't agree that this review is some sort of slight against it in general. The problem wasn't that it was animated, it was that it was CGI'ed to look real in some parts and fantastical in others. The disconnect was too strong for Phillip to ignore.

Plus, he had to see naked CGI Anthony Hopkins. That didn't win any brownie points.

I might check it out on DVD or theater sneak-in. Until then, I will just have to make due with my Advent Children DVD.

Posted by: Vermillion at November 17, 2007 4:15 PM

Heck, watch the RK OVA's in English and you'll weep tears of blood.
While this comments section is already spattered with my signature, I felt I had to do throw out some more inadvertent fanboy insults.
I was ready to love Neil Gaiman. What I'd heard of him and glimpsed of him appealed to me. So, in the mood for some modern literature, I asked some people to recommend the best novel to start with, by Gaiman. No question, they said, American Gods.
I hate to say it, but I was sorely disappointed. I found it derivative and thought the prose amateur. This was supposed to be a creative genius? I felt like I was reading a mishmash of popular revisionist folklore. I get that that is what it was /supposed/ to be, to an extent, but I didn't see the mark of a genius. on any level.
I wanted to like the guy. Anyway, I'm not writing off the guy, but my point is, he's /far/ from infallible.

Posted by: amea_gari at November 17, 2007 4:20 PM

Stacy: Isn't that what everyone except BarbadoSlim is, in fact, saying? Well anyway, I agree.

amea_garl: Those were my exact feelings reading that novel. If you haven't tried his comics, though, I do recommend them (for what it's worth). It seems to be his optimum medium, from what I can tell.

Posted by: be right back at November 17, 2007 4:48 PM

amea_garl: I thought the (sort off) sequel to American Gods, Anasi Boys was far superior, I think because there's a tighter focus on just a few main characters.

And echoing be right back The Sandman comics are a must read. One of the stories in the Endless Nights TPB made me cry a couple of times

Posted by: cockroach at November 17, 2007 5:02 PM

Amea_garl. The best Neil Gaiman to start with is definitely the Sandman series (probably with the second book, 'The Doll's House'). Apart from Sandman and Stardust I've only read American Gods and some short story collection, but the latter two really were rubbish (or at least not genius, except the one short story buried in the introduction was pretty good).

Posted by: ChrisD at November 17, 2007 6:08 PM

Thank goodness everyone is keeping their heads level and not ravaneously foaming at the mouth to defend Gaiman. I really like the guy, and really enjoy some of his work, but nothing is stupider than his legions of narrow-minded fans that think he can do no wrong. Come /on/.

And a shout-out to the Rurouni Kenshin OAVs! That shit is a punch to the heart and leaves me in a wreck. The soundtrack is all kinds of emotional. This is almost my only exception to my prejudice (re: hatred) of anime. I LOVE it.

Posted by: Brenda at November 17, 2007 6:53 PM

I disagree with BSlim's accusation against the reviewer. As to the reasoning behind the director's use of CGI, I think it might be explained thus:

The story contains so many monsters and fantastical elements, that an animated rendering seems to offer the most possibilities in creating/getting the magic across. Some stories just scream for animation.

I, for one, miss the days of hand-drawn, hand-painted animation. I am sick of the computer generated stuff...

Posted by: Hmmm... at November 17, 2007 7:21 PM

My favorite part was when the queen says "Many men have come to taste my lord's meade" and the entire movie theater lost it. It was great.

Posted by: sydney at November 17, 2007 7:24 PM

Vermillion,

I must now declare my love for you for mentioning Advent Children. I am amazed by that movie every time I see it. 'Course, it helps that I bought the game when it first came out (my first purchase by myself!) and played it endlessly until something glitched and now it keeps jamming on a certain boss battle. Sadness.

As for Neil Gaiman, I like him. I don't think he's an omgamazinghavemybabies author, but I generally enjoy his work. I've got American Gods, Stardust, Anansi Boys, Neverwhere, and Smoke and Shadows. I currently cannot afford the comics. Personally I really enjoyed Smoke and Shadows, the short story collection.

Erm, as for the movie, uh... yeah, I hardly even know the story of Beowulf, but I might pick it up on DVD for the prettiness anyway. I'm shallow, eat me.

P.S: Whichever ad keeps popping up the Adobe Flash prompt can fuck off any time now.

Posted by: Cuno at November 17, 2007 9:34 PM

I love -LOVE!- Beowulf also. My list of favorite books is long, and Beowulf is at the top (I know, I know, it's a poem). In my opinion the quality of the story is incredibly high. It's well written and has complex, interesting, and above all human characters. It's not just a window into a long past time, it's a much richer experience than just a glimpse. Yes it's not exactly a paragon of feminism, but, being a young feminist myself, it doesn't bother me. It was most likely written by a man, in a time when opinions about men and women were at least slightly different than they are now (joke! Don't kill me...). As an added bonus, a woman appears who is not a complete idiot or a love interest for the hero- a novelty in many fantasy stories.
I'm not against changing it or updating it - after all, if you're trying to transfer it to a modern medium, for a modern audience, you're going to have to make some changes. But to take a work like Beowulf, from approximately the 10'th century, probably earlier, and turn it into something resembling a video game? Come on, they don't even do that to books written now! I also don't see why it was necessary to combine it with the Arthurian legend (hero sleeps with seductive yet incredibly undesirable woman (monster creature and half-sister, respectively), has bastard child who grows up to kill him). There are plenty of legendary sources that had already contributed to Beowulf - why not return to them? Beowulf is already conquered by old age and passing time in the original. Why does he also need to be brought down by the woman?
...Ok, sorry, I got a little Englishy there. I'm not asking that they render it exactly from the source, but some sense of the grandeur and humanity of the story, the values that they honored then would have been nice. "I am Ripper. Tearer. Slasher. My name is strength! And lust! And power! I! AM! BEOWULF!"
My soul dies just a little.
Basically, I am just lamenting that this is yet another piece of crappy film Hollywood churns out with seemingly no effort. This movie could have been so much more. I got incredibly excited when I first heard a Beowulf movie was in the works, but I guess I'll have to keep waiting.

Posted by: BiblioGeek at November 17, 2007 10:14 PM

I saw this tonight. Though the actions scenes were entertaining and it was hilariously bad in many ways. Also the characters faces hardly changed at all, and their eyes seemed dead and without depth, which bothered me. I love Gaiman and was hoping this would be good but it missed the mark on many levels. This is not to say that I did not enjoy the movie, just for all the wrong reasons. For example, laughing when the king kills himself was probably not the intended affect. I would file this under the so-bad-it's-good category and be done with it.

Posted by: Andy at November 17, 2007 10:23 PM

That first sentance should not have an *and but a comma and that should be *effect. I clearly cannot type tonight.

Posted by: Andy at November 17, 2007 10:28 PM

Those few of you who think animation is not as affecting as live action, rent *Grave of the Fireflies*. Don't have anywhere to be afterward.

Re: Gaiman, it's been years since I read *American Gods*, but *Neverwhere* is engaging and haunting, and I quite enjoyed *Anansi Boys*. And of course, there's the fabulous *Good Omens* (though the language in that is so very Pratchett -- maybe Gaiman was mostly the story guy?).

Posted by: Erin MJ at November 18, 2007 12:16 AM

Um, be right back, Mamoru Oshii's AVALON was a live-action film, not animated.

Posted by: Case at November 18, 2007 1:07 AM

Uncanny Valley. The more realistic they make artifical humans, the more weird and alien they look. Case in point, any movie using motion capture technology. Like Beowulf.

I remember reading about how the animators of the first shrek actually made the characters more cartoony, because they were too realistic and it was unsettling to the viewer. THe makers of beowulf should have followed suit. Make it animation, or make it live action, but what's the point of animation that looks like live-action?

Posted by: Some guy at November 18, 2007 1:20 AM

To say someone's wrong for generally disliking the Animation genre is just plain bloody ignorant,and possibly pretentious too.Akira,Ghost In The Shell etc are merely a handful of good animations-a mere drop from the ocean of shitty animations churned out each year-they're good on their own,sure,but definitely not representative of the genre.Every year we get-what-one?two?-good animations,the rest are usually disastrous,so to say that this vast majority,and base an opinion that the genre's terribly disatisfying & tedious as a whole,would be a bit lazy,but not completely incorrect either.

That said,I love anime's,but not as much as I love live films.

Posted by: Daniel at November 18, 2007 2:13 AM

Boo, I'm late to this post. And boo to Beowulf as well. Any other English majors find this poem looong and rather pointless? And thats saying something given all the other long and pointless texts I've crammed into my head (As For Me and My House anyone?). Although I do love me some Neil Gaiman. And I keep wondering if I need to see a nakid Angelina in a trashy epic piece to balance out seeing Brad's naked tush in what seems likely to be the mediocrity match of Troy...

Posted by: Rahel at November 18, 2007 2:22 AM

Case: You're right, but what I meant was that its images are so heavily processed that they are similar to the computer-animated actors of "Beowolf," etc. The effect is actually more like "Sky Captain and the World of Tomorrow" or "300," but the point is that there's a deadening of affect caused by the mixing of "live" and computer-generated that I think doesn't happen in either pure animation or live action.

Posted by: be right back at November 18, 2007 3:01 AM

"Beowulf," I mean.

Posted by: be right back at November 18, 2007 3:10 AM

You wily Pajibans changed the title of this review, right? Or maybe I'm just senile.

Also, isn't it funny when he's all, "I AM BEOWULF" in the exact same cadence and tone as the "THIS IS SPARTA" dude? I mean, in the trailer, because I am totally ambivalent towards this movie and its source material.

Posted by: Gudrun at November 18, 2007 3:44 AM

Zemeckis loves motion capture. He believes it allows him to have complete control over the actors. In reality, he doesn't. Maybe in 5 years he'll be a lot closer.




There are some obvious shortcomings in its current state but there are some amazing scenes in this film. Avary and Gaiman did a great job at filling in the blanks as well. There's no denying the dead eyes/odd movement blah blah blah. If you're set on hating mo cap then you won't like this movie. If you can get past it for a while and are up for seeing a action flick, go see it in IMAX 3D.




As long as Zemeckis is making movies, mo cap will exist unless someone talks him out of it. As of yet, it seems no one at ImageWorks or Paramount has been able to.




I've also been reassured that Crispin Glover is out of his fucking mind (but in a good way) after seeing him as Grendel.

Posted by: thinkaloud at November 18, 2007 4:25 AM

why the hell does my post look like that? crap. i won't post at 4:30am next time. promise.

Posted by: thinkaloud at November 18, 2007 4:26 AM

I heard that Jolie has no nipples in this movie. That is why I am not going to see it. I am that shallow.

Posted by: Toothed Varmint at November 18, 2007 5:20 AM

Sure it looks like a great film (and I'll add a better review after I see it Tues) but someone tell me what it actually has to do with Bewoulf?? Last time I checked Grendel's mother was a MONSTER - whoever the hell cast Angelina Jolie in that role needs shooting!!
p.s. guy that noticed the connection with 300 - me too and its so lame!!

Posted by: Gemma at November 18, 2007 9:00 AM

I apologize, amea_garl, for my misuse of "infamy." Even the best of us English teachers get it wrong sometimes. :)

As for my dislike of the story, it has absolutely zilch to do with my being a feminist or anything of that sort. I dislike the story not because of the few female characters - that would close me off to a great lot of excellent literature! - but because I find it long, overdrawn, and quite frankly, rather boring. Sure, action-adventure scenes are exciting, but many action-adventure movies can be exciting, too, and then flit from your mind the moment you've left the theatre. I maintain, from my M.Ed. in English education perspective, that Beowulf is still popular because it's the first, not because it's the best.

I hope this post doesn't cause you to weep as much as my previous one.

Posted by: Ariel at November 18, 2007 9:45 AM

I must be dimwitted here but I don't understand the concept of having the actors available (and they actually acted out the scenes, didn't they?) and yet basically erase all the nuance and subtleties by smudging the humanity out with CGI. That'd be like making an omelette without the eggs.

Posted by: trilbynhiss at November 18, 2007 9:48 AM

Wow, I teared up a little just reading the title of /Grave of the Fireflies/.

And, uhm, Daniel? Every year we get a huge number of terrible books, terrible movies, terrible paintings, /terrible music/, terrible poetry, but does that mean those art forms suck? No. Just because a lot of animation sucks doesn't mean it's a bad art form. To hate animation is as ignorant as saying "I hate music" and as deserving of ridicule. The people who hold to this opinion, in my experience, generally refuse to even view things like /Princess Mononoke/. Simply because it's animation. Prejudice is generally an indicator of ignorance.

Ariel: Points for responding 'unsnarkily' to my snarkiness.

Posted by: amea_gari at November 18, 2007 12:35 PM

Brad, you probably thought you were getting a hot piece of ass that you could lay around the house and conquer all day. But unfortunately that wasn't the case, turns out babygirl was on a mission to save the world and somehow you got caught up in her vortex. In hindsight maybe Jen was the lesser of two evils, but you couldn't get pass the idea of you and her and her sucky friends drinking lattes all day at some hollywood sidewalk cafe trying not to get photographed. Now you are stuck, and to top it all off, Beowulf blows. So lets recap shall we, hot piece of ass w/a god complex, pesky kids, sucky ex w/sucky friends. Damn what happened, I had it all, money, women and fame. I should have listened to George.

Posted by: Pookie at November 18, 2007 12:45 PM

Has anyone noticed that Beowulf, voiced by Ray Winstone, looks an awful lot like Sean Bean's Boromir? Jes' wondering...

After his performances in The Proposition and Sweeny Todd (not the Burton/Depp version), I'm willing to check out anything Ray Winstone's in. And Gaiman is one of my favorite fantasy authors. But I've been lukewarm about seeing this film since I first saw the trailer, and this review has done nothing to sway me, so I'll probably just wait until a friend either rents or buys it on DVD.

Posted by: David at November 18, 2007 1:06 PM

To hate animation is as ignorant as saying "I hate music" and as deserving of ridicule.

I hope that was sarcasm, otherwise, I'm gonna have to strongly disagree here. I get that there are anti-animation snobs, but I think there is an important distinction to be made. Being anti-animation doesn't automatically make you a snob - only if you look down upon those who love the genre. And it certainly doesn't make someone deserving of ridicule just because they don't like a specific genre of film (or anything else). I understand that those who love the genre are unfairly mocked by some idiots at times, but turning around and ridiculing those who don't worship at its' altar isn't fair, either.

Posted by: Daphne at November 18, 2007 1:34 PM

I think that how a person feels about Beowulf depends on who it was that taught them about it. I ignored it in high school (one of the luxuries of being homeschooled) but when I took my Honors World Lit class a few semesters ago, I had a really great English professor who was passionate about every piece of literature we studied. Thanks to having a great professor, I love the story of Beowulf.

That aside, I'm not sure how much I'll like the changes, but they seem to be unavoidable in book-to-movie adaptations. It's a shame too, I'm sure there might be a group of people that desired to see Angelina Jolie get decapitated.

Posted by: Renee at November 18, 2007 1:40 PM

Daphne and Daniel are quite right. Animation is simply another form of the medium. Some of it is good, some bad, and a lot of it is mediocre. And some folks just don't like it. That alone isn't enough to warrant disdain for them.

Besides, the fact is most animation IS focused towards kids, and like most other "kid-friendly" stuff, they treat its audiences like idiots. I have met few folks outside of college who even KNOW there is animation beyond Saturday mornings. So a lot of times, the "snobbery" against animation is really expression of ignorance and shouldn't be looked down upon. You don't beat a jerk by being a bigger jerk.

Posted by: Vermillion at November 18, 2007 2:27 PM

amea_gari: You're welcome! I might be many things, but when I'm admittedly wrong, snarky just ain't of 'em.

Posted by: Ariel at November 18, 2007 2:33 PM

I agree with Vermillion, I like most people would have never thought of Animation being anything other than entertainment for kids. But recently a dear friend introduced me to Japanese Anime Porn, and let's just say I have a new admiration for Animation.

Posted by: Pookie at November 18, 2007 2:54 PM

Blah blah Neil Gaiman blah blah. Why the fuck does Ray Winstone look like a blonde Sean Bean in this but every other actor's CGI counterpart looks like them? Ray Winstone is the shit!

Posted by: Jon at November 18, 2007 2:57 PM

Nope, it wasn't sarcasm. And "worship at its altar" is unfair hyperbole. Did I say you had to worship animation or be worthy of disdain? Nope.
I also wouldn't call animation a 'genre', but the last thing we need here is a semantics debate. Animation is a form of storytelling, it's a medium. It's not just a type of movie.
The wholesale dismissal of any medium is, in my opinion, ludicrous. Considering the /vast/ variations in animation styles, even more-so.

"the 'snobbery' against animation is really expression of ignorance"- Vermillion

Vermillion, I love you man, but I rail against ignorance every day, and I will continue to do so. Ignorance in and of itself is forgivable, but the unwillingness to learn deserves disdain.

There are things I used to dislike intensely, and utterly dismiss. Comic books/graphic novels and rap for example. But having kept an open mind, I have found varieties of these things which I /love/. If I had caved to prejudice and taken the poor examples of these things as representative of the whole, I'd be missing out on some stuff that brings me a great deal of joy.
The misuse of a medium does not equate to that medium's inferiority. So what if 99% of animation is kiddie pulp or animated porn? That doesn't make the 'genre', medium, what have you, /inferior/.

Posted by: amea_gari at November 18, 2007 3:23 PM

Gemma:
I don't want to spoil it but in regards to your comment about Jolie not being a monster, go see the movie for sure...

And for those who want to see nips: they keep the nipple displacements in there (kind of the effect you'd get on cold day wearing nothing but a t-shirt). For the real thing, it'll probably be on the director's cut along with some really nasty gore.

Posted by: thinkaloud at November 18, 2007 3:35 PM

I agree with you amea_gari more so than I do with vermillion. I think you have a better grasp of the argument. And it's a pleasant surprise to see that you like Anime Porn also.

Posted by: Pookie at November 18, 2007 3:46 PM

Oh /Pookie/.

Posted by: amea_gari at November 18, 2007 3:57 PM

And "worship at its altar" is unfair hyperbole.

No less hyperbole than someone who declares that anyone who hates animation is worthy of ridicule. We get it - you're open-minded. You rail against ignorance. That's great. Many here are open-minded, and there are some who aren't. My point is - if someone dismisses animation, even after viewing only what would be considered the worst of it, that's their prerogative. They are not required to consider other, higher-quality animated works before coming to that conclusion. In a perfect world, yes, a medium (since you so rightly put me in my place for using genre) should not be dismissed due to mediocre or bad productions. But it's hardly the first, and I doubt it will be the last. Please note that I'm not referring to people who would insult those who love animation - just those who don't like, may even hate, animation.

Posted by: Daphne at November 18, 2007 4:05 PM

I never really liked 19th century paintings but I love Thomas Cole.

I tend to not like Republicans but my best friend happens to be one (just trying to make a point here. Put the claws away, please).

Hate country music, love Johnny Cash.

I'm not a huge fan of animated features but I really liked Ratatouille. You see? I don't boycott the entire genre. I give it a chance... even Republicans! Mo cap is still in its infant stages so I'd give it a chance to prove if it's the next step in the feature film's evolution or a discredited animation technique.

Posted by: thinkaloud at November 18, 2007 4:06 PM

Amea_gari, I hope you can see through Daphne and Vermillion's feeble attempts to discredit you. The hate that they show towards Animation and all how like Animation is very troubling. I applaud you for having a open mind when it comes to Animation.

Posted by: Pookie at November 18, 2007 4:35 PM

it should read: and all who like Animation is very troubling.

Posted by: Pookie at November 18, 2007 4:38 PM

Yes, do listen to the person who's first response to this review is a spiel against the SPOUSE of one of the actors. The attempts at sarcasm is indeed both unnecessary and quite awkward.

amea_gari, I also said that you don't fight a jerk by being one. Just because someone is stubborn and close-minded against something, it isn't your duty to correct them. You can try to expose them to these tings if you wish, but if they are truly unwelcome to different ideas, then all your efforts will be in vain. Don't stress yourself out over them. Besides, if it isn't right for them to scorn you, what makes it right for you to do the same?

Posted by: Vermillion at November 18, 2007 5:32 PM

Now amea_gari do you see what we are up against? Vermillion I do not wish to engage you in a battle of wits, because I will lose. I was just pointing out your hate of Animation to amea_gari. And as far as my spiel goes, Brad did leave one hot piece of ass for another hot piece of ass. That fact is not in dispute.

Posted by: Pookie at November 18, 2007 6:46 PM

Aniston is a hot piece alright, if you like trannies.

I prefer females who don't look like men.

Posted by: BarbadoSlim at November 18, 2007 6:57 PM

You speak of this "hate of Animation" I supposedly have as if it actually exists. Either you are engaging in sarcasm that is being wasted, or you somehow grossly misinterpreted my statements. I'd like to give you the benefit of a doubt and assume the former.

As for your spiel, the personal life of Mr. Pitt or Ms. Jolie don't have anything to do with the merits of the film or vice versa, so any remarks about such are out of place. Plus, you got Slim started again.

Posted by: Vermillion at November 18, 2007 7:13 PM

Vermillion, I think you're taking Pookie a bit too seriously.
You're right, I shouldn't be a jerk and I shouldn't go so far as to /ridicule/ a person for their inability to go beyond their prejudices. In fact, I don't think I actually have ridiculed anyone for that, besides saying they deserve ridicule.
But it's ignorant. How can you defend ignorance?

Daphne said: "No less hyperbole than someone who declares that anyone who hates animation is worthy of ridicule. We get it - you're open-minded. You rail against ignorance. That's great. Many here are open-minded, and there are some who aren't. My point is - if someone dismisses animation, even after viewing only what would be considered the worst of it, that's their prerogative."

First of all, I am not hyperbole. Nor is my statement hyperbole.
Secondly, despite some silly song from the 90's (was it?) a prerogative, while being a right, is not inherently valid. Just because someone happens to think something, doesn't make it valid, right, just, or reasonable.
See, I think you're missing my point. Did I ever say a person doesn't have the right to dismiss animation for whatever reason they can come up with? Nope. But their right to hold that opinion doesn't make that opinion reasonable. If reasonable people can make an argument (which many people in this comment thread have) against such beliefs, then by all means they should. And that is what I have done.
Look, Daphne, if no one takes the time to promote open-mindedness because close-minded people have the right to be close-minded, what kind of world are we fostering here?
For the record, I am not even saying it's ridiculous for someone to say they dislike animation. In general, I dislike rap. It's when I declare that all rap is terrible, that rap is inferior, that rap is just for gangsters-- that's when I cross the line into stupidity. And that is /precisely/ what numerous people do when it comes to animation.

Posted by: amea_gari at November 18, 2007 8:01 PM

BSlim give me a break, you'd try your best to "Cane" Aniston if giving the chance. Amea_gari I thought I was supporting someone with a open mind, but your dislike of rap has left me no choice but to agree with Vermillion. Vermillion, for the record I have always liked your views that you express here at Pajiba.

Posted by: Pookie at November 18, 2007 8:18 PM

amea_gari: Thing is, my sister was once one of those people you say deserved ridicule. She held disdain for animated media for quite a while, and resisted my attempts at changing her mind while poking fun at my love of the medium. One day, she sat down and agreed to watch a few animated shows to placate me, and while she isn't an otaku or anything, she is at least willing to try stuff out.

So maybe that is coloring my view of your statement. I do not consider my sister deserving of ridicule, either before or after her experience. I am not defending ignorance, simply saying that ignorance isn't resolved by derision. I know I have I have insulted quite a few folks whose ignorance was quite great, and it didn't do anything but piss me off even more. A fool doesn't get any smarter from someone telling him how foolish he is, which is what you are advocating.

Pookie: I apologize. I fear that I am quite tired, and my sense of humor may not be functioning properly. As a gesture of good faith, I will admit to harboring a desire to "Cane" Ms. Aniston at certain points in my life.

I hope you guys are getting totally trashed from this. I don't drink, but I might as well help you all get hangovers.

Posted by: Vermillion at November 18, 2007 9:08 PM

amea_gari is right on two counts: a genre is not a medium, and that to ridicule an idea is not to ridicule a person. Why else would we employ language to articulate ideas if not persuade each other of them? If the idea another person espouses seems ridiculous, it deserves to be called that. Vermillion is right that ad hominem attacks are counterproductive, but I disagree that an idea should be exempt from ridicule simply because someone else happens to hold it. Disagreement is healthy and debate shouldn't be shut down in advance to coddle people from supposed ridicule.

Posted by: be right back at November 18, 2007 10:48 PM

Unfortunately, blanket statements like 'I don't like animation (or insert any other medium here)' are necessary. There's only so much time in a day and one has to narrow the field of entertainment options to deal with the choice out there. So you have to make generalizations about what you do and don't like.
Some people just don't connect with certain things. They might find that an animated character doesn't connect or stir the soul the way live-action can. This doesn't make them ignorant and hateful.

Posted by: Tiki at November 19, 2007 1:28 AM

I don't like the uncanny valley. It's creepy, and I'm an animation nerd, so this doesn't bode well for the film.

Posted by: Lulu J at November 19, 2007 1:34 AM

Tiki, by your logic I can say "I don't like Russians," because there's only so many people in a day I can get to know, and I haven't met any Russians I connected with.

Ignorance is not a good excuse for ANY kind of opinion. Ever.

Posted by: amea_gari at November 19, 2007 1:49 AM

Just a hunch, but I'm pretty sure the categorizing criteria we apply to things like entertainment or food or music or sports don't really translate all that well over to human beings.

Posted by: BiblioGeek at November 19, 2007 8:24 AM

Gudrun - I think the same thing every time I see the commercial for this movie.
And about Beowulf in general, I really did hate having to read it as a first-year English Lit student. I know I should have liked it because it's important and all that, but I didn't. Six years later, my mind less clouded by beer, I may now have a greater appreciation for it. That doesn't change the fact that I likely won't see this movie.

Posted by: b at November 19, 2007 9:20 AM

*Strolls by, opens comment thread door, peeks inside*

*quietly backs way, closes door firmly, strolls away*

Have fun, guys.

Posted by: TK at November 19, 2007 10:06 AM

You know, TK, even as an anime nerd, I'm with you. It's scary in here...

Posted by: pinkcheese at November 19, 2007 10:47 AM

Yeah, amea_gari. I'm going to have to go with BiblioGeek on this one and say that Russians aren't a particular genre of people. Russian food however...
I completely agree with you that ignorance is not a good basis for an opinion. But once you try something several times, if you still don't like it you're not ignorant. You're just not an expert in the medium.

Posted by: Tiki at November 19, 2007 11:11 AM

No, Russians aren't a genre of people. But the same kind of ignorance and prejudice that causes people to form opinions based on their ignorance is what leads to people making blanket statements about everything from food, to culture, to race.

Posted by: amea_gari at November 19, 2007 11:44 AM

I never read Beowolf (though I did read a short novel, YA fiction, called Grendel.) I love Neil Gaiman (Princess Mononoke? SRSLY? Cool) and although I had no desire to see this whatsoever ("You think you're the first to try and kill me?!?!!" Was that even necessary?) I must submit, in defense of the power of cartoons for emoting-

Avatar.

Posted by: that bees chick at November 19, 2007 3:08 PM

After reading this thread I am thanking my lucky stars that I'm visiting late today...Oy, I don't think I could keep up if I tried.

I'll just add that, from seeing the trailer a few times, I've come to the conclusion that this film isn't for me - maybe I'll Netflix it eventually.

Posted by: Kolby at November 19, 2007 6:46 PM

I don't particularly care one way or the other for animation of any kind, so I'm going to skip that debate.

I am an English major, however, and that means I have my own decided opinion of Beowulf. I hated it. Hate hate hate. Just because it was written a long fucking time ago doesn't mean it has great literary value. I found the characters boring and flat and the plot tiresome. On one level I worry that I may merely have failed to understand wherein lies its value, but on another level I think that even a poor work can be made to appear valuable by a really talented teacher or critic. You can always find SOMETHING to praise and play up.

Posted by: Claire at November 19, 2007 11:42 PM

I thought Beowulf was hilarious. I was laughing pretty much the whole time. Like Beowulf's nekkid scene? Priceless. I thought the film on the whole was ridiculous, 'so bad it's good' - the perfect example of Americans' love of sex and violence. I'm thinking (hoping?) that this was the filmmakers' intention.

Posted by: Sara at November 20, 2007 12:52 AM

Okay, I saw this last night. Whoever gave the shout-out to the scrubbing-lady's boobs- RIGHT ON. They did her boobs really well!

Posted by: Blackwater Hattie at November 20, 2007 11:55 AM

My boyfriend and I renamed it Bare-Ass. It was too much like watching video game graphics. All the character's faces looked dead. And who the hell wants to look at a cartoon Angelina when you can look at the real thing?

Posted by: Danielle at November 20, 2007 12:15 PM

Oh, and before I forget, dropping a one ton safe on Project Runway Nina Garcia's head has been a nightly fantasy of mine for quite some time.

In fact I distinctly remember telling myself: "someday I'm gonna have to kill this woman," the first time I heard her affected accent AND her "I'm always smelling shit" permanent facial expression.

Posted by: BarbadoSlim at November 20, 2007 12:24 PM

oops..WTF!?!

Posted by: BarbadoSlim at November 20, 2007 12:26 PM

Hey hey hey, calm down people. The reviewer wasn't referring to the whole of animation, he was referring to Motion capture animation which is creepy as all hell and totally unnecessary. I remember a few years ago when people were talking about how it might replace live-action films and then the Polar Express came out and shut everyone up. What is the point in creating "live" people out of a computer when you have the live people there? They move in unsettling ways and don't emote properly. Their mouths don't work right and their skin looks like plastic.

I love animated films and shows. You can't compare Miyazaki's work with this because it's an entirely different medium. If they had made this a bit more cartoony, it might have worked better, but watching realistic computer people creeps me out.

Posted by: Alicia at November 21, 2007 12:18 AM

Looking at all the sidetracked comments and wondering... did any of you actually SEE this film that supposedly started all this debate?

I saw it tonight - IMAX, 3-D, all the bells and whistles, and sweet mother of mercy, this thing is BAD. Bad animation, bad writing... the only thing that saved it at all for me was imagining the fun that Mystery Science Theater 3000 would have had with it.

Save your money and your sense of equilibrium. I would rather see Anthony Hopkins full frontal naked for two hours than ever sit through something as stultifyingly awful as Beowulf.

Posted by: Katherine at November 21, 2007 10:35 PM

C'mon, let's not kid ourselves. Beowulf isn't a "groundbreaking" diamond in the rough, it's more of the same stupid, horrible dreck. Another sub-par, T&A flick they decided to fit into the mold of a famous historical epic... for whatever reason.

Seriously, why bother co-opting historical works of fiction to make into this kind of crap? Did they think the handful of people who actually read and/or are fans of Beowulf the poem going to be impressed? Is the movie's target audience of age 12-35 males going to give a shit that they're watching a remake of an Old English epic? You could of called it, Nekkid Angelina Jolie and Dudes with Swords and they wouldn't have known the difference or cared.

This movie seems just as retarded and pointless as was trying to turn Asimov's I, Robot into an action blockbuster starring Will Smith.

Posted by: DW at November 26, 2007 12:50 PM

Well. . . I! AM! AN! ENGLISH TEACHER!

Seriously, just don't.

Posted by: Megan at November 26, 2007 7:47 PM

"Beowulf is certainly spectacular to look at, but it's often hard to take seriously."

I think it's cool that they interpreted an epic in a style that augments reality, as an epic tale is in itself a juiced of version of the truth.

Posted by: Kevin at November 27, 2007 9:37 AM





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