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And Away We Go

By Dustin Rowles | Posted Under DVD Releases | Comments (11)



Away-We-Go_jpg_595x325_crop_upscale_q85.jpg

Away We Go: Away We Go is a genuine treasure for being an original story that wonderfully, grandly, joyously weaves together the disparate strands of what could be called Eggers’ worldview into a warm and moving tapestry. Mendes’ skillful direction and grace at handling a story of modern families is a perfect match for Eggers and Vida’s wondering and wandering journey through America to find a place to call home. To say the film is staggering genius would be overselling it, but it’s a heartbreaking work in the best of ways. — Daniel Carlson

The Girlfriend Experience: The Girlfriend Experience is an unpleasant romantic dramedy slumped drunkenly over lazy political commentary and rich bitching. Through a slipshod time shuffled narrative, we’re expected to give a shit about two bland emotionless twats. Like everything else that apes Bret Easton Ellis and misses, it grays out anything remotely intriguing with handheld camera shots and a constant shadow. The stunt casting of porn star Sasha Grey only reinforces that her best work is done up close and from the hips down. If this masturbatory fetishit was a first time film student’s project, it would be execrable but understandable. The fact that it came from Soderbergh makes it inexcusable. If you want to make experimental films, keep that shit on the festival circuit where it belongs. — Brian Prisco

Monsters vs. Aliens:The promise of 3D is that the film comes with something extra, and this “something” is, allegedly, so significant to justify a higher price tag. Whatever this added 3D ingredient brings to the cinematic table costs adds about 15% to a film’s budget, but, somehow, the outrageous price of 3D tickets would have us believe otherwise. Now, Monsters vs. Aliens demonstrates that, as least as far as DreamWorks is concerned, 3D films shall be high concept but will be achieved with minimal execution, for this entire film consists of swiftly-moving action between shameless displays of 3D gimmickry. — Agent Bedhead

Management: Jennifer Aniston’s Management is better than it has any right to be — it could’ve easily been a lousy romantic comedy that uses only the broadest of strokes and fills in the rest of the formula with pratfalls and low-brow gags. It’s marred by a few dumb missteps and, ultimately, it does hew to the rom-com formula. But there’s enough melancholy mixed in with the sweetness to make Management work as an endearing love story that captures a tiny bit of that dare-to be-great Lloyd Dobbler spirit. And the fact that is has any spirit at all is an almost remarkable feat in a marketplace dominated by Kate Hudson, Cameron Diaz, and — well — Jennifer Aniston romantic comedies. — Dustin Rowles

Television DVD Releases: “The Unit,” season four. “Life on Mars,” the complete series (American version). “The Guild,” seasons one and two. “How I Met Your Mother,” season four. “Kings,” season one. And “Daybreak,” the complete series.









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Comments

I would like to see Away We Go once more. I unabashedly loved it.
Plus, the movie opens with Krasinksi workin' in the coal mine. Instant win!!

Posted by: myysharona (formerly Sharon) at September 29, 2009 5:33 PM

Stephen Soderberg has disappointed his fans more times than George Lucas and the Wachowzkis at this rate. That hipster douchester.

Posted by: George at September 29, 2009 5:43 PM

I quite liked The Girlfriend Experience. It didn't blow me away, but 'twas okay.

Now produce your flamethrowers and just get it over with.

Posted by: TSF at September 29, 2009 5:56 PM

One thing about Away We Go. I know it's not fair to look at a piece of art too much through your own personal lens, but I can't help it. I was in that movie, loving it, and then they got to Montreal and I couldn't stop being furious. But, I adopted my daughter and get instantly enraged when I see adopted children treated as some kind of consolation prize. Which happens fairly often.

Posted by: megbon at September 29, 2009 6:03 PM

Posted by: TSF at September 29, 2009 5:56 PM

FAAAAAAAAAAAAAAAAAAAILLLLLLL!

What? He started it. Might as well have wore a "Kick Me" sign.

Posted by: Troll 4 Life at September 29, 2009 6:03 PM

I wanted to love Away We Go, but Maya Rudolph's character was just so unlikeable to me. I couldn't get on her side. Krasinski was great, though.

Posted by: Sheri at September 29, 2009 7:28 PM

That's because she has anti-charisma. If it weren't for the charm and likeability of the rest of the cast, she would've drained it from audiences in the theater.

Posted by: Optimus Rhyme at September 29, 2009 7:55 PM

I'm watching it right now and I don't know why you would say that about Maya Rudolph. She's darling.

Posted by: myysharona (formerly Sharon) at September 29, 2009 11:12 PM

I'll watch Krasinski in anything and Maya Rudolph was surprisingly endearing as a dramatic actress, but am I the only one that thinks Dave Eggers is often far too in love with his own writing? I read "A Heartbreaking Work..." recently and wanted to judo chop Eggers in the man area for his cutesy hipster asides.

I nevertheless maintain high hopes for "Where the Wild Things Are," one of my favorite books of all-time. The trailer is just epic.

Posted by: Abe Froman at September 30, 2009 5:30 PM

megbon, I didn't see that in Away We Go. I thought they made it clear that their loved their (foster? adopted?) children. I thought the problem was how her infertility affects herself and her relationship with her husband. I know some people (infertile women included) who view infertile women as "not really women"--because what is the purpose of a woman if not to have babies? Ugh.

I don't think the relationship to the children was presented as being any different if they were biological.

Posted by: Kate at October 1, 2009 3:51 PM

A untroubled old majority is the award of a well-spent youth. Instead of its bringing sad and low prospects of decay, it would give in to defeat us hopes of eternal youth in a less ill globe

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