
Who's Afraid of the Big, Bad C.H.U.D.?
The Descent / Phillip Stephens
The best way to distinguish one director from another is to have both take the same blueprint, make a film, and see what each comes up with. To further liven things up, have them operate in a firmly grounded genre — horror, which arguably has the most formulaic modus operandi and archetypes.
British directors can occasionally spin familiar horror yarns in ways that give heightened style and excitement to their American flash-bang counterparts. Case in point: Neil Marshall’s horror-thriller The Descent takes an age-old Alien draft and gives it a refreshingly dark, feminine twist, while last year’s appalling schlock The Cave — which possessed a virtually identical story — left an aftertaste far more acrid than thrilling. Marshall’s success can be attributed to a number of talents he possesses in greater facility than Bruce Hunt, but most important is his willingness to imbue his characters with additional depths that give an audience genuine interest in their fates.
The Descent concerns six women — all big-risk adventurers who congregate annually to go rafting or caving or whatever adventurous people like to do. A year after a grisly car accident kills Sarah’s (Shauna Macdonald) husband and daughter, the sextet head for a remote cave in the Appalachians, where alpha-female Juno (Natalie Mendoza) hopes some extreme spelunking in an undiscovered grotto will help with the grieving process. After the first 10 minutes or so, there are no male characters (or extras at all) in the movie. Heroines are in no short supply in horror films, but this small all-female cast makes us focus harder on the characters and their rather complicated dynamics.
There’s little beyond a few genial laughs in the early scenes that indicate The Descent will be anything other than a relentlessly dark film. Anyone who’s seen the previews or heard the premise will know what the girls will encounter in their trip down the rabbit-hole, but I’m still hesitant to give away anything. The less one knows about the plot in this case, the better: Marshall paces the film almost perfectly, letting the tension build exponentially without quite giving the viewer clues as to what’s coming next.
Indeed, some of the more disturbing elements of the movie are provided by the environment itself. Whereas in Hunt’s The Cave, the setting merely offered an excuse for darkness, The Descent takes full advantage of pitch-black, enclosed surroundings to heighten genuine paranoia. One scene, in which Sarah gets stuck crawling through a tiny crevice and begins hyperventilating is nightmarishly claustrophobic. Marshall also uses the locale’s natural suspense by framing close shots in which only flares and headlights illuminate the grimy, wet sepia.
The story moves along with the protagonists finding themselves in slightly more dangerous situations, until a cave-in cuts off their escape route and forces them deeper underground. Then, one climber breaks her leg and has to be carried. And then…
Once the movie arrives at its core crisis, the disturbing tension gives way to a nightmare of visceral movement and violence. Marshall doesn’t relent to give the audience a breather when this happens but bashes it over the head with rapid-succession images and carnage in such a way that the viewer will probably forget to be scared. It’s some of the most intense filmmaking I’ve seen in recent horror flicks.
I actually had the pleasure of seeing The Descent in Berlin earlier this year, where it has been out on DVD for some time. While the movie deserves to be seen on the big screen, the original ending has been altered in a detrimental way for its American release. The rumors hold that Marshall approved the excising of 30 crucial seconds from the original cut to appease American distributors’ insulting and confounding desire for a more “upbeat” ending. The original’s final scenes were vague and unsettling, but fit perfectly with the rest of Marshall’s themes and left a disturbing mood lingering with the viewer, and they’ve chucked it in this theatrical release for a cheap scare. But for that and a few derivative lines of dialogue, The Descent would have been far and away the best horror film released this year.
Phillip Stephens is the lead critic for Pajiba. He lives in Fayetteville, AR.
Edit: I honestly don’t remember coming across the IMDB blurb that’s extremely similar to the opening sentence of the second paragraph, but I agree — it’s too close for comfort and I’ve changed it accordingly. — Phillip
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Comments
Wow, I must point out something. Is this plagarism and who's responsible?
From Pajiba: "British directors have a way of classing up such fare in a way that impresses critics sick of the American flash-bang variety."
From IMDB's movie review of the same film: "he British have a way of pulling off horror films with a kind of class that impresses film critics who are ordinarily not well disposed toward the American variety."
It reminds me of my days of high school, where the goal was to read what someone else had said and formulate that into an idea that was all mine....lest I say that I changed a couple words to words that meant the same thing. I'm having flashbacks.
Posted by: John at August 4, 2006 8:55 PM
Great review, Phillip. And come on, John! Are you kidding? Its a universal sentiment - surely more than one person can take note of a theme without being accused of plagiarism! (Phillip's line actually expresses the thought better.)
Posted by: Cindy at August 4, 2006 9:10 PM
I'm not saying there definitely was plagiarism, but i think the lines are a little to similar to immedianely brush off as "universal sentiment". Anyways, great review...if I actually liked horror movies I'd probably go check this out.
Posted by: Joe at August 4, 2006 10:03 PM
One would think that someone shouting a bad, bad word like "plagiarism" would have the sense to use the correct form of to/too...
I thought it was a good review, if vague (although I understand the reason for it). I was tempted to see it, until I remembered that I'm a big damn weenie that doesn't go to horror movies.
Posted by: Lauren at August 4, 2006 10:54 PM
Indeed, accusing a reviewer of plagiarism in relation to a film released worldwide is rather asinine, since so many critics feel similarly about certain aspects of the genre; including it's directors, actors, et cetera.
I was hoping this would get a good review, I've been wanting to see a great horror movie for a long time.
Posted by: razh at August 5, 2006 12:42 AM
I don't know how I didn't hear about this being so popular for so long in Europe. One would think that I lived in a cave! *ba dum dum* (Sorry, couldn't resist!)
Seriously though, I'm a lifer when it comes to horror films, and with that comes a certain jadedness. Thankfully, I honestly jumped a few times (and not just at music swells and fast entrances by actresses on-screen) and truly enjoyed the tensions and horrors woven onscreen.
All my favorite memories of CARRIE, ALIEN (Here Jonesie!) and APOCALYPSE NOW. Hearts are never darker than when spelunking, apparently.
The ending felt a little bogus, but friends tell me their this is a different ending from what they saw overseas. Why, Hollywood, why must you underestimate your audience? Why? WHY?!
Posted by: ErosLane at August 5, 2006 2:31 AM
Great review! I actually didn't want to see this movie (I'm a big wuss when it comes to scary movies) but after reading this review it sounds like it has some actual merit as a movie. I love movies that have layers and the like, horror or not. And most scary movies have the jump factor, no true horror or scariness.
Posted by: daisy at August 5, 2006 2:39 AM
To be fair to Hollywood, I read that the changing of the ending was actually in response to how it was received in Europe when the film had its run thereabouts. *Those* audiences didn't seem to care for the ending, and thus the decision to change it for its release stateside.
Posted by: A at August 5, 2006 2:56 AM
Let me be clear, I would ONLY assume that the brilliant literature (called reviews) would be lifted by imdb.com. That's out of sheer respect of this great website. I think some thought it was the other way around and I want to be clear where my loyalty lies. Pajiba, can I by you a drink? Unless you don't want to be friends anymore. But that would hurt us both, yes? No?
Posted by: John at August 5, 2006 7:26 AM
Uh-oh Phillip, I think John's gonna pull you and IMBD into his office after class and get to the bottom of this! Looks like someone's gonna fail their paper this term!
=D
Posted by: anaxa at August 5, 2006 11:52 AM
Like others, I'm not a horror fan, otherwise I'd see the movie, which is garnering great reviews. But my question, which I don't seem to be able to find the answer to, is is this movie (and The Cave as well) based on the book The Descent by Jeff Long? I ask because it was a book I read against my better judgement and hated, but the plots seem really similar.
Posted by: Laura at August 5, 2006 3:17 PM
Laura,
I don't think either movie was based on Long's book. I would like to see a film or a high-quality miniseries based on his novel.
Posted by: apocalipstick at August 5, 2006 3:44 PM
I saw a sneak preview of this a few weeks ago and I was actually really entertained. I usually don't like horror movies but this one actually got you invested in the characters. Sometimes you actually felt like you were in the cave with them because of the wonderful use of environment. I felt like the ended up showing the creatures too much after a certain point so that the mystery of the whole thing began to wear off. And yes, the American ending is awful compared to the one I've heard about from UK friends.
Posted by: Nat at August 5, 2006 3:52 PM
I'm not a horror fan, either, unless it's a good film on its on merits, so I saw this based on your recommendation. The Descent, I thought, was less a horror film, and more a will-fuck-you-up film. For a long time. Dead-on review, Phillip. Especially the part about getting hit with so much that you forget to be scared.
Posted by: SR at August 5, 2006 4:24 PM
C.H.U.D.!!! Oh man! I don't hear people mention that movie nearly enough!
You rule, Phillip! :D
Posted by: Loob at August 5, 2006 4:56 PM
Too bad Phillip didn't mention "C.H.U.D. II: Bud the C.H.U.D."...then it would have been a REAL review!
Posted by: idiot dentist at August 6, 2006 12:01 AM
I'm not a fan of horror films, and I don't think I'd even stop to watch this on cable, but I just feel compelled to say that it sports what may just be the worst movie poster in history. Just icch.
Posted by: tommytimp at August 6, 2006 8:05 PM
I found it interesting that you had to point out that there are few men in this movie. "After the first 10 minutes or so, there are no male characters (or extras at all) in the movie." It's as if you are surprised you liked a movie that doesnt have male leads. Also I cant even count how many movies I watch and read reviews of witch feature an almost exclusively male casts, but there is never pointed out or made an issue of. Just a thought....
Posted by: Ang at August 7, 2006 1:07 PM
Ang - you *really* need to relax. "It's as if you are surprised you liked a movie that doesnt have male leads"? Are you kidding? I don't think he was surprised that he liked it, I think he was surprised at the idea in general, since it's fairly uncommon. Nothing grates my nerves more than people who see sexism (or racism) at every turn. There are for more important and dangerous instances of sexism out there for you to waste your time thinking you see it in as inoffensive a statement as that.
DEEP BREATH. Whew. OK, that aside, I couldn't be more excited to see this. Nevermind the fact that the trailer is brilliant, but it's from the director of DOG SOLDIERS! Only the greatest werewolf movie in over a decade! And Philip, while I enjoyed your review, your neglecting to mention Dog Soldiers is criminal. JK... great work.
Posted by: TK at August 7, 2006 3:25 PM
Wasn't planning on seeing it until now, since horror has become so sadistic and mean-spirited lately. I must say that the advertisement/poster with the skull made entirely of human bodies was one of the most creative movie-related graphics I have seen in a long time. It sort of looked like a modern dance opening pose.
Posted by: MaiGirl at August 7, 2006 3:41 PM
well i saw this and i found it BAD. just plain bad. it wasn't scary it was disgusting. boys tend to like the sight of a bone peeking out of one's leg, but i seriously don't. well if you like that watch it.
Posted by: lucy at August 7, 2006 6:39 PM
Solid review of a film I loved when I saw it last year (UK). Cannot believe they have fucked with the ending though. Goddamn Americans and their happy endings!
Posted by: Jane at August 8, 2006 6:48 AM
I just saw the movie and enjoyed it a lot. Can someone point me in the directon of where to find out what the original ending was? I have a hunch but I'd like to know for sure. Thanks guys, and good review, I read it before I went to the theater to see it!
Posted by: Zach at August 9, 2006 1:39 AM
I'm not entirely sure how the American ending goes and I could be wrong about the European too as I did see this film at least a year ago I think.
However, does it make sense if I say that in the original version there is a sudden realisation that the previous scene (American final scene presumably) was all a dream, a hallucination or something...its very very not uplifting at all and an excellent bit of film.
Posted by: sarah at August 9, 2006 2:50 AM
Sarah... Way to give away the ending, you freakin' jerk.
Posted by: MDA at August 9, 2006 11:19 AM
Sara,
I didnt see it as that... maybe she wasn't as bloody....I'm not sure that that gave anythign away really MDA, however I did see it last night, very late... I'll search the net some more. Thanks though!
Posted by: Zach at August 9, 2006 11:33 AM
Can anyone tell me how to get a copy of a dvd with the original ending?
Thanks.
Posted by: Sarah Baker at August 9, 2006 11:52 AM
Having seen both endings (thank you Youtube), I have to say I prefer the American ending. It could be considered a "cheap shock", but I saw it as a pretty clear indicator of the lead's fate.
SPOILER!!!
In the American version, it's clear that the events of the film have completely traumatized Sarah and that she will probably never recover. The British version suggests that Sarah hasn't escaped from the cave, but her fantasy about her daughter and the birthday cake sustain her and probably will help her ignore the pain when the crawlers finally get their grubby paws on her...
END SPOILERS!!!
Overall I thought this was a fanstastic, nasty li'l flick...
Posted by: David at August 9, 2006 4:52 PM
Yeah, Sarah! Way to vaguely refer to a scene that won't be shown in America (unless it's on the DVD)! It gave the whole movie away! Including the credits! And the ending to three other movies! Damn you!
Posted by: Craig at August 9, 2006 5:36 PM
*SPOILERS* Yeah, I disagree with this idea that the American ending is intended to be uplifting or is a Hollywood sellout, or I at least don't think the difference is as grievous as some people are making it out to be. The character is screwed in the head permanently. That's what that last vision implies to me. She escapes? Big deal. Death in the cave is a more merciful fate at that point. Try living with those visions of hers and that guilt she harbors indefinitely. The transformation she undergoes toward insanity and savagery - which is more or less the most critical part of the film - is actually less interesting if she's not forced to live with it for an extended period of time. I'm not saying I don't dig the other ending and its darkness. I just think the American version is as dark and as satisfying.
Posted by: Rob at August 10, 2006 3:58 AM
^ lol, craig
Posted by: hannah at August 11, 2006 4:54 AM
I just saw this movie today. I didn't want to go. I told my girlfriend in an effort to shut her up two weeks ago that I would go and see it. She made me keep my word.
I didn't like the movie exactly. Because liking a movie, to me, is defined as my wanting to see it again. I don't ever want to see this again. But I found it terribly fascinating. I, too, was impressed that a movie like this had a female cast. You just don't see that much. These girls were kicking ass (until they were eaten, anyway) and doing sports not consistently associated with women in this country (though it should be).
And yes, the tight, claustrophobic shots were amazing. Nicely done, the whole way around. But I don't EVER want to see it again.
Posted by: sharon at August 13, 2006 9:24 PM
This has been out on DVD in Europe for quite awhile now and seriously, the original ending is key!
Posted by: cinekat at August 18, 2006 5:42 AM
The original ending is available on YouTube.
I saw the movie last night and just loved it (although I agree with many critics who think the scariest moments happen before they ever meet the "Deros," as my brilliant husband called them), but afterward we just kept asking each other,
SPOILER
"How likely is it that she would exit the cave right by the place where they'd parked????"
Having just watched the original ending, we agree that it not only makes far more sense, it's also actually more upbeat, in a way. It's certainly more consistent. The real problem is that US audiences have gotten used to those stupidly abrupt "shocker" endings. Ah well. Either way, the most honest-to-god horror movie I've seen in awhile.
Posted by: SHE at August 20, 2006 1:12 PM
The original ending is available on YouTube.
I saw the movie last night and just loved it (although I agree with many critics who think the scariest moments happen before they ever meet the "Deros," as my brilliant husband called them), but afterward we just kept asking each other,
SPOILER
"How likely is it that she would exit the cave right by the place where they'd parked????"
Having just watched the original ending, we agree that it not only makes far more sense, it's also actually more upbeat, in a way. It's certainly more consistent. The real problem is that US audiences have gotten used to those stupidly abrupt "shocker" endings. Ah well. Either way, the most honest-to-god horror movie I've seen in awhile.
Posted by: SHE at August 20, 2006 1:13 PM
I LOVED this movie for all that it is, and laud the positive review. I have gotten tired of the "horror" films that have come out, as (call me crazy) I am always looking for ways to frighten myself, and 99% of the movies I have seen thus far do not accomplish that mission. Films like The Ring are decent, but they never scare ME, they just make me fear for the next thing to happen to the protagonists. Don't even mention crap like Pulse or Saw (I mean that was gory, and had the requisite "twist") which are by no means scary, but are just gory and make your stomach turn. The Descent played with my most primal fears, and even though I was in a wide open movie theater with a close friend, and there were no conceivable threats whatsoever, I had to constantly remind myself to breathe, and to not panic. I was scared for me. Truly well done.
Posted by: surly suzie at August 31, 2006 11:39 AM
I saw this movie recently and was honestly disappointed. Sure, there were a few 'jump out of your seat' cheap moments, but a good horror should really make you bond with the characters before they undergo some type of horrific event. The first problem that Phillip pointed out in his movie was the too-brief introduction to the main cast. The main problem, however is the following:
*SPOILER?*
By the time the girls actually get to the cave I have a very low opinion of most of them - spelunking is a dangerous activity and their casual indifference to anything like preparation and safety is pretty pathetic. Come on, let's leave the maps behind? Then there's the running around, being irresponsible in the first room that leaves me mumbling 'idiots' under my breath. But the real kicker - this is a brand new cave that nobody has explored before. What in the world was that girl thinking? That has got to be the single dumbest premise for getting into a new and exciting place - 'hey girls btw we're trapped in a cave that nobody's ever been in before because I tricked you'. At that point whatever was left of any empathy I had for that group disappeared, honestly whatever happened they put themselves in that position and I really didn't care.
Not a bad movie, just non-involving and definately not horrific.
Posted by: Andy at September 4, 2006 11:07 AM
This review isn't even on the Pajiba front page anymore, but I just saw Descent and had to comment. What Andy said at the end of the thread is so true. So many stupid mistakes. What I'd really love to see is a movie as scary as this one (because I do think it was creepy and scary) without the stupid mistakes made by the main characters. I DO think it's possible.
But yeah, anyone who takes spelunking seriously would have a freaking map. They would NOT try out an unknown cave system alone, and after the first (SPOILER!!) cave in on that tunnel, NO ONE WOULD BE YELLING ANYMORE. God, I wanted to slap them for the yelling. Yeah (SPOILER) once the creepy things showed up the yelling was pretty understandable, but I think even at that, once I figured out they hunted by sound, you can bet I'd be biting my freaking tongue and keeping my yap shut.
I also think it was too convenient (SPOILER) that she came out very near where they were parked, albeit by an exit that couldn't be seen from outside. And from IN the cave, it looked like an open hole with tons of light pouring through. From outside, she had to dig past lots of brush and stuff. So, um, there's a problem.
Anyway. All in all, pretty well done. I'm very claustrophobic, so I almost couldn't watch some of the tunnel crawling scenes. And I would have gotten rid of the creepy things altogether and had them starve to death, slowly, in the cave. But that's just me.
It was certainly worth a matinee and I can't say that about many movies anymore.
Posted by: Kathy at September 4, 2006 5:10 PM
so what was the best horror film released this year???
Posted by: eddie at December 27, 2006 6:25 PM
It's January 2, 2007, and there's no way anyone's reading this thread anymore--but in case someone's watching (commenting on dead threads is kind of like being in a deep deep cave), Blockbuster copies in Canada carry the UK ending, not the US theatrical release.
So my fellow Canucky lovelies, no worries getting your hands on the orig version in this country, if you were wondering. Maybe the US copies have it too--or at least carry an "alternate" ending in the features.
Posted by: ranylt at January 2, 2007 10:06 PM
Your review is spot on. Saw this last nite. Thanks the Gods for Netflix. Loved loved loved this movie. Ending sort of left me wanting more, but as a commenter mentioned -- then she'd have to live with what she experienced.
Posted by: Maria at January 11, 2007 4:10 PM
I got this on Netflix and just finished watching it. (SPOILER) I am assuming I had the UK ending as she was shocked out of her unconsciousness by the "vision" of Juno, and was then in the cave with a new "vision" of her daughter. I thought the US ending was pretty good since as a poster above mentioned this girl has CLEARLY gone insane... I wish they had explored that a bit more in the ending.
Overall I really enjoyed it, (SPOILER) although how realistic is it that Beth could've survived that wound and exposited all that?
Posted by: Michelle at January 17, 2007 1:09 AM
Would it be wrong to say that I hated both endings?
*Spoilers*
I am assuming the british one is where she wakes up from her 'dream' about escaping, but the US version she escapes. Right? I just don't like either ending. The Escape seemed a little too unlikely, the wake up was too much of a 'twist'. I would have loved the Wake Up if it had been more of a slow dawning of realization without the hallucination. Make sense?
Posted by: Samantha at June 1, 2007 7:53 AM

