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I Hate When That Happens

By BY TATER BARLEY BANKS & Friends | Posted Under Comment Diversions | Comments (183)



five-infamous-action-movie-cliches-20070724020828827.jpg

I’ve been kinda busy around the Taterpatch these days and when I haven’t been busy I’ve been feeling kinda shitty from some medications I’ve had to take. This is supposed to be the last dose, however, so before long I should be fit as a fiddle again (how does a fiddle get fit, anyway? Diet and exercise, I guess).

So if y’all really don’t mind (and be honest: Nobody really minds less of my bullshit, right?), I’m once more turning over the coveted Weekend Diversion space to another guest, this time the estimable Uncle JR:
—-
I was watching TV today when one of the characters who had heard a gunshot said “I thought it was a car backfiring.”

Now, when was the last time YOU heard a car backfire? It’s been eons, and with the state of cars today, I’m pretty sure that it’s a very infrequent occasion.

So, I was wondering, what movie/TV cliche drives you nuts?

—-

That should keep the kids busy while we hit mom and dad’s liquor cabinet.

Speaking of liquor, I didn’t see this tidbit (there’s a word that doesn’t get used enough) of news show up here, so as a bonus here’s the story of the year:

Police said a man will be charged with public drunkenness after several witnesses saw him attempting to resuscitate a road-killed opossum.

State police said they charged Donald Wolfe, 55, of Brookville, Jefferson County, after they arrived at the scene on Route 36 in Oliver Township around 3 p.m. Thursday.

A news release from police does not state how he was trying to revive the opossum.









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Comments

I HATE it when a woman in a movie says, "Hold me."

Posted by: Mrs. Julien at April 3, 2010 3:36 PM

Whenever the villain has the hero's wife/girlfriend held hostage at gunpoint and the hero snarls, "Let her go."

It always convinces the villain to do just that. It is so persuasive that he lays down his arms and backs away at the power of the hero's command.

It is BULL. I HATE IT.

Never, ever write that dumbass cliche in a script.

Posted by: Parker at April 3, 2010 3:45 PM

i hate the phrase "blood is thicker than water."
no matter the medium it is a phrase i could go the rest of my life without hearing.

Posted by: protoformX at April 3, 2010 3:57 PM

That part in the romantic comedy when the girl inevitably says, "It was all just a bet/a story to you?"

Posted by: kelsy at April 3, 2010 4:33 PM

--Bad smarmy wisecracks. Just caught myself watching Fucktastic Four 2 (I like the Surfer, up yours) and every time someone throws a punch there's the obligatory, "Surf's up!". People in real fights just yell fuck, shit, or fucking shit.

--Obvious cameos. See Wedding Crashers. If you didn't see Will Ferrell coming down as Chaz, punch yourself.

--Ever try shooting a pistol at something 50 yards away? Yeah, not gonna hit anything.

--Unnecessary English accents.

--Any time Gay Perry isn't in the picture, it's a loss.

Posted by: RD-DayJ at April 3, 2010 4:36 PM

Culture clashes with "hilarious results". Blow me, Yunioshi.

Posted by: kevin at April 3, 2010 4:47 PM

I think the one that irks me the most is when a villain is holding a gun to a hostage's head (usually it's a girl, of course) and this makes the hero(es) completely powerless, and all they can do is bleat (thank you, Parker), "Let her go!"

Hey, fuckwads: He can't do anything to the hostage. Because as soon as he kills his hostage, he no longer has a hostage to keep you at bay. See how that works?

When, in the pilot episode of Firefly, Captain Mal takes one look at the hostage-taker holding helpless River with a gun to her head, and, without even breaking stride, shoots the bastard in the eye, I swear to you people I jumped up off my couch and CHEERED. That was the moment I fell in love with Captain Mal.

Didn't even break stride. Goddamnit, I miss the Cap'n.

Posted by: Jerce at April 3, 2010 5:14 PM

Stupid music cues...supposedly it's to highlight the emotion of the scene, but more often than not, it's distracting/annoying. Sometimes silence or regular ambient noise is sufficient, people.

Posted by: Ducky at April 3, 2010 5:18 PM

The new trend of car crashes in movies being so over the top there is no way in hell anyone could possibly survive but miraculously everyone gets out without a scratch. Also pedestrians are able to run/duck to escape the lightning fast vehicular carnage.

Waking suddenly from a nightmare the protagonist sits straight up in bed, usually gasping and sweaty. NOTE: Ellen Ripley gets a pass for this one in "Aliens".

Posted by: TylerDFC at April 3, 2010 5:25 PM

When someone is pointing a gun at someone. Then they have a long conversation. Then the person holding the gun cocks the hammer.

No. No sir.

Posted by: superasente at April 3, 2010 5:26 PM

Escaping through the top of the elevator.

Escaping through the air ducts.

Escaping.

Posted by: superasente at April 3, 2010 5:27 PM

The dramatic, scripted, vomitous professions of love at the end of a romantic comedy. Extra points if they happen in the fucking RAIN. Who stands around the in the rain and chats about their feelings? Get a life.

Posted by: Dorothy Snarker at April 3, 2010 5:27 PM

Any time a character (always the reluctant hero) forgets to remove the safety catch on their gun before firing at the bad guy. Also, any time a gun is dropped and for no reason at all fires when it lands. Bonus if that stray bullet manages to hit someone.

Posted by: TylerDFC at April 3, 2010 5:34 PM

OK this is a pretty obvious one, but regardless: when taking glasses off and pulling a ponytail out turns the "ugly" girl "hot". I just don't understand this concept that ponytail=hideous hag.

And doofy husbands who just can't do anything right! And they are so fat and helpless without their babe wives who make sure that they stay on top of the house repairs and clean up their messes and yell at them about the toilet seat being up! Do men just immediately drop half their IQ when they get married or something? IDK.

Posted by: teacupnosaucer at April 3, 2010 5:34 PM

When "popular" musicians cameo on TV shows. The looks on the characters' faces just irritates the hell out of me.

Examples:
http://www.youtube.com/watch?v=IZdnyE-MeAE
http://www.youtube.com/watch?v=ClyX3GhZZSM
http://www.youtube.com/watch?v=Z9OmGGxsUnA

Posted by: duckandcover at April 3, 2010 5:36 PM

More gun stuff:
Character runs out of bullets and just drops the gun on the ground. Same with spent magazine cartridges. The only exception is The Matrix because it's not real anyway and they had an infinite supply.

Posted by: TylerDFC at April 3, 2010 5:37 PM

Movies that ask you to believe something that is completely retarded as its premise. I have no problem with zombie movies, supernatural stuff, spy movies, etc. We've all agreed that there are rules for these imaginary things, so as long as they stay internally logical, I'm cool with it.

Horror movies are the most likely to fail the ridiculous standard. My kid was mad at me for saying Joyride was stupid because I thought it was insane to believe a trucker could hunt down three college students across several state lines all the while telegraphing his intent via CB radio. Sorry, that stretches the boundaries of belief much more than say, accepting that werewolves might have a blood feud with vampires.

Posted by: Wednesday at April 3, 2010 5:46 PM

It's sort of a vague complaint, but I hate it when the writer needs to explain something and just crams it into the script.

For example, in Days of Thunder, Tom Cruise says this over his radio headset to Robert Duvall as he's racing:

"I'm gonna draft him, Harry... make him pull me around the track!"

I ALWAYS expect Duvall to come back with: "I know what drafting is, you asshole. I've been the head of a Nascar pit-crew for like 30 years."

Posted by: Daventhal at April 3, 2010 5:59 PM

superasente got mine: releasing the trigger of the gun long after you point it at someone.

Oh no sir, I wasn't going to shoot you. I was just pointing my gun at you. But what you said in the last minute and a half really hurt my feelings. Now I am so displeased with you that pointing this here gun at your face isn't enough. I am going to blow your fucking brains out.

Sigh. That's just lazy writing.

Posted by: Scully at April 3, 2010 6:06 PM

When the virgin can't die in a horror film, particularly a male virgin. Chances are, the male virgins do not have the strength or stamina to outlast a zombie onslaught/vampire raid/serial killer prowl because they were too busy being beaten up by the proud man whore jocks in their high schools. Unless the male virgin is established as a voice of logic and reason in the film, the sudden ability to not only dodge every attack and make the closest-to-right moves in the film but protect the other survivors is highly suspect.

I don't mind morality in a horror film, but let's try to keep things realistic. Not every whore is stupid and not every virgin is worth saving.

Posted by: Robert at April 3, 2010 6:07 PM

Buildings don't have ducts you can walk in. They don't have drainage pipes you can crawl in. They don't have trash chutes you can slide down. They don't have magic computer systems that shut down everything. They don't have motion sensors in fancy laser arrays that they keep on all the time and don't monitor. They don't have massive fans turning slowly for no apparent reason. They don't hav elevators you can climb out of without setting off alarms. They don't have elevators that fall without stopping, through redundant safety systems. They don't have extensive camera systems that allow you to see and hear everything in the building after you've hacked their system from your superdupercomputer in your fire truck. They don't have floors, ceilings or walls that you can cut huge chunks out of without interrupting several services such as the lights, sprinklers or storm water drains. AND FOR GOD'S SAKE NO ONE EVER WALKS INTO A DAMN BUILDING AND SAYS "This bomb is right next to a load bearing wall. This guy knew what he was doing." There are very, very few buildings above three stories built with load bearing walls and none with magic load bearing walls that can take the whole building down.


Buildings do have cool, suave architects who are always sharply dressed and driving classic restored cars though. That part is entirely true.

Posted by: mrcreosote at April 3, 2010 6:13 PM

Remember the last time you were talking on the phone and the other person either hung up or got disconnected? Remember then hearing the helpful humming/buzzing sound to let you know that the other person was gone? Yeah, me neither.

Also, love it when they show an instantly recognizable city scene (example, Big Ben) and then subtitle it ("London, England"). I know our school system sucks, but come on people.

Posted by: Joe at April 3, 2010 6:23 PM

I know our school system sucks, but come on people.
My first out-loud laugh of the day.

Posted by: Jerce at April 3, 2010 6:29 PM

Joe, you'd think it wasn't necessary, but I was in London with someone in September and after exiting Westminster Abbey asked her if she wanted to walk across the street to see Big Ben (it was my second and her first visit). She actually asked me what that was. Considering how judgmental and condescending I usually am when it comes to that kind of stuff, I still think I deserve an award for not laughing in her face or calling her an idiot.

Posted by: Jen K. at April 3, 2010 6:37 PM

I thought Big Ben was in New Jersey! Isn't that where it is?

Posted by: Kate the Great at April 3, 2010 6:38 PM

When the characters break into spontaneous dancing or singing. Come on people, you can't have just made that up on the fly. What, are you taking secret dance lessons together? Harmonizing in gym class? Grrr.

Posted by: bionic woman at April 3, 2010 6:48 PM

There are very, very few buildings above three stories built with load bearing walls and none with magic load bearing walls that can take the whole building down.

Buildings do have cool, suave architects who are always sharply dressed and driving classic restored cars though. That part is entirely true.

Posted by: mrcreosote at April 3, 2010 6:13 PM
--------------------------------------------------

*fans self rapidly*

You know what is load bearing?

Me.


On-topic, I hate when they work the title of the film into the dialogue.

Posted by: Lauren at April 3, 2010 7:05 PM

I hate when one participant in a fight scene loses his/her weapon, so the other participant throws theirs away too. WHAT? WHY? HOLY SHIT YOU HAD THE ADVANTAGE JUST NOW YOU JACKASS.

I'll make an exception if it's specifically a "fair fight, no one gets an advantage" situation where some kind of all-or-nothing weapons honor code has previously been agreed upon, but just any old fight sequence? KEEP YOUR GODDAMN SWORD YOU MORON, YOU CAN CUT HIM NOW AND HE HAS NOTHING TO CUT BACK WITH OR DEFEND AGAINST YOUR STABBY STABBY.

Movie fights should not resemble weapons demonstrations at martial arts expos. "Okay, we're done with the swords, now we will show you how to fight hand-to-hand. After that, we will both conveniently pick up spears. But as soon as Joe here drops his, the spear demo ends. Wouldn't want to hurt him or anything."

Posted by: Nat Kittyface at April 3, 2010 7:06 PM

I hate that I watched that entire clip of the Backstreet Boys on Sabrina The Teenaged Witch and I hate that now I'm going to click on the other two links to see what they are. DAMN YOU, YOUTUBE!

Posted by: coveredinbees at April 3, 2010 7:14 PM

When male and female protagonists in an action film "partner up" in every damned film. Can there NOT be an action film WITHOUT horizontal action between the partners!?!

And what about villians? Yes you clever, sadistic, manipulative bastards who kept in the shadows fro the entire movie spinning your webs and then you decide to blab all your secrets like a 5 year old on a sugar rush to the hero at the end while holding gun on him/her!?!

What's wrong with you? Shoot the bastard!
(Same goes for blabbermouth heroes!)

Posted by: Four Eyes at April 3, 2010 7:16 PM

Oh crepe, they were all Sabrina clips. I was SO hoping for some Peach Pit After Dark action.

On a related note, I SWEAR to take it easier on the shite kids today are watching. It's good to be reminded what utter bollocks was on when I was growing up (and that I watched it). Except for you, Twilight! NO FREE PASSES FOR ABUSiVE, STALKING VAMPIRES. (except Spike)

Posted by: coveredinbees at April 3, 2010 7:18 PM

If you wanna see "Big Ben" in New Jersey, meet me at the Cinnabon in the Thomas A Edison Service Center around 10:30. BA-DUM TSSSSSSS. Sometimes I wish I crack myself up...

mrcreosote with the early lead! Although I'll hafta get rid of my superdupercomputer now that it's irrelevant.

--This isn't a movie/tv cliche, but it still bothers the hell out of me:

In video games, what the hell is the "double jump"? In what mind-fucked world of physics can I simply jump higher midway through a present leap? Have you ever tried to perform a double jump in real life? By all means do so, but make sure there's soft ground for your big dumb head to land on. Such a lazy-ass move in most games considering you can't do things like climb rock or hold onto objects or SWIM! It's okay, we'll make up for it by allowing you to hit the X button in mid-air so you can reach that power-up anyway...

Posted by: RD-DayJ at April 3, 2010 7:22 PM

A few more cliches I can live without.

"I'm going to go to the cops and tell them EVERYTHING! Do you hear me? EVERYTHING!"

(ends up getting shot 10 seconds later)

All time bombs are required, by law, to have a large LED display that counts down so the hero knows exactly how much time he has.

Also, if you're the hero, you are fully qualified to disarm the damned thing. No need getting those poor bomb squad boys out of bed, after all. Let them sleep a bit longer.

Posted by: UncleJR at April 3, 2010 7:32 PM

I hate the whole henchmen who can't hit shit cliche. Stormtroopers are supposed to be great marksmen according to Ben Kenobi. But when they shoot at fucking 7 foot tall Chewie, they are suddenly crap? What's that about?

Posted by: Optimus Rhyme at April 3, 2010 7:34 PM

I almost hate to bring this up, but it always bothers me with parents don't tell their kids they love them in movies/TV. If it's part of the character, that they're closed off parents, that's OK, but sometimes (usually before something happens to the child) the parent is shown tucking the child into bed, kissing them on the forehead and then turning out the light (wistful look backwards optional.) If a parent is going to all that trouble, wouldn't they toss in a "Love you!" before leaving?

Did other people's parents really act like this? My family was easily more vengeful and dysfunctional than anyone else I knew, but I was frequently told I was loved as a kid. Maybe I was lucky.

Posted by: The Wandering Parakeet at April 3, 2010 7:35 PM

When the protagonist (either a man who works too much or a woman who can't find love) returns to the South/country and remembers what's truly important. Hey, assholes. I've lived in the South and the country. People leave those places FOR A FUCKING REASON. Cities are great places to live. Except Dallas. Dallas is a hellmouth.

Posted by: Tracer Bullet at April 3, 2010 7:41 PM

Cameos in which the famous person is playing themselves and the other characters go out of their minds with excitement and rhapsodize about that famous person for a full minute. See Zombieland and The Hangover. I'm not saying I wouldn't be just as ecstatic if I met Bill Murray, but on film, it's just damned awkward.

Also, that one strategically placed eff-bomb in a PG-13 movie. It's always obvious and amped up for maximum dramatic effect. This is because there can only be one "fuck" in a PG-13 film, and it cannot be used sexually. Them's the rules. As Good As it Gets is the only exception that I know of.

Posted by: liquescenthorror at April 3, 2010 7:44 PM

I hate in movies/TV shows when someone in a fight punches or kicks the opponent and then stops to survey their handiwork. For fuck's sake that guy just tried to kill you for 2 hours of this movie. Hit him over and over until he is all the way dead. Don't give him the chance to get a second wind or form a strategy or distract you.

It really bugs me when people throw away or lose their weapons. An empty gun can be used to bludgeon someone, a knife can be removed from that dude's chest. Never, never leave your weapon behind.

Umm...can you tell I grew up in a really bad neighborhood?

Posted by: androstarr at April 3, 2010 7:53 PM

Answering machines in homes filled with stuff you and NASA could only dream of so we can hear the important stuff/explication/reason for why people will or will not meet/etc.

When all six-year olds and Grammies in the world have QWERTY phones, when in the darkest parts of the jungle where the aboriginals are texting their language of hoots and clicks, the movie's protagonist will get all Luddite with the receiving of messages. Uh huh.

Posted by: Shonda at April 3, 2010 7:55 PM

I hate, hate, HATE it in a film (esp. Disney) when a line that a character used earlier in the film is used "ironically" later on.

The Lion, the Witch, and the Wardrobe has a glaring example.

In the beginning of the film, during an air raid, Peter yells at Edmund, "Why can't you just do as you're told?"

Later Edmund is wounded in battle after making a heroic move against direct orders, Lucy heals him and Peter says, "Why can't you just do as you're told?"

Another example:
After Edmund meets the White Witch and gets back from Narnia, he lies and says he was just pretending with Lucy. He says, "Some little children just don't know when to stop pretending."

Later on, after the kids discover that Narnia is real, Edmund is forced to apologize to Lucy, and she replies, "That's all right. Some little children just don't know when to stop pretending."

Also, in Enchanted, after Robert takes Gisele in, she's explaining how Prince Edward saved her after she fell off a tree, and Robert says, "Is this a habit of yours? Falling off of stuff?"

Later, after Gisele saves him from falling off a rooftop, she asks him, "Is this a habit of yours? Falling off of stuff?"

UGH, so cheesy, and Disney is the worst at this.

Posted by: Jelinas at April 3, 2010 8:00 PM

But then, Jelinas, that same device is AWESOME in Shaun of the Dead and Hot Fuzz. You've got red on you.

Posted by: coveredinbees at April 3, 2010 8:04 PM

Someone mentioned the stupid musical queues upthread. The racially specific ones really bother me.

Black character walks into the scene accompanied by hip-hop music. Because that's just how we all roll.

Latino character: salsa

Asian character: mandarin

Polish character: polka?

It's just dumb. Please stop it.

Posted by: greer at April 3, 2010 8:19 PM

Mmm, and welcome back, RD-DayJ.

And, Wandering Parakeet, my parents never would say, "I love you" after sending us off to bed. We kids would just have felt awkward. We're Asian, you see.

Posted by: Jelinas at April 3, 2010 8:33 PM

Just caught one in Clash of the Titans: the noble, Henry V-type speech before battle/big game/big moment. Sorry Hollywood, but real life rarely lets you in on the fact that the "big moment" is about to happen nor does it give you sufficient time to let you come up with some stirring speech to rise the troops up.

Another one: the smarter than his/her age kid. Feels cheap.

Oh and never, ever say anything resembling "we're going to raise some hell."

Posted by: Fredo at April 3, 2010 8:37 PM

Movies and TV shows where you can just tell the "clever" punny title was the basis for the whole outline of the movie/show. I'm sure you know what I mean and I'm sure you can cite some examples.

SPOILER!!!!!

In any other hospital show/movie, when there's an equipment malfunction that threatens the life of a patient, the room screams like an air-raid siren. At the end of "Million Dollar Baby," Clint Eastwood unplugs Hillary Swank and walks out of the hospital to blissful silence. I might even have turned to Mrs. , and said, "Oh, come ON! No alarm?"

Also, there's a camera thing that happens all the time. Say the character is standing at the kitchen island. There's a long shot where we can see she's slicing bread. Then: cut to closeup of hands and knife, just to make GOOD AND GADDAM SURE we can see she's slicing bread. Then: cut back to long shot of character, slicing bread. I think this is often done with a character lighting a match, I can't be certain though because I got into an immediate blinding fit. I have FUCKING EYES, you morons, I can SEE.

I swear film editors all have ADHD. My head hurts when I try to watch trailers. That's kind a cliche in itself now, isn't it, every 120-second trailer has 360 jump cuts.

Posted by: , at April 3, 2010 9:00 PM

The 30 second high school class: kids sit down, teacher says two things, bell rings, class is over. Huzzah!

Posted by: Agente Provocatrice at April 3, 2010 9:06 PM

What Daventhal said.

Also, when high school characters who are cheerleaders or football players or wear some sort of uniform walk around all day every day in their uniforms. Glee does this and it drives me crazy! In my high school, the only time a cheerleader wore her uniform on a regular school day was the day of a game, and usually because we were having a pep rally at the end of the day. Yes, we get it, the character's a cheerleader, you don't have to keep reminding us!

Posted by: MelBivDevoe at April 3, 2010 9:44 PM

I think it's a little different if they're Cheerios, Mel. They're a different breed.

Posted by: Optimus Rhyme at April 3, 2010 9:51 PM

cib, you're absolutely right, and I don't mind it when it's well done. I just haaaaaaaaaate it when it's not. I can't even really explain what makes it well done in SotD and HF and not in Disney movies, except that it's the cheese factor. What makes something ossom, and what makes it cheesy?

I really can't tell you. I just know it when I see it, that's all.

Posted by: Jelinas at April 3, 2010 10:01 PM

Wandering Parakeet, Agreed. I tell my kids I love them all day, then in case that lessens the impact of the words, I tell them a little more at bedtime about how special they are or how much they mean to you. My parents were the same and we always exchanged hugs at bedtime. My parents still sign off on phone calls with an "I love you."

Jelinas, yep, it all depends on the movie but it does suck when it's all cheese.

Jerce, I love how Captain Mal broke all the hero rules.

teacupnosaucer, my husband LOATHES the doofy husband thing. Especially as in our family he is the one who has it together and I am the doofy one. (I can admit it.)

This is generally a soap opera thing but I see it in other genres as well--when two characters are talking and one is behind the other so that you can see both faces. I'm sure this simplifies things by showing us the emotions on the faces of both, but I find it irritating. I don't know that I've ever conversed with someone's back for that long--unless it were my husband cooking dinner while I feed the baby or something, but on soaps they are both just standing there being useless. Ugh.

Posted by: lainiefig at April 3, 2010 10:21 PM

how come in the rare chance you catch the bad guy alive and take him to jail you never see them go through a war crime trial like Hitler's remaining henchmen faced?

Posted by: Utah Dynamo at April 3, 2010 10:25 PM

High fashion movies (Sex and the City, The Devil Wears Prada) that use the most ludicrous examples of particular designers in an attempt to sell fashion. (http://tinyurl.com/yfvlvdn - the white Patricia Fields dress from the SATC movie. Honestly, what respectable girl would wear something so .. BLEGH? Especially for s's and g's.)

Posted by: duckandcover at April 3, 2010 10:45 PM

Normal-sized girls being labelled as "overweight."

Posted by: duckandcover at April 3, 2010 10:46 PM

I hate it when "scientists" in movie cloned a person the cloned one is a carbon copy of the original, same age and all. When in reality, even if cloning is possible the cloned one will start at age 0.

Posted by: Yan at April 3, 2010 10:49 PM

Long, drawn-out conversations between adversaries at gunpoint. (*See anything Nic Cage has ever been in). Honestly, JUST FUCKING SHOOT. No need to go over explanations, answer questions, delve into finer plot points that the director was too lazy to include in the first hour and a half of the movie.

Also, no bathroom breaks. EVER. People never seem to have to piss, shit or change their tampon(s).

Posted by: courtney at April 3, 2010 11:07 PM

Lumpy old guys scoring/married to hot young tail. If I ain't gettin' any, NObody's gettin' any, ya HEAR?

Posted by: , at April 3, 2010 11:13 PM

Ahahaha!!! lainieSis, I toooootally know what you mean, and that is indeed super-irritating.

I just thought of another one. I hate in when characters are on the phone and hang up without saying goodbye. And that's with people they know, people they don't know, people they work with, friends, family, business contacts, anybody.

Sometimes they'll say something really quick and then hang up. Other times, they'll sit silently for a reeeeaaaally long time before hanging up.

Either way, if of my friends did that to me in real life, we wouldn't be friends for much longer.

Posted by: Jelinas at April 3, 2010 11:23 PM

Smart women. Wait, that's wrong. I have nothing against smart women -- just the ones in movies. Either they're labeled as smart but they're actually fairly dumb (like any woman in Grey's Anatomy -- they're all blithering idiots). Or, worse, the smart women who have absolutely no charm and are so grating that only men who know them for a long time (like on Bones) or are entirely superficial (Castle) can love them, and even then it's only one man because they're just so damned annoying that even the viewer can't stand them.

Women aren't extremes -- we're not all either Sarah Palin or Nancy Pelosi. Some of us are intelligent but can interact normally with other people.

Posted by: esme at April 3, 2010 11:29 PM

(p.s. Jelinas my (one of many) sweetheart, that may or may not have been me disguised as Centipede Part Three earlier in the week.)

No one has yet to call out the independent woman who can only be a party planner/fashion designer/personal assistant yet, right? Or that the skinny, nebbish guy is always a whiz with computers and is probably a programmer? Or that the Jewish guy always, always, ALWAYS has a New York City accent?

This comment diversion is seriously impairing my ability to watch movies this weekend. For crissakes, its LOTR/Ten Commandments tonight and I'm being critical to the point of self-immolation. Anyone else having that problem?

I'm also calling out the animals who are way too smart in the movies. A dog is a dog, they don't know how to go into the fridge and fetch a beer, or a horse can't magically find you on a riverbed and make its way to your exact destination with you passed out on its back.

Posted by: RD-DayJ at April 3, 2010 11:31 PM

I can't stand it when two characters make a date for Friday or whatever, but add no other details. No specific time, no idea who's picking up who, etc. Bugs me every time!

Posted by: badkittyuno at April 3, 2010 11:49 PM

Oh, RD-DayJ, I am crushin' SO. HARD. On you. Right now.

And, so, that you were masquerading as Segment Three earlier -- I never thought I would've been attracted to someone masquerading as the receiving end of a Human Centipede, but... rowr.

Posted by: Jelinas at April 4, 2010 12:01 AM

Jelinas, THANK you. I hate, hate that hanging up without saying goodbye. That shit never happens. I mean really. How do you know when the convo is over? I dated someone who did that. I schooled them way fast. Turns out the only reason they did was because they saw it on TV. Oh no.

You hang up on me during a conversation and you WILL hear about it in the time it takes me to ring your ass back. Rude fucker.

Posted by: Shonda at April 4, 2010 12:26 AM

When people never say "goodbye" at the end of phone conversations, they just know when to simultaneously hang up.

When one character has an URGENT!IMPORTANT!SECRET! they must divulge to another character, said character then spends 2 hours travelling to the first persons location only to get another IMPORTANT CALL/TEXT and leave 2 minutes later while Person 1 says "oh, I'll tell you later, it can wait". At the next scene, Person 2 then finds out the URGENT!IMPORTANT!SECRET! Person 1 was hiding from them, and has a hissy fit. Gossip Girl is ridiculous with this, there should be a drinking game for every time Nate gets called away from a scene he took 5 hours getting to.

Dexter also overused this in season 4 when he kept getting effing calls all the time, how about NOT ANSWERING once in a while so you don't do your killings so half-assedly?

Posted by: Michelle at April 4, 2010 12:28 AM

Dear ,

Come on over sometime and let's make a happy ; together. Rawr! I promise that I am neither lithe nor hectoring. However, I am vertically symmetrical in a quite pleasing way, although perhaps a little uptight and neurotic. And I promise that I'm done partnering with that irrepressibly perky ). That shit is old.

Posted by: : at April 4, 2010 12:31 AM

^ ack, beaten to it. Shows how annoying it is though.

Posted by: Michelle at April 4, 2010 12:34 AM

Jelinassis, oh yeah, the abrupt hang-up. Who does that? Brief aside, perhaps I should call you Jelinasis, since Jelinassis has "ass" in it and reminds me of Onassis.

badkittyuno, I always notice that. "Pick me up at 7" or the like--er...you just met and I didn't see you exchanging addresses or phone numbers, how is he supposed to pick you up?

Posted by: lainiefig at April 4, 2010 12:41 AM

I read a magazine article about the murder that inspired the movie "Boys Don't Cry." The real-life knuckleheads who killed Brandon Tina stopped their car on a bridge and threw the gun out the window.

In Nebraska.

In winter.

The river was frozen solid, of course, so the cops just walked out on the ice and picked up the gun.

The killers weren't the brightest bulbs in the marquee, but still, the guy who wrote the story said he pondered again and again why they would do something so incredibly boneheaded, and concluded that the only thing that made any sense was that they threw the gun off a bridge because in TV and movies, the killer always throws the gun off a bridge.

Posted by: , at April 4, 2010 12:57 AM

: :

As long as you're not having your .

Love,

,

Posted by: , at April 4, 2010 12:59 AM

Oh oh, insensitive (and usually fat) husband being a jerk to his (often hot) wife but she always turn around and forgive him because she "loves" him. Hon, true love is not about being treated like a doormat, grow a fucking spine.

Posted by: Yan at April 4, 2010 1:11 AM

A couple of posters have alluded to this, but it bears repeating: big, lumpy, hairy, nebbishy guys do not get to marry fabulously beautiful and bright women (or even date them) in RL. In real life, Seth Rogen-types do not get the time of day from Katherine Heigl-types -- unless they're nebbishes who've made or inherited a fortune. (Note I wrote "types;" presumably, Rogen has amassed some cash from his movies and can acquire beautiful women with little effort.)

All of the beautiful, bright women I know are married to men who are either as gorgeous as they are, or highly affluent, or both. It works the other way around, too; gorgeous men married to homely women (admittedly, a rarity) are married to incredibly successful homely women. That Hollywood peddles fantasy is undisputable. But the loser guy/fabulous babe pairing is getting old, and let's face it, less believable than Avatar.

Posted by: PDamian at April 4, 2010 1:19 AM

protoformX - Blood IS thicker than water. Thats why you have to soak your ritual garments in cold water and bleach...

Posted by: MARIA at April 4, 2010 1:43 AM

Every main Disney character is orphaned or has only one parent:
Snow White
Ariel
Fox (The Fox & The Hound)
Andy (Toy Story)
Belle
Alladin
Bambi
Simba
Nemo
Lilo
I am sure there are others...But it's late and I have had some drinks. You fill in the blanks.

Posted by: wsapnin at April 4, 2010 2:51 AM

I HATE the 'All women reeeeaaalllly want to meet Mr. Right and get Maaaarrriiiieed' thing.
Just put a ring on that finger girls, all your troubles will be OVER.
Yeah. Not so much.
Oh, And the BIG FANCY WEDDING TO END ALL WEDDINGS.
I Just.Don't. Get it.


Posted by: Lindsey with an 'e' at April 4, 2010 3:23 AM

Wsapnin, I have a whole rant about Disney and how Walt must have hated his parents! And not only do they usually not have parents, the parents are horribly killed in some way.

Also, anyone who says they're too old for this shit. If they're too old they shouldn't be doing the job!

Posted by: trixie at April 4, 2010 3:32 AM

(delurking :)) Maybe not so much a cliché, but I hate it when characters get out of their car and do not lock it. Mulder and Scully also did it all the time. Do you not lock your cars in America?

And when a room, building or entire city is being wrecked for a fight or a chase, I cannot stop thinking: who's gonna clean that shit up? But maybe that's just me, and I have some kind of OCD about cleaning up.


Posted by: Annabanana at April 4, 2010 6:39 AM

Computers that make noise while you're doing ANYTHING on them. Typing, uploading, downloading, processing.

Actors who basically play themselves in every movie they're in - except when 'themselves' = 'awesome' (I'm looking at you, Walken).

Ridiculous contrived obstacles in the main characters' plots that could, in real life, be cleared up completely with a 5 minute phone call. ("Yeah, so, uhh... I'm actually a journalist and I'm doing this for an article I'm writing. Probably should mention that now, rather than later. Saves a whole lot of hassle.")

Posted by: Ed at April 4, 2010 7:50 AM

And while I'm on the computer thing, it pisses me off when you can see someone typing away, then it cuts away to show what they've typed and their fingers went nowhere near the correct keys. I mean, Christian Bale gains/loses the equivalent of a whole person's worth of weight; dudes learn how to swordfight and ride horses and play guitar and do krav maga and shit as part of their acting training - what's so fucking difficult about learning to accurately type, something that most regular people can do semi-competently already?

Whoa. I think I'm starting to drift into Itchy & Scratchy ribcage-xylophone levels of film-related Asperger's Syndrome. Glayvin.

Posted by: Ed at April 4, 2010 7:59 AM

The overuse of Carmina Burana's Oh Fortuna as dramatic background music. Holy balls has it been prostituted.

Posted by: courtney at April 4, 2010 9:03 AM

As far as the "loser/nerd/generally unattractive guy gets attractive smart woman" thing:

I'm not going to rehash the numerous real life couples that manage to do that (both versions are readily pointed out), or mention the major reason most clubs have dim lighting and copious amounts of alcohol.

I am just going to point out the REAL problem with those portrayals on TV/film: we don't see why we should like these people, and we definitely don't see why they should like each other.

Comedies are particularly bad about this. They are so focused on the HI-larious "opposites" aspect, that they forget about the "attract" until the last few minutes, when they slap some line in about the person being sweet or what have you. At least with equally-attractive people, your brain can accept that sexual appeal alone is good enough; it is bullshit, of course, but within the standard suspension of disbelief, it is easier to hand-wave.

The couples aren't unrealistic because they differ so greatly in their looks or money; they are unrealistic because of bad character development.

Posted by: Vermillion at April 4, 2010 9:11 AM

Use of "the other day/night" in dialogue: "What happened the other night...", "Remember what you said the other day?..."

I've never heard it used in real life. People are more precise: "What happened Saturday night...", "Remember what you said at Ed's birthday party..." Or, hell, just mention the actual thing itself: "Remember when I called you a douche for bad screenwriting?"

The writer controls the entire reality of the story he's telling -- including when something happens and how people react to/reference it. Go figure.

Yeah, so scripts get revised and scenes get changed -- different point in the story, different location, whatever. Get a little attention to detail, then, and update anything else in the script that references it.

You're working with 120 pages; it's really not that hard. Try maintaining continuity in a novel and we can talk about hard.

Posted by: Bates at April 4, 2010 9:33 AM

Computer-related one: just any fast typing EVER. Especially during "hacking" scenes. Fuck off.

Let's ignore the continuously blatant ignorance of how hacking works, which is more "rock-paper-scissors" (I build a wall, you build a way around the wall, I build something to stop that, etc.) than the "tennis" model (you serve, I volley, rinse and repeat until someone misses). This is my biggest problem with it:

DOES ANYONE KNOW HOW TO USE A GODDAMN MOUSE? EVEN A TRACKBALL IN THIS SHIT?!?!?!!!

The only people who use keyboard shortcuts over a mouse at this point in computer life are a) folks who don't have a working mouse, b) computer hipsters showing off their leet skills or c) MMORPG and RTS players that have macros. And even those in (c) STILL USE A MOUSE A LOT OF THE TIME. But just about every computer-related scene I see, everyone is fast-typing, and barely touch a mouse THAT IS CLEARLY SHOWN. If they were typing a paper (or an overly-long comment), fine. But not using a mouse during a high-tension scene where a few clicks of a mouse is somehow SLOWER and LESS EFFECTIVE than typing at lightning speed with NO ERRORS while the tracers are coming at you? Fuck that.

That reminds me of another one: they are typing as fast as anyone can, and yet don't make any spelling or syntax errors. All the commands and what have you go through like butter. I had a teacher that can literally process 30-pages code in his head and tell you the one missed variable call that will crash the program immediately, and even HE double-checks his work. Hell, that is why he is so good!

No real programmer speeds through code like that. If they are super-fast it is probably due more to rote memorization of common functions than anything.

Even in a movie-logic way, it makes no sense. You are telling me that the bad guy's up-til-now impenetrable security, the system he spent years and millions of dollars to develop and implement, the system that makes the Pentagon weep in envy, can be hacked in less than 20 minutes by some anti-social MIT reject? Or the other way: the bad guy's virus/rogue AI circumvents just about everything you throw at it without fail, except that one-in-a million hail mary speed-code run?

GAH!!!!!!!!

Posted by: Vermillion at April 4, 2010 9:36 AM

Cars that explode for no reason in a giant fireball. First, it's not very likely that a crashing car (or one hit by a bullet) explodes at all, and second, gasoline is not that volatile.

Also, disarming bombs made from plastic explosives where you can clearly see and reach the detonators stuck in the explosive. For the gods sake, don't fiddle with the device. Just pull the fucking detonators. (Example: Lost, the bomb on the freight ship at the end of season 4.)

Posted by: FabMax at April 4, 2010 9:40 AM

In horror movies particularly gay people always die, however they rarely die in a "lame" way if that makes sense. They are the ones that give their lives fighting the monster/killer/alien and make sure that the other people can escape. I am not giving up my life for other people that's stupid, I would fight with the other people sure but no suicide missions.

Posted by: Simon at April 4, 2010 10:05 AM

Cellphone batteries are never CHARGED
No one in the movie universe EVER has a car charger.
Most movies must us the same set house white colonial with the black shutters and front lawn garage on the right hand side.
Bothers the hell out of me.

Posted by: blacksred at April 4, 2010 10:05 AM

Mostly lesbians who fight bravely, gay men are fucked.

Posted by: Simon at April 4, 2010 10:08 AM

Someone has a VERY important message they can't say over the phone but the second the meeting starts in a clandestine parking garage, the person with the message gets shot. ARGH!

Posted by: snapnhiss at April 4, 2010 10:25 AM

Ooh, ooh! Just witnessed another one: when movies/shows use Spanish speaking actors portraying the wrong nationality. Granted, unless you know it won't bug you, but Spanish accents are incredibly diverse and you can pretty much pinpoint someone's native country in 5 or less words by their accent. Soooo sick of Mexican actors being passed off as Colombians or Spanish (Europe) actors pretending to be Mexican.

Posted by: courtney at April 4, 2010 10:28 AM

HE WAS ONLY TWO WEEKS AWAY FROM RETIREMENT!

Posted by: TSF at April 4, 2010 10:35 AM

It is awesome how this diversion has turned into a housing of long-winded seething diatribes. You can feel the hate coming through the screen to punch you in the face.

I never noticed the mouse thing Vermillion but it's brilliant. I also hate how quickly people get shit done on computers--yes I know you need to move quickly within the confines of a movie/TV show, but computers don't instantly turn on, nor is the important file location conveniently propped up on a desktop shortcut.

As for Ed's "Actors who basically play themselves in every movie they're in - ". Christ this annoys the piss out of me. Isn't the whole point of acting to PORTRAY SOMEONE OTHER THAN YOURSELF. I'd love to see a comprehensive list of these kinds of actors so we can hunt them down and contractually limit them to straight-to-DVD fare.

Posted by: D-Day at April 4, 2010 10:43 AM

Australian accents from non-Aussie actors.

Stop that. You sound like Dick van Dyke, cock-er-nee, crikey mates, ri-FUCKING-diculous.

My wife watched an episode of Cold Case the other night where the "past" guy's Aussie accent was far less shitty than the "present" guy's. But still shitty.

Posted by: Ed at April 4, 2010 10:44 AM

Accents/Language choice drives me bonkers.

The "It's a movie set in ancient blah de blee, so let's use English accents" cliche.

"Alexander" was a great example of this -- you had Angelina Jolie making up her own fucking accent to be all exotic -- "Alexanderrrrr, in my womb I borrre my avengerrr." And his father was vaguely English/Irish/Scottish or some shit. I think that was Val Kilmer trying to act. And Colin Farrell was too busy flaring his nostrils and rolling his eyes to concentrate on what the hell his accent was supposed to be.

Or, "It's a movie set in Europe, so let's have ONE PERSON in the WHOLE FILM speak in the accent from that country. And everyone else can sound vaguely English, so we know it's foreign, except for the American actors that can't do accents."

The Three Musketeers nearly gave me an aneurysm. One Musketeer had an English accent, one had a French accent, and one was Malkovich, so he had that weird ass Malkovich mumble going on. They are FROM THE SAME FUCKING COUNTRY.

Oh, and if you have a bunch of people that are all from a non-English speaking country sitting around a table and talking, why on earth would they talk in accented English? For whose benefit?!? They should speak in their native tongue! Why in God's name would Sean Connery a.) play a Russian, and b.) use English for all his lines when the Russians spoke Russian for the first little bit of the movie?!? Even when speaking to other Russians!

My absolutely favorite exception to all this crap is Inglorious Basterds. There were so many smart, character driven choices as to who spoke what language when, and for what purposes.

Posted by: linny at April 4, 2010 11:00 AM

DOES ANYONE KNOW HOW TO USE A GODDAMN MOUSE? EVEN A TRACKBALL IN THIS SHIT?!?!?!!!

Haha. I agree. I think the reason they do that is because it doesn't look as cool with the mouse. In Jurassic Park, when the girl is trying to shut down security (or something. BTW what were those things she was clicking on in the screen???) she uses a mouse. While she's doing it, she has her mouth wide open and is moving through the stupid process as slowly as possible.

And I HATE HATE HATE the no goodbye/sign-off on phones. I get so angry at my brother for that. He does it ALL THE TIME!!!! We'd get some pretty irked movie characters if these films were real. "Stuff the time bomb! Why the @#!%$ did you not say goodbye like normal people with common courtesy?!!!"

Posted by: vdo86 at April 4, 2010 11:14 AM

I hate when the male lead tells his wife to wait somewhere while he checks things out (leaving her all by herself). This just isn't going to happen, unless she is in a locked car and you are absolutely sure no one can get her. This happened a couple times in The Crazies and drove me nuts.

Posted by: Taylor at April 4, 2010 11:15 AM

I hate when actors play a different nationality and them mangle the accent of the character they're playing. Bonus negative points if they don't even bother trying and just speak normally. I'm looking at you, Gerard freakin' Butler.

Posted by: Aislinn at April 4, 2010 11:26 AM

Julia Roberts pretending to be Julia Roberts. It's just fucking stupid.

Posted by: photon42 at April 4, 2010 11:44 AM

A combination of reading this thread and hearing tone-deaf alcoholics across the street butcher "My Way" in the local pub has pretty much cemented today as The Best Sunday Ever.

Confession: I actually enjoy most of these clichés.

Posted by: TSF at April 4, 2010 11:52 AM

The "dead/absent parents" in Disney are actually a continuation of the fairy tale tradition. Otherwise, the kids would NEVER get to have adventures, because their responsible, loving parents would have the lil' scamps' asses in bed by 9 p.m.

Think about it: name me one kids' movie that would have worked the same if there had been two stable parents riding herd on the kids.

Posted by: Wednesday at April 4, 2010 12:11 PM

Andy could have had two parents in Toy Story, because the story wasn't about him.

The Incredibles are two stable (albeit interesting and odball) parents and their kids got to go on adventures.

So, Wed., I named two. My job is done. Must go play Mario Bros.

Posted by: wsapnin at April 4, 2010 1:21 PM

wspanin:
Mr. Incredible was lying to his wife and family, breaking the law to satisfy his own mid-life crisis. It ended up putting himself and his loved ones in danger. Not exactly keeping things stable.
And like you said, Andy in Toy Story doesn't count because the movie wasn't about him, he wasn't the central character.

Posted by: Jim Doggie at April 4, 2010 1:51 PM

dropping a cigarette onto a line of gasoline that leads to an exploding car.

Posted by: Yan at April 4, 2010 1:56 PM

My point is....If Andy wasn't the central character and the story really had nothing to do with him, why couldn't he have two parents?

And with The Incredibles...at least there were two parents providing, at least, the semblance of a stable home. Neither of the parents were killed in a tragic way thus sending the children on their epic adventure. Which is what happens in every other Disney made or distributed movie.

I stand by my conclusion.

Posted by: wsapnin at April 4, 2010 2:03 PM

"That's gonna leave a mark."

Posted by: Lucas at April 4, 2010 2:42 PM

Characters that outrun the explosion/fireball as it's billowing outward.Ain't no way you're going to get away from that. Your ass is toast!

Posted by: Rlr260 at April 4, 2010 2:48 PM

Oh snap, RedLetterMedia's 88-minute Attack Of The Clones review is out!

Posted by: the new transported man at April 4, 2010 3:29 PM

Annabanana, I'm from rural Western Kansas and I can assure you there are still people who leave their cars unlocked when they get out. In fact a lot of people leave their keys in the ignition as well, and sometimes even leave the cars running if it's a quick errand. It's one of my favorite things about going home-- the trust in your community.


And my gripe? The low-level henchmen that get their asses kicked by the Unstoppable Hero when they were just following orders and doing their job. I know they had to be got past, but did you have to throw him through a plate glass window/off a roof/break his spine? He was just trying to pay the bills, man.

Posted by: muttley crew at April 4, 2010 3:50 PM

I'll be getting my new car fron rural Western Kansas apparently. Hey, how about hotwiring a car? It's the easiest thing in the world. Just crack the steering column and connect the wires. Apparently if your character spent any time in jail/boarding school/apocalyptic future/bad neighborhood they'll be experts!

Posted by: mrcreosote at April 4, 2010 4:41 PM

Character A and Character B are having a disagreement. Character A tells Character B to get the hell out. B turns and begins to do so. As B is leaving, A screams "GO!" or "JUST GO!" or "GET OUT!" at B's retreating back.

He was already on his way out, dude! No reason to be rude.

Posted by: Another Kate at April 4, 2010 4:49 PM

I hate, hate, hate it when people don't say "bye" or "goodbye" or ANYTHING before hanging up the phone in movies or tv. Who doesn't say goodbye?

And also, just any cutesy little phrase when dealing someone the final blow. "Chill out" ...."Let off some steam"...."Consider that a divorce!" ....wait a second, these all can be contributed to the governor of California.

Damn you Schwarzenegger!!!!!!!!

Posted by: Kiddo at April 4, 2010 4:53 PM

I hate the way sex is misused. You are either a virgin or a slut. No inbetween. What about representing the people who enjoy sex in a healthy way? We are out there! Also, you can tell when two characters are going to have sex, they always make very significant eye contact. Mr wildflower and I point and laugh, "Well, they are going to do It, they just looked at each other". Really, this is all it takes.

Posted by: wildflower at April 4, 2010 5:11 PM

OK so this is mostly a complaint about movie trailers, but here goes.

Do the people who make these trailers only know 4 songs? If it's an epic, we use song X. It's a rom-com, we use song Y, and if it's a horror we use song Z. I swear, I've seen a thousand trailers in my life and no more than 10 songs in the lot of them.

Posted by: Vince Noir at April 4, 2010 5:19 PM

I hate when characters don't turn off the lights when they're supposed to be hiding or spying on someone. Just saw 30 Days of Night, and a group of people hide in the attic with the lights on. The window is only papered, and it's got a torn piece. The better to look out of and create a beam of light for the vampires to follow.

Posted by: diana at April 4, 2010 5:20 PM

Oh! Science. When has there EVER been an accurate-looking laboratory on TV or a movie?

Real labs are not immaculate with a few beakers of pink liquid bubbling with dry ice. I've worked as a chemist and a biologist in industry and academia, and the places are a MESS with crusty bottles, jars, pipette tips, scissors, CD-players, tape, wrenches, dirty spatulas, moldy agar plates, etc.

We also don't use giant holograms of DNA. Ever.

Reminds me of a Buffy moment, as the gang watches a kung-fu movie:

Buffy: "Oh, come on! What's powering that flying kick, raw enthusiasm?"

It's hard to watch movies about what you do.

Posted by: Vince Noir at April 4, 2010 5:43 PM

Duckandcover, just because someone is "normal sized" as in the statistical norm in a country with a lot of extreme obesity, doesn't mean she isn't overweight per definition, a BMI over 25, which will increase health risks!

Posted by: N. Wood at April 4, 2010 5:43 PM

diana, good point on lights; reminds me of:

Lights already on when the actors come in. And leaving lights on when they leave. I call double bullshit when it's been stated that no one's been there for a long time. Extra double bullshit if it's before electricity and lanterns/oil/candles are burning.

Posted by: Bates at April 4, 2010 5:58 PM

Some young punk is in a pool competition-wins a few games against the surely guileless fellow who has been at the pool table all day-double or nothing-oh he's a pool shark, I'm fucked from a great height-gotta call stern authority figure to drive to the hall and fix that pool shark's wagon-oh, this authority figure isn't just a square hardass, he saved me and looked kickass while doing it.

Who gives a shit? Just take his thumbs.

Posted by: Jo 'Mama' Besser at April 4, 2010 6:13 PM

Who's 'FICA', and why is taking all of my money? Evidently this formerly pampered erstwhile daddy's girl forgot to take out brain insurance.

Who gives a shit? Just take her thumbs.

Posted by: Jo 'Mama' Besser at April 4, 2010 6:15 PM

The embattled couple is having a very emotionally-charged conversation at a really big event. The person who turns out to be 'The One' asks his partner a Big Question, and not only is the questioned party the subject of quizzical looks, but when the couple turn their heads and pause, it turns out that every Tom, Dick and Rossiter is huddled together with very wide eyes as if to say, 'of course this is some of our business, of course we have nothing better to think about.'

Who gives a shit? Just take their thumbs.

Posted by: Jo 'Mama' Besser at April 4, 2010 6:21 PM

The renegade dog has been pestering the wacky sidekick with his concupiscence for the entirety of the romantic comedy. Once the lead couple rides off into the Harvey's or something, wacky sidekick is sitting around being contemplative. And who should show up? None other than St. Bernard the Inappropriate. The dog and the sidekick look at each other and seem to be thinking, 'Now that the important people are gone, we can acknowledge that we've been doing this dance since the days of Xenu. It's pretty much written that we've got to light this candle.' That's Lovecraftian in its demented proportions.

Who gives a shit? Just take their fhtagn.

Posted by: Jo 'Mama' Besser at April 4, 2010 6:30 PM

Two dates on the same night for the same event? Uh-oh! Mayhem ensues.

Who gives a shit(x2)? Just take his thumb (but make sure the other thumb doesn't know about it).

Posted by: Jo 'Mama' Besser at April 4, 2010 6:34 PM

We've still got it! We haven't seen each other in decades, but do you remember that popular song that was popular when we were young? Let's show our solidarity as 'women of a certain age who don't need men to validate them' by singing really loudly into our hairbrushes? Ah, such a gas!

Who gives a shit? I'd say to take their dessicated old uteri and put it on an ice floe, or perhaps immolate it in a Viking longboat. But Father Time has ravished your womb already, so I'm not needed here.

Posted by: Jo 'Mama' Besser at April 4, 2010 6:39 PM

Oh my hell, my cool-headed and prepared wife has just gone into labour and I can't get my shit together! Oh, I've driven off without her! Oh, spite! Oh, malady! I'm sure she'll be as patient when she's at 10 centimetres. I'm sure she won't say, 'get this thing out of me'. or 'if you ever touch me again, I'll kill you'. Oh, sympathy pains, oh my phantom ovaries! Oh this Lamaze is making me light-headed...

Who gives a shit? Just put his inefficient ass on the curb, I'll make sure to run over him with my car later. That's called community.

Posted by: Jo 'Mama' Besser at April 4, 2010 6:45 PM

'What do you mean you can't find the groom?'

Who gives a shit? I hope he's dead.

Posted by: Jo 'Mama' Besser at April 4, 2010 6:48 PM

'Yeah, my parents are out of town. Of course there's going to be a party. But don't tell anyone, I want to keep it small. Oh no, that drunk kid broke my mother's Beauclerc Lamprey Serving Dish. The Normans are going to have my back broke'.

Who gives a shit? I'm not even your real father.

Posted by: Jo 'Mama' Besser at April 4, 2010 6:53 PM

Who gives a shit? I'm not even your real father.

Gasp. Uncle father?

Posted by: SaBrina at April 4, 2010 6:58 PM

How could you possibly think that Mr. O'Feely has ulterior motives? He is a sweet and urbane gentleman who likes me for my mind. Is it so shocking to you that that could happen? Maybe if you tried to expose yourself to some culture once in a while I wouldn't have to make these friends of which you're so disapproving. Oh, you were right, he's a sex offender.

Who gives a shit? Some bored, self-infatuated housefrau got it into her head that she's Fermat reincarnate, and all of the babies and belching are starving her of her ivory tower entitlements.

Posted by: Jo 'Mama' Besser at April 4, 2010 7:04 PM

The in-laws? Oh my goooooooooooooosssssssshhhhhh!

Who gives a shit? Didn't your parents try to sell you to Yahoo Serious?

Posted by: Jo 'Mama' Besser at April 4, 2010 7:05 PM

You're just jealous. You've always been the one to get all of the attention and now that someone finally wants me over you, you have to sabotage it? Oh, I saw him try to make a pass at you just there. My dumb. Let's never let a man come between us again (unless it's on video, POW!)

Who gives a shit? You've got a goitre the size of Pangaea, why are you allowed to talk?

Posted by: Jo 'Mama' Besser at April 4, 2010 7:10 PM

I didn't think she would actually get the lead! I only told her to audition so that she could give herself a confidence boost. Oh, I'm totally happy for her *snurr, snurr, snurr*. Oh, she's talented and I've been acting like a swamp donkey. Friends forever.

Who gives a shit? And who the fruit needs a TelePrompTer to appear as a featured dancer on Solid Gold?

Posted by: Jo 'Mama' Besser at April 4, 2010 7:14 PM

Hate to interrupt, but this is just beautiful.

"Killers From Space," a terrible 1954 SF film starring a young Peter Graves, was the featured cheese last night on "The It's Alive! Show" and the last scene is a must see for this thread:

http://video.google.com/videoplay?docid=7140333716173454857#

Skip the rest of this awful shlockfest and fast-forward to the 1:09:00 mark. Wait for the explosion at 1:09:15 and the window at 1:09:30.

"Nuke the fridge" has nothing on this.

You'll thank me.

Posted by: , at April 4, 2010 7:16 PM

I'm a young, entry-level employee at Company X, and I manage to stay employed even though I'm lazy, inconsistent and spend my work days devising ways to act like a total 24k bint. I'm very cool and in the know--but you can't be.

Who gives a shit? I've met up with a morris dancing troupe, and they're going to stomp your smug little head in the pavement. I declare it science!

Posted by: Jo 'Mama' Besser at April 4, 2010 7:21 PM

'You know, ever since I was a little girl...'

Who gives a shit? Shutup, shutup, shut, shut, shutup!

Posted by: Jo 'Mama' Besser at April 4, 2010 7:22 PM

Will they, won't they? Will they what? Survive once I've finished my touch-ups on their carotid arteries? I don't know, you'll hear the sound of it on the ocean.

Who gives a shit? She's certainly not worth it.

Posted by: Jo 'Mama' Besser at April 4, 2010 7:27 PM

That 'Killers From Space' video is one of the the dumbest things I've ever seen.

Thank-you.

But if you want REAL schlock, look up 'Here Comes Tobor'.

'Look out, folks: HERE...COMES...TOBOR!!!'

Posted by: Jo 'Mama' Besser at April 4, 2010 7:36 PM

So many good ones here. Here are mine:

The monologue villain. The Incredibles touched on this. Seriously, it's ridiculous; you have the good guy at gunpoint, he's fucked in every which way, and you start babbling about how he ruined your life or how you're going to be the best thief in the world...letting the good guy think of a way to best you. You deserve to lose, you stupid shit.

The most beautiful kiss in the whole wide world: when the couple hooks up in the end, and they have this serious, very public kiss, and everyone starts clapping and cheering. For all they know, the guy could be beating his girlfriend on a regular basis, but they don't care! They just wanna see the kiss! Awwww.....

When a car blows up, the hero/villain always walks away, in slow motion, very calmly. What the hell? If there's an explosion, shouldn't your ass be running away from it, now calmly striding like you're headed to the ATM?

Posted by: Brie at April 4, 2010 7:37 PM

I've only been eavesdropping on this conversation for long enough to come to the (incorrect) conclusion that our love is never meant....to BE! I must make my anguished exit into the inclement night.

Who gives a shit? Heathcliff is SO not a prize, let him go.

Posted by: Jo 'Mama' Besser at April 4, 2010 7:39 PM

Thanks ",". That was beautiful!

Who gives a shit? An a-bomb just went off less than 10 miles from us and our window is open. See? The blindes moved from the gentle breeze wafting our way!

Posted by: Uncle JR at April 4, 2010 7:41 PM

The more that I eat, the more I want? As I live and breathe! What did you say was in your grammy's special brownies? Oh, wow. The colours!

Who gives a shit? That's not pot, it's arsenic and I knew your grubby little Bovary talons would try to scam some while I wasn't looking. It looks like St. Boniface's is going to have one less orphan to feed, Shy Pete.

Posted by: Jo 'Mama' Besser at April 4, 2010 7:46 PM

God GAWD Jo 'Mama,' I am so in love with your morris dance referencing, Heathcliff punting ass (Kathy's no great shakes either).

Love,

Me.

Posted by: coveredinbees at April 4, 2010 7:56 PM

So, after all of our terrible adventures and time travel, we've saved the day and can come home. 'Um, nah. I think I'm going to kick it with the invertebrates rather than return to that calloused world I knew with its indoor plumbing and polio vaccines.

Who gives a shit? Finding your bliss isn't about searching out the era that would have the least cause or ability contest or fend you off. The best Ganymede Fleet is the one made invisible through your own machinations. You also have to have something to offer. Gauguin had the Lust For Paint, but in Tahiti he had the anonymity that made it possible to knowingly infect all of those teenage pretties with syphilis and today be mainly remember for--not that. Revenge of the Syph.

Posted by: Jo 'Mama' Besser at April 4, 2010 8:02 PM

I forgot my favorite one. WISE BEYOND THEIR YEARS CHILDREN. Screw you, sister character from (500) Days of Summer. Screw you hard.

Posted by: coveredinbees at April 4, 2010 8:19 PM

I'd say to take their dessicated old uteri and put it on an ice floe, or perhaps immolate it in a Viking longboat. But Father Time has ravished your womb already, so I'm not needed here.

Now THAT's poetry. Love it.

Posted by: MelBivDevoe at April 4, 2010 8:20 PM

Stupid action shots that you can't even pretend are real. Like Angelina Jolie could hold on to some wire thing with ONE HAND and drop off a 20 story building and A) hang on B) not break her arm C) have her hair look fucking perfect after and D) not break something while landing.

Same movie, they shoot some arrow and wire thing across massive open space to another building 20 stories up, hold on to a rocket thing and launch across to the other building? My ASS.

Posted by: TWoP_Fan at April 4, 2010 8:40 PM

Very true, coveredinbees. I suppose that the proof of the pudding is in the fact that Linton Heathcliff proved that the apple doesn't rot far from the tree. I have very little patience for that Byronic pissy contempt for mankind. You see a would-be sweetie devouring Childe Harold rapturously, you look the other way: there's no happy ending for you in that direction. And that whole 'Cousins Dangereux' denouement was kind of icky, customary for the time or not. Although, given the incestuous proclivities of Lord Byron, it makes sense. But I mean, he had that club foot, too. Are we supposed to go sledgehammer hunting? That would truly be...a Hammer Horror (booo, hiss, feckin' hell!)

***
Our divorced parents have found love, let's ruin it!
***

People may ask: Do you have a message for the children? Yes, I do: shutup. Or, it is when I see this kind of dross.

Dear Deity of Maudlin Family Fare,

My daddy works so as not be a drain on society. This means that he missed five of the seventeen Rosicrucian Tea-Parties that I held on the moon at noon-fall last, and there is the very real possibility that he could miss the impromptu seminar I'm holding by the abandoned lime caves called 'Untraceable Tinctures Made Easy' next week. I know that he'll say that he finds it difficult to make it up the treehouse, on account of the deficiency of folic acid in his mother's system while he was in utero, but he seemed pretty spry when I hurled that bottle of naptha at him. He told ex-mommy about it, and she said that that is what happens when you keep putting your shingles before your daughter's Illuminati conventions. I just can't get him to stay in one spot until after the laudanum has kicked in, and I'm really tired of using de Quincey as a road map to my daddy's pathology. The Berlioz Symphonie Fantastique doesn't help either, I just find the notion of an idee fixe to be ham-handed, I can't change that. Maudlin Deity, is there some way that I can get my daddy to pay more attention to me, short of trapping him in that gibbet I restored last month and forcing him into watching Suspiria with me again? I'm seven. Please systematically dismantle my daddy's life so that he'll be filled with awe and wonder about all of the stupid piddle and shit I do all the time that doesn't matter to anyone, ever.

Yours Truly,
Some Mugging and Obnoxious Overacting Arse

Who gives a shit? I swear, if it weren't for those antibiotics...

Posted by: Jo 'Mama' Besser at April 4, 2010 8:42 PM

Am I going to make this slow motion shot? Why is everything in black and white, what's going on with my cones? And someone turn off that flipping heartbeat machine? I'm tense enough as is.

Who gives a shit? Where's my child support?

Posted by: Jo 'Mama' Besser at April 4, 2010 8:58 PM

We have to pretend that we're a real couple, but it's all a ruse, right? What? I'm not jealous of your date, why would I be? Fight, fight, fight. Duped party learns the truth, fallout, true feelings revealed. Commence the fucking.

Who gives a shit? STIs aren't shower-proof.

Posted by: Jo 'Mama' Besser at April 4, 2010 9:07 PM

OK, you can stop now. Please.

Posted by: Ardmar at April 4, 2010 9:13 PM

Oh poor Hareton, puppy-stranglers need love too.

Posted by: coveredinbees at April 4, 2010 9:22 PM

Wow! I bow to the 'Mama'.

Posted by: Ducky at April 4, 2010 9:36 PM

I really hate it when films claim to be historical and get the history just completely wrong. I wouldn't mind it so much except that I know the population at large is going to think the story is accurate. To date there have been no historical records that indicate a Roman Emperor was ever killed fighting a gladiator (Gladiator); colonial's during the French Indian war were not all about independence from England (almost every American movie that takes place before the revolution); King Edward I was not evil, he never granted premanuctra, and the princess was 2 when William Wallace was killed (Braveheart); etc. The list goes on and on. How hard is it to get history right?

Posted by: Morgan LaFai at April 4, 2010 9:48 PM

Oh, my darling vassal, I don't stop until you've paid me in full and pledged an oath of fealty. You need this fief and tick bath more than I do, poursuivant.

Posted by: Jo 'Mama' Besser at April 4, 2010 9:54 PM

Also, The insert ethnic group movie title staring the Hollywood white boy.

The Mexican staring Brad Pitt, not Mexican.
The Last Samurai staring Tom Cruise, not Japanese.
The Last of the Mohicans staring Daniel Day-Lewis, not a Mohican. Now, the Mohicans are extinct but they could have at least gotten a native-American.

Bah.

Posted by: Morgan LaFai at April 4, 2010 9:55 PM

Jo mama get your ass on the facebook. Sweet Mary Mother of Jelly Beans DO THIS THING FOR ME!

You freak me out, and I love it.

Posted by: replica at April 4, 2010 9:59 PM

Thanks ",". That was beautiful!

Who gives a shit? An a-bomb just went off less than 10 miles from us and our window is open. See? The blindes moved from the gentle breeze wafting our way!

Posted by: Uncle JR at April 4, 2010 7:41 PM
---
Innit? It's almost better than the end of "Predator." I guess they kind of fall into the "walking away from a huge explosion" cliche.

Posted by: , at April 4, 2010 10:11 PM

@LeFai: I guess evil's what you make of it. But in the case of the English kings, there's all sorts of mis-remembered fuckery concerning the Plantagenets. This is what I remember of what I was told on this subject:

Edward I's father (Henry III) is to date, the third longest-serving monarch in English history, and he achieved little more than emptying the coffers to finance his preoccupation with all things Edward the Confessor and rebuilding Westminster Abbey. The First and Second Baron's War sought to severely limit the powers of the ruling monarch by forcing parliament to meet three times a year, to have a 24-person ruling body (12 chosen by barons, 12 by king) wielding governmental power, and introducing English into circulated documents, which were only in French and Latin at that point. Provisions of Oxford and Westminster, I think. If I remember correctly, parliament was still being conducted in French until 1381, and Edward died way back in 1307, so...so I dunno.

At any rate, Edward I made damned sure that no one would try to limit his powers, either in England or in Wales and Scotland. So, when anti-English (at least as a ruling body in their lands) sentiment arose, the king effectively invented the notion of treason against the English king and realm. And since he wanted to exert control through the isles, he designated treason as the worst possible crime which warranted the worst possible punishment. So, not only do we have him to thank for this treason, but he was also the dude who invented hanging, drawing and quartering. It caught on though. On Friday, I read that the French crowds were really unimpressed with the guillotine because it was too short. They liked seeing the condemned hanging from the rope, choking and jerking around. Ugh. Uh, yeah, so Edward I ruled with ferocity, especially when it came to his foreign interests. One of those 'I'm your true and rightful leader, follow me, or burn' types. So, he was an effective ruler for brutal times. Part of Henry VI's trouble (apart from feebleness which gave way to full on, full time catatonia), was that he would sooner relinquish anything than have people brutalized on his account. All of a sudden, it's like The Hundred Years' War never happened. From what I've been told, it seems there's a continuing 'was he evil or just pants-pissingly ferocious?' debate. I guess if we were to ask Owain ap Gryfudd or William Wallace, we'd know what they think. Of course the whole 'Malleus ec Scotorum est' inscription took platinum balls, but maybe if he had taken Edward II more in hand (instead of just using those hands to rip out tufts of the prince's hair when asked for more lands to give to Piers Gaveston), he wouldn't have turned out to be such an unmitigated disaster.

I fully admit, I haven't seen Braveheart, but from what I've heard, Isabella takes up with W.W.? Hmm. She was born in 1297 and Wallace met his end in 1307. Heck, ten's obscene. They waited until she was twelve to send her to England in 1309. I'm so glad it's not the fourteenth century. This is something I actually learned quite recently, but Edward I DID practice prima noctis. It had gone out of fashion, and I assumed that continued in that vein, but he brought it back. Sly 'shanks. I guess there's more than one way to ravage the hazy moors of Scotland.

Posted by: Jo 'Mama' Besser at April 4, 2010 10:44 PM

More madness!

As soon as you see a film called 'Gerunding Jo 'Mama'', you'll know the end times have come. I hope you've got duct tape.

Who gives a shit? Maybe you don't, but can you say that to all of the scotch and masking tape widows out there? There's no carpenter's glue for the beating heart, I learned this at the last M and M.

Posted by: Jo 'Mama' Besser at April 4, 2010 11:04 PM

Posted by: Morgan LaFai at April 4, 2010 9:55 PM

The Mexican referred to a gun, and not an actual Mexican. Brad Pitt was more than qualified to play the role, since he is, in fact, a hot piece of steel.

All your other points are spot on.

Posted by: Lauren at April 4, 2010 11:14 PM

Jo Mama Besser: I have studied a great deal of history and I was under the impression that they have never actually proved that prima noctis existed as a right in feudal times and I certainly don't remember anything in history that mentioned that Edward I brought it back into style. As for how to judge history, I try not to cast judgment, or if I do, to try and judge based on the context of the time. By modern standards most of the kings of yore would be seen as immoral, brutal louts, but judging them with a modern perspective is not going to be helpful in understanding them or their actions.

Lauren: Good to know about The Mexican. In all fairness, I have never seen it, in large part because I found the name and cast so displeasing. Perhaps now I will give it a shot.

Posted by: Morgan LaFai at April 5, 2010 12:15 AM

LeFai: It may have come across as muddled, so if I gave the impression that I believed Edward I re-started a trend, that's my own fault. After all, he was followed by Edward II who (allegedly), would have had no use for such a practice. I guess it could be like 'The King's Evil', which no one really bothered with for a long time, but Queen Anne dispensed it in 1700--she was the last. That's really all I meant about that.

And of course, he was held as Simon de Montfort's hostage after his father's forces lost the Battle of Lewes, and past vulnerabilities can produce efficient men of cruelty. As I mentioned, that lack of steeliness was one of the reasons why Henry VI was such a colossal failure. Edward III and The Black Prince were merciless in their chevauchee campaigns, and they got stuff done.

I believe that I stated that Edward I was ferocious, but effective. He was a master of wielding authority through fear and good strategy. So, while I don't believe anyone would contest the fact that medieval England was not a Romper Room marathon, if asked if he's unfairly maligned as a figure of terror, some would say no. Compared to the death counts of say Julius Caesar or Ghenghis Kahn, Edward I is a mewling kitten. However, these acts were brutal means to political ends--we agree on that.

Force of personality can harrow people into becoming part of your empire, but it often ends up leaving little of value to posterity. What did Clovis' sons get done once the ruler had died? A bunch of nothing.

By the same token, I wouldn't put him in the same category as Caligula, Ivan the Terrible, and (at times) Peter the Great, who was known to hack the heads and bodies of men as his personal entertainment. That's messed up. But he's 'Peter the Great', not 'Peter the Good', so what are you going to do?

Posted by: Jo 'Mama' Besser at April 5, 2010 1:26 AM

Yeah, so, I recently had in real life one of those airport scenes when the long lost/separated/finally get to meet lovers spot each other across the baggage claim/terminal and rush into each others arms... Close up of passionate kiss that fills up your whole soul...
Seriously, nobody gave a SHIT. No applause. Nada.
But it was awwwwesoooome.

Posted by: Lindsey with an 'e' at April 5, 2010 1:34 AM

Bresser: I guess then that we are in agreement. Edward I certainly wasn't a sweet and cuddly sort of king, but that wasn't what the times demanded. I suppose where I take issue is that the movies don't make a distinction between rulers whose brutality had a reason behind it and those who loved inflicting pain for no other reason then seeing pain. Hollywood is constantly placing modern, American moral values onto historical characters or using same moral values to judge historical characters; and it just doesn't fit.

One of my favorite pet peeves is the portrayal of Robin Hood as fearsly loyal to Richard the Lion Heart and his claims that everything will be better for the peasants once Richard came home. Richard hated England, couldn't speak the obnoxious peasant tongue of the locals, thought the weather was awful, and used the area primarily for it tax revenue. Furthermore, Richard wouldn't give a fuck about peasants anyway. But I tend to let this one slide since Robin Hood is most likely not a real historical character.

Posted by: Morgan LaFai at April 5, 2010 1:52 AM

"I should have killed you when I had the chance."
hindsight's 20/20 asshole.

Posted by: joseph at April 5, 2010 2:48 AM

Concussions. Never had one myself, but I'm guessing that once you wake up, you're not going to leap to your feet and continue with the heroics.

Beautiful and spacious houses and apartments, owned/rented by people who could not possibly afford them.

Posted by: cinderkeys at April 5, 2010 4:17 AM

> Bedsheets that are apparently L-shaped to properly cover the female's breasts while showcasing the male's abtacular-ness.

> There was once a thread on here about the tomboy/tough girl/street-smart character. Also, their being almost always from a minority group. [i.e., everything Michelle Rodriguez has ever done, Torres from Lie to Me]

> minor irk: Lighting a cigarette and then stubbing it out three seconds later. For a smoker, that's just a waste of perfectly shiny tobacco, dude.

Posted by: ilikepie at April 5, 2010 6:18 AM

As usual, late to the party but here goes:

I hate the cliche where someone is going to inject another person with some substance, and they just pull open the arm and go right for it with a huge-ass needle. No one ever bothers to find a vein, or put in an IV or use a butterfly or anything. Just gonna poke right thru with a 12-gauge spike, of course that won't blow the vein. I can maybe forgive the movies where its not in a medical setting and its just the wacked-out villain guy with no formal medical training, but I've seen this in shows/movies supposed to be in actual hospitals. Ridiculous...

/nurse rant

Posted by: GreenMyEyes at April 5, 2010 6:53 AM

"I'd like that". Ugh...nobody says that.

Posted by: Whorish Mouth at April 5, 2010 7:45 AM

Also, airport separations/reunions. Get with it people...nobody can get to a gate that doesn't have a boarding pass these days. You can't leave watch someone board or get off a plane anymore without being tackled and questioned for terrorism. And even when you could-parking is so expensive that it makes it so unlikely that the person dropping you off/meeting you would actually get out of their car. They're too busy circling or trying not to get yelled at by the cops telling them to move along.

Posted by: Whorish Mouth at April 5, 2010 7:48 AM

Posted by: Whorish Mouth at April 5, 2010 7:48 AM
---
Hah! Except for "Up In The Air," when does ANYONE have to deal with airport security?

GreenMyEyes,

I've had a lot of IVs and blood drawn lately and there hasn't been a single nurse who wasn't EXTREMELY careful and managed to do it with a minimum of pain. Those people (your people) are saints.

Posted by: , at April 5, 2010 8:55 AM

@cinderkeys: Depends. I got a concussion once during a football game, sat out one series and finished the game with 2.5 sacks and four tackles. Of course, I woke up dizzy and nauseous three days later, but I had a great game.

Posted by: Tracer Bullet at April 5, 2010 9:47 AM

"Gimme a beer."

When was the last time that EVER worked for ANYONE?!? Unless you are getting ripped under a water tower in the backwoods of Schoolcraft, MI, bars usually have more than one type of beer available.

I always chuckle.

Posted by: thejumbo at April 5, 2010 10:16 AM

LeFai: Very true, very true. We're reminded of the famous statement about selling the city of London if he could find a buyer. Even during his own lifetime he was being mythologized as the gallant Saracen slayer who was all but supernaturally English. Yet, when it came to actually being in England or speaking English he was beyond contemptuous. It was good enough to bankroll his military campaigns and pay off his ransom, but after that, nothing doing. Kind of like Edward the Confessor, that ballyhooed penultimate Anglo-Saxon king...who spent a 30 year chunk of his life in Normandy.

As for the de-contextualization, I don't really know why a lot of it happens beyond the 'make sure this story works the room so as not to drive away potential audiences' angle. You don't have to please a patron to save your life, and it's kind of crummy that historical films often assume we're too dumb to handle the true intricacies of the event.

'Is there some way to make this chain mail sexier? Our sponsors want a big presence during the Battle of Agincourt scenes, so make sure the word 'Juicy' is emblazoned on the rumps of the soldiers. Hey, dysentery happens.'

If the events aren't movie friendly, why make the movie? At any rate, if you look to Hollywood to provide you with any solid grounding of historical events, you're going to get the education that you deserve.

Posted by: Jo 'Mama' Besser at April 5, 2010 11:09 AM

Maybe already mentioned, but I hate it when a movie/TV show shows an elevator with a helpful little light-up indicator over it to tell you where the elevator actually is (ie, 2nd floor, 6th floor, and you can see it moving up or down as the different floor designations light up). Every time I see it, I sneer at the writer/director/producers.

I have never seen anything remotely like this in real life. I live in a part of the country with lots of modern elevators (dating probably to the mid '80s), so maybe this is a feature of ancient elevators that I'm just not familiar with, but I live in a fairly large metro area with lots of tall buildings (Dallas) and have never once seen one of these things in real life. I wish. It would be nice to know how much longer I have to wait for a goddam elevator. People in movies should have to wonder too. This bothers me more than the nonexistent air ducts in buildings that are big enough for an adult to crawl through.

Posted by: Slash at April 5, 2010 11:37 AM

The "cars that explode when they crash or are shot at" thing also cracks me up. It's so fucking ridiculous. If cars exploded that easily in a crash, they'd be illegal.

Yes, sometimes vehicles catch on fire when they crash catastrophically (like when a semi runs over a small car and parts of the small car rip open the gas tank or something), but they don't usually explode in a giant fireball.

Posted by: Slash at April 5, 2010 11:43 AM

RE Morgan LaFai: Also, The insert ethnic group movie title staring the Hollywood white boy.
The Mexican staring Brad Pitt, not Mexican.
The Last Samurai staring Tom Cruise, not Japanese.
The Last of the Mohicans staring Daniel Day-Lewis, not a Mohican. Now, the Mohicans are extinct but they could have at least gotten a native-American.

Someone already mentioned "The Mexican" (a gun, not a person, in the movie). The titular character in "Last of the Mohicans" (which was a book first) was indeed a Mohican, not a white person. I don't know about the samurai movie, never saw it.

Posted by: Slash at April 5, 2010 12:09 PM

I've got an action movie cliche that i could go the rest of my life without ever seeing again.

Jason Statham.

Posted by: Blank at April 5, 2010 1:31 PM

Late to the party so my apologies if it's already penned, but I CANNOT STAND Andi McDowell's line at the end of Four Weddings and a Funeral (also couldn't stand her in the role).
It's raining, and after some absurd proclomations, when Hugh Grantinvites her in, out of the rain, and she says....(breathe)...."Is it raining? I didn't notice."

AAAAAAAAAAAGGGGGGGHHHHHH! I'm bleeding out my eye sockets right now! So much PAIN!

Posted by: vllach at April 5, 2010 1:44 PM

Last of the Mohicans wins at books because of two proper nouns: Natty & Bumppo.

Omigosh, this person I'm dating or in whom I have a burgeoning romantic interest is talking to another female, ALACK! Looks like I have no other option than to make a spectacle of myself and sabotage this whole thing. She's your SISTER? Since when do sisters exist? Oh, why'd she have to be such a fifth business?

Who gives a shit? Fifth business isn't getting the business and now neither are you.

Posted by: Jo 'Mama' Besser at April 5, 2010 2:14 PM

I hate that, even in the supposedly most secretive organizations on earth, all the computer passwords are all alphabetic, all upper case, and are evidently never required to change.

Posted by: Pat C at April 5, 2010 2:35 PM

Hey Slash, the buildings I work in have a digital...um...floor shower? Indicator...that sounds much more technical. They have a digital indicator that tells you each floor the elevator passes as well as where it stops. We're fancy, I guess.

Posted by: Whorish Mouth at April 5, 2010 3:08 PM

Hmmm...shower looks like shower. LOL
I also hate to see people eat cereal on tv or in movies. It always grosses me out. Actually, this grosses me out in real life, too. I just discovered a pet peeve I didn't realize I had.

Posted by: Whorish Mouth at April 5, 2010 3:23 PM

RE Whorish Mouth: "Hey Slash, the buildings I work in have a digital...um...floor shower? Indicator...that sounds much more technical. They have a digital indicator that tells you each floor the elevator passes as well as where it stops. We're fancy, I guess."

That must be where they film all these movies that annoy me so. Seriously, I have never seen something like that in any building I've ever been in that had elevators.

Posted by: Slash at April 5, 2010 5:06 PM

Oh god, my list would be endless! If I could be arsed.
But I can't, so I'll do the short version.

The L-shaped sheet.
Women who have sex with their bra on.
Men who have sex with their underpants on.
Air ducts big enough for Bruce Willis to crawl through.
Cars which explode if you tap them lightly.
Ridiculously unrealistic shit to do with PCs (and with computers in general).
Fruit cart (though you don't see that one much any more...)
"It's complicated".
Nobody ever says goodbye on the phone, they just hang up.
They never lock their cars, either.
The 555 area code.

.... and that's enough for now...

Posted by: Tarn at April 5, 2010 5:44 PM

Human Centipedes.

Posted by: Odnon at April 5, 2010 6:32 PM

Hey, I've had sex with my bra on! Are you calling me some kind of walking cliche, Tarn? If you are, I'll have you know that I have successfully avoided any cliched airport reunions. The first time that someone came to visit me after a couple of months away, I didn't even recognize him until he had walked up beside me and stood there for a minute.

Posted by: SaBrina at April 5, 2010 8:14 PM