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Assessing Geoffrey Rush: Characters Depraved and Themes Unwholesome at Best

By Agent Bedhead | Posted Under Career Assessments | Comments (20)



rushsm.jpg

Subject: Geoffrey Rush 59-year old Australian actor

Date of Assessment: May 18, 2011

Positive Buzzwords: Versatile, decorated, theatrical

Negative Buzzwords: Nude (sad but true)

The Case: Within the Hollywood tradition, nudity within movies is almost always of the female variety. Not so when it comes to this week’s subject, Geoffrey Rush, who gets naked (in Quills and Candy, just to name a few instances) nearly as often as Kate Winslet does. While his physical form (and the fact that he has never had a problem with showing it) has very little to do with his acting ability, Rush’s nudity often points towards his no-holds-barred approach to stunning performances in a variety of genres and mediums. In fact, his accomplishments extend not only in movies but also in television and plays; he’s quite the decorated actor and one of only a few handfuls to achieve the so-called “Triple Crown of Acting” (Academy Award, Tony Award, and Emmy Award) during his tenure as an actor. As far as Oscars go, he was nominated three times (Quills; Shakespeare in Love; The King’s Speech) and won the Best Actor for his performance in Shine. Then, he won the 2009 Tony Award for Best Performance by a Leading Actor in a Play for Exit the King and has since followed that up with rave reviews for his performance in Diary of a Madman.

Ordinarily (and if you’re familiar with these assessments, you already know this), I try not to make a big deal about awards, particularly the Oscar variety. Seriously, I am still holding that grudge on behalf of the bloody good Gary Oldman; but in Geoffrey Rush’s case, this seems to be a rare instance where the Academy actually has its head on straight. Hey, it could happen.

Where Geoffrey really sets himself apart from most of the actors that we talk about both here at Pajiba and in Hollywood in general in that he is, foremost, much more of a theatrical actor than a cinematical one. Indeed, most actors (even the serious ones) take, at most, one or two shots at Broadway or the West End. Geoffrey, however, has appeared in over 70 theatrical productions. In film (to put it simply), he’s also a man of classics (Twelfth Night; Les Miserables). Hell, even when he’s not working with a actual classic material, he’s playing fictionalized versions of characters, including The Marquis de Sade in Quills, who questioned the very authority of classics and the establishment itself.

Almost inevitably, he’s suffered many missteps — House on Haunted Hill; The Warrior’s Way; Intolerable Cruelty; Bran Nue Dae; and Mystery Men (Casanova Frankenstein, really?) — but has managed to overcome all such obstacles through his participation within loftier pursuits such as Shine, Elizabeth (and its sequel), Quills, Frida, and (to a degree) Shakespeare in Love. Not to mention other crowd favorites like The Life and Death of Peter Sellers, Munich, and The King’s Speech. In addition, Rush is perfectly capable of turning tail and appearing as one of the most entertaining characters in a damn Disney franchise, Captain Hector Barbossa in the Pirates of the Caribbean trilogy and its upcoming fourth installment, Pirates of the Caribbean: On Stranger Tides. Not bad for a man who considers himself a character actor above all else.

Prognosis: Geoffrey Rush, to put it mildly, has done (and probably will continue to do) everything correctly as far as his acting career is concerned (other than possibly what’s to come in the Green Lantern). He’s appeared as an actor of films with artistic merit, adaptations of classics, and compete and total fluff. At this moment, I’d ideally provide you with a clip from one of his movie roles, but I find it more appropriate here to remember his captivating performance in The King’s Exit on Broadway.



Agent Bedhead lives in Tulsa, Oklahoma. She and her little black heart can be found at agentbedhead.com.









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Comments

Bravo! I love this man, and it's nice to see a positive Career Assessment every now and then. :) BTW, he also gets nekkid in Shine, which, if you haven't seen, I would recommend.

Posted by: Samantha at May 18, 2011 2:43 PM

Oh God...

He needs to release an album of some kind so he can get a Grammy, and thus complete the EGOT. Maybe something country.

Posted by: StoatCat at May 18, 2011 2:46 PM

Well I guess it's time for him to start working on his Grammy if he ever wants to be able to fill Tracy Jordan's shoes.

Mystery Men is awesome. (Ok it's terribad, but I don't care. KEL LOVES ORANGE SODA!!!)

Posted by: Socrates_Johnson at May 18, 2011 2:49 PM

AAAAAAAARRRRRRRRRRRRRRRRRRR he be my favorite pirate.

Posted by: logan at May 18, 2011 2:51 PM

I love "Mystery Men".

Sure, it has its fair share of missteps, no doubt, and is a good 20-30 minutes too long, but it still makes me laugh.

Posted by: Forbiddendonut at May 18, 2011 2:53 PM

He's the only other redeeming thing about those Pirates of the Caribbean movies. And everything he does is quality -- even if the movies he's in sometimes aren't.

And may he have a long career giving us more dastardly and honest characters.

Posted by: Fredo at May 18, 2011 2:55 PM

There's not enough beer in the world, Spleen.

Posted by: IneptFake at May 18, 2011 2:56 PM

I rather liked him in House on Haunted Hill... something about that movie.

Posted by: Colin at May 18, 2011 3:36 PM

As an actor who often works with younger actors, I often recommend watching Geoffrey for a quick primer on what an actor should be doing - particularly in Quills, a perfect example of a character relentlessly pursuing an objective. He is THE modern master.

Posted by: Tammy at May 18, 2011 3:44 PM

Yeah, I'm with Colin. House on Haunted Hill was kind of a shitty movie (although the first half creeped me out. The second half - just awful). But Rush, in all his hammy glory, verbally abusing an amusingly bitchy Famke Jansen? That was awesome.

My favorite Rush performance is in Elizabeth. I love my Machiavelli.

Posted by: Zirze at May 18, 2011 4:33 PM

Yeah, my favorite performance of his was Elizabeth as well. He is always a credit to a cast.

Posted by: DarthCorleone at May 18, 2011 5:17 PM

I looooove him. LOOOOVE. He's like Gary Oldman in that they can completely disappear into a role and make just any movie better. Screw Johnny Depp, Pirates of the Caribbean was all about Barbossa.

And the monkey. The monkey was pretty good.

Posted by: Figgy at May 18, 2011 5:30 PM

Oh c'mon! How could you not like him in Mystery Men? For reals? For really reals? Have you no soul? Is your soul a wet, insect-infested blanket that someone left to rot in a cabin somewhere in the Adirondacks? You must be insane. In the membrane!

Posted by: superasente at May 18, 2011 6:10 PM

He is a treat, an absolute TREAT, to see live. About 10 years ago I saw him do a play called X3 (Times 3, NOT X-Men: The Last Stand - how dare you) and the minute he comes on stage, it feels alive. He is amazing

Posted by: Laurie at May 18, 2011 10:37 PM

This man can do little wrong and I agree with Fredo: only redeeming thing about POTC.

Posted by: duckandcover at May 19, 2011 1:55 AM

He is magnificent as Casanova Frankenstein, really you quote that as a misstep.

Posted by: Andy at May 19, 2011 5:11 AM

Mystery Men is great.

"Let operation three-legged three-limbed Eagle begin!"

Posted by: Ender at May 19, 2011 6:33 AM

House on Haunted was great for its set pieces and tone, but the ending was terrible. Mystery Men is hilarious. Rush rocks every roll he tackles.

Posted by: Jedimo at May 19, 2011 1:17 PM

You call Mystery Men a misstep? I feel like I don't know you any more.

"After all, I am a ticking time bomb of fury."

Posted by: Anne At Large at May 19, 2011 2:13 PM

You know an actor has had a good career when Intolerable Cruelty and Bran Nu Dae are considered missteps.

Posted by: JJ at May 19, 2011 2:22 PM