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Katie Featherston Officially a Better Investment than Matt Damon

By Dustin Rowles | Posted Under Box Office Round-Ups | Comments (17)



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No stars. No budget. No big name directors. And barely a script. Still, the $3 million budgeted Paranormal Activity 2 racked up $41.5 million for the biggest horror movie opening ever.

I’m not complaining. Not only did Paranormal Activity 2 make me poop my drawers, but I’m happy with anything that costs $3 million and makes $41 that doesn’t involve volcanoes of feces. Granted, I wish it meant that the filmmakers used their powers of creativity to create something new, original, or inventive, but the Paranormal Activity sequel was basically a duplication of the first, which was basically a duplication of Blair Witch. But at least Oren Peli (who directed the first movie and produced the second) knew not to make the same mistake that the Blair Witch sequel made, although — to be fair — like everyone else, I never saw the Blair Witch sequel, so I have no idea what mistake that was.

So, how did Paranormal Activity 2 succeed where Blair Witch 2 failed?

Beats the hell out of me. Few people expected much from the sequel except a redo, and a redo is what they got. But it worked. And it worked without Brad Pitt, Michael Bay, Jessica Alba’s ass, or a series of explosions. The only explanation I can offer is that, besides Hereafter, it was the only option in theaters. It’s the Halloween season and people like to soil their undergarments during the Halloween season. Paranormal Activity 2 delivered, at least to the same people it worked on the first time around.

But we also understand even better — from Paranormal Activity 2 and last week’s Jackass 3D (which held the number two position, adding another $21 million to bring its cumulative to $87 million) — how subjective and divisive that art can be. You either hate or love Jackass and the same seems to hold true for Paranormal Activity. In both cases, at least we can say that we knew what to expect going in.

Meanwhile, that other wide opener, the Clint Eastwood directed Hereafter starring Matt Damon, put up a modest $12 million, and will probably end up in the $35 million range, similar to the last three Matt Damon efforts (Invictus, The Informant and The Green Zone). It looks like Matt Damon needs to make a blockbuster soon, lest he lose the clout that allows him to continue making films like these. In fact, if you take out the Oceans and Bourne films (and Good Will Hunting and The Departed), Matt Damon is not a particularly successful marquee star. But then again, it’s the Oceans and Bourne films that make him a successful marquee star.

This makes me sad.

Red also held well, dropping only 31 percent and putting up another $15 million, bringing its total to $47 million. Adult oriented movies represent! The Social Network hung around in the top five for another week, adding another $7 million to bring its total to a more than respectable $71 million.

Fun fact: I do believe that Katie Featherston has to be considered the best return on the investments in the history of film, considering that — after two films — she’s probably made less than $250,00, and she’s the star what looks to be like two $100 million films. How do you like them apples, Matt Damon?









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Comments

Releasing scary movies near Halloween = Releasing romantic comedies near Valentine's Day.

Posted by: Fredo at October 24, 2010 8:44 PM

So a film with about one week of promotion and bad early word resulting in a tepid marketing campaign was beaten by a sequel to a big horror film a week before Halloween with over a month of direct and viral marketing? Sounds...pretty predictable, actually. Congratulations to the creators of a tiny little indie horror film for producing a cash cow in the 80's slasher vein where the only thing that changes are the meat puppets being manipulated by the bad guy. May your ghost that does nothing never take Manhattan nor go meta as part of a film within the film. Unless you cast Parker Posey and/or Jennifer Tilly. Then all bets are off.

Like you actually expect 2 to be the last film in the series? Yeah, good luck with that. Just be glad your bad film series has "nothing happens" criticism rather than "only sick perverted bastards want to see that" criticism like my bad film series.

Posted by: Robert at October 24, 2010 8:52 PM

I cannot figure out what the last paragraph of this post means. Am I stupid, or is there some kind of weird grammar going on there?

Posted by: ERM at October 24, 2010 10:08 PM

I'm confused by the "This makes me sad". Does Matt Damon not opening big or Reds holding well make you sad?

Posted by: EricD at October 25, 2010 12:22 AM

Releasing scary movies near Halloween = Releasing romantic comedies near Valentine's Day = Releasing Christmas movies near Christmas = yadda, yadda, yadda...

I find your point to be elusive...

Posted by: Rykker at October 25, 2010 4:32 AM

...she’s probably been made less than $250,00, and she’s the star what looks to be like two $100 million films.

Huh?

Posted by: TylerDFC at October 25, 2010 6:42 AM

That just makes me think Katie Featherston (a local girl, btw), needs a better agent. Or, you know, AN agent.

Robert bitter tastes bitter, doesn't it?

Posted by: Snuggiepants the Deathbringer at October 25, 2010 8:20 AM

It means, as far as the INVESTORS go, Katie is damned cheap. They only had to pay her $250K, and they've gotten back $100M.

Pretty great investment.

Posted by: Maryscott O'Connor at October 25, 2010 8:53 AM

TylerDFC:

she’s the star [in] what looks to be like two $100 million films.

Posted by: Rykker at October 25, 2010 9:15 AM

and

she’s probably been made less than $250,000
or
she’s probably been paid made less than $250,000

Posted by: Rykker at October 25, 2010 9:23 AM

Note to self: Don't write the box-office round-up on Sunday nights after a full day of drinking.

Posted by: Dustin Rowles at October 25, 2010 9:27 AM

I keep sayin' someone needs to invent one of those keyboard breathalyzer gadgets like they have for vehicle ignitions...

Posted by: Rykker at October 25, 2010 9:31 AM

I find your point to be elusive...

Simply that releasing certain kinds of movies at specific holiday times helps their box office.

Posted by: Fredo at October 25, 2010 9:51 AM

For the love of cheese, that "Hereafter" movie looks like a bummer. Like, even the TV spot for it makes it look like a snore. So, not surprised that it did not burn up the box office. Has nothing to do with Matt Damon, really. They could have put someone else in that thankless role and it probably would have done just as well (or badly, however you prefer to say it).

Same with this Katie Featherstone chick. Do we seriously think she is the important part of the movie? I've never seen it, but I suspect the answer is no. You could put any attractive white girl in there and it would still make money. Because of all the doofuses out there who want to pay $10 to watch people scream and jump at loud noises or whatever the fuck is going on there. Whatever, it's gotta be better than another goddam Saw movie.

Posted by: Slash at October 25, 2010 11:20 AM

Katie Featherstone has some huge...tracks of land

Posted by: Jared at October 25, 2010 11:37 AM

Snuggiepants, I'm not bitter. I'm disappointed that some of the best ghost/haunting movies of the past decade can't get stateside wide releases while films based on a marketing ploy launch series in America. The emperor has no clothes on and very few can tell because they don't know what's happening on a regular basis in horror, especially low-budget horror.

Posted by: Robert at October 25, 2010 12:33 PM

Do we seriously think she is the important part of the movie? I've never seen it, but I suspect the answer is no. You could put any attractive white girl in there and it would still make money

I think thats kind of the point. If you make a decent movie, it doesn't matter if it stars Katie Featherston or Matt Damon, people will go see it.

Posted by: EricD at October 25, 2010 2:39 PM