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The Weekend Box-Office Round-Up / William Goss

Box Office Round-Ups | September 14, 2009 | Comments (65)


Fact: I have seen seven out of Tyler Perry’s eight theatrical outings to date, save for his latest, the ominously titled I Can Do Bad All By Myself (review forthcoming), which I will soon catch up with as someone with an unhealthy fixation on catching every film that’s granted a wide release in theaters while he still can.

Fact: I have only ever reviewed one of those seven films on assignment, last September’s The Family That Preys, and I’ve made a considerable effort to avoid reviewing them since. Asking me to write a new review for a new Tyler Perry movie is asking me to find new ways to re-word “preachy, pandering, tone-shifting, gospel-laced soap opera,” and frankly, if Mr. Perry isn’t going to be ambitious enough to change things up, neither should I.

Fact: I acknowledge Perry’s business savvy, which more often than not results in his films opening at number one on their smartly selected weekends and more often than not contains just enough of his shrill Madea character to get the same butts back into seats. Case in point: last February’s Madea Goes to Jail, in which Madea doesn’t go to jail until the last 20 minutes and is then promptly released. What was it really about? A roughed-up prostitute and the man who can do right by her. Opening weekend? $41 million. (Number of remotely likable white characters in it? Zero. Seriously, every last one was a stuck-up prude. Just leave us honkies out next time if you can’t have us say anything nice, Mr. P.)

And so Tyler Perry takes the weekend as Myself took in $24 million, or more than new releases 9 (number two, with $10.9 million), Sorority Row (number six, $5.3 million) and Whiteout (number seven, $5.1 million) combined. Inglourious Basterds continued to creep up on Quentin’s all-time high in third place ($6.5 million), All About Steve crept down to fourth place like the sneaky stalker it’s all about ($5.8 million), and The Final Destination slipped from the tip-top for two weeks down to fifth place ($5.5 million). District 9 was number 8 ($3.6 million), Julie & Julia managed a fine hold for six weeks in ninth ($3.3 million), and last week’s Gamer took an inversely steep tumble of 65 percent to close out the top 10 ($3.1 million).

See? Gamer can do bad all by itself too.



Fade to Blue by Sean Beaudoin | A Christmas Carol Trailer



Comments

I just can't even muster the energy to express my disgust with the american viewing public. Really, people, at least Hanna Montana has a message.

Posted by: admin at September 13, 2009 8:36 PM

I'm shocked that Sorority Row, starring Bruce Willy's hideously deformed freak child and the retarded one from The Hills made more than 50 bucks.

Posted by: BarbadoSlim at September 13, 2009 8:48 PM

the retarded one from The Hills

you need to be more specific.

Posted by: gp at September 13, 2009 9:08 PM

“Number of remotely likable white characters in it? Zero. Seriously, every last one was a stuck-up prude. Just leave us honkies out next time if you can’t have us say anything nice, Mr. P”

Tell me you’re joking Goss?

You know Goss you really got some fucking balls on you to be complaining about how TP portray white people in his movies seeing as since the first movie that ever rolled out of Hollywood and all the way up until the last twenty years Hollywood didn’t give a fuck at all about how it portrayed African Americans. But now you want to bitch and moan about Perry’s portrayal of white people in the face of Hollywood’s shameful history in the way that it portrayed African Americans? Dude I hope your health insurance includes being able to see a mental health professional because you’re fucking delusional.

Posted by: Guess Who! at September 13, 2009 10:35 PM

slim, best post ever....

Posted by: pasadenamike at September 13, 2009 10:40 PM

honkey is so 70's.

i prefer to be called either cracker, chalkie or white devil.

Posted by: gp at September 13, 2009 10:51 PM

Ah.

Another weekend of Tyler Perry managing to bargain-basement his way into a number one spot, another review destined to be filled with hyper-sensitive defenders who still think that Perry (currently counting their hard-earned dollars in his coffers right next to the white investors and distributors that helped him) needs their protection from the big bad critic, seeing as how they are so insecure about their own faults that they turn any criticism about a guy that has long stopped being related to them in any way into racism, conveniently ignoring the white directors that have been shitted on this week alone.

Sometimes this place can be a real doldrums, you know that?

Posted by: Vermillion at September 14, 2009 12:02 AM

I agree, GP.

And I really hate that the theaters here show Tyler Perry movies for longer periods of time and on more screens than the rest of the films. I had to travel an hour to see 9. Oh, Louisiana.

Posted by: crackerz at September 14, 2009 12:05 AM

i prefer to be called either cracker, chalkie or white devil.

What about whitebread?

Posted by: Vermillion at September 14, 2009 12:06 AM

But that's just your race plus a food.

Posted by: William Goss at September 14, 2009 12:08 AM

thank you, william, but that question was addressed to me.
um, but that's just your race plus a food.

Posted by: gp at September 14, 2009 12:11 AM

Hey, knock it off, Kanye! Quit interrupting comment threads under my name!

Posted by: William Goss at September 14, 2009 12:19 AM

speaking of kanye....asshole.

Posted by: maxpurr9 at September 14, 2009 1:29 AM

I have a friend who's half Japanese and half white. We like to call him rice cracker.

Posted by: MM at September 14, 2009 1:52 AM

But that's just your race plus a food.

Good point. Dammit! I will give you whiteys one thing: you were immensely varied and creative with the racial slurs.

Was porch monkey taken back successfully? I haven't really been keeping up.

Posted by: Vermillion at September 14, 2009 1:56 AM

Oh, sorry, Vermillion. Took you for a Mike Birbiglia fan: http://www.youtube.com/watch?v=gJKzafWEjb0

Posted by: William Goss at September 14, 2009 2:02 AM

Aw, I am a fan, but I never seen that one.

Posted by: Vermillion at September 14, 2009 2:17 AM

I'm glad that IB is still doing well.

Posted by: Mebe at September 14, 2009 2:20 AM

Sorority Row (number six, $5.3 million)

It seems that Youtube has positively effected our society, for once. We all want to see Rumer Willis meet a violent demise, but we don't actually want to spend 90 minutes watching Sorority Row. We'll just watch her untimely end for free on Youtube, much as I spend every day watching Paris Hilton getting brained in House of Wax, and cursing to the heavens that I'm not watching a documentary.

Posted by: George at September 14, 2009 5:35 AM

I always though the term cracker.... (Jesus, how did we get on to this?) .... referred specifically to uneducated Southern folk and was employed predominantly by other whites?

Posted by: TSF at September 14, 2009 7:45 AM

“Another weekend of Tyler Perry managing to bargain-basement his way into a number one spot, another review destined to be filled with hyper-sensitive defenders who still think that Perry (currently counting their hard-earned dollars in his coffers right next to the white investors and distributors that helped him) needs their protection from the big bad critic, seeing as how they are so insecure about their own faults that they turn any criticism about a guy that has long stopped being related to them in any way into racism, conveniently ignoring the white directors that have been shitted on this week alone.”

Posted by: Vermillion at September 14, 2009 12:02
______________________________________________________________________________

So now Perry’s business acumen is a problem, Vermillion? So now you think Perry tricked people into making his movie number #1 at the box office, Vermillion? So now you think Perry is the only director that’s interested in seeing how much money he can make, Vermillion? Vermillion you’re so quick to shout down my comments, but you didn’t have shit to say at all about Hollywood’s shameful history in it’s portrayal of African Americans in films. You can’t even defend Hollywood any more, because if you did then you would have to defend Hollywood’s treatment of those directors that are not white who just want to make a movie without having to jump through a goddamn hoop. It is only black directors that have to answer questions about race, it is only black directors that have their motives questioned. Son I wish you would read Spike Lee’s account of all the bullshit he had to go through just to make Malcolm X. I think I’m wasting my time trying to explain shit to you, Perry is bad, we must defend white directors.

Posted by: Guess Who! at September 14, 2009 9:04 AM

Hey Guess Who's Not Pookie! Eat a shit waffle. Tyler Perry is a perfect example of what is wrong with Hollywood. And spare me the melodramatic, whoa is me, the way black people are treated on film bullshit. You're telling me that "Hollywood" is responsible for a general, reprehensible treatment of black people or any people of color in general? What about the dear Mr. Perry? All of his head wigglin', "Mmmmm-hmmmmm" sassy, fake nail wearing characters? The crazy old black woman? The unfaithful black husband? Save yourself some time, drop the santimony, and try and blow your head out of your ass.

So now you think Perry tricked people into making his movie number #1 at the box office, Vermillion?

I'll answer that and say that's EXACTLY what the fuck he does. Titling a movie 'Madae Goes to Jail" and then the character has about 14 seconds of screen time? PURE TRICKERY. "I Can Do Bad All By Myself" being about the relationship between a nightclub singer and some dude...discovering family values...but the fucking tailer for the movie is nothing more than the Madae character on the telephone? PURE TRICKERY.

And if you want to go one further on what maked Tyler Perry an extra special piece of shit? Try being a union-working make-up artist, set designer, P/A, lighting tech, ....anything. If you want to work? Don't you DARE go barking around the set of a Tyler Perry movie. He would have to contirbute part of his budget to health care for his employees. He would have to provide a certain amount of down-time each day for the crew. He would even have to provide quality food services. (yes...there are even guidelines for that) He is worse than half of Hollywood because his money grabs are intentional and shameless; circumventing all production agreements and selling his work to the lowest bidder, pulling down as MANY credits on his films as he can, even some writing credits on projects where he didn't spend MINUTE FUCKING ONE in front of a computer, paying hourly rates comparable to auto mechanics instead. At least your 'typical' Hollywood producer/director/prod house combo does what they can to keep the movie machines chugging. Everything he does is an afront to workers rights and protecting what has made movies work for 50 years. Fuck you and your misguided view of how innocent he is and how's he's just gettin' his. Try working out there for ANY given period of time and then you can open you suck hole.

And as far as "Hollywood's treatment of XYZ race." Change the fucking record. You show me a competent director and I'll show you someone who will give every character his/her fair share regardless of race. As for treatment/perception of black characters on film, you trying to tell me Tyler Perry is the acme of them? Go see an Ice Cube movie (written by, directed by, produced by, starring...doesn't matter) and count the sterotypes. Watch a Tyler Perry movie and try to tell me he's not raking it in off of the same tired "black humor."

Take your soap box and jam it up your shithole, one splinter at a time.

Posted by: PissBoy at September 14, 2009 9:36 AM

Hee-hee. I love starting the day with an angry PissBoy rant.

Posted by: Tracer Bullet at September 14, 2009 9:53 AM

Coming February 2013 - Tyler Perry's Madea Goes to the Moon.

You've been warned, y'all.

Posted by: Tyler Perry at September 14, 2009 9:54 AM

paying hourly rates comparable to auto mechanics instead.
---
Jeebus, the last time I took my car in to get looked at by the dealer the rate was something like $75/hour. Even if the mechanic only actually gets half, I'd think you could live off that.

Posted by: , (TCFKAB) at September 14, 2009 10:00 AM

It's fucking Monday. I worked until 3 am just to work again at 7. Had to take my car to the shop this morning to get an estimate for a new hhod, radiator, and condensor because some dickhead doesn't know how to drive stick and rolled his car right back and up and over my hood. Cap it off with someone who deosn't know a fucking thing about making a movie and I am one raging PissBoy.

Posted by: PissBoy at September 14, 2009 10:02 AM

PissBoy,

Your name tells me everything I need to know about you and your kink, but now is not the time so I’ll stick to the subject. I’m not talking about stereotypes, I’m talking about a man’s right to make a piece of shit movie without fuckers like you bitching and moaning about him being the biggest problem in Hollywood. I could give two fucks about some fucking union that didn’t allow the black and the brown to even walk through its front doors just a few years ago. You think you can impress me with your sob stories about a fucking union that has historically shut out the black and the brown up until recently, you and that fucking brain dead Vermillion think that racism never happened in Hollywood. FUCK YOU AND FUCK THAT TIARA YOU WEAR YOU PISSY FUCKING DOUCHEBAG.

Posted by: Guess Who! at September 14, 2009 10:03 AM

Oh, and I'm willing to stipulate that, yes, Hollywood treated black people badly for 70-80 years (and Asian people too, right, Mr. Chan? And American Indians too, right, Mr. Tonto? and basically anyone darker than John Wayne, right, Mexicans etc.?), if it means Guess Who? has to get another argument.

So say we all?

Posted by: , (TCFKAB) at September 14, 2009 10:07 AM

RAAAAAACE WAAAAAAR!

Posted by: admin at September 14, 2009 10:24 AM

I never said racism doesn't happen in Hollywood. Read what I wrote you preachy, whining pathetic piece of shit. Your argument has more holes in it than a Sunset Boulevard bathroom stall wall. You can't bitch about any kind of racism in Hollywood without turning the light on BLATANT pervasion of racial sterotypes in "black" movies. And when I say "black" I mean everything that is geared towards the African American community from a specific marketing and development perspective. If you don't recognize sterotyping as the simplest and most direct form of racism then, frankly, you don't know your asshole from a hole in the ground.

And where the fuck do you get your facts? And what the fuck is your idea of "a few years"? The first unions surrounding Hollywood were offically founded in 1914. The first black members almost immediately to follow. I dunno if your aware of this but things like black face and expressions of "Mammy!" were still the norm then...almost a hundred fucking years ago. So as far as "the black and brown" not walking through their doors until a few years ago...suck a fat dick and know something before you talk about it.

And you SHOULD give a shit about whether or not he uses union labor, when he doesn't use it SPECIFICALLY to avoid having to pay those under his employ...INCLUDING his african american actors. The first step he could take to helping to equalize ANY treatment in Hollywood would be to pay his fucking talent what the industry says they should get. He currently pays about 20% BELOW scale. They would make more, be happier, and, I'm willing to bet, begin to turn out better performances. See, From Dusk Til Dawn. While it was a good movie, it, like EVERY other movie, benefitted from becoming a union job in the middle of production, and in turn, put out better product. Going union gave it more money and more legitamacy. Non union work gets shit upon in Hollywood, and frankly, deserves it. They're there to protect the workers and actors and give them certain rites.

And I could give a giant hooping funt about the quality of Tyler Perry's work. Instead of bitching about his movies sucking...I just make sure I don't give him my dollars. MY issue, dickface, MY issue holds more weight than just complaining about an ignorant man having a terrible sense of comedy or timing, or not knowing thing-one about how to actually develop a character. MY issue with the man is his blatant money grabs, complete and utter lack of respect for his audience by using a glorified, butched up version of Hattie McDaniel (but without half the foresight or concern for African Americans working in Hollywood...see SAG 1943 "Commission for Treatment of Black Actors") to trick them into seeing his movies even though she is always an inconsequential character unless you count the fat black woman who won't hesitate to go upside your head if you cross her, pretending in the final 10 minutes to wax poetic about family values. Family values indeed...

And these "hoops" that Spike Lee had to jump through???? Get the fucking story straight and read an entire story instead of just one perspective. Most of his problems came off the set. The studio was the big problem with money and money only. His biggest problems came from black special interest groups and people like Amiri Baraka because they were afraid his earlier movies were exploitative and he would do Malcolm's story no justice. There were problems with script re-writes (originally written by Arnold Perl) and securing and additional 12 million dollars. (28 of 40 was put up by WB and another prod house) It seems like that money issue is all anybody remembers. 40 million dollars made Malcom X one of the most expensive movies ever. Not for a white director. Or black director. Ever. Fuck you and your racism claims. Oh! And speaking of white directors...Malcolm X was originally going to be directed by a white guy, but as soon as Spike Lee made it public that he thought that was a bad idea...dudeman STEPPED DOWN and GAVE Spike the production.

I'm not even going to bother anymore. You're nothing more than an ignorant, baiting, argumentative, ill-informed, posturing twit, shamelessly posturing with the same tired arguements people have made time and time again before you. You know nothing about any kind of treatment of actors, directors, cast, crew in any kind of sense. And you have no fucking idea what you're talking about most of the time.

Posted by: PissBoy at September 14, 2009 10:53 AM

That fucking Vermillion walks around like whitey’s shit don’t stink, now he’s recruited Boy Wonder to take up his cause. Vermillion never met a white director he wouldn’t defend, and PissBoy wouldn't get caught dead wearing flannel.

Posted by: Guess Who! at September 14, 2009 10:54 AM

rights* fucking spellcheck...

Posted by: PissBoy at September 14, 2009 10:56 AM

TCFKAB, you’re so fucking condescending with your nonchalant attitude as if racism is just some petty annoyance that bothers you like bubble gum that’s stuck to the bottom of your tacky loafers.

Posted by: Guess Who! at September 14, 2009 10:57 AM

Dayyy-um. Homeboy broke it down so that it will consistently and forevermore be broke. How will Guess Whookie respond? How CAN he respond with PB's balls in his mouth? Let's watch!

Posted by: Tracer Bullet at September 14, 2009 11:13 AM

Fuck you, Guess Who! What's wrong with loafers?

Posted by: Marra at September 14, 2009 11:24 AM

Listen PissBoy I won’t be lectured to by some guy that hangs out in bathrooms looking to suck a dick through a glory hole, I mean really, sucking dick is so beneath me. Hey asshole listen very carefully for the hundredth time I’ll say that Perry’s movies leave a lot to be desired. My problem with you is that you want to lay all of Hollywood’s problems at the feet of Perry.

Posted by: Guess Who! at September 14, 2009 11:27 AM

Your childish retorts do nothing more than provide example of how you have no place in an argument where you have no footing...

Posted by: PissBoy at September 14, 2009 11:35 AM

I’m sorry Marra, but seeing as I’m the only one here trying to defend black directors and their right to make shitty movies, once in a while I may perhaps say things that I shouldn’t.

Posted by: Guess Who! at September 14, 2009 11:36 AM

No one said that black directors didn't have the right to make all kinds of movies, but to perpetuate racial stereotypes in reverse is STILL to perpetuate racial stereotypes, and that will not make up for decades of persecution within this industry and across this nation.

Posted by: William Goss at September 14, 2009 11:43 AM

But somehow you telling me to “suck a fat dick” is not at all childish and language like that provides you with footing?

Posted by: Guess Who! at September 14, 2009 11:45 AM

Hey Willie I’m going to go out on a limb and say you aren’t a Rhodes Scholar and shit but can you tell me since when did any director not use a racial stereotype?

Posted by: Guess Who! at September 14, 2009 11:53 AM

Hey Guessie, I bet you're not a Rhodes Scholar yourself, but I figure that a significant majority of movies don't factor in stereotypes.

Out of simple convenience, I'm going to offer Whiteout. There's a black guy in it, and he offers as many stale readings as every white guy and girl around.

Posted by: William Goss at September 14, 2009 11:57 AM

Certainly better than "FUCK YOU AND FUCK THAT TIARA YOU WEAR YOU PISSY FUCKING DOUCHEBAG."

Zinger outta you there. It definitely showed me.

I'll be sure to make sure I crawl back to my cave now in fear of a black planet. I need to make sure there's no flannel in there that I might wear....whatever the fuck that means.

Posted by: PissBoy at September 14, 2009 11:57 AM

Wow.

Damn, ya'll.

That really was an impassioned and well-stated response to nonsense claims, PissBoy. I feel kinda bad you had to waste it on an idiot. I long gave up deluding myself into thinking he had any sense in his head, and have accepted his Glenn-Beckian levels of nutjob theater. Frankly I just assume that everything he posts is bullshit, and act accourdingly.

I do so hope you will at least copy and paste it in the actual review for the film, so the mouth-breathers who think Whookie has some sort of point will be educated as well. There is still hope for them.

Posted by: Vermillion at September 14, 2009 12:21 PM

PissBoy,

Your first words to me where to “Eat a shit waffle” sir that is how you introduced yourself to me, so now don't sit up there and act like you're above making childish statements.

Willie,

I’ve said it a million times that at times Perry is unwatchable and sometimes makes very shitty movies, but to say that he’s the number one problem in Hollywood is total bullshit. There are many bad white directors that you guys don’t bitch and moan about at the same level as you do Perry’s movies. You guys attacks on Perry seem to be a lot more personal and a lot more venomous.

Posted by: Guess Who! at September 14, 2009 12:47 PM

"...but to say that he’s the number one problem in Hollywood is total bullshit."

Who said that? Now you're just being disingenuous.

Posted by: William Goss at September 14, 2009 12:50 PM

Considering that Rowles spent a thousand words detailing how Michael Bay's movies are overcompensation for his tiny penis, I'm pretty sure Perry isn't the only director who gets the brickbat around here.

Posted by: Tracer Bullet at September 14, 2009 12:55 PM

Oh hello Vermillion, I see you’re still responding to my dog whistle, if only you had the power to just ignore me.

Posted by: Guess Who! at September 14, 2009 12:57 PM

There are many bad white directors that you guys don’t bitch and moan about at the same level as you do Perry’s movies. You guys attacks on Perry seem to be a lot more personal and a lot more venomous.

See, I feel like this is where your argument runs off the rails. Who? What white director with the same mega-success using the same blatant racial stereotypes as Tyler Perry do we not shit all over? Haggis? Hell, we have a fucking encyclopedia entry devoted to that douche-tard. Michael Bay? We hate on that fucker too.

The problem with Tyler Perry isn't that he's a successful black director who makes shitty movies based on offensive stereotypes, it's that he's a successful black director who makes shitty movies based on offensive stereotypes while exploiting the very audience he's always pretending to champion. That makes him an asshole and a hypocrite, as opposed to Michael Bay, who's an asshole and ignorant, or Paul Haggis, who's an asshole and a hack. I'm not saying hypocrisy is worse than ignorance or hackery; I feel like we hate on all three with the same amount of venom.

Posted by: Marra at September 14, 2009 1:02 PM

*delurking* Piss Boy, I heart you. *resumes lurking*

Posted by: Lillie at September 14, 2009 1:05 PM

Tracer, please, come on, don't get me started on that mortadella Rowles. Him and his obsession about some guy’s junk.

Posted by: Guess Who! at September 14, 2009 1:09 PM

Lillie, I heart you more when you just lurked.

Posted by: Guess Who! at September 14, 2009 1:13 PM

Jesus, Guess Who! That comment was nothing against you...I just like the way Piss Boy can rant like nobody's business. There are some lurkers out here who regularly follow all of you frequent commenters and sometimes want to voice appreciation for our favorites. I've been reading Pajiba for years and enjoying the comments, especially when the threads get very heated (yeah, even back when you went by a different name). Calm down, it wasn't an insult to you, but a compliment to him.

Posted by: Lillie at September 14, 2009 1:24 PM

I'm not acting like I'm not making childish comments. I'm also not trying to rearrange the wording of my original arguement to make it seem more like I was just trying to say Tyler Perry can make crap movies if he wants instead of pulling the fucking race card like you originally did.

Posted by: PissBoy at September 14, 2009 1:28 PM

Marra,

You make a very compelling argument, but why can’t Perry just be an asshole and ignorant or an asshole and a hack? Why must Perry carry the burden of being a movie director that has to answer questions about his black characters? Why doesn’t Apatow or Kevin Smith have to answer questions about the black characters in their movies?

See Marra the point is, everyone thinks it’s funny when Smith or Apatow has a black character in their films and that black character is showing his or her ass, but when Perry has that same character doing the exact same thing in his movies that Smith and Apatow had him or her doing in their movie then somehow Perry becomes public enemy number #1. That is the one and only problem that I have with this entire situation. Is Perry a hack? Abso-fucking-lutely. But don’t act like this problem started with Perry.

Posted by: Guess Who! at September 14, 2009 1:35 PM

I’m sorry Lillie.

Posted by: Guess Who! at September 14, 2009 1:40 PM

PissBoy,

Once again the first words out of your mouth were not Guess Who! I disagree with you, or Guess Who! You are so very wrong. No PissBoy, the first words out of your mouth were “Eat a shit waffle.” Since according to you I’m so ignorant, how did your best thinking lead you to tell me to eat shit?

Posted by: Guess Who! at September 14, 2009 1:55 PM

My first think didn't lead me to tell you to eat shit. I told you to eat a shit waffle. Now, this isn't waffle made of shit, but instead a waffle topped with it. See, it was early in the morning. I figured you needed breakfast but didn't have a chance to get to an IHOP.

Posted by: PissBoy at September 14, 2009 2:05 PM

And telling someone to eat shit isn't ignonrant. It's rude. But when I tell you to do it...it doesn't feel rude. It feels more like a public service.

Posted by: PissBoy at September 14, 2009 2:14 PM

Look I know I'm new hear, and I don't want to come off as racist (at least not more than anyone else on the board,) but I pretty much stop reading anything as soon as I come across "you should really read what Spike Lee said". That's a big GAME OVER for me.

Posted by: CleverJohnny at September 14, 2009 3:11 PM

Woah woah.

why doesn't Kevin Smith answer for his black characters?

You mean like the scene in Clerks II when he didn't write lines for Wonda Sykes and Earthquake? Yeah, that was real fucked up of him, letting them ad lib and make their own jokes as a black couple responding to a racist comment. What an unimaginable douche.

Posted by: CleverJohnny at September 14, 2009 3:22 PM

PissBoy,

Just keep working on your opening comment to me, you’ll clean it up sooner or later.

Posted by: Guess Who! at September 14, 2009 3:44 PM

Is it possible that these debates may be more intellectually rewarding if people didn't resort to personal insults?

Posted by: TSF at September 14, 2009 5:53 PM

I just want to top off the dissipated race war by saying that I was in that Mike Birbiglia video! I was there, man! Oh man, you shoulda been there, shit was crazy, dude on stage got all riled up, shredded that bit like nobody's business, meanwhile all us fuckers in the pit passing around the reefer, probably laced with godknowswhat, cuz I got some wicked hallies after.

Posted by: SaBrina at September 14, 2009 7:34 PM

"Tacky" loafers? Hah! I don't even HAVE loafers on, I have my Bearpaws, motherfucker, the best slippers in the history of slippers.

My, um, loafers are by the front door.

*checks for bubblegum, sees only Shoe Goo (TM) across that crack in the sole, but they're DAMN FINE LOAFERS, they've lasted like 15 years, they're comfortable as hell and I've walked thousands of miles in them ... DAMMit you got me all off topic now, I can't even remember what the topic was, Race war or something, wasn't it?*

Posted by: , (TCFKAB) at September 14, 2009 8:52 PM





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