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Box Office: Johnny Depp's 10 Biggest Box-Office Hits

By Dustin Rowles | Posted Under Box Office Round-Ups | Comments (17)



johnny-depp-piano-smoke.jpg

There used to be something so cool about the fact that it took Johnny Depp 15 years, starting with Nightmare on Elm Street, to finally land a $100 million movie. He was celebrated, in part, because he turned down franchises and opted, instead, for riskier, oddball movies. He chose projects based upon the cast, on the directors, and on the merits of the scripts. His first $100 million movie, The Legend of Sleepy Hollow, didn’t really alter his project choices. He had a great run between 1999 and 2003, starring in From Hell, Chocolat, Blow and Before Night Falls. His second $100 million movie, in 2003 (Pirates of the Caribbean ) was really the tipping point from cool flicks to blockbusters. Not that his big movie choices have been all bad, and he has managed to mostly maintain that cool-guy image, even as he rakes in the cash. I guess after a certain point Depp was like, “Screw it. I’m way behind in the one-for-me, one-for-money game, and I have some catching up to do.”

The bad news is Alice in Wonderland. The good news is Rango, which easily topped the box-office this weekend with a slightly underwhelming $38 million, although I expect the movie will have legs. Parents were holding out to find out whether it was appropriate for kids (in fact, our traffic logs indicate several Google searches for, “Is Rango good for kids?”), and I think it’ll hold well, even against the slate of family films arriving in the next two weeks (Diary of a Wimpy Kid 2, Mars Needs Moms).

In second place this weekend, Matt Damon’s Adjustment Bureau debuted with a better-than-expected $21 million, which breaks Matt Damon’s bust streak (and the guy was charming as all hell in The Adjustment Bureau. He and Affleck should do a Sorkin-scripted political movie).

Beastly, on the other hand, bombed, and after two miserable showings in three weeks (the other being I Am Number 4, the burgeoning career of Alex Pettyfer has stalled. You can probably scratch him off of the list of the next generation of action heroes; he was an outlier, anyway. It looks like Steven Lloyd Wilson is the only one on staff who will ever know his work. RIP, Alex Pettyfer.

There was a fourth opener this weekend, too. Topher Grace’s Take Me Home Tonight (“Just like Ronnie said”) bombed hugely, putting up only $3.5 million. It didn’t even crack the top ten, so I guess, along with Alex Pettyfer, we can bury Dan Fogler’s career, too. Rest in Hell, fat man.

Oh, and Drive Angry 3D also continued its plummet into oblivion, adding only $2 million this weekend. My guess is that much of that can be attributed to people who read TK’s review. It prompted me to check it out. TK was right: It was frog-balls ridiculous, and fun as hell.

The rest of the top ten are mostly comprised of movies you will have forgotten ever existed by this time next year: Hall Pass, Unknown, Just Go With It, I Am Number 4, Gnomeo and Juliet.

For kicks and shits, here are Johnny Depp’s ten biggest grossing films of all time, and I expect Rango will eventually crack into it. With the exception of Scissorhands and Chocolat, this is not how I want to remember Johnny Depp’s career.


10. Edward Scissorhands — $56 million

9. The Tourist — $67 million

8. Chocolat — $71 million

7. Public Enemies — $97 million

6. The Legend of Sleepy Hollow — $101 million

5. Charlie and the Chocolate Factory — $206 million

4. Pirates of the Caribbean: The Curse of the Black Pearl — $305 million

3. Pirates of the Caribbean: At World’s End — $309 million

2. Alice in Wonderland — $334 million

1. Pirates of the Caribbean: Dead Man’s Chest — $423 million









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Comments

re: "frog balls ridiculous"

Do frogs even have balls? Did I really just do a Google search of "frog testes"? And did I discover a similar question (and answer) from June 2008? Indeed I did:

http://frog.edschool.virginia.edu/Frog2/Dissection/Organs/organ14_testes.html

Ours is truly a time of miracles.

Posted by: Mrs. Julien at March 7, 2011 9:55 AM

With the exception of Scissorhands and Chocolat, this is not how I want to remember Johnny Depp’s career.

My version of this sentence replaces Chocolat with Public Enemies.

I understand most of these, but The Tourist? Everyone laughed at that one (although it didn't look too bad when I actually saw the preview), so I'm surprised it raked in plenty of dough.

Posted by: sars at March 7, 2011 9:59 AM

You laugh, but I've already put "world's foremost Alex Pettyfer expert" on my resume. I prefer the term "Pettypert." And that's trademarked.

Posted by: Steven Lloyd Wilson at March 7, 2011 10:17 AM

I prefer the term "Pettypert." And that's trademarked.

You got it, Steven. From here on out, whenever I refer to you from here on out, it'll be Steven Lloyd Wilson, Pettypert (you know, like Ph.D.). Also? Thanks for the Monday morning giggle.

And yes, Johnny Depp, you need to get back to your roots. You've made plenty of money, now it's time to do something off the beaten track.

Posted by: tamatha at March 7, 2011 10:30 AM

Blow is such an overrated movie. If a movie is about drugs, that's good enough for so many people.

Posted by: Gitley at March 7, 2011 10:33 AM

I agree with Tamatha, but I think Depp probably considers the Burton movies to be his "art" films.

Posted by: Mrs. Julien at March 7, 2011 10:36 AM

Doesn't Mars Need Moms look absolutely, soul-killingly dreadful? The animation is stuck somewhere between Really Creepy Drawings by 5 Year Old and the Uncanny Valley, and it just creeps me the hell out. It looks like Space Chimps, but worse.

It didn’t even crack the top ten, so I guess, along with Alex Pettyfer, we can bury Dan Fogler’s career, too.

I'd say goodbye to Topher Grace's, too. That guy's got zero power star power now, and I doubt that he ever had any to begin with.

Posted by: figgy at March 7, 2011 11:13 AM

I'd say goodbye to Topher Grace's, too. That guy's got zero power star power now, and I doubt that he ever had any to begin with.

Considering that the director had to lobby for almost 4 years to get this movie released...I'd say you're dead on ball there figs.

And R.I.P. Alex Pettyfer. That's what you get for doing a movie with an Olsen twin...and for having a last name that looks like it's a misspelling. But hey, silver lining, Joshua Jackson won't be so lonely now.

Posted by: PissBoy at March 7, 2011 11:31 AM

I prefer the term "Pettypert." And that's trademarked.

I don't know why you didn't go with the much more natural "Pettyphile."

Ohhhhhhhhhh.

Posted by: Mario Speedwagon at March 7, 2011 12:00 PM

It seems like for every good movie Depp makes (before and after blockbuster-status), he has to make an equally stupid movie. And damn, although I am a huge fan, he has made some utterly idiotic stuff. Really, mindbogglingly bad bad movies.

And now I'm going to be shaking my head over The Astronaut's Wife for the rest of the day.

Posted by: Wednesday at March 7, 2011 1:20 PM

Depp=Bunk.

Posted by: Jadine at March 7, 2011 2:09 PM

Doesn't Mars Need Moms look absolutely, soul-killingly dreadful? The animation is stuck somewhere between Really Creepy Drawings by 5 Year Old and the Uncanny Valley, and it just creeps me the hell out.

Yes and Yes!

Posted by: ed newman at March 7, 2011 3:21 PM

The money grab was never more obvious after colluding with Bruckheimer on those truly execrable sequels to POTC 1. Oh, and the fourth will be in theaters soon. Seriously, after that the dude's "not into the machine" schtick was nothing but noise.

Posted by: cmj at March 7, 2011 4:34 PM

I keep seeing the guy's name as Alex Petit Four, which just makes me want some cake.

Posted by: figgy at March 7, 2011 6:25 PM

As an old art snob, I have to say -- every once in a while someone selling out is great, provided they are successful at it. It is so much easier to say "well, they could be making millions because mainstream stuff is crap and easy to do, but instead they have standards" if someone actually makes millions by half-assing it. See, in this way not only does the pirates tripod of crap give cover to Edward Scissorhands, but also to every other art house movie you can now justifiably say your friends and family don't get.

Posted by: negative 1 at March 7, 2011 9:57 PM

So, does anyone know when The Rum Diary is supposed to come out?

Posted by: Big Softie at March 7, 2011 10:48 PM

With the exception of Scissorhands and Chocolat, this is not how I want to remember Johnny Depp’s career.
My version of this sentence replaces Chocolat with Public Enemies.
I understand most of these, but The Tourist? Everyone laughed at that one (although it didn't look too bad when I actually saw the preview), so I'm surprised it raked in plenty of dough.remember Johnny Depp’s career.
My version of this sentence replaces Chocolat with Public Enemies.
I understand most of these, but The Tourist? Everyone laughed at that one (although it didn't look too bad when I actually saw the preview), so I'm surprised it raked in plenty of dough.

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