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The Maltese Falcon by Dashiell Hammett

By Sophia | Posted Under Book Reviews | Comments (12)



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There are a couple of reasons I started reading The Maltese Falcon (1929) by Dashiell Hammett. I picked up The Thin Man by Hammett when it was chosen for the “One Book, One Denver” program in 2008. It wasn’t my favorite, but I like to read more than one book by authors to get a feel for them, and The Maltese Falcon is certainly famous enough to make it worthwhile. (I haven’t seen any of the movies, so the plot was still new to me.) However, the other reason I picked up this book also has a lot to do with my reaction to it, so in the interests of full disclosure, I better explain it. The Maltese Falcon is the favorite book of a man I have something of a past with. I still see him all the time and at least for awhile we might have been something like friends, but now not so much. It’s probably obvious that I’m not quite over him, and I was curious why this was his favorite book.

Sam Spade is a tough, no-nonsense detective in San Francisco. He’s good at what he does, a loner, and somewhat mysterious. A beautiful woman comes to visit his agency, begging for his help to find her sister who had run away. She plays the part of the naive and helpless woman, but her story doesn’t add up, especially when Spade’s partner is killed while tailing her. Two other men are killed as the story progresses with Spade quickly becoming a convenient suspect for the police. Spade struggles (but in a cool, detached way) to clear his name, find the killers, and help his clients. At one time or other Spade has promised his services to all the people searching after the mysterious and elusive “black bird” statute, the Maltese falcon.

Spade also has a way with women. He had been having an affair with his partner’s wife, but he tires of her before the book begins; there’s something going on with his secretary, Effie Perine; and he quickly hooks up with his mysterious, new client. In a lot of ways, Spade is like James Bond. I can appreciate James Bond, especially when I’m in the right mood (and especially when Daniel Craig is playing him), but I was constantly bothered by the women, how they were portrayed, and how they were treated in this book. I’m sure this is at least partly because I was projecting my own experiences. I’d bet that my “friend” sees himself as Sam Spade; he certainly acts like him. James Bond is all kinds of sexy and fun, but when you end up being one of the women he’s using and throwing away, it’s not as entertaining. Spade goes around calling them “angel,” “precious,” and “darling” even when he detests them. He lies, doublecrosses, and parades them in front of each other. The women themselves were also annoying, whiny and devious. Effie Perine, the most likable, was still often wrong and pretty weak. I found it all kinds of frustrating.

The Maltese Falcon has some good twists and turns, though, and it’s a satisfying, noir detective story. Spoilers ahead?!?! People are getting killed and everyone’s running amuck, desperately searching for the Maltese falcon and it turns out what they’re all looking for is worthless. Spade is given a rather difficult choice at the end, too, even though I still wondered if he would have taken the money if the Maltese falcon had turned out to be real. I’m guessing not. There is some talk of love at the end of the book, but I could never believe that. You don’t fall in love with someone you don’t know and you don’t trust, no matter how much you want to sleep with them.

This review is part of the Cannonball Read series. For more of Sophia’s reviews, check out her blog, My Life As Seen Through Books.










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Comments

Never having read the book, but reading some others from that era, I think I can shed some light on your dilema there, Sophia.

First, this was written in the 20's, not the 90's. The popular opinion of women at that time is that they were the "weaker sex" and that they really weren't all that smart. Yes, there were plenty of books and movies with the wisecracking dame but they were more for comic relief, or escapism.

You will find the similar treatment of blacks, hispanics and Asians as well.

I think that you're looking at the book through the prism of your 20th (21st?) century prejudices. It's a case of reading it and asking yourself, "how can anybody treat somebody else this way?".

It was common practice then in books that the woman only served either as a plot device (hostage, damsel in distress, etc.).

You should probably watch the movie and see how it stacks up. (I personally love the movie, but then again I'm a big Bogart fan).

Posted by: UncleJR at July 30, 2009 8:26 AM

All this talk of the Falcon being worthless despite all the death and desperation surrounding it, you portray it as something that dreams are made of. That's just my opinion, of course.

Posted by: Kballs at July 30, 2009 8:51 AM

The falcon a MacGuffin, pure and simple.

I never got around to reading the novel. How much does it differ from the film?

Posted by: alphawhiskey at July 30, 2009 8:54 AM

yes, but can we please know more about this mysterious man you have a past with? spill it!

Posted by: gp at July 30, 2009 9:38 AM

Oh, Sophia, you simply MUST watch these movies. They are classics. You haven't lived until you've heard Bogart say, "angel," "precious," and "darling." He makes them sound like curse words. Besides, Humphrey Bogart, Sidney Greenstreet, Peter Lorre, et al. They don't make actors like them anymore.

Also, you need to watch The Thin Man movies. William Powell and Myrna Loy are a comedy team made in heaven. They play off each other so well, that the stupid plot doesn't even matter.

Posted by: BWeaves at July 30, 2009 9:58 AM

On the role of women in books written in the 20's, I'm not sure it's fair to say they were only damsels in distress. Rather, I think a particular type of novel tended to cast them that way.

As noted above, similar criticisms can be made of the Ian Fleming novels, but he was writing in the 50s and 60s.

Even within the detective fiction genre of the 20s and 30s, there were exceptions to the rule. I've always thought of Della Street as a strong female character in Erle Stanley Gardner's Perry Mason novels, which were written in the 30's.

Posted by: Gentleman Farmer at July 30, 2009 12:11 PM

Apropos of nothing in particular, here's a drinking game for you. In "The Thin Man" movie, evry time Nick and Nora have a martini, you have one, too.

Last one concious at the end of the picture wins.

-Ralphie

Posted by: Ralphie at July 30, 2009 1:44 PM

*conscious*

Boy, I wish these posts had an edit feature!

-Ralphie

Posted by: Ralphie at July 30, 2009 1:45 PM

Maltese Falcon was interesting for the dialog, I agree. I actually preferred The Thin Man just for the staggering amount of alcohol they drink at all hours of the day. They just drink and drink and have another drink and wake up a noon and need a drink to get over the hangover. I thought this was the Greatest Generation?? They drank like they were in my fraternity!

Posted by: Nerf at July 30, 2009 4:22 PM

Remember that Hammett was writing in a particular subgenre of fiction where women where either the damsels in distress or (more often than not) the femme fatales that led the heroes to their doom.

(Hell, 40 years later, Sean Connery would tell a girl off in "Goldfinger" by simply stating "Man talk". And that was during the 60s!)

As for the bird being "worthless", it's not the point. As Bogart would go on to say, "it's the stuff that dreams are made of." It's what people want it to be -- the answer to all their troubles, the treasure long-sought for, etc.

I like this book. I LOVE the movie.

Posted by: Fredo at July 30, 2009 7:57 PM

I guess I'm a little late in responding to my own review, but I haven't had much internet these days.

UncleJr, I probably didn't make this clear, but I was very aware of when the book was written and the view of women in those times. I don't think it precludes me from disliking how women were treated back then. Of course my viewpoint comes from the times I grew up in. That being said, I don't think it would have grated on me so much if Sam Spade didn't remind me so much of the man I used to date--who _does_ live in the 21st century.

I'll definitely Netflix some of the movies. I am a fan of Bogart.

Posted by: Sophia at July 30, 2009 11:29 PM

This book is why I moved to San Francisco.

Hammett is a fantastic writer - I'd say on par with Hemingway, given their similar styles and how much they can say with very simple words - and Sam Spade is the original noir detective. For those of you who think the women are passive and second-tier characters, read it again once you know the ending, and look for all the little ways in which they really have control in the story. Effie Perine, for one, is essential to the plot, and the fact that Sam's actions have such an effect on her at the end weighs heavily on his conscience.

God damn, I love this book.

Posted by: ziggy at July 31, 2009 5:40 AM


















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