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The Handmaid's Tale by Margaret Atwood

By Genny (also Rusty) | Posted Under Book Reviews | Comments (71)



handmaid_large.jpg

The whole time I was reading The Handmaid’s Tale I had a vague sense of dread which grew into panic near the end. I’m sure some find hope in the incredibly vague and inconclusive ending, but I didn’t. There was nothing in that book that would lead me to believe that there was a happy ending out there for Offred or any of the other characters for that matter.

The world presented in The Handmaid’s Tale is a world where minor difficulties have been eliminated through implementation of a shadowy theocratic governmental system that puts life back to the middle ages, with several key differences; all money is processed through a networked computer system, and widespread infertility has led affluent couples to bring “handmaids” in to conceive and bear children. The book follows the story of Offred’s present as a handmaid in the home of a couple called Serena Joy and The Commander, while also progressing through her memories of her life before the theocratic take-over and the details of her training as a handmaid. This interweaving of the storyline is effective because all of the facets are compelling, as well as being overwhelmingly depressing.

As the story of the “present” in the novel progresses, Offred (and the reader) learn that more people bend the rules of the theocracy, even the ones who helped to put it in place. Perhaps it is this knowledge that leads Offred to be increasingly reckless with her actions and behaviors, and in the end there is the strong possibility that her recklessness has cost her her life, while most of the others who bent the rules as well remain alive (or at the very least unaccounted for). Even the people who fought the hardest for the return to “simple values” refuse to live by them, and that blatant and uncomprehending hypocrisy is part of why I can’t believe that the story ends well for Offred.

It is also interesting to note that of all the apocalypse/death of society books I’ve read, the two that have been written by women (this and Children of Men by P.D James) revolve around the idea of universal or at least increasingly common infertility. The idea that the death of mankind will come not with a bang, but with a kind of slow fade out of humanity is somehow more terrifying than widespread disaster. People survive disasters, people rebuild, there are always people who are immune to disease. The idea that we will very slowly lose the ability to create more people is so much more final and irreversible, not as flashy as nuclear destruction or global epidemic but almost worse to contemplate.

You can also get cosmetic tips from Genny (also Rusty) at her blog.

This review is part of the Cannonball Read series. Details are here and the growing number of participants and their blogs are here. And check here for more of Genny’s reviews.









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Comments

I should have known my marriage was over when I recommended he read this book and it's two years later he still hasn't read it.

Posted by: Maryscott O'Connor at April 9, 2009 9:46 PM

I mean, it's in my Top Ten list, you know?

Posted by: Maryscott O'Connor at April 9, 2009 9:47 PM

Awesome review, Genny. I felt the exact same way about this book; it's beautifully written, but very depressing and hopeless. And the idea of this being the end of humanity really is terrifying.

Posted by: figgy at April 9, 2009 9:49 PM

I loved The Handmaid's Tail.

Posted by: Pookie at April 9, 2009 9:51 PM

I've also read an Atwood book. It was also about the apocalypse. It was her new one, Oryx and Crake. She's very talented, but her writing is really damn depressing.

Posted by: George at April 9, 2009 10:02 PM

GnR, You ARE the hotness. You can give me cosmetic tips anytime.

As for this book: Doesn't cloning pretty much negate the premise?

Posted by: , (the commenter formerly known as bucdaddy) at April 9, 2009 10:45 PM

I fucking loathe Atwood. I read this and Oryx and Crake, and, like I said on the Gregory Maguire/Confessions of an Ugly Stepsister thread, I think the same thing bugs me about each author - they are talented and creative writers with good ideas who let their inflated sense of self-importance and intelligence colour every damn sentence of their novels. Each line just SCREAMS to me: "Look how clever I am! Admire this metaphor! My work is so meaningful, and I am so much more talented than you!" It just ruins the whole experience for me.

So in short - good idea, bad writing.

Posted by: dsbs at April 9, 2009 11:03 PM

I'll go ahead and thank the Pajiba overlords for putting a review I wrote right above an article where I made a comment featuring my uncensored opinion of Kathrine Heigl's breasts. I feel excellent about that.

Also, there was no good way to put this into the review tone-wise, but I did appreciate Ms.Atwood's touch of humor by having the cooks and housekeepers known as "Marthas". A nice touch of wit in between all the overwhelming bleakness.

Posted by: Genny (also Rusty) at April 9, 2009 11:06 PM

The Handmaid's Tale is easily one of my favorite novels of all time. For certain, it is my favorite novel of the 20th Century. And a major reason for that is how ambiguous that double-ending is. There is no certain answer because Atwood intentionally planted evidence for any number of interpretations from the first page.

It's also worth noting that I'm in the midst of a battle of wills with a professor (for once, a friendly battle) over which Atwood novel is superior: this or Alias Grace. The interesting part is how we both have almost identical arguments that clearly apply to both books. The point of dissension is I prefer the brutality of The Handmaid's Tale, while she prefers the constant shift of power in Alias Grace.

Posted by: Robert at April 9, 2009 11:11 PM

Margaret Atwood is a great writer, but she doesn't end things on a happy note ever.

Posted by: Jacqueline at April 9, 2009 11:11 PM

I really liked this book, as much as one can like a story like this. I agree with you completely, Genny (also Rusty), that Atwood really knew how to evoke dread in her readers. Thank you for sharing your thoughts.

Posted by: The Wandering Parakeet at April 9, 2009 11:26 PM

I said, I loved The Handmaid's Tail.

Posted by: Pookie at April 9, 2009 11:28 PM

"Also, there was no good way to put this into the review tone-wise, but I did appreciate Ms.Atwood's touch of humor by having the cooks and housekeepers known as "Marthas". A nice touch of wit in between all the overwhelming bleakness."

Wasn't The Handmaid's Tale written in the 1980's, before Martha Stewart came on the scene?

Pretty short review for a great book.

Posted by: vaskark at April 9, 2009 11:29 PM

I'm glad you mentioned Children of Men, because I just watched the movie for a second time in a film class and it struck me that while both have this nearly identical story of a society that can't reproduce, Children of Men doesn't go anywhere near the idea of women being scapegoated for it. It's interesting to see how different authors/directors approach the same subject.

I LOVE Margaret Atwood, but my favorite of her books is The Blind Assassin.

Posted by: Alli at April 9, 2009 11:31 PM

I just recently read this book for a class called "women in literature" and it's just great isn't it?

The ending is absolutely brilliant, because (at least the way I read it) we learn that Offred does survive long enough to put her story on record, and she very well may have escaped. HOWEVER, Atwood denies us any satisfaction from this by jumping so far into the future that Offred's been long dead, and the whole phenomenon is just another historical matter for academic study. Gahhhhhh.

Posted by: Max at April 9, 2009 11:31 PM

G(aR), you can be my Aunt anytime.

Posted by: gp at April 9, 2009 11:46 PM

This was a fine piece of literature, Atwood is a master story teller with a keen insight into the psyche. I recommend this work highly, charmed, I’m sure. This Cannonball Read was exactly what I needed to reintroduce me into the world I’ve long forgotten, I speak of the classics. I’ve read about 58 books so far, each one more delicious than the last one. I can’t contain myself, I hungrily await the next read.

Posted by: Pookie at April 9, 2009 11:46 PM

Pookie, what do you love about it? I wouldn't have thought that you'd like a foreign author!

Posted by: popejenn at April 9, 2009 11:47 PM

Hi GaR. Nice job, and your trepidation actually makes me want to read this. Is that a good thing? I don't know. Anyway, more reviews please.

Posted by: socalledonlycousins at April 10, 2009 12:09 AM

I don't think the Marthas were named after Martha Stewart; since this is about a theocracy, I believe they're named after the Martha in Luke 10:38-42.

And contra Max, I loved the afterword with the professor's lecture. It reminded me of a visit to an exhibition about ancient Egypt, where there was a papyrus where a young scribe probably in his late 20s or early 30s drafted what would go on a pharaoh's tomb. In that moment, I wondered if that scribe had planned to go for brews with his friends after work, or go home to his wife. In both cases, all the details about what makes a person tick get bleached out by time, and what's left ends up great and historic.

(If you want a perfect example of my "bleaching out" hypothesis, have a look at Bill Bryson's bio of Shakespeare. And if you've never read anything by Bill Bryson, shame on you.)

Posted by: Neil Morse at April 10, 2009 1:15 AM

Properly reprimanded Neil!

I remember reading The Handmaid's Tail when I was about 14. Can't remember much about it beyond recalling feeling depressed afterwards.

Guess I'm going to have to reread it...grudgingly...maybe. I'm in no hurry to feel depressed. This is precisely why I bought a copy of Atwood's The Robber Bride 3 years ago and still haven't gotten around to reading it - I'm a chicken.

Posted by: Four Eyes at April 10, 2009 1:53 AM

Margaret Atwood is a great writer, but she doesn't end things on a happy note ever.
Posted by: Jacqueline at April 9, 2009 11:11 PM

I second that. Seriously, can't she write ONE book with a happy ending. One! I can't count her among my favorite authors for the sole reason that whenever I'm done reading any of her books I either want to inhale carbon monoxide or pull out my hair.

Posted by: io at April 10, 2009 5:09 AM

io, Four Eyes: Why is it so necessary for a book to have a happy ending?

Posted by: dgm at April 10, 2009 6:51 AM

I thought "Oryx and Crake' ended with hope.

Posted by: twig at April 10, 2009 7:24 AM

Holy crap, I'm watching the film version at this exact moment, starring the late Natasha Richardson and Robert Duvall.

Posted by: BarbadoSlim at April 10, 2009 8:51 AM

On my top 10 books as well - for impact, not necessarily enjoyment. It's just so plausible, you know? We're always just one Pat Robertson or Jerry Falwell away from handmaid status. I keep this book on my bookshelf to remind me of that.

Oddly, none of Margaret Atwood's other books have done anything for me.

Posted by: marya at April 10, 2009 8:51 AM

The film version was pretty lame. If I remember correctly, it had her living beyond the borers of the New American Theocracy with her new husband and big ole pregnant belly for a "happy ending." I wanted to shake the readers and ask, "Did we read the same book?"

Posted by: Sally at April 10, 2009 8:59 AM

And of course by "readers" I meant "writers." Bleh, more coffee now.

Posted by: Sally at April 10, 2009 9:00 AM

"As for this book: Doesn't cloning pretty much negate the premise?"

Cloning was much more sci-fi when Atwood wrote The Handmaid's Tale, sure. But I think it's worth considering how difficult cloning has been, even 25+ years later. Simple organisms seem to do well; complicated animals like sheep go...wrong. "This American Life" did a television episode about a man who cloned a beloved bull with disasterous results.

So, even if Atwood wasn't necessarily prescient about cloning, the book is all the stronger for cloning being a part of our present. Gilead, which takes a natural event and cultifies it (yeah, I create language; I contain multitudes) is doomed to failure because of this. Cloning also takes a natural event -- life -- and is unable to successfully recreate it. I can imagine that we'd implement a science-backward theocracy (or, did we already, for the past 8 years?) before we ever reach a success with cloning.

Posted by: Mike B. at April 10, 2009 9:10 AM

"This American Life" did a television episode about a man who cloned a beloved bull with disasterous results.

Posted by: Mike B. at April 10, 2009 9:10 AM
----------------------------------------------

Dude don't leave me hanging like that! WHAT THE HELL happened with the bull?

Posted by: BarbadoSlim at April 10, 2009 9:21 AM

That is the only episode of the This American Life TV series I have seen. Poor old dude spent so much money on something that went so wrong.

Also, I love the link to the cosmetics tips directly under the review of the depressing novel. A good segue.

Posted by: Snath at April 10, 2009 9:33 AM

You can see a clip from the episode here.

The bull -- the original bull -- is this gorgeous Braham bull named Chance. Chance dies, and his owner is heartbroken. He contacts Dr Mark Westhusin at Texas A&M, and they clone Chance. All seems fine at first, and there's this expectation that Chance II (or Second Chance if you're nasty) will be just as docile and beloved as the first Chance, because there's this mistaken idea that clones are entirely identical rather than just genetically identical. And Second Chance turns out to be a violent asshole of a beautiful Braham bull. And Second Chance attacks his owner, nearly killing him.

I'm against cloning not because I'm anti-science or anything. I'm against it because I feel that, scientifically, our species never takes a breath to stop and think before barging ahead on scientific breakthroughs. We just break through without consideration. "Hey, let's bring back mastadons!" "Uh, you know, they like cold. All that hair. Cold's sort of their thing." "MASTADONS!"

Ugh.

Posted by: Mike B. at April 10, 2009 9:36 AM

My link above didn't work. Here's the URL:

http://www.thisamericanlife.org/TV_Episode.aspx?episode=1

Posted by: Mike B. at April 10, 2009 9:37 AM

Ouch, that didn't go as expected, I haven't seen the episode yet (I'm going to after posting this) but from but from your summary it seems as if it was a failure stemming from their EXPECTATIONS, and not the science?

Thanks for the link!

Posted by: BarbadoSlim at April 10, 2009 9:43 AM

Yes, from a scientific standpoint everything went fine. No two creatures are alike, it seems, even if they are genetically identical. Hmmmm.

Posted by: Snath at April 10, 2009 9:47 AM

I second dgm's question: why does a book have to have a happy ending?

Posted by: PaddyDog at April 10, 2009 9:57 AM

from BarbadoSlim: "but from your summary it seems as if it was a failure stemming from their EXPECTATIONS, and not the science?"

from Snath: "Yes, from a scientific standpoint everything went fine."

I'd agree mostly with both of you. I think (and I'm not a genetic scientist, so my thoughts are probably worth this much: ) there are genetic issues with cloned animals that still aren't entirely worked out. These are beyond murderous crankiness and are more along the lines of defects that end up doing funky things to the spleen later in the animals life, or causing bizarre cancers that we don't normally see.

An argument might be, "Well, we see genetic defects all the time in uncloned offspring." But I think the incidences are higher in clones of complex organisms.

When science decoded the human genome, they talked about vast expanses of the code that they called "gibberish." What I'm worried about is: are we sure that's gibberish and not something sort of integral to the whole shebang?

(That was my fear when I found out that they included whale songs in that probe we sent out back in the '70s to search for intelligent life. We don't actually know what those whales are singing about, is the thing. And we're going to send a whale song? We've hunted them nearly to extinction -- I can't believe that the whales are singing anything good about us. This might explain either any lack of actual aliens, or alien hostility, depending on where you fall on the UFO continuum.)

Posted by: Mike B. at April 10, 2009 10:00 AM

Those goddamn pirates are really starting to piss me off man, blow their asses up. Now I hear more pirates are on the way with even more hostages. We can go to the goddamn moon, but we can’t drop a bomb on some candy ass pirates?

Posted by: Pookie at April 10, 2009 10:01 AM

I agree with Mike B. about science tending to forge ahead without thinking through the consequences. I call it the Jurassic Park Syndrome.

The clone talk is kind of eerie for me, because the theatre I work for is in rehearsals for A Number by Caryl Churchill - it's an absolutely fucking brilliant play about cloning and our shifting understanding of what makes us unique. If it's ever produced in a city near you, you should make an effort to see it. It's mind-blowing.

And on a totally shallow note, the role of the cloned son was originated by Daniel "Humina Humina" Craig.

Posted by: marya at April 10, 2009 10:08 AM

Ok fine! I guess I’m the only one that care about pirates fighting against our navy. You guys continue with your discussions about aliens and shit.

Posted by: Pookie at April 10, 2009 10:16 AM

The idea that the death of mankind will come not with a bang, but with a kind of slow fade out of humanity is somehow more terrifying than widespread disaster.

Poets and writers are so intuitive. If and when the world (as we know it) ends, it *will* probably be "not with a bang but a whimper."

Aside from the beautiful writing (not at all pompous, so not like Gregory Maguire) and the intriguing plot, one of the things I most loved when I read this book was the slow realization that it was taking place in Cambridge and Boston. It's not some unknown, could-be-anywhere place, but one of the most liberal and academic cities in the country. Gave me chills.

Posted by: Ariel at April 10, 2009 10:50 AM

To bring it back to the book, the elements that make up the (awesomely named, marya) "Jurassic Park Syndrome" -- that inability to stop and breathe, or take stock, or consider -- is what makes Serena Joy and her husband so frightening.

Serena Joy can't consider what's happened to society, almost at her behest (from her time as a televangelist), because then she'd have to admit how she is little more than a pawn to the male establishment. She had power only because it was convenient for her to have power -- and that power was religious in nature.

(And, in full book-nerd nature, I can draw parallels between Serena Joy and Dinah Morris in George Eliot's Adam Bede. Dinah Morris finds incredible freedom, especially for a woman, by being a Methodist evangelist. She has social fluidity that other women, like Hetty Sorrel, do not. She has her own place to live, and doesn't have to think at all about aligning herself with a man. Then, of course, the Methodist church gets really un-awesome about letting ladies preach, and the end of the novel is super depressing as **SPOILER FOR ADAM BEDE**Dinah finds herself having to marry, and having children that she never wanted, really.)

The general is a little more terrifying to me, though. He doesn't necessarily believe in the crap Serena Joy believes in at all. He just benefits from the system that's in place. There's no reason for him to change the system because he hasn't bought in, and he also hasn't really had to make any painful sacrifices, like Serena Joy has, to function. He gets to keep his power and his weird secret rendezvous at that crazy club where all the handmaids and hookers have to wear slutty clothes from several seasons ago.

(Full-on nerd-dom starts...now)

In the movie The Lives of Others, about East Germany in 1984, one of the reasons the Stassi captain Wiesler is **SPOILER** able to change his mind about the wire tapping and the author is because he is so committed, idealistically, to the cause. Once that cause is shown to have deep flaws (that scene in the cafeteria), though, and once Wiesler realizes what the governmental system is protecting, his idealism can't allow him to participate in that system any longer. The higher-ups want to keep the system going because they don't buy into it ideaologically; they buy into it because it brings them enormous personal benefit.

Mistakenly or not, I get the sense that Serena Joy, by the time we meet her in the novel, realizes the deep mistake she has made aligning herself with this system. Of course, though, as a woman, she's aligned herself with a system that has completely disempowered her. She's as tragic to me, when I read the book, as Offred.

And finally: Fuck pirates.

Posted by: Mike B. at April 10, 2009 10:51 AM

I remember reading this way back in high school. I don't remember much about it, except for one part where Offred's getting gawked at by Japanese tourists, and she's amazed by all the skin they're showing. That was so totally opposite from what I'm used to hearing that it stuck with me.

Posted by: Jaci at April 10, 2009 10:54 AM

from Ariel: "Poets and writers are so intuitive."

The child is so sweet, and the girls are so rapturous.
Isn't it lovely how artists can capture us.

-- Stephen Sondheim, Sunday in the Park with George

Posted by: Mike B. at April 10, 2009 10:56 AM

Mike B., gotta love Sondheim!

Posted by: Ariel at April 10, 2009 11:08 AM

Being gay, I think I'm contractually obligated.

Posted by: Mike B. at April 10, 2009 11:14 AM

Thank you Mike for standing with me against these thugs.

Posted by: Pookie at April 10, 2009 11:16 AM

Well Mike stand beside me, and not behind me.

Posted by: Pookie at April 10, 2009 11:17 AM

I wholeheartedly love this book, but don't come away with quite the sense of "depressing ending" that y'all seem to be having. Rather, what makes me love the book is the incredible strength of the Offred character, and though I know her entire character can be negated by the fact that the narrative is merely a reconstruction by a male historian, I choose to ignore that part. Rather, I root for her the whole way, applaud her emotional honesty, and choose to see the ending in a hopeful way.

But that's just me.

As a ridiculous side note, I tried to teach this book in an 11th grade English class at a private school last year, only to have one of the hard-core catholic parents protest and withdraw his student from those classes because of the "pornographic" and "anti-Christian" nature of the novel. Fucking fucker.

Posted by: pseudoliterati at April 10, 2009 11:23 AM

pseudoliterati - G*d forbid his child be exposed to the dangers of a theocracy!

If it makes you feel any better, my liberal public district won't touch Huck Finn because of a big brouhaha over the "n" word a few years back. I can teach other books that use the word, just not Twain's. *Sigh*

Posted by: Ariel at April 10, 2009 12:04 PM

I always thought the ending was one of the major strengths of the book. Offred's world is chillingly possible and a clappy-happy ending where she escapes with her lover would have made the whole thing seem silly. An ending should only be happy if it's believable. If you need to know that everything works out fine in the end, there's the professor's note explaining that Gilead eventually fell. As far as Atwood ending everything on a sad note, I thought Cat's Eye had a happyish ending in that the narrator finally makes peace with her past.
Does anyone else think Serena Joy when they see Anne Coulter?

Posted by: Inaras at April 10, 2009 12:25 PM

This has always been one of my favorite books. It occurs me that I do not read as may books as I should but several of the few I love have shown up in this column.

(This is the part wher Jamie Foxx says Ooh-rah.)

Posted by: Stacy D at April 10, 2009 1:27 PM

What I love about this book is how foreboding and terrifically frightening it truly is! IT's really one of Atwood's best, I can't seem to get into anything else of hers except this book. Maybe because she sounds like a feminist Philip K. Dick because it's more science fiction-y than most of her novels or short stories. I'm so glad you reviewed it, because I've been meaning to read it again. I think the first time I read it I finished it in two days. Yeah that good people!

Posted by: ph at April 10, 2009 1:30 PM

Go Margaret Atwood! I read this one as a pre-teen when everyone else was busy reading Sweet Valley High and was totally shocked by the future she envisions. And this coming from a guy, I was horrified.
Thankfully with Palin and the radical religious folks, a future akin to this seems less likely. And yet...

Posted by: Kamikaze Feminist at April 10, 2009 2:22 PM

I loved this book, for all of the reasons already posted. One small part that stayed with me was the Offred loses her name, as well as any personal empowerment she may have had. "Offred" is taken from Fred, the husband she must copulate with. She truly is a handmaid at this point, much like the Old Testament stories of men who mate with their wives' handmaids.

Posted by: rlr260 at April 10, 2009 4:16 PM

Ariel, I guess we'll have to agree to disagree! I really enjoy reading this thread, though - the depth of some of the responses to the book resonate with me, but they're more how I felt about 1984, and, to a lesser extent, Brave New World, than any of Atwood's stuff.

Posted by: dsbs at April 10, 2009 6:49 PM

I'd like to thank everyone for taking the time to comment on this review, because one of the things I love the most is talking to people about books I've read, and I love seeing the conversations even when I couldn't take part because of my stupid retail job. Now I will address a couple specific questions I noticed:

vaskark and Neil, The Handmaid's Tale was published in 1985. Martha Stewart's Entertaining was published in 1982 and launched her career. She had somewhere between 3 or 4 cookbooks out by 1985. It could be a biblical reference, but I like to imagine that Stewart was honored for similar reasons to Serena Joy, she represented an idealized female role and so female servants were encouraged to emulate her. But that's my interpretation.

As far as cloning goes, in addition to Mike. B's excellent arguments, many conservative Christians are vehemently opposed to cloning and it seems unlikely that they would resort to something that represented an affront to God in their eyes, especially when there were perfectly good women to enslave.

Posted by: Genny (also Rusty) at April 10, 2009 7:43 PM

"If it makes you feel any better, my liberal public district won't touch Huck Finn because of a big brouhaha over the "n" word a few years back."

Just, wow. I suppose that means Faulkner, O'Connor, Steinbeck, and just about every other writer who uses the word is out too, right? Aren't lefties all about the "teachable moment"?

I like this book, but "Cat's Eye" and "The Robber Bride" are nastier and funnier. I love Atwood.

Posted by: samantha t at April 10, 2009 9:09 PM

samantha t -- nope, any other book that features controversial language is allowed, that's the sad thing. This year I've taught Their Eyes Were Watching God and To Kill a Mockingbird with no complaint, and yes, us liberal commie pinkos are all about "the teachable moment" (I even have a worksheet on race and language to prove it!). Huck just happened to cause an upset, probably because the teacher who flipped over the book at the time didn't understand that Twain uses satire. Unfortunately, not all teachers are as smart as those who frequent Pajiba.

Posted by: Ariel at April 10, 2009 10:08 PM

Margaret Atwood kicks ass... Every one of her books is my favorite.... She. Is. Brilliant.

Posted by: Janey at April 10, 2009 10:50 PM

I agree with everyone who says Ms. Atwood is a terrific writer. I have read all her books and she is amazing. Do yourselves a favor and pick up any other of her books, and just read it to enjoy it - you really don't have to analyze everything, compare everything etc. etc. Just enjoy reading books for what they give you - enjoyment - and if they provoke your thoughts - great.

Posted by: Julia at April 11, 2009 12:40 AM

dsbs wrote: "the depth of some of the responses to the book resonate with me, but they're more how I felt about 1984, and, to a lesser extent, Brave New World, than any of Atwood's stuff."

I've probably tried to read Brave New World four or five times, and I can't. I don't know what it is. Maybe we're parallel beings, because the criticisms you have of Atwood's writing are sort of similar to what I feel about Huxley. Not that Huxley is a "showy" writer the way Atwood can be (and often is) -- but it's Huxley's writing itself that pushes me away somehow.

Genny (also Rusty) wrote: "many conservative Christians are vehemently opposed to cloning and it seems unlikely that they would resort to something that represented an affront to God in their eyes, especially when there were perfectly good women to enslave."

Yeah, what she said. Gilead's Handmaid Program isn't the first step in its troubling move to a theocracy, nor is the decrease in fertility the prime motivation. Whether or not cloning is viable at all is irrelevant to the novel.

Posted by: Mike B. at April 11, 2009 6:40 AM

I just re read Brave New World. Keep reading and note how the author undercuts his arguement at the end.

Posted by: Arkansan at April 11, 2009 7:30 PM

The movie sucked ass. I had to do a novel-film comparison essay in 11th grade english, and realized how great the novel actually was once i saw what someone else could do with the same basic plot. Giving her a name? What!? Turning the characters of Serena Joy and Offred (Offered, off-red, of-fred), to name a couple, into black-and-white characters rather than muddled grey? And the commander was just a joke- a buffoon.

I really, really hate the movie.

Posted by: Biscuit at April 11, 2009 11:42 PM

This is one my of my all time favorite books. she based it on the Iranian Revolution, and as someone who is from there this book really resonates with me.

creepily enough, in Iran, they recently built a women-only high walled park; much like the training institute for the handmaids.

Posted by: Sara at April 12, 2009 6:40 PM

This is one my of my all time favorite books. she based it on the Iranian Revolution, and as someone who is from there this book really resonates with me.

creepily enough, in Iran, they recently built a women-only high walled park; much like the training institute for the handmaids.

Posted by: Sara at April 12, 2009 7:07 PM

I almost would have prefered living in this dsytopic society than reading the actual novel. it was a tortourous and painful experience and i felt know pity for Offred as my experience of reading novel was greatly more unpleasant then her living circumstances. Margret attwood = devil

Posted by: sally at April 13, 2009 11:45 AM

Reading the Handmaid's Tale is enough to turn any bra burning feminist in to a raging chauvinist. The ambiguous ending is not clever, just Margaret Atwood running out of ideas to describe the bloody wallpaper in Offred's bedroom. The egg imagery is incredibly simpe. EGGS=OVARIES! Nice one, Atwood! I can see why you are a prize winning novelist! However, there is a lovely piece of imagery comparing the Commander's manhood to a shrivelled carrott. Good times.

Posted by: Mellymoo Redondo at April 13, 2009 11:48 AM

The Handmaids tale is possibly and most probably the dullest and quite frankly disturbing novel i have ever been forced to read by a clearly anorexic teacher who ironically was also attention and love starved, though she never pity shagged the commander and his 'carrott'. i spent the entire book wishing something would happen preferably Offred's slow and painful death. the ending was highly unsatisfying and not worth the hours of tedious boredom that led to it or the paper the novel was written on.

Posted by: Sallywag at April 13, 2009 11:56 AM

Where can i start?? Had to study it for Higher English, i have NO idea how i got an "A". A load of feminist tripe from start to finish. Really very dull, Atwood "apparently" made it slow to "convey" Offred's boredom at her situation but it is clearly a lie. I am quite fond of stories set in dystopian societies but this was something else. The "evil" actions of society is just the subjugation of women, COME ON society basically does that anyway!! The ONLY part i enjoyed was when the women ripped apart that guy for no real reason, and that is only because i enjoy sensless violence and i enjoyed vandalising the novel as well. Most novels succeed by creating a believable character that you can relate to but not in this case. Offred gets turned on by banisters like some sex-starved old man and keeps describing things. NO you silly bitch thats what poets are for!! I certainly cant relate to her because she is an emotionless puppet with an underlying fetish for eggs and tulips. I wanted her to kill herself throughout the entire novel and i think the entire experience would have been a lot more bearable if all the characters were chickens (just like we theorised).

To sum up this review: i thoroughly look forward to the day when my Higher English class and I get together and create an effigy of Atwood to burn and then systematically rip out and burn each individual page of that bloody book... and then feed the ashes to a shark... and then throw the shark into the sun.

Posted by: Maximus Decimus Meridius (yeah thast right the guy from Gladiator, you know the one Russel Crowe pla at April 13, 2009 5:20 PM

THT is actually my A2 level coursework book so it wasn't a personal choice book...the book itself was very well written...without a doubt, however the film version made all the imagery I had while reading way too graphic..seriously...if you can get hold of it have a look....yeah.. definately prefer books with a happy ending...as immature as it sounds...real life can be miserable enough, reading is suppose to be an escape from reality so a happy ending wouldn't be the end of the world! =]

Posted by: ELB at April 21, 2009 1:02 PM


















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