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Pride and Prejudice and Zombies by Seth Grahame-Smith


Cannonball Read / Brian Prisco

Book Reviews | April 29, 2009 | Comments (40)


It’s as advertised. This book really is just Pride and Prejudice with zombies added in. To fully appreciate it, you really need to read Austen’s classic. Jane Austen is responsible for “Sex in the City,” all the romantic comedies that plague our cinemas, and basically all that is Katherine Heigl. It’s not her fault, just like Edgar Allen Poe never intended for Eli Roth to take all his awkward teen vengeance out on the girls who laughed at his pimply ass in high school, but she is the seed from which all this hell has been brought forth. So it is only respectful that Grahame-Smith sully her fine English work with zombie mayhem.

P&P&Z stays true to the course. It’s the exact plot of Pride and Prejudice, to the point that kids could theoretically read P&P&Z instead of Austen for courses and get away with it, but every few pages, zombie action occurs. It doesn’t even deter from the original premise of matrimony for all, except where the book slows down with interminable carriage rides from place to place and zombies attack the villagers. It’s funny…at first. Then the joke kind of gets old. It’s like an “SNL” movie. What worked as a five minute sketch gets weak when stretched out over an entire two hours. To Grahame-Smith’s credit, he keeps true to form, and doesn’t overdo it. If he had bothered to recraft the story more than a few moments here or there, it might have been funnier. Instead, he gently tucks a combination of zombie brutality and bad kung fu cinema into his story.

Here, England has been beset by dreadfuls and unmentionables, who beset the countryside. The five Bennet daughters, trained in China by swordmasters, keep the pastoral village safe from the hordes. Other than that, it’s still the same matchmaking swoon that makes all the period pieces pool pussyjuices.

The movie needs to be done with sincerity, as if it were a real romantic piece, only with occasional sword fighting. Because Grahame-Smith takes himself seriously, it works. His next book is supposed to be Abraham Lincoln: Vampire Hunter, but again, this will be a joke that outstays its welcome. Even when Jesus Christ took on the nosferatu, they had to make it a musical. If Grahame-Smith was smart, he’d stick with the Victorian stuff, and do some Dickens. A Tale of Two Cities Full of Zombies? A Christmas Carol with Vampires. That’s more like it.

Brian Prisco lives in a pina down by the mer-port of Burbank, by way of the cheesesteak-laden arteries of Philadelphia. Any and all grumblings can be directed to priscogospel at hotmail dot com.


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Comments

Prisco - I'd argue that Charlotte Bronte's Jane Eyre is much more responsible for “Sex in the City,” all the romantic comedies that plague our cinemas, and basically all that is Katherine Heigl than Jane Austen, but I don't feel strongly about it.

Posted by: tamatha at April 29, 2009 9:31 AM

well, i, for one, think MOST classics would benefit with a little undead retrofit. it's unfortunate that this reviewer (whom i wanted to same-sex marry) doesn't want me to be happy.
when radiation from a meteor turns your town into a zombie buffet, don't expect me and my ragtag band of survivors to risk jack-shit coming to save you, prisco.

consider this your 'dear john'.

Posted by: gp at April 29, 2009 9:37 AM

....all the period pieces pool pussyjuices.
You had me at alliteration.

It's a shame this wasn't a little better as I agree with gp. Ummm, in that most classics could use a zombifying, not in the same-sex marrying you. Maybe a drunken bromosexual encounter, but not marriage.

Posted by: admin at April 29, 2009 9:49 AM

...that makes all the period pieces pool pussyjuices

Oh my gross.

I am another who was hoping this would be a bit more awesome. Isn't there already a movie deal in place? I assume they'll ratchet up the zombie in that case.

Posted by: Pinky McLadybits at April 29, 2009 9:53 AM

As a fan of both Austen and the zombie genre in general, I had my reservations about how this would actually work, and based on this review, I think I was right.

I'm not surprised that the joke wears thin, but I still want to read it for myself. And I'll hold out hope for the movie.

Posted by: Clementine Bojangles at April 29, 2009 10:05 AM

Damn, I was hoping they could keep the steam going without it losing its appeal, but apparently that's not the case. I also had no idea they were trained sword masters...that's kind of disappointing. It would be much funnier if they were totally unprepared for the zombie hordes and had to adapt.

Oh well, I'm sure I'll read it anyway at some point, and probably enjoy it.

Posted by: Snath at April 29, 2009 10:07 AM

Must I remind you once again that Austen's novels are not about match-making? They are satires of the social manners and conventions of the time. She used the cover of romance to be able to present her satires in an acceptable manner for the audience of the day.

Posted by: PaddyDog at April 29, 2009 10:09 AM

What I want to know is, how can you get away with ripping off a classic book (whether you like it or not), adding in some dumb-ass zombies, and have a best seller? Does Jane Austen's estate get some of those royalties? And what self-respecting publisher thought this was a good idea? Is the literary world going down the same toliet the movie industry has? Is this the state of America's collective brain?

It just pisses me off to no end to see something as innane as this book getting heaps of hype (and sequels) while true artists can't get their foot in the door.

Posted by: B-Unit at April 29, 2009 10:10 AM

"The five Bennet daughters, trained in China by swordmasters, keep the pastoral village safe from the hordes. "

So it's really "Buffy The Zombie Slayer x 5."

I don't know, but this sort of novel rubs me the wrong way. It's like original songs that rap artists steal and then rap over to make a new song. Sorry, but it just screams plagarism to me.

Posted by: BWeaves at April 29, 2009 10:21 AM

Fair enough, Paddy, and I don't dispute you. My point is that it is easy to read Austen and miss the subtle humors -- especially if you've never had the benefit of also reading Oscar Wilde and getting the jokes -- and so there are a larger population of readers swooning and bobbing about the romantic entanglements. You can't tell me the filmic representations of P&P or Emma are clever social satires?

But the larger point I was making was that many empty headed gals embraced Sex and the City as rote truth, to the point they too demanded to be like the four women: dishing disgustingly details about sexual encounters, to wear Blahniks, to drink Cosmos. When in truth, it was written by mostly gay men, and so it's amazing to think that female culture was inspired by a coterie of homosexuals. They were being made fun of, and totally didn't get the joke.

And to everyone else -- P&P&Z is actually a decent book. I wrote this review in a fevered haste to complete the 5K, and so it might be a little spotty at best. It's funny, it's just not as awesome as I had hoped it would be. But I still want people to read it. I dream of the day when some wicked teacher assigns it and the Austen for comparative purposes.

Posted by: insertclevernamehere at April 29, 2009 10:25 AM

Does Jane Austen's estate get some of those royalties?

I think the books are in the public domain now. So, no.

Posted by: twig at April 29, 2009 10:30 AM

Prisco:

You had me at "empty-headed gals embracing Sex and The City". Great point. I just have a very sore spot about people thinking Austen is a sweet pink little rom-com writer. It brings out the worst in me.

B-unit: I'm pretty sure that all copyright has expired on Austen's work, but even if it hadn't, if the author classified this as satire, he could still put in zombies, werewolves and Republicans as much as he wanted and get away with it.

Posted by: PaddyDog at April 29, 2009 10:33 AM

I haven't gotten around to P&P&Z yet, but I still intend to. There are reviews out on Amazon that hang onto the zombies being inconsequential to the plot, which was the point. The gimmick is supposed to be that this text is the actual novel; publishers have just conspired to eliminate traces of the living dead from the novel for a long time.

Even if the gimmick grows tired, it's an excuse (like I need one) to revisit Pride and Prejudice.

Posted by: Robert at April 29, 2009 10:41 AM

I just have a very sore spot about people thinking Austen is a sweet pink little rom-com writer.

See, Paddy, this is why it's an excellent litmus test for friendship. You don't get it? *GET OUT*.

They were being made fun of, and totally didn't get the joke.

This right here made me giggle and giggle. It's so funny to watch the idiots who think these women are something to aspire to be.

I still haven't had a chance to pick this up, and I still can't wait to. Also, I'm excited by the prospect of Abe Lincoln, Vampire Slayer. It could be really fun!

Posted by: Anna von Beaverplatz at April 29, 2009 10:54 AM

My husband brought this home to me, because he knows I like Jane Austin and I LOVE zombies... it was perhaps the biggest build up/let down combo of the year. It really just wasn't any good. All the guy did was take the original text, insert "zombie" every few lines, and write in that the girls were trained killers. I could have written this shit!

Posted by: Xandie at April 29, 2009 10:56 AM

"I dream of the day when some wicked teacher assigns it and the Austen for comparative purposes."

When I was an English teacher, this is exactly the kind of thing I would've done. Which is probably why I'm not a teacher anymore.

Nice work, Prisco. A friend of a friend is friends with the guy who wrote it, so I've been hearing nothing but gushing. It's nice to hear input from a grounded point of view before I shell out money for my own copy. (Which I still probably will.)

However, let's not write off all of the Austen adaptations! What about the BBC version of P&P? Their Mr. Collins, Lady Catherine, Lydia, Wickam, and Bingley Sisters were all pretty spot on and scathing. Which is nice because all the way up here in the 21st century, I still deal with people like that all. the. time.

Thanks for speaking up PaddyDog and AvB. You both took the words right out of my mouth. A friend of mine said it well: Anyone who thinks Jane Austen was sentimental or mushy has never read one of her books.

Also, I think the world would be a much better place if fewer girls worshipped Miley, LiLo and Paris, and more emulated Lizzy Bennet and Eleanor Dashwood.

/rant :-)

Posted by: ShinyKate at April 29, 2009 11:12 AM

gp, I will meet you at the mall, and we can try on clothes and stuff before we meet up with the hot trucker guy and those damned annoying kids with the stuffed bunny!!!

Just be sure to either hide in the garden shed or the lead-lined vault at the movie theatre!

Posted by: dammitjanet at April 29, 2009 11:15 AM

Meet a tall and Hot woman on – Seekingtall.com. I’m sure your lover is there.

Posted by: salawhite at April 29, 2009 11:17 AM

Oh, crap. I just realized how that last part sounded. I do not mean that we should all be whisked back to Austen's time, when women had few prospects and no legal rights. What I was referring to was their ability to deal with chaotic people/situations with intelligence, stoicism, compassion and grace.

*blush*

Posted by: ShinyKate at April 29, 2009 11:22 AM

ShinyKate & AvB:

It is a truth universally acknowledged that a single girl in possession of a belief that Manolo Blahniks are her life's goal must be in want of a brain.

Posted by: PaddyDog at April 29, 2009 11:24 AM

^A^Would you like to date an open minded sexy tall girl? Yes, I'm that girl. I like handsome guys.I like drinking.
I have a blog in the web---seekingtall.com ---Who want to drink with me, just join and find me out!!!!

Posted by: salawhite at April 29, 2009 11:26 AM

Paddydog, I officially love you.

Posted by: ShinyKate at April 29, 2009 11:28 AM

let's not write off all of the Austen adaptations! What about the BBC version of P&P?

ShinyKate, I had this whole thing about that too, and then I thought maybe I was mis-thinking that, so thanks for reassuring me.

Isn't PaddyDog awesome?

Posted by: Anna von Beaverplatz at April 29, 2009 11:58 AM

zombies, werewolves and Republicans

ARRRRRRRWWWWWWWWWWWWWOOOOOOOOOOOOOOOOOOOOOOOOOOO!

Posted by: , (the commenter formerly known as bucdaddy) at April 29, 2009 12:19 PM

ShinyKate, AvB, and PaddyDog, I'm adding you three to the list of why I love this site.

My sister loves Jane Austen movies, however she can't stand the books. Actually she's only tried to read P&P, and I think she only got half way through. I really can't fault her she has poor taste in literature, she loved the Twilight Series, and Dan Brown. If she wasn't family I wouldn't speak to her.

I already use Oscar Wilde as a litmus test for potential suitors. I think I need to add Austen to the test.

Posted by: DoubleH at April 29, 2009 12:23 PM

AvB & ShinyKate:

BBC P&P was excellent, and let's not forget Clueless which managed to be a pretty good adaptation of Emma and made fun of the social manners of the day in the Los Angeles wealthy elite.

But don't get me started on Bridget Jones. I have never seen a more disgusting misinterpretation of P&P (and that includes the Mormon version which, while hilarious, seems to think that P&P should have been named "Virginity and Chastity are All that Matter in Life"

Posted by: PaddyDog at April 29, 2009 12:27 PM

PaddyDog, there's a Mormon adaptation of P&P????

I must see this. I must see it now.

Posted by: Shinykate at April 29, 2009 12:31 PM

SinyKate:

It's called "Pride and Prejudice: A Latter-Day Comedy" and it is a real comedy although not in the way they intended I'm sure. It's from 2003 and occasionally you can find it on cable early on Saturday mornings when they have nothing else to air. Unfortunately, the version released for cable had some of the more overt LDS pieces removed from the theatrical version (which ran where???). One of my goals in life is to see the original.

Posted by: PaddyDog at April 29, 2009 12:39 PM

Aww, I liked the Mormon P&P. I liked that it was just really a modern version, with Jane and Lizzy eating icecream when Bingley and Wickham left, and Lydia being the slutty one. I also liked that - ahem, spoilers - Mary ended up with Mr Collins. And though they did go to church, it was just a matter of course, not OMGMORMON.
Cute movie.

One thing I'm wondering: is the zombie invasion treated consequently (I mean, do they learn from encountering zombies, do the attacks have any effect), or is it just 'oh zombies' and then they go back to the plot? Because if it's the first case, cool. If it's the second, then what's the point really? The five Bennet sisters are zombie slayers (and I seriously have some problems seeing Mary being all Buffy and kicking ass), ok... So, does it end in some zombie-slaying?

Posted by: Linda at April 29, 2009 12:49 PM

Jane Austen is responsible for “Sex in the City,” all the romantic comedies that plague our cinemas, and basically all that is Katherine Heigl.

And that's where you lost me. Jane Austen was a feminist before there was such a thing, and wrote novels confronting the partiarchal nature of the society she was forced to live in.

Pride & Prejudice is as much about romance as it is about addressing how a man's wife and five daughters are rendered homeless if he dies because women weren't allowed to own property, and how the daughters needed to marry off to avoid such plight, or the plight of becoming an unmarryable "old maid" at 26. She is as responsible for Sex and the City as Edgar Allen Poe is for My Bloody Valentine 3D. I swear, you guys say the stupidest shit here sometimes.

Posted by: Mitch Clem at April 29, 2009 12:50 PM

there's a Mormon adaptation of P&P????

Seconded. Who knew? (Well, besides PaddyDog.)(It appears the DVD of the Mormon version is available on Amazon, but I don't know which version it is. You can click through to it from the IMDb page.)(I truly love parentheses.)

...aaaaaand I just looked it up on IMDb (click my name). It "features" a cameo from Carmen Rasmusen (second season American Idol contestant) as Charlotte Lucas. Well, now there's an interesting twist...

Most non-LDS audiences may not even detect the movie's LDS content, and yet the substitution of a present-day Mormon setting for Austen's Regency England is an inspired one, given the correlation between the two cultures' emphasis on traditional values and, most importantly, marriage.

...and that's from the user comment on the front page. So, in most cases, Prisco's pretty much dead on. *sigh* thank heavens for the BBC.

Posted by: Anna von Beaverplatz at April 29, 2009 12:56 PM

I suppose if you just want to see a rom-com, the Mormon P&P is fine, but if you're the kind of person who doesn't think the choice between finishing college versus marriage is a moral dilemma (or even a valid choice) for a 20-year old in 2003, then it's a horrible adaptation.

Here's what this film (and Bridget Jones) just don't get: you can't throw in the names Longbourn, Bennet, Rosings, Darcy and decide you've made a P&P adaptation. You either do a version true to the book or a clever derivative that isn't afraid to walk a little bit away from the original while maintaining echoes of the wit.

What I mostly dislike about the LDS version is that Austen was highlighting what was confining and limiting about being an impecunious daughter of a gentleman in society at that time (so a rebellious approach albeit a very gentle one) while the LDS film uses her characters and some plot points to reinforce the mores of society and the need to comply with everything that confines and limits young women in that society.

Posted by: PaddyDog at April 29, 2009 1:06 PM

And Mitch Clem brings up a good point. Given the nature of the time the books were written in, the marriages in Austen's stories aren't so much about romance as they are survival. It's just that if a young woman could actually pull off marrying someone she loved AND who could actually keep them fed and housed, well, that was an unusually happy ending, indeed.

In fact, I think her approach to marriage is better paralleled by our contemporary approach to career rather than romance. How many of us struggle to find work that pays our bills? How many of those jobs really make us happy? And how often do stupid people and stupid social conventions get in the way of us attaining those goals?

And that's why I read Austen.

*takes bow, shuffles off stage left*

Posted by: Shinykate at April 29, 2009 1:13 PM

And PaddyDog, from what I've read from you and others, the LDS version sounds like good campy fun (am I wrong?). Though I might need loads of alcohol (ironically) to keep from throwing things at the screen.

Hey! That's my ideal Saturday night!

Posted by: Shinykate at April 29, 2009 1:15 PM

ShinyKate:

You're absolutely right. I watch it every time it's on. A glass of wine and good campy movie. Nothing better.

Posted by: PaddyDog at April 29, 2009 1:27 PM

Huh. This concept seemed oddly familiar to me, then I remembered that Red Dwarf did an episode called "Jane Austen World" way back when. No zombies, of course, just an angry Robot Kryten killing off the Austen characters because he wanted the Dwarf crew to sit down for a tasty meal he'd prepared.

Now THAT'S comedy!

Posted by: lil_a at April 29, 2009 1:44 PM

Dude, Mitch Clem?? The real Mitch Clem? Hahaha, I love you, man! I've read your comics for years! Move back to Minnesota, we miss you!

Posted by: Snath at April 29, 2009 2:05 PM

Excellent. Every time I walk past an HMV I wonder whether or not to bother with this. The "zombie in possession of brains must be in want of more brains" cracked me up, but flipping through the book, it didn't look all that great. Thanks for saving me the time - I've got about 4 bookshelves worth to sift through.

Posted by: dsbs at April 29, 2009 3:23 PM

MITCH CLEM, SIGN MY KITTEN!!!

Posted by: gp at April 29, 2009 6:10 PM

PaddyDog, ShinyKate, and Mitch Clem , you are my heroes for defending my beloved Jane. I take issue with people (men in particular) who claim that Jane Austen was the original romance author, that her books are all about LOVE, and that her material is trite. Clearly, as has been said before, such people have never read Austen's novels.

Now, Brian Prisco, you're next. As I am reading PPZ myself, I can honestly say that Seth Grahame-Smith does more than just insert zombie scenes. There are entire scenes of character assassination that totally ruin the spirit of the original novel. Your comments seem to indicate that you have neither read nor care about Austen's body of work. I suggest you begin with Emma, if P&P is too nauseating. You might be surprised at the complex socioeconomic class- and gender-related issues that arise.


Posted by: Bonnie at May 13, 2009 5:41 PM