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Candy Girl by Diablo Cody

By Mimi Rickets | Posted Under Book Reviews | Comments (24)



diablo-cody1.jpg

Candy Girl is the true story of Diablo Cody (she of Juno fame) and her year spent stripping and working in the sex industry in Minneapolis in the early 2000s.

(Point of note… this is not for your teen daughter who loved Juno. Not even a little. This is definitely a NSFW book full of really graphic descriptions of exactly what you might imagine.)

She had been working a normal office job and decided on a whim to try stripping with the blessing of her then boyfriend (now husband). She figured she’d make a little money, have some fringey, slightly risky fun… where’s the harm?

The refreshing thing is that, with the exception of a few bruised knees and most likely a lingering lower-back issue (those heels!), there really *wasn’t* any harm. Truly after all those horror stories you hear about strippers and their dangerous lifestyle choices, had I not known the outcome from the start (she being a rather famous face and all these days) I probably would have been waiting for the other stacked-heel platform to drop.

She wasn’t raped, she wasn’t debased (without her consent), she wasn’t forced to do drugs or do porn. She was in control of herself the whole time, and when she got tired of it, she quit. It’s certainly empowering if nothing else … it’s not going to spur anyone into going to their nearest booby bar for an audition or anything, but you come away feeling like she was pretty brave to do what she did (I mean, could you?).

She had fun, in fact, and in all likelihood doesn’t regret it at all.

I, in turn, enjoyed the smutty fun of getting the nitty-gritty descriptions of what goes on in those clubs and shops with all their red lights and neon.

The only real issue I had with the book was …

Well …

Diablo.

I mean she seems nice, I’d love to have lunch with her, but she strikes me as sometimes trying a little too hard to be cool. I kept finding myself distracted by her constant need to work counter-culture elements into everything that only a limited demographic would get.

Of course, not everyone’s going to pick up a book about a stripper, and since she is who she is her fans *do* get her humor and references, but it still seems a bit over-reaching, like she’s trying really hard to show you how edgy and alternative she really is, from referring to her move from her apartment in Chicago to be with her boyfriend in Minneapolis as having to “motor” (Heathers reference, check) to describing the ad agency she worked in as “Kubrickian” (film dork, check) to her use of the word “rad” (saw Point Break/hearted Anthony Kiedis/lusted after skater boys, check) on a regular basis.

Okay, Diablo, we get it. You can hang.

I have to wonder, of course, if it’s my own desire to still be in the cool crowd that makes this stick out more to me, and if that isn’t why I truly do like her not despite this need to be edgy all the time, but because of it. I understand her, I think …

She’s a dork with tattoos and way too much pop culture knowledge.

Takes one to know one!

This review is part of the Cannonball Read series. For more of Mimi Rickets reviews, please check out her blog.









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Comments

This degenerate is representative of everything I despise about hipsters and their subculture. She, and her work are nothing but trash.

Posted by: BarbadoSlim at November 13, 2009 8:12 AM

There's a great review of this book on GoodReads. It's written by one of the girls who stripped with Diablo Cody. She points out that Cody really didn't befriend any of her fellow strippers during her year and a half at the job. Her book includes two, maybe three, short conversations with other girls in dressing rooms. Interestingly, these strippers all fit the stripper stereotype... as druggies or whores on the side. It's not until the end of the book that Cody realizes that some strippers are putting themselves through (gasp!) college. And when it's mentioned, it's an afterthought.

In my opinion, Cody doesn't give an accurate portrayal of the stripper world. She validates too many stereotypes. Her book is more about the individual psychology she went through. It's her writing about her.

Posted by: fartygirl at November 13, 2009 8:41 AM

Can someone please explain to me exactly what a hipster is? If this has already been done, I apologize, but I hear that word used a lot around here and I'm not sure I understand what it means. It isn't a word I hear used a lot in everyday conversation.

All I have is this melange of mind pictures that involve skinny jeans, Pabst Blue Ribbon, and ill-fitting, vintage t-shirts.

Posted by: ZombieNurse at November 13, 2009 9:10 AM

http://www.latfh.com/
That should help you out, ZombieNurse.

Posted by: Pinky McLadybits at November 13, 2009 9:24 AM

A nicely written review. But, as I have no interest in Cody, I'll pass.

Posted by: admin at November 13, 2009 9:26 AM

All I have is this melange of mind pictures that involve skinny jeans, Pabst Blue Ribbon, and ill-fitting, vintage t-shirts.

No silly. Hipsters are the OTHER guy doing that stuff. If the observer (we shall call them "the Pajiban") sees the subject ("the other guy") in such a way, regardless of what The Pajiban is doing/wearing ("Godtopus shirt"), then "The Other Guy" is the hipster.

Of course, you could join me and other s in not giving a shit anymore. It's fun!

This degenerate is representative of everything I despise about hipsters and their subculture. She, and her work are nothing but trash.

I thought strippers were good things to you. You know the whole "I am he-man, totally hetero, wimmins should recognize" thing you got going...

Oh wait, she quit though. Kinda ruins the appeal, huh? Now I get it.

Well, you folks have your fun, I am gonna mosey on along...

/whistles Happy Trails To You.

Posted by: Vermillion at November 13, 2009 9:34 AM

but you come away feeling like she was pretty brave to do what she did (I mean, could you?).
---
Sure I could. Hell, I'll whip out The Goods anyplace, anytime. The question is, would the audience throw dollar bills or bowling balls at me? I'm just brave enough that way to risk the latter.

Cue the stripper music, Phil:

*whips out The Goods*

Posted by: , (TCFKAB) at November 13, 2009 9:48 AM

I felt that you hit the nail on the head when you said she was trying too hard. I have this standard of Horror movie fans...if someone says that they absolutely LOVED Suspiria, I tend to think they're super posers. (Sorry if you all loved Suspiria, it probably was a decent movie in it's day but I think Argento is the master of cheese, not horror). When Juno mentions Suspiria, I rolled my eyes and declared Diablo a poser.

Posted by: Melina at November 13, 2009 9:59 AM

BSlim, you hit the nail squarely on the head. She's a fake who wants to be cool and loved and all, but her career's already on the downswing because as a writer, well, she's awful. Juno lucked out because of its director and cast, not because of her writing abilities. I look to see Diablo in some celebrity boxing match within five years.

Posted by: B-Unit at November 13, 2009 10:13 AM

I thought strippers were good things to you. You know the whole "I am he-man, totally hetero, wimmins should recognize" thing you got going...

Oh wait, she quit though. Kinda ruins the appeal, huh? Now I get it.

Well, you folks have your fun, I am gonna mosey on along...

/whistles Happy Trails To You.

Posted by: Vermillion at November 13, 2009 9:34 AM


You've got me all figured out.

/Kudos to you

Posted by: BarbadoSlim at November 13, 2009 10:47 AM

This degenerate is representative of everything I despise about hipsters and their subculture. She, and her work are nothing but trash.

As much as I would like to say "Slim's a fuckhunter," and get this over with, you're right.

Have any of you actually seen Juno a second time, yeah, Ellen Page is great, but that's it. The whole Diabloishness of the movie was sickening, and the soundtrack blows. If someone else wrote the script, and actual musicians were in the score, it would have been great. Instead, it's so hipsterey, it would suffocate Wes Anderson.

Posted by: George at November 13, 2009 11:00 AM

I actually do love Suspiria, Melina, but not because of any obligation to the cool club. I just really enjoy that movie. The crazy use of color, the crazycakes music, the "JESUS CHRIST BALLET ISN'T WORTH IT WTF IS WRONG WITH YOU GO HOOOOME" tension, the dead chick walking around with all those pins in her eyes...yow. But I saw it when I was little, long before I knew who Argento was, so I didn't feel pressure to enjoy it or anything. I rewatched it as I grew, and I still love it.

I did struggle with Argento's other works though, because everyone was like "He's a GEEEENIUS!" and I wondered if there wasn't something wrong with my taste that I really didn't enjoy the rest (except for that one movie, Inferno, which is a thematic sequel to Suspiria). As I got older I stopped giving a shit whether or not the horror fan community thought of me as a legitimate horror fan or not, and my horror movie watching has been much happier since.

Posted by: Nat at November 13, 2009 11:13 AM

'She's a dork with tattoos and too much pop culture knowledge'
I have to love her. She's my soul twin...barring the sex industry work. I haven't done that.

I swear.

Posted by: Nadine at November 13, 2009 11:45 AM

Agreed. This was my whole problem with Juno, which, OMG, I was so totally supposed to like.

Posted by: pk at November 13, 2009 1:41 PM

I'm with Nat on the Suspiria thing. I mean, I don't LOVE it, but it's a pretty visually stunning movie. And some of the over-the-top violence in the death scenes is fun to watch. I think it's less about the movie itself, and more about the techniques Argento used, and how different they were at the time. Although, Nat, I've found the horror community to be one of the most open and welcoming of any film fan subset.

I get kinda bored with the constant hate people give to things that have wide popularity (except U2, 'cause fuck those guys...Bono in particular, right in his designer shades; how much of the world debt would THOSE bad boys pay off, Mr. Conscience?). How in the world can you declare a fan of a particular movie a poseur outright, just because you don't like it? That smacks of hubris and "look how much fucking smarter than you I am"-ness. Sometimes people like things because they like them, not because they're required to to be considered cool.

This all falls in with the Juno and Garden State backlash phenomena. Both were fun, small movies that gained surprising amounts of fans with quirky storylines and original, indie soundtracks. Now maybe quirky and indie aren't your bag, and that's cool. But that doesn't make them bad, it just makes them not your thing. I don't know, it just seems sometimes that saying "Oooh, I hate the twee dialogue and the hipster music and look how different I am from every other idiot who likes it!" is easier than just admitting you like something despite what others think about it.

I love Juno. It's fun, and heartwarming, and makes you feel like sometimes the world isn't just pure shit. Same with Garden State. Yeah, maybe they're overly precious sometimes, but that shouldn't lessen their impact.

And that's my contrarian rant for the month.

Posted by: JustBill at November 13, 2009 2:49 PM

To clarify, it's the movies that have quirky storylines and indie soundtracks, not the fans. Though how cool would it be if the awesome moments in your life were punctuated by a quick riff by The New Pornographers?

Posted by: JustBill at November 13, 2009 2:55 PM

I read this book a few months ago and was pretty disappointed. It did feel like she was trying too hard, and the stripping just seemed like one more way to prove that she is edgy.

It was also a rather dreary one-sided portrayal of the business. I realize that it was her autobiography, but since she chose to only focus on that one year of her life and zone in specifically on the stripping, I really felt like she could've explored the reasons why women choose that career and the emotional impact.

Posted by: lucy at November 13, 2009 5:20 PM

as far as the story of a stripper goes, i would say Ruth Fowler's No Man's Land is an accurate portrayal of a job that does not require bravery, but desperation and a lack of self-worth. i think the idea of "empowered strippers" is ridiculous. were the industry different today, say, if it were more burlesque dancing, fine. but the realities do not coalesce with the notion that it's somehow feminism in action for a girl to look at a shiny pole and think it isn't harmful and that she can be in control of herself the whole time.

i wonder how much, if any, of that book is accurate.

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