
Beverly Hills Pajiba
The Pajiba Trade Round-Up / Pajiba Staff
Item #1: Robin Williams. Steve Martin. Chevy Chase. The coke-littered halls of the 1970s and ’80s are stuffed with the corpses of comedians who used to be funny, cutting-edge entertainers and who have since devolved into hammy self-parody (Williams), treacly aww-dad comedies (Martin), or depressing blandness (Chase). And Eddie Murphy is no exception: From the once-great heights of Raw and “Mr. Robinson’s Neighborhood,” Murphy has turned into a pathetic echo of his former self, churning out lame movie series that require him to wear a fat suit and pander to the absolute lowest common educational denominator. And because Hollywood won’t be happy until it’s taken every happy memory you have of a once-great performer and ground it to pathetic dust beneath its cold and unfeeling boot, Eddie Murphy — who, don’t forget, was actually funny once upon a time — will be reprising his role as Axel Foley for Beverly Hills Cop IV. The bad news: You just know they’re gonna get Bronson Pinchot to return. The good news: Anyone who actually saw Beverly Hills Cop III in the theaters in 1994 is now old enough and wise enough to avoid this bound-to-be-putrid sequel, which means it’s up to a whole new generation to find Murphy unfunny. I think they can do it. — Daniel Carlson
Item #2: After nine years in development hell, in which it has chewed up and spat out directors Jonathon Mastow, Jon Favreau, and Steven Soderbergh, it looks as though Leatherheads, a 20’s era romantic comedy/football flick, is finally getting off the ground, this time with George Clooney at the helm. The flick stars George, as a team owner/aging football star, who hires a straight-out-of-college phenom, Carter Rutherford (“The Office“‘s John Krasinksi) to play for the team, all of which apparently sets into motion the rise of the sport. Clooney and Krasinski’s characters will also compete for the affections of the romantic lead, to be played by Renée Zellweger. From what I understand, there is already controversy brewing on the set, after Zellweger became offended that Krasinski mistook a grizzled and scarred lineman for Renée during the kissing scenes, while Clooney mistook her for an actual stitched pigskin. No word on whether she will ultimately be replaced by “Sour Puss,” a life-sized kewpie blow-up doll. — Dustin Rowles
Item #3: Chalk it up to pedestrian tastes, but the kid in me let out a little twee this week when it was announced that, after years of off-again/on-again status, the Stephen King/Peter Straub novel The Talisman is coming to TNT as a six-hour miniseries, scheduled for summer 2008. From DreamWorks Television and exec produced by Steven Spielberg (like last year’s “Into the West”), the story follows a young boy who travels across America and its hidden, parallel universe to find a talisman that will heal his dying mother. The novel will be adapted for the small screen by Ehren Kruger, who penned the darkly enjoyable Arlington Road (good luck trying to make that movie in the post-9/11 world) and The Ring, which frightened me more than I care to admit. Yes, TV movies/miniseries based on King’s works tend to be pretty disappointing, but still: I’m not ashamed to admit I was moved by this book when I was younger (and later blown away by its sequel, Black House), so I’ll likely tune in out of curiosity. My fellow pedestrians are welcome to join me. I’ll bring the popcorn. — DC
Item #4: If you’re sick to motherfucking death of Paul Haggis’ sentimental, cloying, melodramatic, tired-ass contributions to cinema for the last two years, a period in which he has inundated our theaters with dialogue that wouldn’t make the cut in a Grisham novel, well, welcome to my world. Seriously, whoever the hell thought it was a good idea to let the goddamn creator of “Walker: Texas Ranger” own a word processor ought to be shot between the eyes and left to die underneath a sewer grate. I won’t even address Crash, because whatever rancid taste it left in my mouth has long since been washed out and flooded with the fecal matter that was The Last Kiss, easily the worst adaptation of the year. Well, get ready for Haggis’ directorial follow-up to Crash, as he writes and directs In the Valley of Elah, which will follow a military veteran (Tommy Lee Jones) who goes in search of his son (Jonathon Tucker), a soldier who recently returned from Iraq and has mysteriously gone AWOL. Susan Sarandon will play the wife/mother. The story is based on a Playboy article, written by Mark Boal, which — of course — confirms my belief that Haggis probably gets most of his writing inspiration from Playmate bios. — DR
Item #5: There are two things I’m really getting sick of. The first is the constant rejiggering of network schedules. The latest such rejigger concerns the infuriatingly all-questions-no-answers “Lost,” which will be moving to the 10 p.m. Wednesday slot when it returns in February. This is likely to get away from both “Criminal Minds,” which has been nipping at its heels in the ratings, and the impending “American Idol” juggernaut. In the meantime, on January 3, ABC’s 9 p.m. slot will be filled with two new comedies — “The Knights of Prosperity,” which I’ve heard some good things about, and “In Case of Emergency,” which I’ve heard almost nothing about. Although it doesn’t really seem to matter now — both shows will probably get absolutely shelled in the ratings and are pretty much D.O.A. And this brings me to the second thing I’m getting sick of: The premiere of these new comedies means that “Daybreak’s” run is being cut short by about five episodes, with no word of a possible return. So this would appear to be another failed serial, and now fans of the show (of which I’m one) will have to be content to have the plot unresolved, or they’ll have to hunt down copies of the final episodes online (and/or wait for a possible DVD release). I’m seriously getting sick of all this shit. — Seth Freilich
Item #6: It’s impossible to get worked up about the box-office figures this weekend, as Happy Feet and Casino Royale maintained their positions at number one and number two for the third week in a row, while Déjà Vu held at number three for the second week. Of course, this means that last weekend’s new releases all faired poorly, beginning with The Nativity Story, which opened at number four, revealing that the controversy that erupted over whether Elizabeth is spelled with a “s” or an “z” failed to generate crowds. Turistas debuted in eighth place, as audiences’ love for torture-porn continues to wane. Finally, Van Wilder 2: The Rise of Taj stunk it up, landing in the 10th spot with a measly $2.3 million, though I am considering writing a third review to help its prospects.
I wouldn’t call this weekend a particularly exciting one for great films, but it does feature quite a few notable ones, beginning with Mel Gibson’s Apocalypto, which will allow Mel to move on from offending Jewish people to offending an extinct civilization that doesn’t have the Hollywood clout or the PR team to fight back. Unaccompanied Minors gets the widest release, opening in 2,500 theaters, meaning that Paul Feig won’t be able to sneak away unnoticed from this embarrassing turn in his career. The Holiday is opening on 2,200 screens, the trailers for which elicited this statement from Dan: It “adds a whole other level of dangerous wish-fulfillment by making you think that a guy that looks like Jack Black can land a girl that looks like Kate Winslet. And that’s just mean and misleading. Stupid Hollywood.” Blood Diamond shows up on 1,800 screens, as Edward Zwick attempts to do the same thing to Zales that Morgan Spurlock did to McDonald’s. Finally, we will also present our review of Nicholas Hytner’s The History Boys, based on the Tony Award-winning Broadway production and featuring the same cast. — DR
Pajiba Love 12/06/06 | | History Boys, The |
Comments
Ha ha ha ha, Beverly Hills Cop 4: The Zimmer Frame of Death
Posted by: Tina at December 7, 2006 6:03 AM
Ayup.
The untimely death of serials is now dooming any new serial, since smart people will not commit themselves to a serial when the odds are so high that it will be yanked out from under them with no resolution.
Haggis... I do not feel the same antipathy as you do -- didn't he adapt Million Dollar Baby? That movie ripped me apart.
That entire SNL paragraph -- ayup.
Jack Black cannot get Kate Winslet. It's the big screen version of all those incredibly lame, mediocre sitcoms with a big fat doughboy husband and a hot thin younger wife. You just KNOW the writers of this shit look like their heroes.
Posted by: Maryscott O'Connor at December 7, 2006 7:21 AM
1. Word, Maryscott and Dustin. In fact, I had the same annoyed reaction when I read this in the recent "Bobby" review:
"Paul (William H. Macy) is the general manager of the hotel, married to Miriam (Sharon Stone), the hotel's manicurist, and sleeping with one of the hotel's switchboard operators, Angela (Heather Graham)."
Uh-huh. It reminded me of a friend's snappy blurt-out when we saw "Basic Instinct" all those years back: "Are we expected to believe that wrinkly-bag Michael Douglas can get Sharon Stone AND Jeanne Tripplehorn?" Since then I've always silently called this particular Hollywood dysfunction the Stone-Tripplehorn Paradox.
2. Haggis--no thanks. But he didn't completely waste-out the "Casino Royale" script, in which he had a part. The dialogue worked for what it was, IMO. In other words, he should stick to schtick.
3. I live in fear of the "Talisman" adaptation. God I love that book--didn't study for my Grade Twelve finals all those years back, I was so deep into it. But TV project + King involvement = trust me, nothing I want to see given his track record when it comes to adaptations of his work. Nor can Straub save it--like King, I find his later stuff unreadable (when once, eons back, they both had a little something-something, you know?) and don't have any faith in either man's judgement anymore.
Posted by: ranylt at December 7, 2006 9:15 AM
I don't normally commit to a television show, and now, I am even more apprehensive about doing so, as it seems like all the good ones die young.
Daybreak has an incredible cast, incredible writers, incredible DP, did I forget to mention what an incredible series this is?
And I miss Smith. I mean seriously ABC keeps wife swap and a show like Daybreak is cancelled? What have we come to?
Posted by: rochelle at December 7, 2006 9:24 AM
before I forget: FUCK YOU Lost
never again!
Posted by: BarbadoSlim at December 7, 2006 10:43 AM
If they replace Renee with Cookie Puss they might get more dramatic range out of the character (did I just say that out loud?).
Posted by: Blackcapricorn at December 7, 2006 11:20 AM
Lost - which I've been enjoying - moving to 10 doesn't bother me, as being a college student means it's not like I sleep at decent hours, anyway. But I'm with you about Day Break, Seth Freilich. Seriously, it's a thirteen episode already filmed self-contained series. Why not just let it air? Yeah, I know the ratings haven't been good, but dammit, do they really think that The Knights and Emergancy are going to do any better - especially given that they'll be facing American Idol? On the plus side, I'm hearing that even if Day Break gets pulled, the final episodes will air at abc.com. Their view system could be better, but it ain't terrible.
Posted by: S. A. Bonasi at December 7, 2006 12:03 PM
he he he...you said twee....
Posted by: dammitjanet at December 7, 2006 12:25 PM
Beverly Hills Cops IV: Just One More Banana, Please?
Posted by: Justin at December 7, 2006 1:17 PM
"Jack Black cannot get Kate Winslet. It's the big screen version of all those incredibly lame, mediocre sitcoms with a big fat doughboy husband and a hot thin younger wife. You just KNOW the writers of this shit look like their heroes."
I hear that, Maryscott. I shake my fist in the air (metaphorically) every time I see an ad for that movie.
Although, I do like King of Queens... I have problems.
Posted by: Bianca Reagan at December 7, 2006 1:41 PM
Funny thing though, in my personal experience, decent looking women that marry Alpha types do end up with a fat guy in the end. Many jocks or "Aryan" types end up looking very much like Jack Black it just takes beers and years. The only problem is tahat they don't have the wit or love of life he does.
Posted by: BarbadoSlim at December 7, 2006 2:16 PM
Beverly Hills Cop 4: Yes...Judge Reinhold is Still Alive
Wow...that's 2 SOLIDLY horrible film franchises that Judge Reinhold has helped run into the ground. You think Hollywood would figure this out and just STOP giving this guy these roles that he just doesn't have the talent to support. I mean sure, he was thrilling in Hermie and Friends: STanley the Stinkbug Goes to Camp. And who was able to keep a dry eye with his emotional turn in Clifford's Really Big Movie. Those were just lucky hits...but Judge Reinhold is definitely not the viable on-screen comodity he once was...
Posted by: JohnWiz at December 7, 2006 2:17 PM
Dammit...I meant to hit preview...
these brilliant series of course are Beverly Hills Cop and The Santa Clause Trifecta
Posted by: JohnWiz at December 7, 2006 2:19 PM
Does anyone know how much money Eddie is "commanding" per film?
All joking aside, when Eddie was in top form he was REAAAALLY good. I recently saw an old clip from some Jesse Jackson parody, he had a big fro and was singing as if he was in the Four Tops, brilliant.
Posted by: BarbadoSlim at December 7, 2006 2:36 PM
Eddie...how the mighty have fallen. Even your old SNL stuff was pretty decent, relative to what SNL is now/what you are now doing. I just have to see your Buckwheat impersonation and I lose it every time, and almost forgive you the rest of your post-stand-up "career".
(noopin' pah lahb!)
Posted by: ranylt at December 7, 2006 2:41 PM
I'm pretty pissed off about Daybreak... that show is unexpectedly, really entertaining! They might as well just burn it off and show all of the episodes, to satisfy the millions of people who are still watching it.
Posted by: Anonoguy at December 7, 2006 3:10 PM
The notion of Jack Black and Kate Winslet getting together isn't as offensive as the notion that Kate Winslet is supposed to be average looking.
Posted by: ecp at December 7, 2006 3:25 PM
OK, I'll bite.
BHC 4: The Tranny Chronicles
BHC 4: I Owe Charlie Money
BHC 4: Fuck You, Fans
Posted by: Kballs at December 7, 2006 3:57 PM
Although, Micheal Douglas is actually married to Catherine Zeta-Jones...she's gorgeous!
And I totally agree with ECP's comment on Winslet...she's gorgeous too!
Posted by: SLO girl at December 7, 2006 4:44 PM
Any guy can land any girl, he just needs the right broom or drugs...i'm not sure which.
Posted by: ScarletKnight at December 7, 2006 8:12 PM
the talisman, i read that thing twenty years ago..it`s worth a shot..a great thing about k winslet..she loves to take it off and show it off, i`m sick of jack black
Posted by: pasadenamike at December 7, 2006 9:25 PM
ecp, you read my mind. I have a friend who hates 'Little Children' only for the fact that we are supposed to accept Kate Winslet as the "ugly one," so to speak. I think 'Little Children' is a stunning film myself, but I understand his point. I think Winslet is one of the most stunning actresses working today (or ever for that matter), easily.
Posted by: stacy at December 7, 2006 9:37 PM
bianca- I too am a fan of King of Queens, and get peeved when it unfairly gets lumped in with those other CBS sitcoms. The cast is great, (Patton Oswalt!) and the plots are always fun. I wouldn't by any means put it on the same level as Scrubs or Curb Your Enthusiasm, but its certainly no Two and a Half Men.
PS For the record, Television Without Pity also hold this view. And as far as I'm concerned TWoP can do no wrong...
Posted by: Matt at December 8, 2006 12:18 AM
Speaking of Zales, jewerly commercials are some of the worst commercials ever. And I have to watch them all day long. Is it just me or is it directed at guys who either fucked something up and have to buy some expenive necklace that somehow says I love you to make up for it or the guys who don't have a clue what to get their significant other than some expensive rock that is probably used for the most part to make the woman's girlfriend jealous?
I mean, how fucking full of themselves are they at Kay when they say, 'Every kiss begins at Kay' So in order to get a simple kiss from a woman we have to buy her jewelry? Is that what they are implying? Sorry for the rant but I swear I see at least 10 jewelry commercials a day and they really get on my nerves.
Posted by: dave at December 8, 2006 1:12 AM
1)I'm pretty sure it's John Krasinski, not John Krasinksi. I know how incredibly anal that comes across, but I can't help it.
2) George Clooney and John Krasinski in the same movie? Sweet, sweet mercy. My sis is gonna twee herself when she hears about this. She loves her some John and I loves me some George.
3) Someone needs to put Ms. Rene the fuck out of our misery. I can't even look at her, she's such a prune-face. It stopped being cute sometime around 1999.
Posted by: Malice Alice at December 8, 2006 2:46 AM
dave- Jewelry campaigns are actually targeted at women. Their purpose is to instill in the woman's mind that her significant other only loves her if he buys her a hefty rock, (and just how much he loves her can be quantified by how expensive said rock is), thus instilling a consumer's attitude in our larger culture. I'm pretty sure buying a diamond wedding ring is actually a fairly recent phenomenon brought about by such a targeted campaign 50 years ago. I'm a little rusy on my social activism though, so don't quote me on that!
Posted by: Matt at December 8, 2006 11:23 AM
"The Nativity Story, which opened at number four, revealing that the controversy that erupted over whether Elizabeth is spelled with a "s" or an "z" failed to generate crowds."
HAHAHHAHAH! I guess you had to be there on the other Pajiba thread.
Posted by: BWeaves at December 8, 2006 4:23 PM
Seth, I'm with you on being totally fed up with the way TV is scheduled, rescheduled, over scheduled and scheduled one more damn time. It's one of the few things that turns me in a fist shaking middle-aged lady yelling the equivalent of "turn that shit you call music down and get off the damn lawn, you rotten kids."
Then I remember that back in the day I wouldn't have been able to torrent not only Prison Break every week--what can I say, when it comes to William Fichtner I have no shame--but a fantastic Brit mini-series called The State Within which just finished its run on BBC1. So I guess that makes up for it.
Also, fuck you, Lost.
Posted by: telesilla at December 9, 2006 7:52 AM
Jewelry ads are for men and you're seeing a ton of them now because Christmas is a big jewelry-buying season (which is why you'll be seeing a ton of them in the run-up to Valentine's Day and Mother's Day, too).
RE networks: I'm convinced they're run by idiots. I understand counterprogramming, ie, running Grey's Anatomy vs. football; what I don't understand is running a show you hope to appeal to younger people against American Idol. Idol, unfortunately, is probably going to kill anything running opposite it that isn't sports for a long time to come. So why do they stick a new show opposite Idol and then yank it after 2 episodes when it fails to "catch fire"? I think they try to kill shows off so they can get credit for "trying" something new but don't get the blame when it fails.
RE Eddie: I was surprised that I didn't hate "Daddy Daycare." It's not the greatest movie, but Eddie is appealing in it and the kids are adorable. Whatever... he couldn't stay cutting-edge forever.
And I sorta like King of Queens, too. The only character I don't like is the effing annoying father (didn't like him as George's dad on Seinfeld, either). The crazy old man shtick gets old fast.
RE old dudes and younger chicks - Not saying no old dude could possibly be appealing to younger chicks, but c'mon. It irks me every time I see it in a movie because the movie usually asks us to do one of two things: 1) sympathize with the younger golddigger who made the "mistake" of marrying the old rich guy instead of the young, hot poor guy she really loves or 2) believe that the old guy is so hot and irresistible that he could get hot young babes even if he wasn't fabulously wealthy.
Posted by: LL at December 9, 2006 7:32 PM
Re: Eddie Murphy, I'm with you Daniel,
but don't forget some love for Bowfinger! That movie completely redeemed Eddie Murphy in my eyes. For a little while, anyway.
...But no, I can't yet face the idea of a fourth Beverly Hills Cop. I think I'm still too fragile from the last one.
Posted by: Loob at December 10, 2006 9:24 AM
Eddie Murphy is so hurting for cash, I mean, he did Dreamgirls for Chrissakes...
Posted by: Gina at December 10, 2006 2:15 PM
Go team Elisabeth!
Posted by: elisabeth at December 11, 2006 2:23 PM

