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Damn, It Feels Ambivalent to Be a Gangsta

American Gangster / Daniel Carlson

Ridley Scott’s American Gangster is great at living in the tension between what it needs to be and what it’s too lazy not to become. It’s a powerfully American film, in everything from storytelling to mindset, and that tone of hypocrisy- but-somehow- not runs through every sweaty, glistening frame: The film wants to be a taut modern mob story but winds up getting bogged down in personal subplots that don’t pan out; it decries violence as horrible even as it gets off on the kinetic jolt of it all; it’s big and strong, but also occasionally meandering and weak. For Scott, this isn’t entirely surprising. His c.v. includes some genuine classics, but since finding a low-level muse in Russell Crowe, Scott has contented himself with making forgettable dramas — Black Hawk Down, A Good Year — that capitalize on his name and then coast on the brand recognition without actually plumbing the emotional and intellectual depths that has give some of his older films such staying power. The duality of the American spirit and the clichéd American Dream are what make American Gangster so compelling, even as it staggers occasionally: Its reach exceeds its grasp, but it never lets the fear of failure (or actual failure) stop it from trying to become something bigger and better. And every now and then, it succeeds.

The film begins with an explosive start, bottling lightning for a few jaw-dropping seconds as Frank Lucas (Denzel Washington), a driver and enforcer for Harlem gangster Ellsworth “Bumpy” Johnson (Clarence Williams III) in 1968, stands in front of a man tied to a chair, douses him with gasoline, and calmly flicks a cigar at him, listening to the man’s screams of agony for a few moments before drawing a gun and emptying a few rounds into the thug’s head and chest. It’s unsettling, and uncompromising, and promises that Scott is out to grab your lapel and shake the life from you like he hasn’t since Alien. And for a few minutes, he does. Bumpy’s death opens up the streets to chaos, with all kinds of wannabe kingpins staking their claim on Harlem and threatening what Frank already feels is a dying way of life. Bumpy had moaned that the neighborhood’s mom and pop stores had been replaced by corporations with no personal connection to their customers, and it’s that perverted sense of serving the community while really raping it that Frank has taken to heart.

While Frank attempts to keep his local rackets going, Scott shifts between the criminals and the cops, following Richie Roberts (Crowe), a New Jersey detective working to stem the flow of dope on the streets. Richie is another of the film’s myriad studies in contradictions, a take-charge cop who quivers when he has to present a legal brief at night school, and Crowe plays him with the wonderfully shaky angst he showed in The Insider. Richie is unwilling to take any dirty money, going so far as to turn in $1 million in unmarked bills that he discovers with his partner. But it’s in Richie’s half of the story that Scott often loses sight of his goal and gets a little lost in the weeds, detailing a few busts Richie makes with his partner and Richie’s dissolving marriage in an attempt to give the story scope. However, most of it feels like too much effort with not enough payoff, especially saddling Richie with divorce proceedings and a custody battle that never stick around long enough to affect the character and merely feel like the kind of easy shorthand used to flesh out cops in movies. Of course Richie is married to his job, involved with a string of meaningless girlfriends. Showing this once makes it real; dwelling on it means it had better matter in the long run, but it doesn’t.

The film’s real strengths lie in the way it charts the rise and fall of Frank and Richie side by side, as they fight for what the believe to be right while worrying about just how many times they can sell a piece of their souls before there’s nothing left. Frank builds a heroin empire by actually journeying to Southeast Asia, meeting up with a cousin in the Army who’s stationed in Vietnam and then trekking into the jungle to deal directly with the opium supplier. I won’t give away how Frank actually ships the drugs into the States, except to say that only a hardened criminal could really take advantage of the Vietnam war so casually. But that’s Frank’s entire problem. He wants the American Dream, but no one ever really admits that that dream is inherently criminal to a certain degree, involving wealth easily gained and a life of consequence that somehow arrives with no effort. Frank is a ruthless villain, chasing his twisted version of a national birthright and convinced that doing things like passing out turkeys at Christmas somehow forgives, or at least nullifies, the fact that he’s also flooding the streets of his own beloved borough with heroin that’s recruiting new junkies daily, leaving kids without parents, and instigating brawls between the Italian crime families and the black gangs warring for New York. Scott has the unflinching skill to show all this, but it never quite amounts to a condemnation. Scott’s not exactly making Frank out to be the local hero that some considered him to be, but neither is he judging him; rather, he seems to be pointing a finger at The System, as Frank is wont to do, blaming it for everything that’s wrong and letting that anger override any rational thoughts of an objective right and wrong. Because Christmas turkeys or no, drug kingpins aren’t model citizens.

Still, Washington and Crowe are damn near electric at times, holding together the sprawling story with the sheer force of their collective will. Washington is at his best when he’s calm, only occasionally allowing his icy anger to warm up enough for him to shout; even when he (for instance) pulls a gun from his waistband and shoots a man in the face in the middle of the street one morning, there’s an erudite boredom about it, as if this is just something he needs to go to get where he feels he has to go. He’s evil, but so damn cool about it that you can see why Scott is hesitant to brand him a villain. Crowe is solid as well, so workmanlike and unwilling to showboat that it’d be easy to dismiss his performance as rote. But he’s fantastic at creating empathy for what could have been just another two-dimensional cop.

Ultimately, American Gangster is entertaining but overlong; smart and nuanced, but also a little clunky, and afraid of making a stand. The weirdest part is how Scott never makes any kind of commentary on how law enforcement, including Richie and his fellow detectives, isn’t directly interested in getting bad guys off the streets, but in cutting them deals and milking them for info. This is how it’s done, and this is how it has to be done, but not even the straight-laced Richie seems too torn up about it. His ex rails at him, “You think you’re going to heaven because you’re honest, but you’re not. You’re going to the same hell as the crooked cops you can’t stand.” But if her argument hits home with Richie, it would be lost on Scott. Its title notwithstanding, American Gangster is perfectly at home pretending that crime pays. The American dream lives on.

Daniel Carlson is the managing editor of Pajiba and a low-level employee at a Hollywood industry magazine. You can visit his blog, Slowly Going Bald.


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Comments

I've gone from "can't wait" to "kind of excited" on this, but hell, I saw Virtuosity, I might as well see this too.

Posted by: Edgar at November 2, 2007 10:06 PM

Yep, my thoughts exactly.
Not bad, but not that great either. How long has it been since we got a really good ganster movie?

Posted by: the_Wakeful at November 2, 2007 10:48 PM

Denzel always delievers, at least I feel like I get my moneys worth.Russell Crow not so much. Got to be some babes in this thing ,RIGHT?? hey buss trade that little bitch KOBE now!

Posted by: pasadenamike at November 2, 2007 10:51 PM

Washington and Crowe in a movie together is reason enough for me to see this.

Posted by: Dingles at November 3, 2007 12:28 AM

How long has it been since we got a really good ganster movie?

Have I found a fellow traveler who also found The Departed tiresome and loud? Body count and profanity are fun and all, but they can't substitute for character and nuance.

Denzel and Crowe are two of my favorites, especially Crowe, despite all appearances that he's a complete jagoff. On my list of guarantors of cinematic enjoyment, there's Chris Cooper, George Clooney, and then Crowe. So, I'll be giving this one a shot very soon.

Posted by: socalledonlycousins at November 3, 2007 2:02 AM

I'll probably see it just for the Denzel freak outs, but yeah, I thought this would be flawed.

Posted by: Kevin Longrie at November 3, 2007 2:11 AM

i think i've kinda given up on denzel...i know, i know WHY you ask? isn't he really just playing one of two characters all the time?
character one: undercover cop, detective, hero. character two: corrupted undercover cop or detective, general bad ass.

maybe i'm wrong (and i'm sure many of you think i am), but this role seems to fit into the character two column.

Posted by: citizen_cris at November 3, 2007 2:25 AM

Even kind of bad gangster films are better than really good romantic comedies. Count me in.

Posted by: McDirty at November 3, 2007 3:31 AM

How the hell was Black Hawk Down forgettable? knowing you think that makes the rest of the review pointless

Posted by: Kevin at November 3, 2007 4:55 AM

In real life crime does pay and the bad guys might not always win but they sure as hell get to live better than you and me.

All that aside I will be watching Denzel and the Thighmaster do their thing 'cause this looks very cool.

Posted by: BarbadoSlim at November 3, 2007 7:13 AM

I think Stringer Bell deserves better than to be taken out like a punk in the middle of 125th street in broad daylight.

Posted by: Pookie at November 3, 2007 10:45 AM

I think Stringer Bell deserves better than to be taken out like a punk in the middle of 125th street in broad daylight.

That's his penance for The Reaping.

Posted by: socalledonlycousins at November 3, 2007 11:59 AM

despite its shortcomings (and there really aren't that many, and the flaws it does have are directorial), i found this movie entertaining and well worth seeing, and not only for Crowe's and Washington's performances (which were riveting at times), but the ensemble is good as well and the cameos are nice and understated, not obvious (see Deadwood's John Hawkes and the RZA).

Posted by: causaubon at November 3, 2007 12:30 PM

I understand socalledonlycousins, but a brother gotta eat.

Posted by: Pookie at November 3, 2007 1:03 PM

In real life crime does pay and the bad guys might not always win but they sure as hell get to live better than you and me

I read that while the big drug bosses did make very nice profits, they were on the top of a huge pyramid, with the rank and file at the bottom earning LESS than the minimum wage and with a 1 in 4 chance of death in four years. i.e. with a bigger chance of dying than a criminal on death row!

Posted by: chrisD at November 3, 2007 1:28 PM

I would be more interested if Crowe wasn't involved. Easily the most overrated actor of the past ten years. Think I'll just watch "The Wire" instead.

Posted by: Bazzy at November 3, 2007 5:11 PM

How the hell was Black Hawk Down forgettable? knowing you think that makes the rest of the review pointless


i agree that blackhawk down is far from forgettable, in fact, other than saving private ryan and about a half hour of thin red line, it is one of the best war movies in the past 10+ years...


however, i think his review is dead on, this movie did have a lot more potential but it just fizzled in certain areas.

Posted by: Colin at November 3, 2007 5:43 PM

This sounds like a bit of a rip-off, a combination of The Sopranos, The Wire and a bit of Tom Clancy thrown in for good measure.

In Season six of The Sopranos, the guys bemoan that the local mom & pop stores are being taken over by conglomerates (very obvious swipe at Starbucks, the second for the series), which leaves them unable to collect protection money. Also, Tony sells out a local place to some kind of coffee/juice bar.

The Wire rip-offs are obvious with the drug story, and with the parallelling (is that a word?) of the lives of the gangsters with the lives of the cops.

Finally, if you're hinting at what I think you're hinting at, with his method of smuggling drugs from Vietnam, Tom Clancy did that in Without Remorse. Which as far as I know hasn't hit any screen, large or small, but it's a pretty good book.

Notwithstanding all those blatant rip-offs, I'll probably see it. Not because of Russell Crowe, because as a Sydneysider I know how big a prat he is, but because of Denzel Washington, who is both a great actor and extremely delicious to look at.

Posted by: Alison at November 3, 2007 6:13 PM

Um, yeah black hawn down was seriously incredible, I'd say. And Russel Crowe is a superior actor. Denzel might be more famous.. and is a wonderful human being I am certain, but c'mon, Russel Crow.

Posted by: full at November 3, 2007 6:24 PM

I saw the movie last night and I wasn't really impressed. It was certainly over-long as your review suggested but I thought that it was unbearably slow paced at times. It seems like Scott wants so badly to be Martin Scorcese that he just took a script that looked like Goodfellas crossed with the Departed (but without any really great lines like those two movies have) and then grabbed up as much acting talent as he could find, blended on high for several hours and put out the result without any editing whatsoever. I thought Crowe was atrocious and I hated his accent. Furthermore, I disagree with the idea that Frank Lucas was the villain of the story. I think you hinted at this in your interview but I got the impression that the only people we were supposed to find villainous were the dirty cops.

**Spoiler alert maybe??"**
One last thing: Last night in the theater, after the body count on screen had probably already reached double digits, in the scene where the douchebag new york cops shoot Frank's dog, some dumb bitch in the audience shouted "What an asshole!" This is why I hate those fucking goofy PETA nutjobs. They care more about animals than human beings.

Posted by: Nate at November 3, 2007 6:48 PM

Gah,Denzel represents everything that's overrated with American culture-where's the appeal?His choice of characters have little variation & he's nothing to shout about.Lame.

Posted by: daniel at November 3, 2007 8:05 PM

I just got back from seeing this movie, and although I agree that it was too long, I really enjoyed it. It wasn't just Washington and Crowe's explosive and powerful performances, but the ensemble cast was fine, and I enjoyed the detail to the movie's time span (the late '60s and early '70s). I watched this movie right after I watched "New Jack City" on DVD, which, in my opinion, was one of the smartest films about the drug trade. There were many similarities between these films, especially how they showed the impact of drugs on their victims. In "New Jack City," the drug addicts were really bad-looking (whereas in most films, drug addicts look healthy and are still glamorous), and in "American Gangster," the scenes of Frank's prosperity through the selling of drugs were interspersed with the victims of drug abuse, particulary people who died from heroin overdoses, and these scenes were pretty ugly. Yes, Frank was cool and smooth, but he was also a cold-blooded killer who profited from people's misery. He was a villain, but so were the crooked cops, and a corrupt system. Like Nino Brown said in "New Jack City," -- "This [drug-dealing] is the American Way." Very few people at the top in this country made it without screwing over "the little people." Most of us are not honest enough to admit that fact, but this film is, I for that I give it a lot of credit.

Posted by: Renee at November 3, 2007 8:41 PM

I just got back from seeing this movie, and although I agree that it was too long, I really enjoyed it. It wasn't just Washington and Crowe's explosive and powerful performances, but the ensemble cast was fine, and I enjoyed the detail to the movie's time span (the late '60s and early '70s). I watched this movie right after I watched "New Jack City" on DVD, which, in my opinion, was one of the smartest films about the drug trade. There were many similarities between these films, especially how they showed the impact of drugs on their victims. In "New Jack City," the drug addicts were really bad-looking (whereas in most films, drug addicts look healthy and are still glamorous), and in "American Gangster," the scenes of Frank's prosperity through the selling of drugs were interspersed with the victims of drug abuse, particulary people who died from heroin overdoses, and these scenes were pretty ugly. Yes, Frank was cool and smooth, but he was also a cold-blooded killer who profited from people's misery. He was a villain, but so were the crooked cops, and a corrupt system. Like Nino Brown said in "New Jack City," -- "This [drug-dealing] is the American Way." Very few people at the top in this country made it without screwing over "the little people." Most of us are not honest enough to admit that fact, but this film is, and for that reason, I give it a lot of credit.

Posted by: Renee at November 3, 2007 8:43 PM

Good review, but add me to the Black Hawk Down camp. I remember it being very well received when it came out. That scene where the helicopters are cruising along the beach was exquisite film making. Eric Bana and William Fichtner were very memorable. And that was one fucking awesome firefight. (It also sounds fantastic on my home cinema system).

Posted by: JP at November 4, 2007 1:05 AM

I never hear Jack Nicholson get criticized for playing similar roles over and over. Why Denzel? He may not be on Jack's level but he is good at what he does. Does anyone want to see him in a romantic comedy or something? I'd rather see him play Frank Lucas in five straight movies than some stupid Hugh Grant character in one movie just for the sake of him choosing different roles.

I found the movie entertaining. It got a little long in the middle but it picked up at the end and I thought the payoff was worth it. Any complaint I could muster up would be minor. I love the crime/mob genre so I might rate it a bit higher than a nonfan. But I thougth it was very good.

Posted by: Dave at November 4, 2007 1:46 AM

Gah,Denzel represents everything that's overrated with American culture-where's the appeal?His choice of characters have little variation & he's nothing to shout about.Lame.

Yeah, not the sexualizing of children, not the horrible role models that inexplicably still hold sway, not the dualist "with us or against us" bent of most media, not the elevation of mediocrity and punishment of any real creative thought. Yeah, Denzel Washington (and actors who are comfortable in certain roles in general, like say Tom Hanks and the later mentioned Nicholson) is what is wrong with American culture.

That was sarcasm, by the way.

Posted by: Vermillion at November 4, 2007 9:06 AM

Gah,Denzel represents everything that's overrated with American culture-where's the appeal?

The appeal is the guy is a multiple Oscar winner and one of our greatest actors. Sadly these days the American culture rewards stupidy i.e. Spears, Hilton and the late great Anna Nicole. But I really don't blame you for your comment about Zel, you obviously don't know any better.

Posted by: Pookie at November 4, 2007 9:27 AM

Anyone see Denzel doing Shakespeare in "Much Ado About Nothing?", where he and Kenneth Branaugh pretty much tore the movie screen with their combined talents?
(forget Keanu Reeves was in it)

My point is the guy has range, but maybe he just prefers making certain kinds of movies. Most big actors in Hollywood do the same.

Posted by: Dingles at November 4, 2007 11:29 AM

Yup, skipping this one (at least at the cinema). Will probably Netflix it but the queue is already way too long. In the mean time I'll join the others who will watch The Wire. Lesser knowns who actually can (and still do) act in intelligently written scripts. Those appear to be missing, or at least, in lesser quantity and quality in "American Gangster". It should have been better.

Posted by: rudy at November 4, 2007 12:14 PM

I enjoyed the film. It had good acting all around and showed a lot of the local landmarks in Harlem. It's always pretty cool seeing places you've been to on the big screen.

As a huge fan of The Wire I could tell the obvious influences in showing the different shades of the local area. But in it's defense there's no way any movie can match the complexity of The Wire. That's pretty much impossible.

Posted by: vadmspartan at November 4, 2007 12:56 PM

If we are talking about overrated movies, then put "The Departed" on my list. I was disappointed in it, especially Jack's hysterically frenetic acting. I feel like after a few Oscar wins, he really just phones it in now for the paycheck. The whole movie felt very small screen, like it aspired to be worthy of a theatrical showing but really should have been an HBO miniseries.

Now, I enjoyed "American Gangster". Sure, it wasn't a perfect movie, but it was clean storytelling with fine acting. I found it more palatable than "The Departed" and free of all the gimmicky film making that Scorsese relies on like flashy editing and a braying soundtrack of "relevant" pop/rock songs.

Both Washington and Crowe fill these "big" roles well and do so comfortably as actors which makes them all the more enjoyable to watch. I also happen to think Crowe is wonderful in nearly everything. Maybe I'm a wee biased.

As for the length, like my mom said, now that we're paying upwards of $10 for a ticket, I almost expect a little more for my money. I'd feel ripped off for anything less that 2 hours. Ridley Scott kept the story moving in a way that didn't feel rushed nor did any portion really dragged along. Most of the scenes were necessary to tell the story of both cop and criminal.

Glad I saw it. Shoot, glad I saw any decent movie this weekend. It's been far too long since I stepped foot in a movie theater and I was beginning to get the DT's.

Posted by: Alabamapink at November 4, 2007 1:54 PM

This sounds like a bit of a rip-off, a combination of The Sopranos, The Wire and a bit of Tom Clancy thrown in for good measure.

*****
The Wire rip-offs are obvious with the drug story, and with the parallelling (is that a word?) of the lives of the gangsters with the lives of the cops.

Finally, if you're hinting at what I think you're hinting at, with his method of smuggling drugs from Vietnam, Tom Clancy did that in Without Remorse. Which as far as I know hasn't hit any screen, large or small, but it's a pretty good book.

Posted by: Alison at November 3, 2007 6:13 PM

Umm, I think some of you guys are missing the rather salient fact that "American Gangster" is based on real people and events. If Tom Clancy "did that" he ripped it off from Frank Lucas.

"Gangster" may be a little late to the party, but it's not a rip-off of anything.

By the by, saw it last night and was very impressed with Crowe's decision to keep it so low key. One thing you can say about the guy-his ego never get's in the way of his craft.

Posted by: sunny at November 4, 2007 7:34 PM

As a trekker I admire that Crowe has made the best Star Trek movie of all time, Master and Commander.

Posted by: BarbadoSlim at November 4, 2007 9:14 PM

I think it's a bit unfair to stamp on Denzel for playing the same role. That's more down to the lack of decent scriptwriting at the moment; most roles for the 40+ male are basically interchangable. I think he's got a good handle on things, doing the occasional John Q for the bucks until Training Day comes along. The guy has his own style, sure, but doesn't everyone? All I can say is that I invariably look forward to his next film, which is as good a criteria for excellence as any.

As for Russell, I can't get enough of the guy. He may be an arsehole, but discussions on character based on press reports are unlikely to be accurate. In the interviews I've seen him do, he seems thoroughly charming and amusing. Funnily enough, the only unbearable film I've seen either him or Denzel in was the one they appeared in together (Virtuosity). Keep in mind I've haven't seen The Preacher's Wife.

Posted by: Craig at November 5, 2007 3:47 AM

Unfortunately for Denzel Washington he plays his "stock characters" so well that he's pretty much the best choice for any character written that way - the same thing's happened to Morgan Freeman but, as yet, I've yet to see anyone denounce him as the possible downfall of American civilisation.

Of course now that I've mentioned that the probability of it happening rapidly approaches 1. Hey ho.

I wasn't fond of Black Hawk Down either, it just didn't do it for me I'm afraid.

Posted by: Alex the Odd at November 5, 2007 4:34 AM

does anybody else think T.I. just needs stop trying to act? every scene with him in it was absolute torture to watch.

Posted by: KC at November 5, 2007 12:29 PM

Can't wait to see Denzel play a truly, truly bad guy. Plus, he's gorgeous.

Posted by: Samantha T at November 5, 2007 12:30 PM

at the same time however, i thought the RZA was great. "It's ME! Boogaloo, baby!"

Posted by: KC at November 5, 2007 12:34 PM

Glad to see I'm not the only one who's read Freakanomics. :)

Posted by: Stella at November 5, 2007 12:47 PM

as for Denzel playing "stock characters", um, Meg Ryan anyone? Sean Bean? Hell, Harrison Fucking Ford?

Much as I'd love to see Denzel as a romantic lead (My tween heart pitter pattered watching Much Ado, with all the men galloping home in slow-mo, with those crisp white jackets unbuttoned at the collar.... yummy!), he's a two time Oscar winner. I think he's typecast in "heavy" roles befitting his status.

Posted by: Stella at November 5, 2007 1:57 PM

Re:sunny - i just watched the History Channel "Gangland" episode on Frank Lucas and I was like "OMG" they stole the plot to every gangster show i've ever seen from this guys real life.

I mean he was the wire/new jack/soporanos all by himself. also not at all remorseful (he's still alive after serving a stretch)

sidenote - those history channel gangland eps are really really graphic. they do a good job of illustrating the appeal of the gangsta lifestyle, but they also don't minimize the amount of violence and dead bodies required to achieve that level of "success"

Posted by: matt at November 5, 2007 3:37 PM

HA! I wondered who would be the first to drop a Virtuosity reference, and there it is the the 1st comment! Nice!

"Hey there, Parker! This one's for you"

Posted by: RichieRich at November 9, 2007 12:21 AM

Good review, great title!!

I thought the movie was well made and a pretty good yarn, but not anything more (not that it necessarily has to be, mind you.) I don't think it's reach exceeded it's grasp, in that I didn't feel it was ever really reaching that high.

Good movie, but leaves me somewhat ambivalent too. ;-)

Posted by: madmaxmedia at November 9, 2007 2:58 PM

since when a movie needs to tell me what it's right and what's wrong? I'm not 5, the ambivalency of the movie it's his greatest part and the story it's ambivalent itself so suck it, that's life. the all ex-wife part was a necessary builting up to her speech, it was needed and otherwise it would have been too forced. and you know what? how the end is that different from the look we have of ray liotta in the goodfellas, that's where scott condamn Lucas, by putting him in his own streets but taking away from him any power. He's the long feared middle man now.

Posted by: rio at November 19, 2007 9:19 PM

This was excellent. Although Aunt Flo wanted to do me in while sitting there, I managed to keep my legs together for 2 hours and 40 minutes. It was that good.

Posted by: Fairmaiden327 at December 4, 2007 7:48 PM

The role was played perfectly, but if you read some articles found on the narconon website you find out the good actors have problems getting out of their role.

Posted by: Cristian at April 10, 2008 3:57 AM